Forced to leave her home in England and marry a man she does not know, Emma Smyth must face the hardships of tragedy on the open seas. Her faith will be tested as her uncertain future leads her to the untamed wilderness of the Americas. Will that faraway land prove to be her haven as she works among the Cherokee? What of her love for Johnathana love she wants, but cannot have? After ten years of serving aboard a merchant galleon, Johnathan Willingham finds himself unwillingly headed back to the Americas. He does not plan to stay long. Emma and the cabin boy, Samuel, will be left safely in the hands of Johnathans sister and Cherokee brother-in-law. His love for Emma will not hold him in the Americas. He will leave, without looking back.
Julie Klassen Is the Gold Standard for Inspirational Regency Fiction Sophie Dupont, daughter of a portrait painter, assists her father in his studio, keeping her own artwork out of sight. She often walks the cliffside path along the north Devon coast, popular with artists and poets. It's where she met the handsome Wesley Overtree, the first man to tell her she's beautiful. Captain Stephen Overtree is accustomed to taking on his brother's neglected duties. Home on leave, he's sent to find Wesley. Knowing his brother rented a cottage from a fellow painter, he travels to Devonshire and meets Miss Dupont, the painter's daughter. He's startled to recognize her from a miniature portrait he carries with him--one of Wesley's discarded works. But his happiness plummets when he realizes Wesley has left her with child and sailed away to Italy in search of a new muse. Wanting to do something worthwhile with his life, Stephen proposes to Sophie. He does not offer love, or even a future together, but he can save her from scandal. If he dies in battle, as he believes he will, she'll be a respectable widow with the protection of his family. Desperate for a way to escape her predicament, Sophie agrees to marry a stranger and travel to his family's estate. But at Overtree Hall, her problems are just beginning. Will she regret marrying Captain Overtree when a repentant Wesley returns? Or will she find herself torn between the father of her child and her growing affection for the husband she barely knows?
From the author of Once Upon a Scandal comes a thrilling tale of love, honor, friendship, and betrayal. When Lord Alec Carstairs returns from the Peninsular Wars, hailed as a hero in the midst of the London Season, only Annabelle Layton knows the sort of man that he really is, that the honor everyone praises is illusory. They’d been close friends once, before a passionate kiss changed everything. But if she’d secretly loved him, those feelings had died one bright summer morning, when a reckless wager left Annabelle with terrifying injuries. Alec had abandoned her without a backwards glance. Hardly the actions of a hero. But Alec has never forgotten her, despite his vow to stay away. There is more to that long-ago day than Annabelle knows, and shocking lies have distorted the past. Can he uncover its painful truths, and still keep his distance from the stunning beauty? Can he deny his forbidden desire, even as it flares again between them, hotter than ever? Sensuality Level: Sensual
The One-Hour Shakespeare series is a collection of abridged versions of Shakespeare’s plays, designed specifically to accommodate both small and large casts. This volume, The Comedies, includes the following plays: As You Like It Love’s Labour’s Lost Much Ado About Nothing Twelfth Night These accessible and versatile scripts are supported by: an introduction with emphasis on the evolution of the series and the creative process of editing; the One-Hour projects in performance, a chapter on implementing money-saving ideas and suggestions for production whether in or outside a classroom setting; specific lesson plans to incorporate these projects successfully into an academic course; and cross-gender casting suggestions. These supplementary materials make the plays valuable not only for actors, directors and professors, but for any environment, cast or purpose. Ideal for both academics and professionals, One-Hour Shakespeare is the perfect companion to teaching and staging the most universally read and performed playwright in history.
Tea drinking in Victorian England was a pervasive activity that, when seen through the lens of a century’s perspective, presents a unique overview of Victorian culture. Tea was a necessity and a luxury; it was seen as masculine as well as feminine; it symbolized the exotic and the domestic; and it represented both moderation and excess. Tea was flexible enough to accommodate and to mark subtle differences in social status, to mediate these differences between individuals, and to serve as a shared cultural symbol within England. In A Necessary Luxury: Tea in Victorian England, Julie E. Fromer analyzes tea histories, advertisements, and nine Victorian novels, including Alice’s Adventures in Wonderland, Wuthering Heights, and Portrait of a Lady. Fromer demonstrates how tea functions within the literature as an arbiter of taste and middle-class respectability, aiding in the determination of class status and moral position. She reveals the way in which social identity and character are inextricably connected in Victorian ideology as seen through the ritual of tea. Drawing from the fields of literary studies, cultural studies, history, and anthropology, A Necessary Luxury offers in-depth analysis of both visual and textual representations of the commodity and the ritual that was tea in nineteenth-century England.
