One of the great tastemakers of the late 19th and early 20th centuries, Eugenia Huici Arguedas de Errázuriz (1860-1951) was born into a wealthy Chilean mining family in Bolivia. She married amateur painter José Tomás Errázuriz, and while honeymooning in Europe the couple quickly became favourites in a group of artists that included John Singer Sargent and Auguste Rodin. After Cocteau introduced Errázuriz to Pablo Picasso in 1916, she would become Picasso'ss most devoted patron. This publication traces Errázuriz's life and the broader subject of South Americans in turn-of-the-century Europe through the many portraits of Errázuriz and a selection of artworks from her extraordinary personal collection. Exhibition: Dixon Gallery and Gardens, Memphis, USA (28.1-8.4.2018).
This fascinating multi-volume set illuminates the panorama of American history through the personal and professional stories of the nation's presidents. Arranged chronologically, and covering George Washington to George W. Bush, it juxtaposes the lives of each year's current, former, and future living presidents against each other and the historical backdrop of their times. Each chapter opens with a summary of the year and describes the major issues and events the incumbent president faced. Separate sections within each chapter - "Former Presidents" and "Future Presidents" - detail important developments in the lives of past and future presidents month by month during that same year, highlighting political, social, and personal decisions that helped shape the course of American history.
Rudolf Nureyev had it all: beauty, genius, charm, passion, and sex appeal. No other dancer of our time has generated the same excitement, for both men and women, on or off the stage. With Nureyev: The Life, Julie Kavanagh shows how his intense drive and passion for dance propelled him from a poor, Tatar-peasant background to the most sophisticated circles of London, Paris, and New York. His dramatic defection to the West in l961 created a Cold War crisis and made him an instant celebrity, but this was just the beginning. Nureyev spent the rest of his life breaking barriers: reinventing male technique, “crashing the gates” of modern dance, iconoclastically updating the most hallowed classics, and making dance history by partnering England’ s prima ballerina assoluta, Margot Fonteyn--a woman twice his age. He danced for almost all the major choreographers--Frederick Ashton, George Balanchine, Kenneth MacMillan, Jerome Robbins, Maurice Béjart, Roland Petit--his main motive, he claimed, for having left the Kirov. But Nureyev also made it his mission to stage Russia’s full-length masterpieces in the West. His highly personal productions of Swan Lake, The Nutcracker, Raymonda, Romeo and Juliet, and La Bayadère are the mainstays of the Paris Opéra Ballet repertory to this day. An inspirational director and teacher, Nureyev was a Diaghilev-like mentor to young protégés across the globe--from Karen Kain and Monica Mason (now directors themselves), to Sylvie Guillem, Elisabeth Platel, Laurent Hilaire and Kenneth Greve. Sex, as much as dance, was a driving force for Nureyev. From his first secret liaison in Russia to his tempestuous relationship with the great Danish dancer Erik Bruhn, we see not only Nureyev’s notorious homosexual history unfold, but also learn of his profound effect on women--whether a Sixties wild child or Jackie Kennedy and Lee Radziwill or the aging Marlene Dietrich. Among the first victims of AIDS, Nureyev was diagnosed HIV positive in 1984 but defied the disease for nearly a decade, dancing, directing the Paris Opéra Ballet, choreographing, and even beginning a new career as a conductor. Still making plans for the future, Nureyev finally succumbed and died in January l993. Drawing on previously undisclosed letters, diaries, home-movie footage, interviews with Nureyev’s inner circle, and her own dance background, Julie Kavanagh gives the most intimate, revealing, and dramatic picture we have ever had of this dazzling, complex figure. NOTE: This edition does not include photos.
Franklin Park was meant to be the crown jewel of the Emerald Necklace, Bostons famed park system. It was also meant to be the epitome of Frederick Law Olmsteds distinguished career as the father of American landscape architecture. Its 527 acres of open space have been a salvation from urban plight and also the center of urban controversy. Today the community around the park remains strong and depends upon the work of volunteers, advocacy groups, and the City of Boston. The photographs in Franklin Park have been collected from a variety of personal collections and public archives in an effort to illustrate the parks history from its inception in the 1880s through its rebirth in the 1990s.
For Paige Moore, a rising sophomore at Kew College, everything begins the morning she steps outside her Boston apartment and observes a construction site accident. When she attempts to interview witnesses for her summer internship at the Patriot Lodestar, Paige becomes the target of an underground operation. And that’s when things turn bizarre. Paige had never heard of Bauhaus or the Winter Hexagon, but she is soon on the radar of aggressive thugs who harass her for what the accident victim told her. She gets drawn into a zodiac quest to find the Winter Hexagon Salon before Bauhaus destroys the Boston Public Library, Trinity Church and other significant early American architecture throughout Boston. Meanwhile, Paige shares her impressive internship perks with her college friends: Thalia, an exchange student from Greece, Melissa and Jill, high-maintenance fashionistas, Sheila, the dancing queen, and Axel, her new love interest. But are all the perks and college antics distractions from what’s really going on around her? The Winter Hexagon — the sequel to The Eye in the Ceiling — is a fast-paced and humorous thriller that accelerates through Boston and beyond in a race to find the mysterious Winter Hexagon Salon.
Palestinian civilians engaged in numerous acts of unarmed resistance during the second intifada. However, these attempts in using non-violent strategies were frequently overshadowed by the armed tactics of militant groups. Drawing from extensive interviews, surveys, and observations in the West Bank, this book provides an in-depth study of the often-overlooked aspects of popular resistance in Palestine. The book demonstrates how such unarmed tactics have considerable support amongst the local population particularly when they are framed as a strategy rather than just as a moral preference. However, whilst recognizing the successes of many civil-based initiatives, the author examines why a unified popular movement never fully emerged. She argues that obstacles extended beyond occupation policies to include political constraints from the Palestinian Authority, and agenda-setting efforts from sectors of the international community. Nevertheless, many activists continue to work creatively through diverse channels and networks to broaden the space for civil resistance. Combining critical analysis with activist narratives and community case studies, the book provides a comprehensive and compelling look at non-violent activism in the second intifada, offering a fresh perspective on the Israeli-Palestinian conflict, and illustrating both the challenges and opportunities in mobilizing for popular struggle.
In Walter Camp: Football and the Modern Man, Julie Des Jardins chronicles the life of the clock company executive and self-made athlete who remade football and redefined the ideal man.
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