From the athletic fields to the fields of battle—these great sportsmen gave their all and sacrificed their lives for their countries in World War I. As the First World War swept across Europe, millions of eager and idealistic volunteers lined up to serve in what was to be the War to End All Wars. All were expected to do their duty—and those rare men who were idolized as the greatest athletes of their time were bound and determined to keep up their end. But no one could have foreseen the true horrors of war that awaited them all . . . This fascinating book examines the deadly impact of the Great War on a number of leading professional sportsmen of the age. Their untimely deaths underscored how even the fittest and most gifted were as vulnerable as any normal soldier—and their loss was felt by far more than their families and friends. Among those featured in this illustrated book are such luminaries as Donald Bell, the only professional football player to win the Victoria Cross; Anthony Wilder, the glamorous Wimbledon champion who fell in May 1915; Francois Faber, the Tour de France star; Percy Poulton Palmer, the England Rugby Captain; and many others. Here, the authors explore the effect that famous athletes have on their countrymen and fellow soldiers in a time of war, and the devastating consequences that World War I had on the emerging world of professional sports.
Introduction to the structural materials in natural organisms and what we can learn from them to improve man-made technology, from nanotechnology to textiles to architecture. Emphasizes the mechanical properties of structural biomaterials, their contribution to the lives of organisms, and how these materials differ from man-made ones.
This book should go a long way towards filling the communication gap between biology and physics in the area of biomaterials]. It begins with the basic theory of elasticity and viscoelasticity, describing concepts like stress, strain, compliance, and plasticity in simple mathematical terms. . . . For the non-biologist, these chapters provide a clear account of macromolecular structure and conformation. . . . Vincent's work] is a delight to read, full of interesting anecdotes and examples from unexpected sources. . . . I can strongly recommend this book, as it shows how biologists could use mechanical properties as well as conventional methods to deduce molecular structure."--Anna Furth, The Times Higher Education Supplement In what is now recognized as a standard introduction to biomaterials, Julian Vincent presents a biologist's analysis of the structural materials of organisms, using molecular biology as a starting point. He explores the chemical structure of both proteins and polysaccharides, illustrating how their composition and bonding determine the mechanical properties of the materials in which they occurincluding pliant composites such as skin, artery, and plant tissue; stiff composites such as insect cuticle and wood; and biological ceramics such as teeth, bone, and eggshell. Here Vincent discusses the possibilities of taking ideas from nature with biomimicry and "intelligent" (or self-designing and sensitive) materials.
Mary Cranson had done the walk many times before, but now had simply vanished from Dartmoor near the prominent landmark called Haytor. Her boyfriend raises the alarm when she doesn’t meet him as arranged in the local pub. For the investigating officer, Detective Inspector Richard King, the intriguing aspect is that many of her friends knew she would be on the moor as she had told them of her intentions the previous evening. King and his small team of detectives begin the arduous task of interviewing the people who would have known her whereabouts that fateful afternoon. Could she have been consumed by one of the notorious bogs on the moor or is the reason for her disappearance something more sinister? The detectives are also dealing with thefts of vehicles and machinery, mainly from farms across Dartmoor. These have continued undetected for over six months and questions are being asked in the local media about the lack of progress in catching the thieves. The profile of these cases increases significantly when a theft goes disastrously wrong. King is also made aware of a barn fire close to Haytor, but is this connected to the other cases? Pressure is mounting on the wily detective from the chief constable who wants progress on both the thefts and the missing woman.
Anyone who loves France (or just feels strongly about it), or has succumbed to the spell of Julian Barnes's previous books, will be enraptured by this collection of essays on the country and its culture. Barnes's appreciation extends from France's vanishing peasantry to its hyper-literate pop singers, from the gleeful iconoclasm of nouvelle vague cinema to the orgy of drugs and suffering that is the Tour de France. Above all, Barnes is an unparalleled connoisseur of French writing and writers. Here are the prolific and priapic Simenon, Baudelaire, Sand and Sartre, and several dazzling excursions on the prickly genius of Flaubert. Lively yet discriminating in its enthusiasm, seemingly infinite in its range of reference, and written in prose as stylish as haute couture, Something to Declare is an unadulterated joy.
Grotesque visionary Sir Jack Pitman has an idea. Since most people are too lazy to travel from landmark to landmark, why not simplify things and create a new England on the Isle of Wight? Unfortunately, his idea is a huge success, and the resulting theme park threatens to supersede the original. Called England, England, it has all the elements of "Old England" in one convenient location. Wander into the new Sherwood Forest and you may spot Robin Hood and his now sexually ambiguous Merrie Men. Or take a stroll to see Stonehenge and Anne Hathaway's Cottage, enjoy a ploughman's lunch atop the White Cliffs of Dover, then pop over to see the Royals, now on contract to Sir Jack, in their scaled-down version of Buckingham Palace. Every detail has been considered: even the postcards come pre-stamped! Julian Barnes' first novel in six years is a ferociously funny examination of the search for authenticity and truth in a fabricated world.
