In 1850s America it was extremely uncommon, if not unheard of, for a woman to travel without an escort for her own pleasure. Railroads did not yet reach the Mississippi, rapids barred ships from Lake Superior, and American Indians still inhabited the frontier. Traveling from New York City to Lake Superior's shores, the Mississippi River, and the newly created Minnesota Territory was most definitely not the ideal vacation - or was it? A Fashionable Tour through the Great Lakes and Upper Mississippi is the complete daily journal written by Juliette Star Dana, a 35-year-old wife and mother, during her nine-week pleasure tour over three thousand miles of the United States in the summer of 1852. Traveling the frontier roads of rivers and lakes with only a female companion and her teenage son, Juliette sought the scenic water-falls and shorelines along with such man-made sights as copper and lead mines, factories, military posts, and a prison. Juliette chronicles these places and the people therein - American Indians, soldiers, lawyers, and politicians - with engrossing detail and also describes the journey's numerous hardships of accidents, vermin, sickness, and disease. This one-of-a
An impressively complete survey of the play in its cultural, theatrical, historical and political contexts." - David Bradby, co-editor of Contemporary Theatre Review Samuel Beckett's Waiting for Godot is not only an indisputably important and influential dramatic text -it is also one of the most significant western cultural landmarks of the twentieth century. Originally written in French, the play first amazed and appalled Parisian theatre-goers and critics before receiving a harshly dismissive initial critical response in Britain in 1955. Its influence since then on the international stage has been significant, impacting on generations of actors, directors and audiences.
May Sarton's love for Juliette Huxley, ignited that first moment she saw her in 1936, transcended sixty years of friendship, passion, silence, and reconciliation. In the breadth and variation of these letters, we see Sarton in all her complexities and are privy to the nuances of her rich amitie amoureuse with Juliette, the preeminent muse and most enduring love of her life. The letters chart their meeting; May's affair with Juliette's husband, Julian (brother of Aldous Huxley), before the war; her intense involvement with Juliette after the war; and the ardent and life-enhancing friendship that endured between them until Juliette's death. While May's intimate relationship with Julian had not been a secret, her more powerful emotions for Juliette had. May's fiery passion was a seductive yet sometimes destructive force. Her feelings for and demands on Juliette were often overwhelming to them both. Indeed, Juliette refused all contact with May for nearly twenty-five years, the consequence of May's impulsive threat to tell Julian of their intimacy. The silence was devastating to May, but her love for Juliette never diminished. Their reconciliation after Julian's death was not so much a rekindling as it was a testament to the profound affinities between them.
Ateliers have produced the greatest artists of all time—and now that educational model is experiencing a renaissance. These studios, a return to classical art training, are based on the nineteenth-century model of teaching artists by pairing them with a master artist over a period of years. Students begin by copying masterworks, then gradually progress to painting as their skills develop. Classical Drawing Atelier is an atelier in a book—and the master is Juliette Aristides, a classically trained artist. On every page, Aristides uses the works of works of Old Masters and today’ s most respected realist artists to demonstrate and teach the principles of realist drawing and painting, taking students step by step through the learning curve yet allowing them to work at their own pace. Unique and inspiring, Classical Drawing Atelier is a serious art course for serious art students.
The first book to investigate Jane Austen's popular significance today, Everybody's Jane considers why Austen matters to amateur readers, how they make use of her novels, what they gain from visiting places associated with her, and why they create works of fiction and nonfiction inspired by her novels and life.The voices of everyday readers emerge from both published and unpublished sources, including interviews conducted with literary tourists and archival research into the founding of the Jane Austen Society of North America and the exceptional Austen collection of Alberta Hirshheimer Burke of Baltimore.Additional topics include new Austen portraits; portrayals of Austen, and of Austen fans, in film and fiction; and hybrid works that infuse Austen's writings with horror, erotica, or explicit Christianity.Everybody's Jane will appeal to all those who care about Austen and will change how we think about the importance of literature and reading today.
