Argues for what the author terms "the simple view" of the ontological nature of pure, instrumental music, as the conjuction of two theses: The type/token theory addresses the question of which ontological category musical works fall under. Sonicism addresses the question of how works of music are individuated.
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In Pliocene Europe, warring races of aliens and humans face a new threat from North America in the third novel of the Locus Award–winning sci-fi series. A group of misfits from the twenty-second century have travelled six million years back in time to the Pliocene Epoch. But instead of an uninhabited paradise, they discover a land overrun with two alien races—each possessing great psychic powers—locked in bitter war. After escaping the knightly Tanu, a group of humans forms an uneasy alliance with the dwarfish Firvulag. But even after they succeed in destroying the Tanu capital, the war is far from over. Aiken Drum, a human with awesome mental powers, has usurped the Tanu throne. Aiken faces opposition from skeptical Tanu factions, as well as the revitalized Firvulag, who now out-number the Tanu-human coalition that Aiken has patched together. But another menace emerges to threaten Aiken's rule: a group of fearsome rogues from the year 2083, who have been living quietly in North America for decades. Led by Marc Remillard, they now seek to take advantage of the chaos in King Aiken's Many-Colored Land in order to seize control of the time-portal. The Nonborn King features the same blend of adventure, rich pageantry, humor, and fantastic eroticism that characterized The Many-Colored Land and The Golden Torc.
How has Australia developed, culturally? What is the relationship between European theatre and Aboriginal performance? How do the concepts of memory, space, and love intersect and inform all Australian drama? Theatre and Australia is a stark look at the signal contradictions that make up the nation's sense of self. Exploring how race, gender, and community have influenced Australia's cultural development, this book reveals the history of Australian theatre as a tussle with questions of identity that can neither be entirely repudiated nor fully resolved. This concise study traverses the narrative of Australian theatre since white settlement, examining some of the main plays and performances of the last 230 years, and illuminating the relationship between European, non-Indigenous, and First Nations drama.
The Glorious Revolution of 1688-9 was a decisive moment in England's history; an invading Dutch army forced James II to flee to France, and his son-in-law and daughter, William and Mary, were crowned as joint sovereigns. The wider consequences were no less startling: bloody war in Ireland, Union with Scotland, Jacobite intrigue, deep involvement in two major European wars, Britain's emergence as a great power, a 'financial revolution', greater religious toleration, a riven Church, and a startling growth of parliamentary government. Such changes were only part of the transformation of English society at the time. An enriching torrent of new ideas from the likes of Newton, Defoe, and Addison, spread through newspapers, periodicals, and coffee-houses, provided new views and values that some embraced and others loathed. England's horizons were also growing, especially in the Caribbean and American colonies. For many, however, the benefits were uncertain: the slave trade flourished, inequality widened, and the poor and 'disorderly' were increasingly subject to strictures and statutes. If it was an age of prospects it was also one of anxieties.
In this 1917 work, the first volume of his exhaustive study of the rise of British power in the Mediterranean, Corbett focuses on British naval influence during the Stuart period. By dwelling on battles not fought as much as on those that were, he is able to show how "events which seemed but the most trifling episodes appear as links in a mighty chain." This unique take on a neglected part of English history is indispensable to anyone interested in British naval power in the years between the death of Elizabeth and the Peace of Utrecht. SIR JULIAN STAFFORD CORBETT (1854-1922) was a prominent British naval historian and geostrategist of the late 19th and early 20th centuries, whose works helped shape the Royal Navy's reforms of that era. He also wrote The Campaign of Trafalgar, The Seven Years War and Some Principles of Maritime Strategy, which remains a classic among students of naval warfare.
