The author of The Devil’s Candy and Wendy and the Lost Boys—herself the daughter of Holocaust survivors—shares her family’s stories, which take them from the Carpathian Mountains of Eastern Europe to the small Appalachian town where she was raised.
Robert and Mary Rowe’s second child, Christopher, was born with severe neurological and visual impairments. For many years, the Rowes’ courageous response to adversity set an example for a group of Brooklyn mothers who met to discuss the challenges of raising children with birth defects. Then Bob Rowe’s pressures — professional and personal — took their toll, and he fell into depression and, ultimately delusion. And one day he took a baseball bat and killed his three children and his wife. In Facing the Wind, Julie Salamon not only tells the Rowes’ tragic story but also explores the lives of others drawn into it: the mothers, a social worker with problems of her own, an ocularist — that is, a man who makes prosthetic eyes — a young woman who enters the novitiate out of shame over her childhood sexual activities, and a judge of unusual wisdom. Facing the Wind is a work of redemptive compassion and understanding. It addresses the questions of how human beings cope with the burdens that chance inflicts upon them and what constitutes moral and legal guilt and innocence.
This heartwarming story of a little girl's bond with her great-grandma, who tells the silliest, most magical stories, celebrates four generations of a Jewish family who come together for Shabbat. It's Friday, and little Ruby gets to spend the day with her great-grandma, Tata. Together, they go for a walk with Ruby's grandma, Yaya. They take a nap. They read books. The whole family gathers for Shabbat dinner, and Ruby gets to eat a delicious piece of challah bread. Best of all, throughout the day, Tata tells Ruby funny, fantastical stories that come from her dreams, in which she soars on a giant blueberry bird, or dances right on top of the dinner table. In this heartwarming tale that spans four generations of Jewish women, acclaimed author-illustrator duo Julie Salamon and Jill Weber celebrate family traditions, the enduring love between a girl and her great-grandma, and the everlasting power of stories.
The classic New York Times–bestselling tale of friendship, generosity, and the magic and wonder of the Christmas spirit On his annual search for Rockefeller Center’s next Christmas tree, the chief gardener spots an ideal candidate: a stately Norway spruce located on the grounds of a convent. There he meets Sister Anthony, a nun for whom the tree has special meaning. Orphaned and sent to the convent as a lonely young girl, Sister Anthony befriended the then-tiny spruce whom she lovingly named “Tree.” Over the following decades, as the tree grew, so did Sister Anthony’s appreciation for the beauty and wonder of nature. She is reluctant to see her oldest and closest friend chopped down and sent away to New York City. But when a fierce blizzard threatens the old tree’s existence, Sister Anthony realizes it’s time to let the world enjoy Tree as she has for nearly her whole life. Accompanied by charming illustrations and a new introduction by the author, The Christmas Tree is a heartwarming story of love and friendship, a modern holiday classic for all ages.
As he tries to make his own way in New York City, a handsome stray cat known as Pretty Boy finds a series of temporary homes while learning that relying on others, and being relied upon, is a wonderful thing in this new work from the "New York Times"-bestselling team behind "The Christmas Tree." Full color.
At Christmas time, a nun agrees to donate to Rockefeller Center a fir tree, her oldest friend from the time she arrived at her convent as a young orphan.
The tale of a little girl named Anna, who is orphaned & sent to live in a convent. The lonely girl befriends, as only a child can, a tiny fir tree. Anna & Tree, as she calls him, grow up together, unlocking the secrets of friendship & sharing the wonders of nature. It is this same profound appreciation & love of nature that the grown-up Anna, now Sister Anthony, passes on to her students. When Tree is threatened by a winter storm, Sister Anthony, by now an old woman, decided to give up her dearest friend, allowing him to become the most enjoyed & famous tree of all: the tree at Rockefeller Center in New York City. This story is about learning to love &, ultimately, being able to share that love with others. Color illustrations.
