Hallelujah Crocodile Blue Boogie for Ellen is the story of a short life and a long one. It is a sad story but not always a gloomy one. In these pages, bereavement becomes a pilgrimage for the reader, as it was for the author. In 1989, the author's older daughter was diagnosed with non-Hodgkin's lymphoma. After a four-year remission the cancer returned. Ellen Manson died April 8, 1994. At the time, mainstream media was almost routinely covering stories of angel sightings and near-death experiences. Says the author, "I wanted to be in touch with Ellen, but this seemed to presuppose very specific beliefs in a spiritual reality. How did one enter such a reality without adopting the tenets of traditional religions and philosophies?" In contemplating her daughter's death, the author began to think about her own: What does it mean that we all physically die? What is death? She asks age-old questions and looks for answers in her own direct experience. After three years of trying on evenings and weekends to write this memoir-tribute-song, Manson realized that such a book required her best energies; she needed to make some life changes. The first was to leave her job. In August 1997 she went home to her computer and began to write full time. Hallelujah Crocodile Blue Boogie for Ellen is the result. Part biography, part philosophical exploration, it is a work of discovery. Says Manson, "As I 'found' Ellen, I began to find myself.
A bold, compelling challenge to conventional thinking about obesity and its fixes, Weighing In is one of the most important books on food politics to hit the shelves in a long time." —Susanne Freidberg, author of Fresh: A Perishable History "Weighing In is filled with counterintuitive surprises that should make us skeptics of all kinds of food -- whether local, fast, slow, junk or health -- but also gives us the practical tools to effectively scrutinize the stale buffet of popularly-accepted health wisdom before we digest it." —Paul Robbins, professor of Geography and Development, University of Arizona "If you liked Michael Pollan, this should be your next read. Guthman gives us the research behind the questions we should be asking, but, falling all over ourselves in the rush to consensus, we have overlooked. A self-described Berkeley foodie, Guthman takes on the self-satisfaction of the alternative food movement and places it in rich context, drawing on research in health, economics, labor, agriculture, sociology, and politics. This marvelous, surprising book is a true game-changer in our national conversation about food and justice." —Anna Kirkland, author of Fat Rights: Dilemmas of Difference and Personhood “This groundbreaking book calls into question the ubiquitous claim that ‘good food’ will solve the social and health dilemmas of today. Combining political economic analysis, cultural critique, and clear explanation of scientific discoveries, the author challenges our deeply held convictions about society, food, bodies, and environments.” —Becky Mansfield, editor of Privatization: Property and the Remaking of Nature-Society Relations "Step back from that farmer's market -- Guthman shows us that good foods and good eating are not enough. By questioning the fuzzy facts on obesity, the impact of environment, and capitalism's relentless push to consume, Weighing In challenges us to think harder, and better, about what it really takes to be healthy in the modern age." —Carolyn de la Peña, author of Empty Pleasures: The Story of Artificial Sweetener from Saccharin to Splenda
American by Birth explores the history and legacy of Wong Kim Ark and the 1898 Supreme Court case that bears his name, which established the automatic citizenship of individuals born within the geographic boundaries of the United States. In the late nineteenth century, much like the present, the United States was a difficult, and at times threatening, environment for people of color. Chinese immigrants, invited into the United States in the 1850s and 1860s as laborers and merchants, faced a wave of hostility that played out in organized private violence, discriminatory state laws, and increasing congressional efforts to throttle immigration and remove many long-term residents. The federal courts, backed by the Supreme Court, supervised the development of an increasingly restrictive and exclusionary immigration regime that targeted Chinese people. This was the situation faced by Wong Kim Ark, who was born in San Francisco in the 1870s and who earned his living as a cook. Like many members of the Chinese community in the American West he maintained ties to China. He traveled there more than once, carrying required reentry documents, but when he attempted to return to the United States after a journey from 1894 to 1895, he was refused entry and detained. Protesting that he was a citizen and therefore entitled to come home, he challenged the administrative decision in court. Remarkably, the Supreme Court granted him victory. This victory was important for Wong Kim Ark, for the ethnic Chinese community in the United States, and for all immigrant communities then and to this day. Though the principle had links to seventeenth-century English common law and in the United States back to well before the American Civil War, the Supreme Court’s ruling was significant because it both inscribed the principle in constitutional terms and clarified that it extended even to the children of immigrants who were legally barred from becoming citizens. American by Birth is a richly detailed account of the case and its implications in the ongoing conflicts over race and immigration in US history; it also includes a discussion of current controversies over limiting the scope of birthright citizenship.
Hallelujah Crocodile Blue Boogie for Ellen is the story of a short life and a long one. It is a sad story but not always a gloomy one. In these pages, bereavement becomes a pilgrimage for the reader, as it was for the author. In 1989, the author's older daughter was diagnosed with non-Hodgkin's lymphoma. After a four-year remission the cancer returned. Ellen Manson died April 8, 1994. At the time, mainstream media was almost routinely covering stories of angel sightings and near-death experiences. Says the author, "I wanted to be in touch with Ellen, but this seemed to presuppose very specific beliefs in a spiritual reality. How did one enter such a reality without adopting the tenets of traditional religions and philosophies?" In contemplating her daughter's death, the author began to think about her own: What does it mean that we all physically die? What is death? She asks age-old questions and looks for answers in her own direct experience. After three years of trying on evenings and weekends to write this memoir-tribute-song, Manson realized that such a book required her best energies; she needed to make some life changes. The first was to leave her job. In August 1997 she went home to her computer and began to write full time. Hallelujah Crocodile Blue Boogie for Ellen is the result. Part biography, part philosophical exploration, it is a work of discovery. Says Manson, "As I 'found' Ellen, I began to find myself.
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