The wet earth smells of mushroom and loam. I race through the trees. Branches reach for my eyes and tangle my hair. My kirtle rips, but I still run, faster through the woodland, escaping the murderous men who chase behind me with vicious, barking dogs. The men are my enemies and the woodland is my friend. I climb a tree to its tip, to where the branches thin, and I see the dead bird there. Only its mouth is open and it is singing with the voice of my father. I touch the bird, and it flies away. "I saw a bird dead once. I picture my father this way." Twelve-year-old Lily has not seen her father for more than eight months. He was taken from her and her mother one night by the baron's men, forced against his will to leave England and to be part of a colony in the New World. And now Lily and her mother are in danger -- for the baron's men say they no longer have any right to their land. They also face persecution for being followers of Frere Lanther, a man who has been excommunicated by the church for wanting to purge it of its corrupt practices. Their one chance for safety and freedom is to take passage on the next ship out to the New World. Afraid her father is dead, hopeful that he might yet live, Lily and Frere Lanther persuade her mother to flee. The harrowing voyage reveals painful secrets that strip Lily of her innocence. But Lily also makes a friend -- a boy named Ethan, son to none other than the baron himself, who is also onboard. Together Ethan and Lily navigate their way through betrayals and treachery in a strange new land. Separated from the group, lost in the wilderness, and captured by an Indian tribe, Lily must reach deep inside herself and tap into strength she never knew she had if she is to survive. Richly imagined and beautifully written, Redemption is an epic adventure of family, growth, and love from a major new talent.
The wet earth smells of mushroom and loam. I race through the trees. Branches reach for my eyes and tangle my hair. My kirtle rips, but I still run, faster through the woodland, escaping the murderous men who chase behind me with vicious, barking dogs. The men are my enemies and the woodland is my friend. I climb a tree to its tip, to where the branches thin, and I see the dead bird there. Only its mouth is open and it is singing with the voice of my father. I touch the bird, and it flies away. "I saw a bird dead once. I picture my father this way." Twelve-year-old Lily has not seen her father for more than eight months. He was taken from her and her mother one night by the baron's men, forced against his will to leave England and to be part of a colony in the New World. And now Lily and her mother are in danger -- for the baron's men say they no longer have any right to their land. They also face persecution for being followers of Frere Lanther, a man who has been excommunicated by the church for wanting to purge it of its corrupt practices. Their one chance for safety and freedom is to take passage on the next ship out to the New World. Afraid her father is dead, hopeful that he might yet live, Lily and Frere Lanther persuade her mother to flee. The harrowing voyage reveals painful secrets that strip Lily of her innocence. But Lily also makes a friend -- a boy named Ethan, son to none other than the baron himself, who is also onboard. Together Ethan and Lily navigate their way through betrayals and treachery in a strange new land. Separated from the group, lost in the wilderness, and captured by an Indian tribe, Lily must reach deep inside herself and tap into strength she never knew she had if she is to survive. Richly imagined and beautifully written, Redemption is an epic adventure of family, growth, and love from a major new talent.
At a family meeting, Ror declares her purpose: She is an artist. But she doesn’t really know what that means. Raised on a commune, she’s never attended a day of school, and has seen little of the outside world. What she knows best is drawing. To her, it’s like breathing; it’s how she makes sense of the world. When her father torches the commune—and himself—Ror’s life changes. She, her mother and sister end up in a homeless residence in Manhattan, where she runs into trouble—and love—with Trey, the leader of Noise Ink, a graffiti crew. On the city’s streets, and in its museums and galleries, Ror finds herself pulled in different directions. Her father wanted her to make classic art. Noise Ink insists she stay within their lines. Her art teacher urges her to go to college. What does she want? Ror’s journey is a seamless blend of words and pictures, cinematic in its scope--a sharp-edged, indelible work of art that will live inside your head.
In the early nineteen hundreds, sixteen-year-old Prudence Galewski takes a job assisting the head epidemiologist at New York's Department of Health and Sanitation, investigating the case of "Typhoid Mary," a woman who is infecting others with typhoid fever.
Questioning society and one’s place in it is a common theme in both comedy and sociology. Understanding and subverting hierarchies and norms, exploring deviance and taboos, and relating lived experience to broader questions all hold a crucial place for them both. Introduction to Sociology Through Comedy teaches foundational sociological concepts using comedy, first considering the history of sociology before employing examples from comedians – including standalone comedy bits, sketches, characters, and scenes – to illustrate a specific theory, concept, or social phenomenon. The profession of comedy is then used as a case study for the application of sociological concepts, such as impression management, social stratification, racial segregation, deviance, and stigma, allowing readers to gain familiarity with the concepts while simultaneously practicing their application. This book explains why we laugh by applying theories of humor, which will bolster students’ understanding of sociological principles by forcing them to question their own assumptions – helping them to put why they laugh into sociological terms.
At a family meeting, Ror declares her purpose: She is an artist. But she doesn’t really know what that means. Raised on a commune, she’s never attended a day of school, and has seen little of the outside world. What she knows best is drawing. To her, it’s like breathing; it’s how she makes sense of the world. When her father torches the commune—and himself—Ror’s life changes. She, her mother and sister end up in a homeless residence in Manhattan, where she runs into trouble—and love—with Trey, the leader of Noise Ink, a graffiti crew. On the city’s streets, and in its museums and galleries, Ror finds herself pulled in different directions. Her father wanted her to make classic art. Noise Ink insists she stay within their lines. Her art teacher urges her to go to college. What does she want? Ror’s journey is a seamless blend of words and pictures, cinematic in its scope--a sharp-edged, indelible work of art that will live inside your head.
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