Examines the theory behind many techniques used in magical, artistic, religious, and scientific systems of thought; then links and applies them towards desired goals"--Back cover verso.
Chantries were religious institutions endowed with land, goods and money. At their heart was the performance of a daily mass for the spiritual benefit of their founders, and the souls of all faithful dead. To Church reformers, they exemplified some of medieval Catholicism’s most egregious errors; but to the orthodox they offered opportunities to influence what occurred in an unknowable afterlife. The eleven essays presented here lead the reader through the earliest manifestations of the chantry, the origins and development of ‘stone-cage’ chapels, royal patronage of commemorative art and architecture, the chantry in the late medieval parish, the provision of music and textiles, and a series of specific chantries created for William of Wykeham, Edmund Audley, Thomas Spring and Abbot Islip, to the eventual history and the cultural consequences of their suppression in the mid-16th century.
Inspires free-thinking occultism as it explores the ideas of magic as a whole and introduces the reader to a particularly potent magical system called "Serket", a tool for developing personal power to transform life for the better.
The reign of James VI (1567–1625) remains one of the most enigmatic in Scottish history. There are long periods within it that resemble black holes in our knowledge. This study is a concerted attempt by a group of ten scholars of the reign, drawn from three different disciplines, to shed light on its politics and government, viewed through various perspectives. These include the royal court, which is analysed through its literature, architecture and ceremony; noble factionalism; relations with England; a revised model of tensions between church and state; and the relationship between the government and the Highlands, the Borders and the south west, a future region of opposition to Charles I. This study also analyses James as a literary author, correspondent, husband and 'universal king'. The book offers alternatives to accepted views of the reign, dismissing both Melvillianism and 'laissez faire monarchy' as useful tools. It sees the centre of politics as the interaction between an expanded and increasingly expensive royal court and a phenomenal growth of the state, based on a huge increase in legislation and the business of the Privy Council.
Examines the theory behind many techniques used in magical, artistic, religious, and scientific systems of thought; then links and applies them towards desired goals"--Back cover verso.
Ranging across both published and anecdotal evidence, Pharmakon traces the story of drug use as a means of self-exploration. By examining apparently simple questions such as 'what is a drug?', Pharmakon deconstructs and reconstructs the idea of drug experience. Experiences that the author believes are fundamental to the process of self-actualisation and learning. Julian Vayne has written on a number of esoteric subjects (witchcraft, the tarot and the sociology of contemporary Paganism). This book is aimed at both the general reader and those who are interested in the use of drugs in a spiritual context. Delving into areas as diverse as philosophy and neurochemistry, this is a book that in both style and content seeks to invent a new understanding of drugs in culture. From Mandrake Speaks #100 'A well researched and informative look at a variety of popular and not-so-well-known drugs. He deals with how they interact with our minds and bodies both chemically and psychologically, and how we perceive substances on a personal and society-wide scale. The similarities discussed between some drug experiences and some mental illnesses may lead to different viewpoints on both. Liberally sprinkled with folklore and anecdotes, Pharmakon examines the use of drugs in self-exploration, employing a knowledgeable, yet down-to-earth approach that's interesting and readable.
Mememto mori is a unique feast of offerings exploring a variety of magickal and mythological perspectives on death, dying, mortality and beyond. With contributions from sixteen international writers, this compilation gathered together by editor Kim Huggens, offers a marvellous diversity of both historical and contemporary, as well as experiential and scholarly, essays."-- p. [4] of cover.
Packed with bright and tested ideas, this resource will help people of all ages relate to, understand, and explore museum objects. After an exploration of the process of learning from objects, the book puts these principles into practice, in the form of more than 50 easy-to-set-up games, designed to facilitate creative interaction with objects.
You hold in your hands the material result of many years' hard craft. This Book contains some of the secrets of Life itself; or rather, the occult deity of Life on Earth, Baphomet. Horned, vital, beautiful, awe full, our aeons old Chaos Magick idol finds a name from the Knights' Templar, then goes incognito through the Enlightenment (when flourished those great natural philosophers beloved of science historians), before emerging via devil worship and witchcraft into this era of Deep Ecology. Darwin could have used a picture of Baphomet as his frontispiece, to demonstrate the one flesh from which all species originate. Contacting this Great Spirit, the anima mundi, allows access to a new way of ordering the world, with fresh visions of how and why we could Live. Here the authors weave strands from their lives into a rich tapestry of images, which might give you a pointer or two towards your own self-realisation, whilst amusing, entertaining, and instructing along the way. Revolution, evolution, leap beyond the apocalypse to the Now!
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