The authorized biography of Pulitzer Prize-winning playwright Wendy Wasserstein. In Wendy and the Lost Boys bestselling author Julie Salamon explores the life of playwright Wendy Wasserstein's most expertly crafted character: herself. The first woman playwright to win a Tony Award, Wendy Wasserstein was a Broadway titan. But with her high- pitched giggle and unkempt curls, she projected an image of warmth and familiarity. Everyone knew Wendy Wasserstein. Or thought they did. Born on October 18, 1950, in Brooklyn, New York, to Polish Jewish immigrant parents, Wendy was the youngest of Lola and Morris Wasserstein's five children. Lola had big dreams for her children. They didn't disappoint: Sandra, Wendy's glamorous sister, became a high- ranking corporate executive at a time when Fortune 500 companies were an impenetrable boys club. Their brother Bruce became a billionaire superstar of the investment banking world. Yet behind the family's remarkable success was a fiercely guarded world of private tragedies. Wendy perfected the family art of secrecy while cultivating a densely populated inner circle. Her friends included theater elite such as playwright Christopher Durang, Lincoln Center Artistic Director André Bishop, former New York Times theater critic Frank Rich, and countless others. And still almost no one knew that Wendy was pregnant when, at age forty-eight, she was rushed to Mount Sinai Hospital to deliver Lucy Jane three months premature. The paternity of her daughter remains a mystery. At the time of Wendy's tragically early death less than six years later, very few were aware that she was gravely ill. The cherished confidante to so many, Wendy privately endured her greatest heartbreaks alone. In Wendy and the Lost Boys, Salamon assembles the fractured pieces, revealing Wendy in full. Though she lived an uncommon life, she spoke to a generation of women during an era of vast change. Revisiting Wendy's works-The Heidi Chronicles and others-we see Wendy in the free space of the theater, where her many selves all found voice. Here Wendy spoke in the most intimate of terms about everything that matters most: family and love, dreams and devastation. And that is the Wendy of Neverland, the Wendy who will never grow old.
The definitive story of one American family at the center of a single, shocking act of international terrorism that "manages to capture the essence of the Israeli-Palestinian conflict" (Dan Ephron). On October 3, 1985, Leon Klinghoffer, a disabled Jewish New Yorker, and his wife boarded the Achille Lauro to celebrate their 36th wedding anniversary with a Mediterranean cruise. Four days later, four Palestinian fedayeen hijacked the Italian luxury liner and took the passengers and crew hostage. Leon Klinghoffer was shot in the head, his body and wheelchair thrown overboard. His murder became a flashpoint in the intractable struggle between Israelis and Arabs and gave Americans a horrifying preview of what it means when terrorism hits home. In this richly reported book, drawing on multiple perspectives, Julie Salamon dispels the mythology that has grown around that shattering moment. What transpired on the Achille Lauro left the Klinghoffer family in the grip of irredeemable sorrow, while precipitating tragic reverberations for the wives and sons of Abu al-Abbas, the Palestinian mastermind behind the hijacking, and the family of Alex Odeh, a Palestinian-American murdered in Los Angeles in a brutal act of retaliation. Through intimate interviews with almost all living participants, including one of the hijackers, Julie Salamon brings alive the moment-by-moment saga of the hijacking and the ensuing U.S.-led international manhunt; the diplomatic wrangling between the United States, Egypt, Italy, and Israel; the long agonizing search for justice; and the inside story of the controversial opera about the Klinghoffer tragedy that provoked a culture war. An Innocent Bystander is a masterful work of journalism that moves between the personal and the global with the pace of a geopolitical thriller and the depth of a psychological drama. Throughout lies the tension wrought by terrorism and its repercussions today.
The Eight Steps of Giving Nearly a thousand years ago the great philosopher and physician Maimonides, known to Hebrew scholars as Rambam, pondered the question of righteousness Out of it came the Ladder of Charity. Rambam's Ladder, written by Julie Salamon, the bestselling author and New York Times culture writer, is a book that will inspire every reader to get a toehold on the ladder and start climbing. In eight chapters, one for each rung, the book helps us navigate the world of giving. How much to give? How do we know if our gifts are being used wisely? Is it bettter to give anonymously? Along the way, Rambam's Ladder will help all of us make our lives, and the lives of those around us, better.
The author of The Devil’s Candy and Wendy and the Lost Boys—herself the daughter of Holocaust survivors—shares her family’s stories, which take them from the Carpathian Mountains of Eastern Europe to the small Appalachian town where she was raised.
