This book examines social, political, and cultural conflicts opened by the abolition of slavery and the fashioning of wage relations in the era of the American Civil War. It offers a new, close look at the origins, goals, and tactics of popular political clubs created by emancipated workers in the countryside of one of the Deep South's oldest plantation states. The Work of Reconstruction draws on a rich documentary record that allowed ex-slaves to express in their own words and behavior the aspirations and goals that underlay their efforts. Not satisfied to render freed men and women as objects of theoretical inquiry, this book vividly recovers the concrete practices and language in which ex-slaves achieved freedom and the expectations that they had of liberty.
Instead of leafing through a plethora of magazines for bedroom decorating ideas, now you can find all the inspiration and useful advice you'll ever need in one book - "101 Bedrooms, containing 101 themes for your bedroom, each illustrated with a full-page photograph of a fully decorated room. In fact, with the titles in this series, you can find ideas for every room in the house! The first four titles feature" Bedrooms, Living Rooms, Kitchens and "Bathrooms are guaranteed to help you find the look that you want. The 101 bedrooms are grouped by style: Contemporary - Classic - Country - Creative - Budget - Bohemian Each room is illustrated with a full-color photograph and accompanied by invaluable information on the specific features of the room, including color, lighting, accessories and flooring. There is a directory of useful suppliers at the back of the book you'll have everything you need to recreate the look for yourself. So whether you're planning a complete transformation or simply looking for quick facelift ideas, the 101 series will help you create the home of your dreams.
Instead of leafing through a plethora of magazines for Living Room decorating ideas, now you can find all the inspiration and useful advice you'll ever need in one book - "101 Living Rooms, containing 101 themes for your living room, each illustrated with a full-page photograph of a fully decorated room. In fact, with the titles in this series, you can find ideas for every room in the house! The first four titles feature "Bedrooms, Living Rooms, Kitchens and "Bathrooms are guaranteed to help you find the look that you want. The 101 living rooms are grouped by style: Contemporary - Classic - Country - Creative - Around-the-World - Laid-back Each room is illustrated with a full-color photograph and accompanied by invaluable information on the specific features of the room, including color, lighting, accessories and flooring. There is a directory of useful suppliers at the back of the book you'll have everything you need to recreate the look for yourself. So whether you're planning a complete transformation or simply looking for quick facelift ideas, the 101 series will help you create the home of your dreams.
This is a collection of Aunt Julies friends and family recipes. Tex Mex, Gluten Free, casseroles, dips, soup, chili, and other favorites. Simple and easy.
Fille de Berthe Morisot et d’Eugène Manet, Julie Manet (1878-1966) évolue dans l’univers artistique et intellectuel de la Belle Époque. On connaît bien son visage et sa silhouette car toute sa vie elle posa pour sa mère et pour de nombreux peintres, et notamment pour son oncle Édouard. Elle fut très liée avec Renoir, son mentor, Degas, Monet, Pissarro, et bien d’autres. À la mort de son père, son tuteur n’est autre que Stéphane Mallarmé... Empreint de sensibilité et d’humour, son Journal (1893-1899) est celui d’une jeune fille qui relate ses émotions ; mais c’est surtout une chronique captivante de la vie des Impressionnistes. À leur propos, elle nous fournit de nombreuses anecdotes collectées lors de rencontres, d’invitations, de voyages, ou dans l'intimité secrète de leur atelier. Jeune fille de son temps, Julie peint, joue du violon, découvre la musique de Wagner, lit les écrivains à la mode, rêve et évoque les affaires qui agitent l'époque – l’affaire Dreyfus ou la visite du tsar Nicolas II en 1896. C’est avec émotion qu’on la voit également se lier d’amitié avec Ernest Rouart, dont elle deviendra l’épouse en 1900...
This book examines social, political, and cultural conflicts opened by the abolition of slavery and the fashioning of wage relations in the era of the American Civil War. It offers a new, close look at the origins, goals, and tactics of popular political clubs created by emancipated workers in the countryside of one of the Deep South's oldest plantation states. The Work of Reconstruction draws on a rich documentary record that allowed ex-slaves to express in their own words and behavior the aspirations and goals that underlay their efforts. Not satisfied to render freed men and women as objects of theoretical inquiry, this book vividly recovers the concrete practices and language in which ex-slaves achieved freedom and the expectations that they had of liberty.
The five volumes of this collection focus on various aspects of family life. Drawing on rare printed sources and archival material, this collection will provide a balanced, contextualized picture of family life, during a period of intense social change. It will appeal to scholars of social history, gender studies and the long nineteenth century.
