Across the globe there are scores of beautiful and unusual works of art that are largely unseen or fail to receive the critical acclaim they deserve. The Best Art You've Never Seen is your essential companion to this hidden world of artistic treasures. Travelling from Peru to Papua New Guinea, The Best Art You've Never Seen restores to view 101 wonderful treasures - uncovering neglected artistic wonders from off-beat corners of the world to store rooms in the world's great museums. Written by art expert and former museum director Julian Spalding, The Best Art You've Never Seen takes you into a world of beautiful and arresting artefacts and reveals their amazing stories. It unveils a surprising and unfamiliar alternative canon of works to offer a fresh and controversial take on the world of art.
Join fifteen bestselling, award-winning, and up-and-coming authors as they reimagine some of the most popular tropes in the romance genre. Fake relationships. Enemies to lovers. Love triangles and best friends, mistaken identities and missed connections. This collection of genre-bending and original stories celebrates how love always finds a way, featuring powerful flora, a superhero and his nemesis, a fantastical sled race through snow-capped mountains, a golf tournament, the wrong ride-share, and even the end of the world. With stories written by Rebecca Barrow, Ashley Herring Blake, Gloria Chao, Mason Deaver, Sara Farizan, Claire Kann, Malinda Lo, Hannah Moskowitz, Natasha Ngan, Rebecca Podos, Lilliam Rivera, Laura Silverman, Amy Spalding, Rebecca Kim Wells, and Julian Winters this collection is sure to sweep you off your feet.
This accompanying publication beautifully showcases the oil paintings, photographs, ceramics, fabrics, decorative screens and works on paper in a stunning display of Vanessa Bell's vibrant and wide-ranging talent. Long overshadowed by the complexity of her family life and romantic entanglements, the editors assess Bell in the context of her relationship with sister, Virginia Woolf, and as muse and confidant to Roger Fry and Duncan Grant but ultimately present an intrepid artist deserving of fresh consideration.
The reign of James VI (1567–1625) remains one of the most enigmatic in Scottish history. There are long periods within it that resemble black holes in our knowledge. This study is a concerted attempt by a group of ten scholars of the reign, drawn from three different disciplines, to shed light on its politics and government, viewed through various perspectives. These include the royal court, which is analysed through its literature, architecture and ceremony; noble factionalism; relations with England; a revised model of tensions between church and state; and the relationship between the government and the Highlands, the Borders and the south west, a future region of opposition to Charles I. This study also analyses James as a literary author, correspondent, husband and 'universal king'. The book offers alternatives to accepted views of the reign, dismissing both Melvillianism and 'laissez faire monarchy' as useful tools. It sees the centre of politics as the interaction between an expanded and increasingly expensive royal court and a phenomenal growth of the state, based on a huge increase in legislation and the business of the Privy Council.
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