The definitive story of one American family at the center of a single, shocking act of international terrorism that "manages to capture the essence of the Israeli-Palestinian conflict" (Dan Ephron). On October 3, 1985, Leon Klinghoffer, a disabled Jewish New Yorker, and his wife boarded the Achille Lauro to celebrate their 36th wedding anniversary with a Mediterranean cruise. Four days later, four Palestinian fedayeen hijacked the Italian luxury liner and took the passengers and crew hostage. Leon Klinghoffer was shot in the head, his body and wheelchair thrown overboard. His murder became a flashpoint in the intractable struggle between Israelis and Arabs and gave Americans a horrifying preview of what it means when terrorism hits home. In this richly reported book, drawing on multiple perspectives, Julie Salamon dispels the mythology that has grown around that shattering moment. What transpired on the Achille Lauro left the Klinghoffer family in the grip of irredeemable sorrow, while precipitating tragic reverberations for the wives and sons of Abu al-Abbas, the Palestinian mastermind behind the hijacking, and the family of Alex Odeh, a Palestinian-American murdered in Los Angeles in a brutal act of retaliation. Through intimate interviews with almost all living participants, including one of the hijackers, Julie Salamon brings alive the moment-by-moment saga of the hijacking and the ensuing U.S.-led international manhunt; the diplomatic wrangling between the United States, Egypt, Italy, and Israel; the long agonizing search for justice; and the inside story of the controversial opera about the Klinghoffer tragedy that provoked a culture war. An Innocent Bystander is a masterful work of journalism that moves between the personal and the global with the pace of a geopolitical thriller and the depth of a psychological drama. Throughout lies the tension wrought by terrorism and its repercussions today.
The unlikely, rocky relationship between an American country superstar and his straightlaced Canadian manager. Before there was Johnny and June, there was Johnny and Saul. The Man Who Carried Cash chronicles a relationship that was both volatile and affectionate between Johnny Cash and his manager, Saul Holiff. From roadside taverns to the roaring crowds at Madison Square Garden, from wrecked cars and jail cells all the way to the White House, the story of Johnny and Saul is a portrait of two men from different worlds who were more alike than either cared to admit. Saul handled the bookings and the no-shows, the divorce and the record deals, drugs, overdoses, and arrests. He was there for the absolute worst of times, but also for the best: Carnegie Hall, Folsom Prison, “A Boy Named Sue,” and Cash’s hit television series. But in 1973, at the zenith of Cash’s career, Saul quit. Until now, no one knew why.
Neither government programs nor massive charitable efforts responded adequately to the human crisis that was Hurricane Katrina. In this study, the authors use extensive interviews with Katrina evacuees and reports from service providers to identify what helped or hindered the reestablishment of the lives of hurricane survivors who relocated to Austin, Texas. Drawing on social capital and social network theory, the authors assess the complementary, and often conflicting, roles of FEMA, other governmental agencies and a range of non-governmental organizations in addressing survivors' short- and longer-term needs. While these organizations came together to assist with immediate emergency needs, even collectively they could not deal with survivors' long-term needs for employment, affordable housing and personal records necessary to rebuild lives. Community Lost provides empirical evidence that civil society organizations cannot substitute for an efficient and benevolent state, which is necessary for society to function.
A definitive portrait of the madness of big-time moviemaking" (Newsweek), now the basis for the new season of TCM's hit podcast, "The Plot Thickens" and featuring a new afterword by the author When Brian De Palma agreed to allow Julie Salamon unlimited access to the film production of Tom Wolfe's best-selling book The Bonfire of the Vanities, both director and journalist must have felt like they were on to something big. How could it lose? But instead Salamon got a front-row seat at the Hollywood disaster of the decade. She shadowed the film from its early stages through the last of the eviscerating reviews, and met everyone from the actors to the technicians to the studio executives. They'd all signed on for a blockbuster, but there was a sense of impending doom from the start--heart-of-gold characters replaced Wolfe's satiric creations; affable Tom Hanks was cast as the patrician heel; Melanie Griffith appeared mid-shoot with new, bigger breasts. With a keen eye and ear, Salamon shows us how the best of intentions turned into a legendary Hollywood debacle. The Devil's Candy joins John Gregory Dunne's The Studio, Steven Bach's Final Cut, and William Goldman's Adventures in the Screen Trade as a classic for anyone interested in the workings of Hollywood. With a new afterword profiling De Palma ten years after the movie's devastating flop (and this book's best-selling publication), Julie Salamon has created a riveting insider's portrait of an industry where art, talent, ego, and money combine and clash on a monumental scale.