In the Wake of Medea examines the violence of seventeenth-century French political dramas. French tragedy has traditionally been taken to be a passionless, cerebral genre that refused all forms of violence. This book explores the rhetorical, literary, and performance strategies through which violence persists, contextualizing it in a longer literary and philosophical history from Ovid to Pasolini. The mythological figure of Medea, foreigner who massacres her brother, murders kings, burns down Corinth, and kills her own children, exemplifies the persistence of violence in literature and art. A refugee who is welcomed yet feared, who confirms the social while threatening its integrity, Medea offers an alternative to western philosophy’s ethical paradigm of Antigone. The Medean presence, Cherbuliez shows, offers a model of radically persistent and disruptive outsiderness, both for classical theater and for its wake in literary theory. In the Wake of Medea explores a range of artistic strategies integrating violence into drama, from rhetorical devices like ekphrasis to dramaturgical mechanisms like machinery, all of which involve temporal disruption. The full range of this Medean presence is explored in treatments of the character Medea and in works figuratively invoking a Medean presence, from the well-known tragedies of Racine and Corneille through a range of other neoclassical political theater, including spectacular machine plays, Neo-Stoic parables, didactic Christian theater. In the Wake of Medea recognizes the violence within these tragedies to explain why violence remains so integral to literature and arts today.
Through an examination of numerous biographies, from the lives of working-class scientists to minor women writers, Victorian Biography Reconsidered examines how and why nineteenth-century biographers challenged the contemporary obsession with 'Great Men' and brought to public attention the lives of neglected or unknown men and women.
Based on findings from a multiyear, nationwide study of new faculty in the field of rhetoric and composition, Stories of Becoming provides graduate students—and those who train them—with specific strategies for preparing for a career in the professoriate. Through the use of stories, the authors invite readers to experience their collaborative research processes for conducting a nationwide survey, qualitative interviews, and textual analysis of professional documents. Using data from the study, the authors offer six specific strategies—including how to manage time, how to create a work/life balance, and how to collaborate with others—that readers can use to prepare for the composition and rhetoric job market and to begin their careers as full-time faculty members. Readers will learn about the possible responsibilities they may take on as new faculty, particularly those that go beyond teaching, research, service, and administration to include navigating the politics of higher education and negotiating professional identity construction. And they will also engage in activities and answer questions designed to deepen their understanding of the field and help them identify their own values and desired career trajectory. Stories of Becoming demystifies the professoriate, compares what current new faculty have to say of their job expectations with the realities that students might face when on the job, and brings to light the invisible, behind-the-scenes work done by new faculty. It will be invaluable to graduate students, those who teach graduate students, new faculty, and hiring administrators in composition and rhetoric.
This book explores questions of identity, cultural change and creativity from the perspective of contemporary musicians currently engaged in redefining Asian musical traditions and notions of heritage in Singapore. Drawing on the fields of anthropology, cultural studies, and ethnomusicology, Semionauts of Tradition focuses on emerging millennial musicians and explores the complex and interwoven cultural, national, musical, and personal identifications in their discourse and music practice. It shows how they create fluid, hybrid and counter-hegemonic forms of expression, representation and identity through their navigation of diverse cultural worlds, their incorporation of a myriad of elements into their own identities and music, and their contestations of preconceived notions of difference and tradition. The book exposes paradoxes within current thinking about ‘multiracialism’, ‘racial harmony’, the ‘East/West divide’ and ‘tradition versus modernity,’ and proposes new ways of understanding identity, cultural change and creativity in a highly globalised, and diverse nation. This highly-original polyvocal account of a burgeoning music scene includes photos, musical scores and reaction pieces by musicians. It is a timely contribution to global discussions about ‘multiculturalism from below,’ as well as musical, cultural and national identities in a postcolonial Southeast Asian setting, from the viewpoint of artists engaged in creative meaning-making. "This captivating book explores - with tremendous intellectual vitality - the dialectic relationships between the cultural, ethnic and national identities of Singapore’s creative youth, and their creative practice. A compelling read!" Dr Liora Bresler, Professor, University of Illinois "A well-researched and thoughtfully well-written book about the diverse forms of music in Singapore and the musicians who created it." - Jeremy Monteiro, jazz pianist, singer, composer, and music educator "This wonderfully lucid and compelling book analyzes the musical and cultural creativity of young Singaporean musicians growing up in a multicultural and ethnically plural society, bringing Asian and Western musical cultures into creative dialogue." - Dr Deborah Pacini Hernandez, Professor Emeritus, Tufts University "A thought provoking dialogue on contemporary Singaporean music!" -Eric Watson, composer, conductor, music technologist and pedagogue
Drawing on historical sources, myth and folklore, Fantastic Creatures in Mythology and Folklore explores the roles of fantastical beasts - particularly the unicorn, the mermaid, and the dragon - in a series of thematic chapters organised according to their legendary dwelling place, be this land, sea, or air. Through this original approach, Juliette Wood provides the first study of mythical beasts in history from the medieval period to the present day, providing new insights into the ways these creatures continue to define our constantly changing relationship to both real and imagined worlds. It places particular emphasis on the role of the internet, computer games, and the cyberspace community, and in doing so, demonstrates that the core medieval myth surrounding these creatures remains static within the ever-increasing arena of mass marketing and the internet. This is a vital resource for undergraduates studying fantastic creatures in history, literature and media studies.