Believing herself guilty of a crime, Olivia Keene flees her home, eventually stumbling upon a grand estate where an elaborate celebration is in progress. But all is not as joyous as it seems. Lord Bradley has just learned a terrible secret, which, if exposed, will change his life forever. When he glimpses a figure on the grounds, he fears a spy or thief has overheard his devastating news. He is stunned to discover the intruder is a scrap of a woman with her throat badly injured. Fearing she will spread his secret, he gives the girl a post and confines her to his estate. As Olivia and Lord Bradley's secrets catch up with them, will their hidden pasts ruin their hope of finding love?
Julie Opp was an American stage actress who was for a number of years popular on both sides of the Atlantic Ocean. She was the wife of the Anglo- American actor William Faversham, whom she married shortly after the two co-starred in the 1902 Broadway production, The Royal Rival.
Women, Politics, and Literary Production in Early Modern England considers the roles women played as literary patrons, dedicatees, readers, and writers in the late-sixteenth and early-seventeenth centuries, and the intimate relationship between these literary activities and what has often been called 'politically active' humanism. Focusing on the interrelated communities centered on Mary Sidney Herbert, Countess of Pembroke; Lady Margaret Hoby; Lucy Harrington Russell, the Countess of Bedford; and Lady Mary Wroth, Mediatrix argues that women played integral roles not only in the production of some of the most renowned literary texts in the period, including Philip Sidney's Arcadia, John Donne's poetry, and Mary Wroth's Urania, but also in wider networks of intellectual, religious and political activism. Each of the communities discussed was concerned with the cause loosely identified as international or militant Protestantism and frequently mediated through the circulation of texts of all kinds. Illuminating women's constitutive involvement in everything from the genres of the texts produced — romances, verse letters, texts of religious controversy — to the places in which those texts were produced and circulated - -the estates of Wilton, Penshurst, Hackness, Twickenham, and Loughton — and the conditions and hermeneutics by which they were read, Mediatrix offers an account of early modern English literary production with women at the center and political activism as one of its primary, rather than merely topical, concerns.
In February 1874, Jack Gowlland RN, newly promoted to the rank of Commander, and his sister Celia left England to travel across the Continent to Brindisi. From there they sailed via the newly opened Suez Canal to Australia. Celia never returned to England. Jack drowned surveying Sydney Harbour within months of his return to his post as head of the New South Wales Hydrographical Survey, and Celia married one of his closest friends within a year. Spanning twelve years, the letters to Celia - Birdie - that form this volume are from Celia's favourite brother, Richard, and his wife Jessie. They tell not only of family life in Victorian England - the vicissitudes of child bearing, unwelcome guests, making ends meet on a meagre income - but also bring to life some of the broader social changes taking place during the period. By 1874 Richard, an outstanding Civil Servant who rose to be deputy head of his department before his early death, was working in the Office of Public Building and Works. His articulate and engaging letters paint a vivid picture of his courtship and marriage to Jessie, and the birth and childhood of their six children, and refer also to his work, where he was involved with the planning of some of London's Victorian landmarks.
Harlequin Intrigue brings you three new titles at a great value, available now! Enjoy these suspenseful reads packed with edge-of-your-seat intrigue and fearless romance. SETTLING AN OLD SCORE Longview Ridge Ranch by Delores Fossen Texas Ranger Eli Slater and his ex, Ashlyn Darrow, may have a tense relationship due to their past, but after someone makes it look like Eli kidnapped Ashlyn’s newly adopted daughter, Eli will do whatever it takes to protect Ashlyn and her child. SOMEONE IS WATCHING An Echo Lake Novel by Amanda Stevens Fifteen years ago, a monster abducted radio host Ellie Brannon and left her for dead. But now, Special Agent Sam Reece is reopening the cold case, as new evidence has come to light. Ellie must work with Sam to uncover the truth…but was the discovery of new details a coincidence? K-9 PROTECTOR by Julie Miller K-9 cop Jedediah Burke has kept his yearning for veterinarian Hazel Cooper in check for years because their friendship is too precious to risk. But when a sadistic stalker’s threats against Hazel escalate, protecting her requires staying close. Look for Harlequin Intrigue’s August 2020 Box Set 2 of 2, filled with even more edge-of-your seat romantic suspense! Look for 6 compelling new stories every month from Harlequin® Intrigue!