From the author of Nureyev, the definitive biography of the celebrated Russian dancer, now comes the astonishing and unknown story of Marie Duplessis, the courtesan who inspired Alexandre Dumas fils’s novel and play La dame aux camélias, Giuseppe Verdi’s opera La Traviata, George Cukor’s film Camille, and Frederick Ashton’s ballet Marguerite and Armand. Sarah Bernhardt, Eleonora Duse, Greta Garbo, Isabelle Huppert, Maria Callas, Anna Netrebko, and Margot Fonteyn are just a few of the celebrated actors, singers, and dancers who have portrayed her. Drawing on new research, Julie Kavanagh brilliantly re-creates the short, intense, and passionate life of the tall, pale, slender girl who at thirteen fled her brute of a father and Normandy to go to Paris, where she would become one of the grand courtesans of the 1840s. France’s national treasure, Alexandre Dumas père, was intrigued by her, his son became her lover, and Franz Liszt, too, fell under her spell. Quick to adapt an aristocratic mien, with elegant clothes, a coach, and a grand apartment, she entertained a salon of dandies, writers, and artists. Fascinating to both men and women, Marie, with her stylish outfits and signature camellias, was always a subject of great interest at the opera or at the Café de Paris, where she sat at the table of the director of the Paris Opéra, along with the director of the Théâtre Variétés, the infamous dancer Lola Montez, and others. Her early death at age twenty-three from tuberculosis created an outpouring of sympathy, noted by Charles Dickens, who wrote in February 1847: “For several days all questions political, artistic, commercial have been abandoned by the papers. Everything is erased in the face of an incident which is far more important, the romantic death of one of the glories of the demi-monde, the beautiful, the famous Marie Duplessis.” With The Girl Who Loved Camellias, Kavanagh has written a compelling and poignant life of a nineteenth-century muse whose independent and modern spirit has timeless appeal.
This is Julie Lindquist's examination of the linguistic ethnography of a working-class bar in Chicago. She examines how regular patrons argue about political issues in order to create a group identity centred around political ideology.
In a neighbourhood facing massive redevelopment, racialized residents speak about stigma, social mixing, and what the island community means to them. Based on rich interviews, photographs, and archival research, Julie Chamberlain rejects the usual silence in German urban studies around racialization and examines how constructing some groups as »not belonging« has shaped Hamburg-Wilhelmsburg's past and present. For racialized long-time residents, it is Heimat, a space of belonging in the context of exclusion. As social mix policy threatens that belonging, residents explore their hopes and their fears for the future of an urban space where gentrification looms.
The remarkable memoir of healing and forgiveness from Julie Chimes, who survived a horrific stabbing on her own driveway In 1986, Julie Chimes allowed an emotionally distressed acquaintance to wait in her cottage for Julie's doctor boyfriend to return. Before he could, the woman - who was suffering from paranoid schizophrenia and, unknown to all, had stopped taking her medication - attacked Julie with a carving knife. This book describes what happened in detail, and the long period of healing and coming to terms with the attack that followed. Julie tells of her out-of-body experiences during the crisis, as well as the dreams and premonitions leading up to it. She describes what it feels like to die, and then unforeseeably, to live to tell the tale. But most remarkably of all, she tells of her hardest journey: learning to forgive.
Sound, music and storytelling are important tools of resistance, resilience and reconciliation in creative practice from protracted conflict to post-conflict contexts. When they are used in a socially engaged participatory capacity, they can create counter-narratives to conflict. Based on original research in three continents, this book advances an interdisciplinary, comparative approach to exploring the role of sonic and creative practices in addressing the effects of conflict. Each case study illustrates how participatory arts genres are variously employed by musicians, arts facilitators, theatre practitioners, community activists and other stakeholders as a means of 'strategic creativity' to transform trauma and promote empowerment. This research further highlights the complex dynamics of delivering and managing creativity among those who have experienced violence, as they seek opportunities to generate alternative arenas for engagement, healing and transformation.
Interested in discovering how language works? Daunted by the prospect of studying linguistics at university? The English Language and Linguistics Companion is a tool-kit for the novice linguist. Integrating study skills with substantive coverage, it offers an innovative approach to the study of English language and linguistics, helping students see how their chosen discipline 'fits together'. A one-stop resource, this practical and highly accessible guide: - Provides a comprehensive overview of contemporary approaches to the study of language and outlines the contribution of significant scholars to the development of the field. - Introduces the core topics and concepts of linguistics and the study of language and summarizes key issues in applied linguistics. - Defines and illustrates the key terms and concepts in the discipline of linguistics. - Offers practical advice on the skills required when studying linguistics and suggests a range of possible career pathways. - Illustrates approaches to linguistic research and recommends resources for linguistic inquiry and the study of language. Packed full of information and guidance, this is an essential resource for prospective linguistics students and anyone with an interest in the study of language.