Julian Barnes, recipient of the 2011 Man Booker Prize, is one of our most highly regarded novelists. In this collection of three novels spanning his career, we see the broad range of his imagination and literary skill. Barnes’s third published novel, brought him worldwide acclaim and was shortlisted for the Booker Prize. “A high literary entertainment” (The New York Times) Flaubert’s Parrott is, among other things, a piercing glimpse at the nature of obsession and betrayal, both scholarly and romantic. Barnes’s second shortlisted novel, England, England, is a sly, a satiric invention, in which a visionary tycoon attempts to replicate a jolly old England that probably never really existed: Robin Hood’s men are genuinely merry and the royals all behave themselves impeccably, until, of course, everything begins to go horribly wrong. Finally, Arthur & George re-creates late-Victorian Britain, in which the fates of two vastly different men become entwined, one seeking vindication in a world that looks askance at his origins, the other creating the world’s most famous detective, while keeping his own secrets.
A WORLD FULL OF HUMANS, BUT DEVOID OF LIFE Death has finally hung up his scythe: all the souls have been gathered, the Earth just a museum piece for the machines. Now, he spends his time relaxing in the void with the one and only machine-built soul - a soul that cannot enter paradise. All is peaceful until one soul escapes from heaven, forcing Death and his ghostlike companion on a journey that may destroy the very concept of what it means to be alive. The second novel in J. S. Wright's ever-increasing collection, Soul Searching throws a fresh perspective on the eternal philosophical questions of life, death, freewill and whether a red dress is practical attire for reaping. Whilst he has been unable to get hold of people famous enough to quote on the front cover, Julian's works have been highly recommended by his editor, at least one of his friends, and his mother.
From the bestselling, Booker Prize-winning author of A Sense of an Ending comes a comedy of sexual awakening in the 1960s that is “wonderfully fresh, crackling with nostalgic irreverence” (Vogue). Only the author of Flaubert's Parrot could give us a novel that is at once a note-perfect rendition of the angsts and attitudes of English adolescence, a giddy comedy of sexual awakening, and a portrait of the accommodations that some of us call "growing up" and others "selling out.
A call for landscape architects to leave the office and return to the garden. Addressing one of the most repressed subjects in landscape architecture, this book could only have been written by someone who is both an experienced gardener and a landscape architect. With Overgrown, Julian Raxworthy offers a watershed work in the tradition of Ian McHarg, Anne Whiston Spirn, Kevin Lynch, and J. B. Jackson. As a discipline, landscape architecture has distanced itself from gardening, and landscape architects take pains to distinguish themselves from gardeners or landscapers. Landscape architects tend to imagine gardens from the office, representing plants with drawings or other simulations, whereas gardeners work in the dirt, in real time, planting, pruning, and maintaining. In Overgrown, Raxworthy calls for the integration of landscape architecture and gardening. Each has something to offer the other: Landscape architecture can design beautiful spaces, and gardening can enhance and deepen the beauty of garden environments over time. Growth, says Raxworthy, is the medium of garden development; landscape architects should leave the office and go into the garden in order to know growth in an organic, nonsimulated way. Raxworthy proposes a new practice for working with plant material that he terms “the viridic” (after “the tectonic” in architecture), from the Latin word for green, with its associations of spring and growth. He builds his argument for the viridic through six generously illustrated case studies of gardens that range from “formal” to “informal” approaches—from a sixteenth-century French Renaissance water garden to a Scottish poet-scientist's “marginal” garden, barely differentiated from nature. Raxworthy argues that landscape architectural practice itself needs to be “gardened,” brought back into the field. He offers a “Manifesto for the Viridic” that casts designers and plants as vegetal partners in a renewed practice of landscape gardening.
Another Country is set in an English public school in the early 1930's where future leaders are being prepared for their roles in the ruling class. Two of the central characters are outsiders: Guy Bennett is coming to terms with homosexuality and Tommy Judd is a committed Marxist. Judd wants to abolish the whole system of British life; Bennett wants a successful career within it. The school and the system have traditional ways of dealing with rebels.
From the athletic fields to the fields of battle—these great sportsmen gave their all and sacrificed their lives for their countries in World War I. As the First World War swept across Europe, millions of eager and idealistic volunteers lined up to serve in what was to be the War to End All Wars. All were expected to do their duty—and those rare men who were idolized as the greatest athletes of their time were bound and determined to keep up their end. But no one could have foreseen the true horrors of war that awaited them all . . . This fascinating book examines the deadly impact of the Great War on a number of leading professional sportsmen of the age. Their untimely deaths underscored how even the fittest and most gifted were as vulnerable as any normal soldier—and their loss was felt by far more than their families and friends. Among those featured in this illustrated book are such luminaries as Donald Bell, the only professional football player to win the Victoria Cross; Anthony Wilder, the glamorous Wimbledon champion who fell in May 1915; Francois Faber, the Tour de France star; Percy Poulton Palmer, the England Rugby Captain; and many others. Here, the authors explore the effect that famous athletes have on their countrymen and fellow soldiers in a time of war, and the devastating consequences that World War I had on the emerging world of professional sports.
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