How does film and video censorship operate in Britain? Why does it exist? And is it too strict? Starting in 1979, the birth of the domestic video industry - and the first year of the Thatcher government - this critical study explains how the censorship of films both in cinemas and on video and DVD has developed in Britain. As well as presenting a detailed analysis of the workings of the British Board of Film Classification, Petley casts his gaze well beyond the BBFC to analyse the forces which the Board has to take into account when classifying and censoring. These range from laws such as the Video Recordings Act and Obscene Publications Act, and how these are enforced by the police and Crown Prosecution Service and interpreted by the courts, to government policy on matters such as pornography. In discussing a climate heavily coloured by 30 years of lurid 'video nasty' stories propagated by a press which is at once censorious and sensationalist and which has played a key role in bringing about and legitimating one of the strictest systems of film and video/DVD censorship in Europe, this book is notable for the breadth of its contextual analysis, its critical stance and its suggestions for reform of the present system.
The only detailed examination of how the British media treat Muslims Uncovering endemic racism in the British Media Ever since 9/11, Muslims and Islam have dominated the headlines in the UK. In this important book, several leading media commentators examine the phenomenon of ‘Islamophobia’ and ask how we can tackle it. Charting recent media controversies, from the Archbishop of Canterbury’s comments on Sharia law to the veil ‘debate’, the book argues that media hostility to Islam alienates Muslims and undermines efforts to combat extremism. With interviews from Muslim journalists and examples of press-fuelled myths about Islam in Britain, this is a captivating insight into how Muslims are depicted in the West.
The media today, and especially the national press, are frequently in conflict with people in the public eye, particularly politicians and celebrities, over the disclosure of private information and behaviour. Historically, journalists have argued that 'naming and shaming' serious wrong-doing and behaviour on the part of public officials is justified as being in the public interest. However, when the media spotlight is shone on perfetly legal personal behaviour, family issues and sexual orientation, and when, in particular this involves ordinary people, the question arises of whether such matters are really in the 'public interest' in any meaningful sense of the term. In this book, leading academics, commentators and journalists from a variety of different cultures consider the extent to which the media are entitled to reveal details of people's private lives, the laws and regulations which govern such relations, and whether these are still relevant in the age of social media.
Ever wonder what you're not being told? When we think of the word "censorship", we imagine blacked out words and authoritarian political regimes of the past. However, censorship is alive and well today, and just as pervasive in capitalist democracies as repressive regimes. Offering a potted history of the phenomenon from the execution of Socrates in 399BC to the latest in internet filtering, Petley provides an impassioned manifesto for freedom of speech. Also explaining how media monopolies and moguls censor by limiting what news/entertainment they impart, this is an invaluable resource for anyone interested in global media in the information age.
Culture Wars investigates the relationship between the media and politics in Britain today. It focusses on how significant sections of the national press have represented and distorted the policies of the Labour Party, and particularly its left, from the Thatcher era up to and including Ed Miliband’s and Jeremy Corbyn’s leaderships. Revised and updated, including five brand new chapters, this second edition shows how press hostility to the left, particularly newspaper coverage of its policies on race, gender and sexuality, has morphed into a more generalised campaign against ‘political correctness’, the ‘liberal elite’ and the so-called ‘enemies of the people’. Combining fine-grained case studies with authoritative overviews of recent British political and media history, Culture Wars demonstrates how much of the press have routinely attacked Labour and, in so doing, have abused their political power, distorted public debate, and negatively impacted the news agendas of public service broadcasters. The book also raises the intriguing question of whether the rise of social media, and the success of its initial exploitation by Corbyn supporters, followed by Labour as a whole in the 2017 General Election, represent a major shift in the balance of power between Labour and the media, and in particular the right-wing press. Culture Wars will be of considerable interest to students and researchers in the fields of media, politics and contemporary British history, and will also attract those with a more general interest in current affairs in the UK.
Describes an advertising campaign from planning to completion, and profiles various jobs in advertising, such as account executive, creative director, media planner, and production assistant.
Describes different kinds of newspapers and periodicals, and profiles various jobs such as advertising manager, features editor, general reporter, and production manager.