Law and the Built Environment is a core textbook for all students undertaking compulsory law modules on construction, real estate and property management programmes. This single text provides an accessible introduction to the many areas of law studied by aspiring built environment professionals. Written by a team of lecturers with many years' teaching experience in these areas, key principles of English law are placed in their relevant professional context and clearly explained in exactly the right level of detail for success in the modules studied. The book also focuses in greater depth on some specialist areas of built environment professional practice, including construction contracts, health and safety, rent review, dilapidations, and lease renewals. It provides an essential resource for students studying for qualifications leading to professional membership of the Royal Institution of Chartered Surveyors (RICS) or the Chartered Institute of Building (CIOB). It caters primarily for students studying these subjects at bachelor's degree level, but will also be suitable for students on programmes at HNC and HND levels, as well as those undertaking professional examinations. It will also provide introductory reading for students undertaking master's level programmes, and particularly for the increasing numbers of graduates from other disciplines who are now studying on RICS-accredited master's degree conversion programmes.
This book posits adaptations as 'hideous progeny,' Mary Shelley's term for her novel, Frankenstein . Like Shelley's novel and her fictional Creature, adaptations that may first be seen as monstrous in fact compel us to shift our perspective on known literary or film works and the cultures that gave rise to them.
Writing during periods of dramatic social change, Maria Edgeworth and Elizabeth Gaskell were both attracted to the idea of radical societal transformation at the same time that their writings express nostalgia for a traditional, paternalistic ruling class. The author shows how this tension is played out especially through the characters of servants in short fiction and novels such as Edgeworth's Castle Rackrent, Belinda, and Helen and Gaskell's North and South and Cranford. Servant characters, the author contends, enable these writers to give voice to the contradictions inherent in the popular paternalistic philosophy of their times because the situation of domestic servitude itself embodies such inconsistencies. Servants, whose labor was essential to the economic and social function of eighteenth- and nineteenth-century British society, made up the largest category of workers in England by the nineteenth century and yet were expected to be socially invisible. At the same time, they lived in the same houses as their masters and mistresses and were privy to the most intimate details of their lives. Both Edgeworth and Gaskell created servant characters who challenge the social hierarchy, thus exposing the potential for dehumanization and corruption inherent in the paternalistic philosophy. the author's study opens up important avenues for future scholars of women's fiction in the nineteenth century.
Few artists have changed the manner in which photographic images are made, read, and received over the past two decades as dramatically as German photographer Wolfgang Tillmans (b. 1968). One of the most important and distinctive artists to emerge in the 1990s, Tillmans’s work is internationally recognized for its powerful reflections on the often overlooked objects and moments in everyday life. With images culled from the entirety of Tillmans’s career, this generously illustrated book accompanies the artist’s first retrospective exhibition in the United States and features the potent effects of his portraits, abstractions, and structural and sculptural motifs. Essays by leading scholars examine the context of the German art and pop cultural scene in which Tillmans first began working in the late 1980s; his use of magazines as both venue and source materials; his unique approach to portraiture; his ability to create a sense of intimacy between the viewer and subjects ranging from his friends to cultural figures and heads of state; and his distinctive approach to presenting his images in displays and installations. A fascinating loo�k at the breadth of Tillmans’s career to date, including his most recent new work, this book demonstrates the renowned abilities of one of the art world’s most revolutionary photographers.
Status and Power in Verbal Interaction is a sociolinguistic study of conversation in a social context. Using an ethnographic methodology and a network analysis of the social roles and relationships in a particular language community, the book explores how speakers negotiate status, relationship, and ultimately contest power through discourse. Of chief concern to the study is how speakers manage to negotiate relationship roles — which here consists of institutional status as well as the more variable social standing — using conversation. Discourse is seen to be not only what people say, but how they say it — how speakers take the floor, bring new topic to the floor, interrupt each other, and become a resource person in a conversation. The study revolves around the idea that power, while intricately tied to social standing and institutional status, is more than the sum of one's institutional standing, age, education, race and gender. Though these factors convey rank, conversants nonetheless use discourse to jockey for position and contest their relational role vis-a-vis their discourse partners. While institutional standing may be more or less fixed, power of relational roles fluctuates greatly because, as the study shows, power is accorded through a process of ratifying the positive self-image of a speaker. Thus, one's standing in a group is a community negotiation. By investigating power in community at a micro-level of analysis, this study adds a new dimension to existing understandings of power.
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