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We are in the midst of an unprecedented era of rapid scientific and technological advances that are transforming the way our foods are produced and consumed. Food architecture is being used to construct healthier, tastier, and more sustainable foods. Functional foods are being created to combat chronic diseases such as obesity, cancer, diabetes, stroke, and heart disease. These foods are fortified with nutraceuticals or probiotics to improve our mood, performance, and health. The behavior of foods inside our guts is being controlled to increase their healthiness. Precision nutrition is being used to tailor diets to our unique genetic profiles, microbiomes, and metabolisms. Gene editing, nanotechnology, and artificial intelligence are being used to address modern food challenges such as feeding the growing global population, reducing greenhouse gas emissions, reducing waste, and improving sustainability. However, the application of these technologies is facing a backlash from consumers concerned about the potential risks posed to human and environmental health. Some of the questions addressed in this book are: What is food architecture? How does sound and color impact taste? Will we all have 3D food printers in all our homes? Should nanotechnology and gene editing be used to enhance our foods? Are these new technologies safe? Would you eat bug-foods if it led to a more sustainable food supply? Should vegetarians eat themselves? Can nutraceuticals and probiotics stop cancer? What is the molecular basis of a tasty sustainable burger? David Julian McClements is a Distinguished Professor in food science who has used physics, chemistry, and biology to improve the quality, safety, and healthiness of foods for over 30 years. He has published over 900 scientific articles and 10 books in this area and is currently the most highly cited food scientist in the world. He has won numerous scientific awards for his work. The aim of this book is to highlight the many exciting advances being made in the science of foods, and to show their application for solving important problems related to the modern food supply, such as tackling chronic diseases, feeding a global population, reducing food waste, and creating healthier and tastier foods.
Mary Ann Hunn is known to history as the disreputable actress mother of the politician George Canning, a footnote to his story. Many books have been written about George, perennially controversial, which either ignore his mother, or dismiss her with a few patronising words. But here, using her own 65,000-word memoir, and the remarkable 47-year correspondence between mother and son, supplemented by the scattered testimony of contemporaries, this new work uncovers the hidden history of a strong, passionate and intelligent woman. It’s a story of hardship, humiliation and resilience; of a mother and son forced to follow widely different paths over half a century, never entirely reconciled, and yet never losing their natural affection for each other. Mary Ann’s marriage to a penniless poet, her fifteen years in the theatre, her eleven pregnancies – all play into the texture of their long and intense relationship. Mary Ann read and admired Mary Wollstonecraft’s Vindication of the Rights of Woman on publication and her own story provides a vivid illustration of those ideas. Her father, husbands, lover, father-in-law – all the men in her life, were weak, selfish, and inadequate, and yet society placed her in their power, helpless except for her own strength of character. Only George didn’t quite let her down, and although she felt he did not love her enough, in the end she admitted that in her long, eventful life the balance of good predominated – ‘For George Canning is my Son’. This is the story of a woman's struggle to survive in the man's world of late Georgian England. It makes a fascinating contribution to the history of the provincial theatre and our understanding of attitudes to the stage, and shines important new light on the background and character of George Canning, one of the dominant and most intriguing political figures of the early nineteenth century. But at its heart is the story of a mother who lost her son when he was six and spent the next half century struggling to regain her place in his life.
An urgent defense of reason, the essential method for resolving—or even discussing—divisive issues: “A timely masterpiece.”—Patricia S. Churchland, author of Touching a Nerve Reason, long held as the highest human achievement, is under siege. According to Aristotle, the capacity for reason sets us apart from other animals, yet today it has ceased to be a universally admired faculty. Rationality and reason have become political, disputed concepts, subject to easy dismissal. Julian Baggini argues eloquently that we must recover our reason and reassess its proper place, neither too highly exalted nor completely maligned. Rationality does not require a cold, sterile worldview—it simply involves the application of critical thinking wherever thinking is needed. Addressing such major areas of debate as religion, science, politics, psychology, and economics, the author calls for commitment to the notion of a “community of reason,” where disagreements are settled by debate and discussion, not brute force or political power. Baggini’s insightful book celebrates the power of reason, our best hope—indeed our only hope—for dealing with the intractable quagmires of our time. “The toxic gloating of ‘gut feelings,’ hateful politics and heart-over-head attacks on good sense urgently need an antidote. Baggini has risen to the occasion…compelling.”—Patricia S. Churchland, author of Conscience: The Origins of Moral Intuition
This title was first published in 2002.Origen (AD 185 - 254) is regarded as one of the figures chiefly responsible for the contamination of biblical theology with pagan philosophy in the early church. Edwards argues that Origen set out to construct a Christian philosophy, yet he did so with the intention of preserving theology from the infiltration of pagan thought. Examining the question of philosophical influence on Christian thought, Edwards argues that scholars have often leapt to unjustified conclusions based simply on common vocabulary or parallel development. This book advances new interpretations of the early Christian systems which are generally called 'Gnostic', and the Doctrine of the Trinity in Origen's 'Platonist' teacher Clement of Alexandria. Edwards concludes that Origen's hermeneutics, eschatology, cosmology and Trinitarian theology are all related to his understanding of human nature, which is radically opposed to that of Platonism.