Robert and Mary Rowe’s second child, Christopher, was born with severe neurological and visual impairments. For many years, the Rowes’ courageous response to adversity set an example for other parents of children with birth defects. Then the pressures on Bob Rowe—personal and professional—took their toll, and he fell into depression and, ultimately, delusion. And one day he took a baseball bat and killed his wife and three children. Julie Salamon deftly avoids sensationalism as she tells the Rowes’ tragic story with intelligence, sympathy, and insight. Like all great literary journalism, Facing the Wind asks us to join its issues and examine our own lives and problems in the new, bright light that good writing always sheds.
Julie Hemment's engrossing study traces the development encounter through interactions between international foundations and Russian women's groups during a decade of national collapse. Prohibited from organizing independently under state socialism, women's groups became a focus of attention in the mid-1990s for foundations eager to promote participatory democracy, but the version of civil society that has emerged (the "third sector") is far from what Russian activists envisioned and what donor agencies promised. Drawing on ethnographic methods and Participatory Action Research, Hemment tells the story of her introduction to and growing collaboration with members of the group Zhenskii Svet (Women's Light) in the provincial city of Tver'.
The readings in this collection provide a comprehensive guide to the established knowledge and emerging issues regarding democratizing public bureaucracies by making them socially representative. The book includes both classic and cutting-edge works, and presents a contemporary model for analyzing representative bureaucracy that focuses on the linkages between social origins, life experiences, attitudes, and administrators' decision making. The selections address many of the leading concerns of contemporary politics, including diversity and equal opportunity policy, democratic control of administration, administrative performance, the pros and cons of the new public management, and reinventing government. Many of the field's most cited works are included. Each chapter starts with an introductory summary of the key questions under consideration and concludes with discussion questions. With it's extensive selection of classic and contemporary readings, the book will have wide application for courses on bureaucracy, public administration, and public sector human resource management.
**Selected for Doody's Core Titles® 2024 in Dermatology**For dermatology residents and trainees, as well as those in clinical practice, Dermatology is the leading reference for understanding, diagnosing, and treating the full spectrum of skin disease—and is the key resource that residents rely on throughout their training and certification. Widely recognized for its easy-in, easy-out approach, this revised 5th Edition turns complex information into user-friendly visual content through the use of clear, templated chapters, digestible artwork, and easy-to-follow algorithms and tables. This two-volume masterwork provides complete, authoritative coverage of basic science, clinical practice of both adult and pediatric dermatology, dermatopathology, and dermatologic surgery—more than any other source, making it the gold standard reference in the field today. - Simplifies complex content in a highly accessible, highly visual manner, with 1,100+ tables; 2,600+ figures, including numerous disease classification algorithms as well as diagnostic and therapeutic pathways; and over 1,500 additional figures and tables online. - Utilizes weighted differential diagnosis tables and a "ladder" approach to therapeutic interventions. - Any additional digital ancillary content may publish up to 6 weeks following the publication date. - Features an intuitive organization and color-coded sections that allow for easy and rapid access to the information you need. - Retains an emphasis on clinicopathologic correlations, with photomicrographs demonstrating key histologic findings adjacent to clinical images of the same disorder. - Contains updated treatment information throughout, including immune checkpoint inhibitors, JAK inhibitors, and monoclonal antibodies for a wide range of conditions such as psoriasis, atopic dermatitis, alopecia areata, vitiligo, and skin cancers. - Provides up-to-date information on genetic and molecular markers and next-generation sequencing as it applies to dermatologists. - Features new videos, including cryosurgical and suturing techniques, treatment of rhinophyma via electrosection, and neuromodulator treatment of axillary hyperhidrosis. - Includes new WHO classifications of skin tumors, new FDA pregnancy drug labeling, and new ACR/EULAR criteria for vasculitis and lupus erythematosus. - Includes new sections on confocal microscopy and artificial intelligence.
Canada is known for being an energy-producing nation – with much attention being paid to the Alberta tar sands and their large carbon footprint. This book looks at a very different part of the Canadian energy sector: the hundreds of renewable energy co-ops that have sprung up across the nation. These co-ops are democratically structured, community-based organizations that use sun, wind, rivers, tides, and plant and animal waste as sources of local power generation. Empowering Electricity offers an illuminating analysis of these co-ops within the context of larger debates over climate change, renewable electricity policy, sustainable community development, and provincial power-sector ownership. It looks at the conditions that led to this new wave of co-operative development, examines their form and location, and shines a light on the promises and challenges accompanying their development.