The second volume of Julie Coleman's fascinating and entertaining history of the uses and the recording of slang and criminal cant takes the story from 1785 to 1858 and explores its first manifestations in the USA and Australia.During this period glossaries of cant are thrown into the shade by dictionaries of slang, which now include the language of thieves and cover a broad spectrum of non-standard English. Cant represented a practical threat to life and property. Slang, the author reveals, was a threat to the moral core of society, insidiously seductive to a wide section of the public.Julie Coleman shows how Francis Grose's Dictionary of the Vulgar Tongue revolutionised lexicography of non-standard English. She explores the earliest Australian and American slang glossaries, whose authors included the thrice-transported James Hardy Vaux and George Matsell, New York City's first chief of police.
New from the Top Author of Inspirational Regency Romance Return to Ivy Hill in The Ladies of Ivy Cottage as friendships deepen, romances blossom, and mysteries unfold. Living with the two Miss Groves in Ivy Cottage, impoverished gentlewoman Rachel Ashford is determined to earn her own livelihood . . . somehow. When the village women encourage her to open a subscription library with the many books she has inherited or acquired through donations, Rachel discovers two mysteries hidden among them. A man who once broke her heart helps her search for clues, but will both find more than they bargained for? Rachel's friend and hostess, Mercy Grove, has given up thoughts of suitors and fills her days managing her girls' school. So when several men take an interest in Ivy Cottage, she assumes pretty Miss Ashford is the cause. Exactly what--or who--has captured each man's attention? The truth may surprise them all. Meanwhile, life has improved at the coaching inn and Jane Bell is ready to put grief behind her. Now if only the man she misses would return--but where is he? As the women of Ivy Hill search for answers about the past and hope for the future, might they find love along the way?
Focusing on several distinct genres of eighteenth-century Irish song, Henigan demonstrates in each case that the interaction between the elite and vernacular, the written and oral, is pervasive and characteristic of the Irish song tradition to the present day.
Praise for Julie Klassen "A remarkable tale with many unpredictable twists and turns."--CBA Retailers+Resources "A treat for [readers] who want their historical romances served up with a generous dash of mystery."--Booklist "[Klassen's] work appeals to all who seek a riveting Regency romance."--RT Book Reviews Abigail Foster is the practical daughter. She fears she will end up a spinster, especially as she has little dowry, and the one man she thought might marry her seems to have fallen for her younger, prettier sister. Facing financial ruin, Abigail and her father search for more affordable lodgings, until a strange solicitor arrives with an astounding offer: the use of a distant manor house abandoned for eighteen years. The Fosters journey to imposing Pembrooke Park and are startled to find it entombed as it was abruptly left: tea cups encrusted with dry tea, moth-eaten clothes in wardrobes, a doll's house left mid-play... The handsome local curate welcomes them, but though he and his family seem acquainted with the manor's past, the only information they offer is a stern warning: Beware trespassers drawn by rumors that Pembrooke Park contains a secret room filled with treasure. This catches Abigail's attention. Hoping to restore her family's finances--and her dowry--Abigail looks for this supposed treasure. But eerie sounds at night and footprints in the dust reveal she isn't the only one secretly searching the house. Then Abigail begins receiving anonymous letters, containing clues about the hidden room and startling discoveries about the past. As old friends and new foes come calling at Pembrooke Park, secrets come to light. Will Abigail find the treasure and love she seeks...or very real danger?
Lady Jane Fitzsimmons won our hearts in Once Upon a Wager...and now her story is full of even more delightful twists and turns! Caught up in a scandal of her father's making, Jane is now an outcast in the society that once prized her refinement. When Lord Benjamin Marworth offers to help redeem her good name, she leaps at the chance. Too bad his plan requires her very public demise. To the ton, Benjamin is a dandy and a rake, but that's merely a convenient disguise to spy for the Crown. Can he save both England and Jane by faking her death and reincarnating her as a French cousin who can ferret out the stolen war secrets he needs? Or will she discover Benjamin's own dark secrets in the end? It's a proposition steeped in scandal if they're caught--but love just might be worth the risk. Sensuality Level: Sensual
During a time of uncertainty over collective identity and social transformation, Quebec novels started getting sick – after 1940, the number of narratives about illness, disease, and sick characters intensified. For the last seventy years, generations of authors have turned to medically oriented stories to represent day to day life and political turmoil. In Curative Illnesses, Julie Robert investigates how the theme of sickness is woven into literature and gauges its effect on depictions of Quebec’s national identity. Challenging the legitimacy of illness as a metaphor for the nation, Robert contests interpretations of illness-related literature that have presented Quebec itself as ailing. Through re-examinations of Quebec novels, Curative Illnesses shatters the illusion of congruency between the nation and the body, countering assumptions about nationwide weakness and victimization. For Quebec in particular, these assumptions have greater implications, because the separatist movement, policies of interculturalism, and majority language rights revolve around protecting and defending Québécois society and its cultural values. Robert skilfully demonstrates a more nuanced view of illness through a series of analyses focusing on works of literature from some of Quebec’s most renowned novelists, including Gabrielle Roy, André Langevin, Denis Lord, Hubert Aquin, Jacques Godbout, Pierre Billon, and Anne Bernard. Using an interdisciplinary approach that engages with nationalism, postcolonial studies, literature, rhetoric, and the medical humanities, Curative Illnesses explores how moving beyond earlier diagnoses offers new insights into nationhood.