Welcome to Sardinia: my hell, my home, my prison, my meditation these past sixteen years. What a place to die. But that's precisely why I was back." When drugged-up Time Traveller and '80s musical burnout Rock Section and his fellow English hooligans get kidnapped during Italia '90, there are ruinous implications. But now Rock has returned to Sardinia one final time to settle some scores and uncover the truth. He believes only Dutch cult leader Judge Barry Hertzog, still incarcerated on the island for the crime, can provide the answers. But through prescription drugs, the persistence of his driver Anna and a quest for the hidden ancient doorways strewn around Sardinia's only highway, the 131, Rock will discover that a greater truth awaits him. Judgement, consequences, hoodwinking on a grand scale, Gnosticism versus agnosticism... 131 is a Gnostic whodunit that pursues readers' memories of all previous fiction into a peat bog and impales them with seven-foot-long pikes.
The European Witch-Hunt seeks to explain why thousands of people, mostly lower-class women, were deliberately tortured and killed in the name of religion and morality during three centuries of intermittent witch-hunting throughout Europe and North America. Combining perspectives from history, sociology, psychology and other disciplines, this book provides a comprehensive account of witch-hunting in early modern Europe. Julian Goodare sets out an original interpretation of witch-hunting as an episode of ideologically-driven persecution by the ‘godly state’ in the era of the Reformation and Counter-Reformation. Full weight is also given to the context of village social relationships, and there is a detailed analysis of gender issues. Witch-hunting was a legal operation, and the courts’ rationale for interrogation under torture is explained. Panicking local elites, rather than central governments, were at the forefront of witch-hunting. Further chapters explore folk beliefs about legendary witches, and intellectuals’ beliefs about a secret conspiracy of witches in league with the Devil. Witch-hunting eventually declined when the ideological pressure to combat the Devil’s allies slackened. A final chapter sets witch-hunting in the context of other episodes of modern persecution. This book is the ideal resource for students exploring the history of witch-hunting. Its level of detail and use of social theory also make it important for scholars and researchers.
Among the myriad of constants that appear in mathematics, p, e, and i are the most familiar. Following closely behind is g, or gamma, a constant that arises in many mathematical areas yet maintains a profound sense of mystery. In a tantalizing blend of history and mathematics, Julian Havil takes the reader on a journey through logarithms and the harmonic series, the two defining elements of gamma, toward the first account of gamma's place in mathematics. Introduced by the Swiss mathematician Leonhard Euler (1707-1783), who figures prominently in this.
Musaicum Books presents to you this carefully created volume of "The Complete Autobiographical Writings of Nathaniel Hawthorne ". This ebook has been designed and formatted to the highest digital standards and adjusted for readability on all devices. Nathaniel Hawthorne (1804–1864) was an American novelist and short story writer. His writing centers on New England, many works featuring moral allegories with a Puritan inspiration. His fiction works are considered to be part of Dark romanticism. His themes often centre on the inherent evil and sin of humanity, and his works often have moral messages and deep psychological complexity. Excerpt: "My dearest Sophie, I had a parting glimpse of you, Monday forenoon, at your window—and that image abides by me, looking pale, and not so quiet as is your wont. I have reproached myself many times since, because I did not show my face, and then we should both have smiled; and so our reminiscences would have been sunny instead of shadowy. But I believe I was so intent on seeing you, that I forgot all about the desirableness of being myself seen" Content: Letters: Browne's Folly (a letter for the Essex Institute) Love Letters (To Miss Sophia Peabody) - Volume I&II Letter to the Editor of the Literary Review Memoirs: American Notebooks (Volume I & II) English Notebooks (Volume I & II) French and Italian Notebooks (Volume I & II) Biographies and Reminiscences of Hawthorne: The Life and Genius of Hawthorne by Frank Preston Stearns Hawthorne and His Circle by Julian Hawthorne Memories of Hawthorne by Rose Hawthorne Lathrop Hawthorne and His Moses by Herman Melville 'Fifty Years of Hawthorne': Four Americans by Henry A. Beers George Eliot, Hawthorne, Goethe, Heine: My Literary Passions by William Dean Howell Life of Great Authors by Hattie Tyng Griswold Yesterday With Authors by James T.
