It's almost impossible to get lost these days; the fastest and most direct route arrives with the press of a few keys. But what of the joys of the unexpected discovered off the grid? En Route is an ode to wandering through time and place, meeting personalities with no fixed addresses. Juliana Engberg takes you along on her adventures. Who knows where you will end up? You could bump into Greta Garbo, Casanova, the Virgin Mary, or even the Dog on the Tuckerbox. Real journeys are not always about the destination.
It's almost impossible to get lost these days; the fastest and most direct route arrives with the press of a few keys. But what of the joys of the unexpected discovered off the grid? En Route is an ode to wandering through time and place, meeting personalities with no fixed addresses. Juliana Engberg takes you along on her adventures. Who knows where you will end up? You could bump into Greta Garbo, Casanova, the Virgin Mary, or even the Dog on the Tuckerbox. Real journeys are not always about the destination.
Australian artist Domenico de Clario ... has created a sculptural representation of the apartment building that housed his entire family prior to their migration to Australia from Trieste, Italy in 1956. Called A Second Simplicity, the scale representation of the one-bedroom apartment which housed de Clario, his parents, grandparents and his sister, is now at home at the Australian Centre For Contemporary Art in Melbourne and is described as a meditation on family, narrative, dislocation and memory"--Website.
In his provocative installation works, UK conceptualist Simon Starling tells stories about natural and cultural processes of transformation. "He displaces, inverts, reserves and remakes existing things with self-conscious, ironic amateurishness. He is a tinkerer with objects of design and bits of history, an alchemist of arcana and late modernism," according Michael Kimmelman of "The New York Times." This volume presents three projects by Starling: in "Kakteenhaus," (2002), an Andalusian cactus is transplanted to Berlin's winter, where a converted automotive engine ensures its survival; "Plant Room" (2008) creates a mud-brick chamber for sensitive historical photographs; and for "Under Lime" (2009), Starling cut a lime branch from the nearby "Unter den Linden" boulevard and grafted it beneath the Kunsthalle's rafters.
Sculptural matter brings together the work of nine artists who engage with sulpture's history and traditions of fabrication and display while developing a critically active contemporary practice"--Preface.
Presents images, plans, sketches and notes from Lyons key projects across Australia, shown through an assemblage of material that conveys the richness and complexity of the projects.
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