This book was written under the gifting of the Holy Spirit. In 1980, the Spirit of God began to breathe through her the gift of poetry. The author captures with her pen words that display, testify, and exalt her Lord and Savior Jesus Christ. The poetry flows out of the heart of God, and expresses the cry of a believer to a living Savior who is near to those He loves, to save, set free, and deliver. Her poetry brings hope, strength and encouragement. So sit back and be blessed! Every time you read Thoughts Inspired, it will change the way you feel, think, and act. Thoughts Inspired is more than just words on a page, it is words of life.
A Girl's Guide to Managing the Money You Make While Living the Life You Want "Cash in the City is destined to become the urban girl's ultimate guide to a glamorous lifestyle . . . on a shoestring salary. It's overflowing with sage advice for living well, looking good, and having fun. I also found a very powerful and upbeat message for young women everywhere-You can create whatever life you desire . . . if you know how to do it right. Juliette Fairley shows the reader precisely, and with great flair, how to do just that." -Barbara Stanny, author of Prince Charming Isn't Coming: How Women Get Smart About Money Looking and feeling good is expensive-especially in America's big cities. From New York City to Los Angeles, single, young, working women in big cities are finding it increasingly difficult to live up to the standards set in TV and movies. No longer do you have to sacrifice a night on the town in order to afford those shoes you must have. By combining financial advice with real-life issues, Cash in the City shows you how to have it all and do it all without breaking the bank. In this first-of-its-kind book, you'll learn how to live the glamorous life, get weekly pedicures, and pay your bills on time! Cash in the City will help you overcome the obstacles that every hip young woman from San Francisco to Atlanta, Chicago to Boston faces. You'll quickly learn how to avoid money missteps and keep your finances in order while you decorate your apartment, keep yourself looking good, and negotiate for a raise. Dig in your high heels, crack open this book, and find out how to live life to the fullest, even on a budget. You can be an "It" girl and financially savvy all at the same time.
Immerse yourself in swinging 1960s London for an exciting ride around the globe as you discover the extraordinary, celebrity-filled life of one amazingly vibrant woman. When ten-year-old Juliette’s father tragically dies, she is left alone with her mentally disturbed mother. As Juliette comes of age in London during the sixties while struggling to support her mother, she finds a job at London’s Playboy Club as a casino bunny. The adventurous Juliette is soon running with a crowd of famous musicians and actors, many of whom become her lifelong friends. Inevitably, Juliette’s mother renders them homeless, and they leave London with no money for an unknown life in Istanbul, where Juliette eventually runs to Beirut to work as a nightclub singer. A year later, she is thrown into the civil war and to survive, runs ammunition for political assassins. Back in London, Juliette finally escapes her mother’s clutches and, with blind determination, moves to LA to make it as an entertainer. There, she enters Hugh Hefner’s Playboy circle and rubs elbows with A-list stars, finding new connections and opportunities, as she discovers what she wants to do with the rest of her life. In Between the Magic is the true story of the remarkable Juliette Watt, whose ability to survive and thrive, find love, and confront heartache will inspire and endlessly entertain you.