In seventeenth-century Valladolid, Spain’s new capital, Miguel Cervantes is busy writing his comic masterpiece, Don Quixote, which is being issued in installments. It is quickly making him the most popular author in the country, when three potential disasters strike: Cervantes discovers that there is a real Don Quixote, just like the character he thought he’d invented; a jealous poet concocts a scheme involving one of the novel’s other characters to make Cervantes a laughingstock; and Cervantes falls in love with a beautiful, widowed, but un-available duchess. Many duels, misunderstandings, politicking, and betrayals later, Don Quixote himself comes to Cervantes’ rescue. This sparkling tale of crazed knights, thwarted love, and literary rivalry is set against the back-ground of a mighty empire suffering from a century of reckless wars and a ruling hierarchy stultified by patronage and ritual. Peopled with an engagingly idiosyncratic cast that ranges from a Machiavellian duke to a misanthropic poacher, this charming story is imbued with the spirit, verve, and humor of the great novel to which it pays playful tribute. Tilting at Windmills is a dazzling evocation of Cervantes’ life and times, and a brilliant weave of fact, fiction, and farce.
“Fascinating . . . May has cemented her position as one of this generation's foremost storytellers. . . .This satisfying end to a remarkable feat of the imagination is a necessary purchase.”—Library Journal By the mid-twenty-first century, humanity is beginning to enjoy membership in the Galactic Milieu. Human colonies are thriving on numerous planets, life on Earth is peaceful and prosperous, and as more humans are being born with metapsychic abilities, it will not be long before these gifted minds at last achieve total Unity. But xenophobia is deeply rooted in the human soul. A growing corps of rebels plots to keep the people of Earth forever separate, led by a man obsessed with human superiority: Marc Remillard. Marc's goal is nothing less than the elevation of human metapsychics above all others, by way of artificial enhancement of mental faculties. His methods are unpalatable, his goal horrific. And so Marc and his coconspirators continue their work in secret. Only the very Unity he fears and abhors can foil Marc's plans. And only his brother, Jack the Bodiless, and the young woman called Diamond Mask can hope to lead the metaconcert to destroy Marc, Unify humanity, and pave the way for the Golden Age of the Galactic Milieu to begin . . . “A certain crowd-pleaser.”—Kirkus Reviews
This carefully edited collection has been designed and formatted to the highest digital standards and adjusted for readability on all devices. Content: Letters: Browne's Folly (a letter for the Essex Institute) Love Letters (To Miss Sophia Peabody) - Volume I&II Letter to the Editor of the Literary Review Memoirs: American Notebooks (Volume I & II) English Notebooks (Volume I & II) French and Italian Notebooks (Volume I & II) Biographies and Reminiscences of Hawthorne: The Life and Genius of Hawthorne by Frank Preston Stearns Hawthorne and His Circle by Julian Hawthorne Memories of Hawthorne by Rose Hawthorne Lathrop Hawthorne and His Moses by Herman Melville 'Fifty Years of Hawthorne': Four Americans by Henry A. Beers George Eliot, Hawthorne, Goethe, Heine: My Literary Passions by William Dean Howell Life of Great Authors by Hattie Tyng Griswold Yesterday With Authors by James T. Field Hawthorne and Brook Farm by George William Curtis Biographical sketch by George Parsons Lathrop Nathaniel Hawthorne (1804-1864) was an American novelist and short story writer.
Forty years after WW II, Paul Knot, U.S. Marine Corps hero, becomes a blackmail target of Harv, a vulgar creep, seeking the fortune Paul may have illegally accumulated prior to becoming a born again Christian. As an old, experienced live theater consultant, Paul defends himself with his wits, moral beliefs and theatrical abilities. Other major characters in the story are: Ellie, a mysterious theater novice; Willie, an incognito FBI Agent; and Tammy, a hard living actress who becomes Pauls platonic friend and ultimately accepts Christ as her savior. Various chapters of Judge me Knot are written by the characters themselves describing their inter-connections with Paul. The storys moral issues are: judge others by what they are now, not what they once were; and real love lasts forever.
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