In this long-awaited follow-up to her acclaimed debut novel, A Bridge Between Us, Julie Shigekuni offers a beautiful and disturbing look at the intimacy and isolation, desire and despair that haunt a young woman's life. Invisible Gardens is the story of Lily Soto, a thirty-five-year-old Japanese-American woman, who, despite two young children, a stable marriage, and a teaching career based on a book she has finally completed, feels her life is falling apart. An extended stay by her aging father brings back painful memories of her dead mother—and amplifies how a family legacy has infiltrated Lily's perfectly constructed, but painfully flawed, life. As Lily struggles to meet the daily needs of her children, her husband, her father, and her career, and in an attempt to avert her attention from what is troubling her, she begins an affair with a male colleague. It's this illicit relationship that challenges Lily either to abandon her most intimate relationships or to approach her life with renewed insight. In lyrical and precise prose, the novel examines the forces that women in their thirties face—forces that for Lily may mean not only the end of her own happiness but, more important, the dissolution of her marriage and her family.
From the acclaimed author of A Bridge Between Us: “The beauty of her writing turns the heat and hard times of California into a dreamscape.” —Ann Patchett, New York Times–bestselling author Unending Nora is a love story, though not in the ordinary sense. Having retreated to the streets of the east San Fernando Valley amidst an intense heat wave, Nora Yano, who has lived the first twenty-nine years of her life as a devout Christian and an outcast, strikes up a relationship with a stranger and experiences sexual intimacy for the first time. When Nora mysteriously disappears, her best and only friends Caroline and Melissa, each with their own lives to consider, must decide what they’re willing to risk to find her. The complications that ensue, along with an unexpected arrival home, set this novel in motion. Beneath the stories of four compelling women, Shigekuni creates in Unending Nora a web of ideas concerning the after-effects of wartime internment. Fresh out of the camps, a displaced and emotionally scarred generation clustered together to form a community; they even took on a religion in order to adapt to the society that oppressed them. Now their offspring, four young women coming of age in their thirties, must carve their own path. Unending Nora is a story about finding love through adversity. In an ambitious examination of faith, shame, and desire, Julie Shigekuni takes up where John Okada left off over fifty years ago with his masterpiece No-No Boy—to tell the story of a community ready to mark its place in the larger world. “[A] graceful and compassionate novel.” —Gayle Brandeis, author of The Book of Dead Birds
In this long-awaited follow-up to her acclaimed debut novel, A Bridge Between Us, Julie Shigekuni offers a beautiful and disturbing look at the intimacy and isolation, desire and despair that haunt a young woman's life. Invisible Gardens is the story of Lily Soto, a thirty-five-year-old Japanese-American woman, who, despite two young children, a stable marriage, and a teaching career based on a book she has finally completed, feels her life is falling apart. An extended stay by her aging father brings back painful memories of her dead mother—and amplifies how a family legacy has infiltrated Lily's perfectly constructed, but painfully flawed, life. As Lily struggles to meet the daily needs of her children, her husband, her father, and her career, and in an attempt to avert her attention from what is troubling her, she begins an affair with a male colleague. It's this illicit relationship that challenges Lily either to abandon her most intimate relationships or to approach her life with renewed insight. In lyrical and precise prose, the novel examines the forces that women in their thirties face—forces that for Lily may mean not only the end of her own happiness but, more important, the dissolution of her marriage and her family.
From the acclaimed author of A Bridge Between Us: “The beauty of her writing turns the heat and hard times of California into a dreamscape.” —Ann Patchett, New York Times–bestselling author Unending Nora is a love story, though not in the ordinary sense. Having retreated to the streets of the east San Fernando Valley amidst an intense heat wave, Nora Yano, who has lived the first twenty-nine years of her life as a devout Christian and an outcast, strikes up a relationship with a stranger and experiences sexual intimacy for the first time. When Nora mysteriously disappears, her best and only friends Caroline and Melissa, each with their own lives to consider, must decide what they’re willing to risk to find her. The complications that ensue, along with an unexpected arrival home, set this novel in motion. Beneath the stories of four compelling women, Shigekuni creates in Unending Nora a web of ideas concerning the after-effects of wartime internment. Fresh out of the camps, a displaced and emotionally scarred generation clustered together to form a community; they even took on a religion in order to adapt to the society that oppressed them. Now their offspring, four young women coming of age in their thirties, must carve their own path. Unending Nora is a story about finding love through adversity. In an ambitious examination of faith, shame, and desire, Julie Shigekuni takes up where John Okada left off over fifty years ago with his masterpiece No-No Boy—to tell the story of a community ready to mark its place in the larger world. “[A] graceful and compassionate novel.” —Gayle Brandeis, author of The Book of Dead Birds
Ellen Kenny has a big mouth and a penchant for telling the truth, which is why she’s just been fired from yet another high-profile NYC job. Determined to make the most of this unexpected free time, she heads to Montreal to visit her sister. On the way, she spots a tumbledown upstate farmhouse---one she’s seen in her dreams for years---and impulsively buys it on a hefty credit card advance. Over her husband’s protests, Ellen decides to drop out of the rat race and spend the summer living out her woman-who-runs-with-the wolves fantasy, communing with nature---her own included---in an effort to confront middle age and figure out how on earth she got there. Rather than peacefully tend her garden and puzzle things out, however, Ellen soon becomes embroiled in the exceedingly unique problems of two redneck, social misfit neighbors---an ex-biker and an aging chainsaw sculptor---while taking care of a narcoleptic dog and a child who doesn’t speak English. With Ellen’s quest for meaning and her concern for the welfare of others driving the plot, Anybody Any Minute is deeply layered, heartbreaking . . . and hilarious.
Four generations of Japanese American women make their home in a large house in San Francisco, united by the obligations of family and tradition and, perhaps, by love. In alternating chapters, the four women--Reiko, Rio, Tomoe, and Nomi Hito--speak with unflinching honesty about their lives, the secrets that have separated mother and daughter, and the fierce ties of intimacy that form an inextricable bridge between them.With the touch and power of a master storyteller, Julie Shigekuni gracefully interweaves four distinctive voices to shape a moving story of love and the courage it requires. In baring the heart of one family, she illuminates the truths about families, real and imagined, we all create.
The Race is a novel about the discovery of fifteen Supermarine Spitfire airplanes buried in Burma at the end of World War II and their subsequent excavation, acquisition, and transformation into state-of-the-art floatplanes, capable of traveling long distances and landing at sea. Fifteen women of different backgrounds are ultimately chosen to pilot the planes in a trans-Pacific race from Tokyo to San Francisco. Beyond their private narratives, each woman experiences a larger dialogue about culture and gender issues, the moral and ecological state of our planet, the human condition, and the universal need for compassion. Evolving around stories and narrative fictions seen as photographic fact, The Race is a logical extension of Nagatani's visual campaigns. His lifelong interests in Buddhism, fiction and poetry, alternative medicine, indigenous cultures, identity, and self-examination all play a prominent part in this epic tale of adventure.
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