Men in reserve focuses on working class civilian men who, as a result of working in reserved occupations, were exempt from enlistment in the armed forces. It uses fifty six newly conducted oral history interviews as well as autobiographies, visual sources and existing archived interviews to explore how this group articulated their wartime experiences and how they positioned themselves in relation to the hegemonic discourse of military masculinity. It considers the range of masculine identities circulating amongst civilian male workers during the war and investigates the extent to which reserved workers draw upon these identities when recalling their wartime selves. It argues that the Second World War was capable of challenging civilian masculinities, positioning the civilian man below that of the 'soldier hero' while, simultaneously, reinforcing them by bolstering the capacity to provide and to earn high wages, frequently in risky and dangerous work, all which were key markers of masculinity.
What graphic design is, what designers need to know, and who becomes a designer have all evolved as the computer went from being a tool to also becoming our primary medium for communication. How jobs are advertised and how prospective candidates communicate with prospective employers have changed as well, as has the culture and context for many workplaces, requiring new approaches for how to find your first (and last) position. Through clear prose, a broad survey of contexts where designers find themselves in the present day, and interviews with designers, The AIGA Guide to Careers in Graphic and Communication Design is an invaluable resource for finding your place in this quickly changing and growing field. The book includes interviews with over 40 designers at all levels working in-house and out-of-house in studios, consultancies, or alone, including: Nicholas Blechman, The New Yorker; Rob Giampietro, Google; Njoki Gitahi, IDEO; Hilary Greenbaum, Whitney Museum; Holly Gressley, Vox Media; Cemre Güngör, Facebook; Natasha Jen, Pentagram; Renda Morton, The New York Times; and Alisa Wolfson, Leo Burnett Worldwide.
This is a unique contribution to discussions within churches about the provision of suitable words for liturgical worship and to debates among scholars about liturgical hermeneutics, as well as offering a new methodological paradigm for liturgical studies to inspire students and researchers. By combining insights from literary and linguistic studies with those from historical and contemporary liturgical studies, Juliette Day investigates the nature of a text in relation to unscripted speech; how authors and worshipers make use of genre, narrative and other texts; how the textuality of the liturgy as well as its ritual context affect the sort of language used in worship and what implicit meanings are conveyed in the way liturgical texts are printed in books. Day discusses the history of liturgical texts and their function, as well as liturgical genres and narratives. She examines the function of language in liturgical worship and emphasizes its meaning for readers, worshipers and speakers. Day applies insights from literary and linguistic studies to liturgical texts in a comprehensive fashion, making it accessible to a broad readership
Was Jerusalem, under her bishop Cyril, the source of liturgical innovations in the fourth century or was she simply following trends which also affected the liturgy of neighbouring provinces? In assessing these two established propositions in relation to baptism, Juliette Day undertakes a careful comparative analysis of all the relevant sources for Palestine, Egypt and Syria, paying attention to the structure, content and theological narrative of the rites which they describe. The Mystagogical Catecheses, commonly attributed to Cyril of Jerusalem, are the key source in this discussion and this book demonstrates that they date from the episcopate of his successor John.
Want to paint more like Manet and less like Jackson Pollock? Students of art hailed Classical Drawing Atelier, Juliette Aristides’s first book, as a dynamic return to the atelier educational model. Ateliers, popular in the nineteenth century, teach emerging artists by pairing them with a master artist over a period of years. The educational process begins as students copy masterworks, then gradually progress to painting as their skills develop. The many artists at every level who learned from Classical Drawing Atelier have been clamoring for more of this sophisticated approach to teaching and learning. In Classical Painting Atelier, Aristides, a leader in the atelier movement, takes students step-by-step through the finest works of Old Masters and today’s most respected realist artists to reveal the principles of creating full-color realist still lifes, portraits, and figure paintings. Rich in tradition, yet practical for today’s artists, Classical Painting Atelier is ideal for serious art students seeking a timeless visual education.