In an attempt to discover the one-idea with respect to which Goethe claimed he had worked while writing Die Wahlverwandtschaften, taking my cue from Goethe himself, I have united the investigational techniques of hermeneutics and complexity or chaos theory and brought them to bear on the structure of several of the mirroring events in the text. The overwhelming conclusion of this author is that, like those investigating chaos in nature, literary theorists must turn to comprehensive approaches if they wish to treat seriously the structure of texts as works which flow from nature: the nature of the human mind.
Everyday foodways are a powerful means of drawing boundaries between social groups and defining who we are and where we belong. This book draws upon auto/biographical food narratives and emphasises the power of everyday foodways in maintaining and reinforcing social divisions along the lines of gender and class.
Julie Spraggon offers a detailed analysis of Puritan iconoclasm in England during the 1640s, which led to a resurgence of image breaking a century after the break with Rome. She examines parliamentary legislation, its enforcement & the parallel action undertaken by the army to rid the land of superstition.
Today’s justice system and the legal profession have rendered the “lawyer-warrior” notion outdated, shifting toward conflict resolution rather than protracted litigation. The new lawyer’s skills go beyond court battles to encompass negotiation, mediation, collaborative practice, and restorative justice. In The New Lawyer, Julie Macfarlane explores the evolving role of practitioners, articulating legal and ethical complexities in a variety of contexts. The result is a thought-provoking exploration of the increasing impact of alternative strategies on the lawyer-client relationship, as well as on the legal system itself.
In this novel by the three-time Christy Award-winning author of The Maid of Fairbourne Hall, a woman’s startling secrets lead her into unexpected danger and romance in Regency England… One final cry…“God almighty, help us!” and suddenly her world shifted violently, until a blinding collision scattered her mind and shook her bones. Then, the pain. The freezing water. And as all sensation drifted away, a hand reached for hers, before all faded into darkness… Now she has awakened as though from some strange, suffocating dream in a warm and welcoming room she has never seen before, and tended to by kind, unfamiliar faces. But not all has been swept away. She recalls fragments of the accident. She remembers a baby. And a ring on her finger reminds her of a lie. But most of all, there is a secret. And in this house of strangers she can trust no one but herself to keep it.
A young girl living at three Hudson's Bay Company posts yearns for more adventure and freedom than the rules of mid-1800s HBC society allow. Motherless for years, and now orphaned when a hunting accident takes her father's life, Jenna Sinclair is in the care of her prim Aunt Grace, who always finds fault with Jenna's high spirits and tendency to break rules. Jenna finds kindred spirits in her Grandmother, one of the Home Guard Cree who lives near Fort Edmonton, and with her friend Suzanne. But even then, Jenna is still eager to have more freedom, and daydreams of finding Adventure with a capital A. Opportunity knocks after Jenna moves southwest with her newly-married aunt to Fort Colvile, and begs her aunt to let her attend a ""real"" school at Fort Victoria on Vancouver's Island. With a small brigade, she begins a sometimes harrowing journey down rivers and over mountains to her new life. But the teachers at the new school are even more strict than her aunt, and she can't find a friend as likeable as Suzanne. Ever restless, Jenna wants the kind of excitement worthy of being included in a Novel. By sneaking outside the fort walls, spying on the Company officers, even visiting the forbidden Songhees village, she sometimes finds more than she bargained for. As Jenna faithfully records her observations of the world around her - bringing the reader ""inside the walls"" of three very different HBC posts - she makes surprising discoveries about herself, and about Heroes, Villains and the places where Adventure can truly be found.
The horse has always been a source of inspiration for artists, writers and poets. This lively collection of quotations, here in its second printing, is a snapshot of our unique partnership with this animal in the words of the writers themselves. This edition includes the beautiful photographs of Claire Thomas.
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