Colorful bracelets, funky brooches, and beautiful handmade beads: young crafters learn to make all these and much more with this fantastic step-by-step guide. In 12 exciting projects with simple steps and detailed instructions, budding fashionistas create their own stylish accessories to give as gifts or add a touch of personal flair to any ensemble. Following the successful "Art Smart" series, "Craft Smart" presents a fresh, fun approach to four creative skills: knitting, jewelry-making, papercrafting, and crafting with recycled objects. Each book contains 12 original projects to make, using a range of readily available materials. There are projects for boys and girls, carefully chosen to appeal to readers of all abilities. A special "techniques and materials" section encourages young crafters to try out their own ideas while learning valuable practical skills.
Infrastructure—electricity, telecommunications, roads, water, and sanitation—are central to people’s lives. Without it, they cannot make a living, stay healthy, and maintain a good quality of life. Access to basic infrastructure is also a key driver of economic development. This report lays out a framework for understanding infrastructure resilience - the ability of infrastructure systems to function and meet users’ needs during and after a natural hazard. It focuses on four infrastructure systems that are essential to economic activity and people’s well-being: power systems, including the generation, transmission, and distribution of electricity; water and sanitation—especially water utilities; transport systems—multiple modes such as road, rail, waterway, and airports, and multiple scales, including urban transit and rural access; and telecommunications, including telephone and Internet connections.
Examines spaces of inner life in eighteenth-century England to shed new light on interiority in literature and visual and material culture. In what kinds of spaces do we become most aware of the thoughts in our own heads? In My Dark Room, Julie Park explores places of solitude and enclosure that gave eighteenth-century subjects closer access to their inner worlds: grottos, writing closets, landscape follies, and the camera obscura, that beguiling “dark room” inside which the outside world in all its motion and color is projected. The camera obscura and its dreamlike projections within it served as a paradigm for the everyday spaces, whether in built environments or in imaginative writing, that generated the fleeting states of interiority eighteenth-century subjects were compelled to experience and inhabit. My Dark Room illuminates the spatial and physical dimensions of inner life in the long eighteenth century by synthesizing material analyses of diverse media, from optical devices and landscape architecture to women’s intimate dress, with close readings of literary texts not traditionally considered together, among them Andrew Marvell’s country house poem Upon Appleton House, Margaret Cavendish’s experimental epistolary work Sociable Letters, Alexander Pope’s heroic verse epistle Eloisa to Abelard, and Samuel Richardson’s novel Pamela. Park also analyzes letters and diaries, architectural plans, prints, drawings, paintings, and more, drawing our attention to the lively interactions between spaces and psyches in private environments. Park’s innovative method of “spatial formalism” reveals how physical settings enable psychic interiors to achieve vitality in lives both real and imagined.
“So much better, so much more fun, than the movie it is about that one must be thankful to the filmmakers for producing such a spectacle, if only so that this book could be written.”—Vogue When film director Brian De Palma invited author Julie Salamon to follow him on the set of The Bonfire of the Vanities, he had no idea that the fifty-million-dollar movie would become one of Hollywood’s biggest flops. The Devil’s Candy is the juicy, bestselling exposé that sent Hollywood honchos running for cover. Who was responsible for the last-minute casting change that cost four million dollars? Who knew that Melanie Griffith would show up halfway through the filming with a new set of breasts? Settle down in your front-row seat for a story that has more drama, hilarity, greed, folly, and ego than the movie that eventually ended up on the screen. Expertly reported and elegantly written, The Devil’s Candy is irresistible fun, a classic insider’s look at the movie business.
Fans of The Incredible Journey and Old Yeller will love this endearing, page-turning dog adventure story Luna is a farm puppy who loves to dance, and has only known a happy, serene life surrounded by her mother, Mutt, and her siblings, and cared for by Gilberto, the son of farm workers. But now Gilberto and his parents have moved on, and Mr. Thomas the farmer doesn't feel he can take care of a whole family of dogs. He finds new homes for the puppies, not realizing that the man who took Luna and her brother does not have their best interests at heart. Luna and Chief, hungry and scared, are trapped in the smelly barn of a puppy mill—until they take matters into their own paws and find a way to escape. But can Luna and Chief find their way home? With a lovable cast of animal characters and endearing illustrations, this charming story is a perfect read-aloud for fans of classic children’s novels like Gentle Ben, A Cricket in Times Square, and Shiloh.
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