Five-year-old Lola embarks on a journey to the park with her mommies. Upon arrival, she joins her friends who look different than her but who are actually very similar to Lola and her family. Something all families have in common is that they have fun spending time together. They build sand castles and swing on monkey bars like everyone, but as families, they are all different and special. Lola's Rainbow of Friends explores the importance of accepting people of all races, ethnicities, lifestyles, cultural and religious backgounds....
Handmade Spa is a unique and comprehensive guide to replicating the luxury of the spa experience in your own home using natural, botanical preparations. Following on from the hugely successful Handmade Beauty, this is the second in the series of natural health and beauty books by cosmetic experts Juliette Goggin and Abi Righton. The book contains over 40 recipes, focusing on cosmetic treatments for skin, hair and body, as well as the creation of therapeutic spa accessories such as reed diffusers and wheat packs. The authors encourage you to explore your kitchen, garden and local shops for the natural products and active ingredients that will grant you the ability to create your very own home spa paradise. All are accompanied by step-by-step instructions and clear, illustrative photographs, enabling you to bring the entire realm of spa treatments, as well as the practice of mind and body self-care, into your own home. This unique guide includes some of the most creative and innovative thinking in botanical and cosmetic science, and reveals the importance of scent and ‘fragrance families’ in soothing, healing or rejuvenating body and mind.
As a result of globalization, cross-border transactions and litigation, and multilingual legislation, outsourcing legal translation has become common practice. Unfortunately, over-reliance on such outsourcing has given rise to significant dangers, including information asymmetry, goal divergence, and risk. Legal Translation Outsourced provides the only current reference on commercial legal translation performed outside institutions. Juliette Scott casts a critical eye on the practice as it now stands, offering an analysis of key risks and constraints. Her work is informed by empirical data of the legal translation outsourcing markets of 41 countries. Scott proposes original theoretical models aimed both at training legal translators and informing all stakeholders, including principals and agents. These include models of legal translation performance; a classification of constraints on legal translation applying upstream, during and downstream of translation work; and a description of the complex chain of supply. Working to improve the enterprise itself, Scott shows how implementing a comprehensive legal translation brief--a sorely needed template--can significantly benefit clients by increasing the fitness of translated texts. Further, she opens a number of avenues for future research with an eye to translator empowerment and professionalization.
How do we hear our prayers? In the words of philosopher Gemma Corradi Fiumara, there can “be no saying without hearing, no speaking which is not an integral part of listening, no speech which is not somehow received.” Therefore, hearing should be considered an essential aspect of participation in Christian worship. However, although almost all studies of Christian worship attend to the words spoken and sung, almost none consider how worshippers hear in the liturgical event. In Hearing Our Prayers, Juliette Day draws upon insights from liturgical studies, philosophy, psychology, acoustical science, and architectural studies to investigate how acts of audition occur in Christian worship. The book discusses the different listening strategies worshippers use for speech, chant, and music, as well as for silence and noise: why paying attention in church can be so difficult and how what we hear is affected by the buildings in which worship takes place. Day concludes by identifying "liturgical listening" as a particular type of ritual participation and emphasizes that liturgical listening is foundational for the way in which we pray, and think about God, the church, and the world.
The experts at Kennel Club Books present the world's largest series of breed-specific canine care books. Each critically acclaimed Comprehensive Owner's Guide covers everything from breed standards to behavior, from training to health and nutrition. With nearly 200 titles in print, this series is sure to please the fancier of even the rarest breed.
Critically examines the usefulness of the 'household; concept within the historically and culturally diverse context of Indonesia, exploring in detail the position of women within and beyond domestic arrangements. So far, classical household and kinship studies have not studied how women deal with two major forces which shape and define their world: local kinship traditions, and the universalising ideology of the Indonesian regime, which both provide prescriptions and prohibitions concerning family, marriage, and womanhood. Women are caught between these conflicting notions and practices. How they challenge or accommodate such forces is the main issue in this book.
Evolutionary Phonology is a theory of sound patterns which synthesizes results in historical linguistics, phonetics and phonological theory. In this book, Juliette Blevins explores the nature of sounds patterns and sound change in human language over the past 7000–8000 years, the time depth for which the comparative method is reasonably reliable. This book presents an approach to the problem of how genetically unrelated languages, from families as far apart as Native American, Australian Aboriginal, Austronesian and Indo-European, can often show similar sound patterns, and also tackles the converse problem of why there are notable exceptions to most of the patterns that are often regarded as universal tendencies or constraints. It argues that in both cases, a formal model of sound change that integrates phonetic variation and patterns of misperception can account for attested sound systems without reference to markedness or naturalness within the synchronic grammar.
In a readable and highly accessible ethnographic account that is shaped by the stories of families and the voices of parents, De Wolfe examines how parents of children with autism navigate the educational and medical systems, understand their own and their children's bodies, and support and educate one another.
One of the most imaginative and fascinating artists of eighteenth-century France, Edme Bouchardon (1698-1762) was instrumental in the transition from Rococo to Neoclassicism and in the artistic rediscovery of classical antiquity. Much celebrated in his time, Bouchardon created some of the most iconic images of the age of Louis XV. His oeuvre demonstrates a remarkable variety of themes (from copies after the antique to subjects of history and mythology, portraiture, anatomical studies, ornament, fountains and tombs), media (drawings, sculptures, medals, prints), and techniques (chalk, plaster, wax, terracotta, marble, bronze). With five essays by experts on Bouchardon's sculpture and graphic arts, more than 140 catalogue entries, and a detailed chronology, this book aims to demonstrate the originality of Bouchardon's art within the cultural and social context of the period, while suggesting the subtle relationship between, as well as the relative autonomy of, the artist's two careers as a sculptor and a draftsman. This lavishly illustrated publication represents an unprecedented and thorough survey on this major and unique artist from the Age of Enlightenment, offering indepth scholarship based on unpublished material.
Just as words can hurt, words can heal. This practical book is filled with affirmations to help you heal the pain of the past, by replacing toxic beliefs with healthy ones. Organized by topics such as Changing Your Thinking, Forgiveness, Responsibility, and Spiritual Growth, you will be able to turn to HEALING WORDS for encouragement whenever you need it, through affirmations focused on where you are in your personal process. Each affirmation is followed by a text showing its application to your daily life. The compassionate words you will find in this book come from the experience of Steven Farmer, author of the bestselling ADULT CHILDREN OF ABUSIVE PARENTS, who has lived with and transformed the pain of his past. HEALING WORDS will help you open up to friendship, love, self-knowledge, and many other aspects of a full, rich life. And it will serve as a gentle reminder that on your journey through life you are not alone.
The first major exhibition catalogue to focus on Jacques Louis David's drawings and their pivotal role in the creation of his iconic history paintings The paintings of Jacques Louis David (1748–1825) are among the most iconic in the history of Western art, but comparatively little is known about his nearly two thousand drawings that formed the basis of beloved masterpieces such as The Oath of the Horatii and The Death of Socrates. Jacques Louis David: Radical Draftsman accompanies the first major exhibition to focus on the artist's often yearslong process of trial and experimentation, from initial idea to finished canvas. Including several recently discovered drawings published here for the first time, this volume provides a new perspective on the celebrated master. Essays by international experts explore what David's preparatory works on paper reveal about his creative process and how they bear witness to the tumultuous years before, during, and after the French Revolution. As both a participant and an observer, David helped establish the new French society while documenting the drama, violence, and triumphs of modern history in the making.
Reading Austen in America presents a colorful, compelling account of how an appreciative audience for Austen's novels originated and developed in America, and how American readers contributed to the rise of Austen's international fame. Drawing on a range of sources that have never before come to light, Juliette Wells solves the long-standing bibliographical mystery of how and why the first Austen novel printed in America-the 1816 Philadelphia Emma-came to be. She reveals the responses of this book's varied readers and creates an extended portrait of one: Christian, Countess of Dalhousie, a Scotswoman living in British North America. Through original archival research, Wells establishes the significance to reception history of two transatlantic friendships: the first between ardent Austen enthusiasts in Boston and members of Austen's family in the nineteenth century, and the second between an Austen collector in Baltimore and an aspiring bibliographer in England in the twentieth.
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