This text is part of a series that looks at the way technological progress interacts with and affects today's society. This book looks at the far-reaching and subtle influence of the media and asks questions like, do media moguls have too much power? And, are we manipulated by advertising?
This text examines the role of the media in the UK political system. It looks at the history of the media and how it entered politics, how politicians and their spin doctors try and influence the media and how the media deal with politics. It ends by examining the question of whether the media actually influences the political process in the UK. An activity at the end aims to encourage the reader to think about what they have read and to crtically assess for themselves how politics is represented in the media.
The media today, and especially the national press, are frequently in conflict with people in the public eye, particularly politicians and celebrities, over the disclosure of private information and behaviour. Historically, journalists have argued that 'naming and shaming' serious wrong-doing and behaviour on the part of public officials is justified as being in the public interest. However, when the media spotlight is shone on perfetly legal personal behaviour, family issues and sexual orientation, and when, in particular this involves ordinary people, the question arises of whether such matters are really in the 'public interest' in any meaningful sense of the term. In this book, leading academics, commentators and journalists from a variety of different cultures consider the extent to which the media are entitled to reveal details of people's private lives, the laws and regulations which govern such relations, and whether these are still relevant in the age of social media.
How does film and video censorship operate in Britain? Why does it exist? And is it too strict? Starting in 1979, the birth of the domestic video industry - and the first year of the Thatcher government - this critical study explains how the censorship of films both in cinemas and on video and DVD has developed in Britain. As well as presenting a detailed analysis of the workings of the British Board of Film Classification, Petley casts his gaze well beyond the BBFC to analyse the forces which the Board has to take into account when classifying and censoring. These range from laws such as the Video Recordings Act and Obscene Publications Act, and how these are enforced by the police and Crown Prosecution Service and interpreted by the courts, to government policy on matters such as pornography. In discussing a climate heavily coloured by 30 years of lurid 'video nasty' stories propagated by a press which is at once censorious and sensationalist and which has played a key role in bringing about and legitimating one of the strictest systems of film and video/DVD censorship in Europe, this book is notable for the breadth of its contextual analysis, its critical stance and its suggestions for reform of the present system.
Ever wonder what you're not being told? When we think of the word "censorship", we imagine blacked out words and authoritarian political regimes of the past. However, censorship is alive and well today, and just as pervasive in capitalist democracies as repressive regimes. Offering a potted history of the phenomenon from the execution of Socrates in 399BC to the latest in internet filtering, Petley provides an impassioned manifesto for freedom of speech. Also explaining how media monopolies and moguls censor by limiting what news/entertainment they impart, this is an invaluable resource for anyone interested in global media in the information age.
Culture Wars investigates the relationship between the media and politics in Britain today. It focusses on how significant sections of the national press have represented and distorted the policies of the Labour Party, and particularly its left, from the Thatcher era up to and including Ed Miliband’s and Jeremy Corbyn’s leaderships. Revised and updated, including five brand new chapters, this second edition shows how press hostility to the left, particularly newspaper coverage of its policies on race, gender and sexuality, has morphed into a more generalised campaign against ‘political correctness’, the ‘liberal elite’ and the so-called ‘enemies of the people’. Combining fine-grained case studies with authoritative overviews of recent British political and media history, Culture Wars demonstrates how much of the press have routinely attacked Labour and, in so doing, have abused their political power, distorted public debate, and negatively impacted the news agendas of public service broadcasters. The book also raises the intriguing question of whether the rise of social media, and the success of its initial exploitation by Corbyn supporters, followed by Labour as a whole in the 2017 General Election, represent a major shift in the balance of power between Labour and the media, and in particular the right-wing press. Culture Wars will be of considerable interest to students and researchers in the fields of media, politics and contemporary British history, and will also attract those with a more general interest in current affairs in the UK.
The only detailed examination of how the British media treat Muslims Uncovering endemic racism in the British Media Ever since 9/11, Muslims and Islam have dominated the headlines in the UK. In this important book, several leading media commentators examine the phenomenon of ‘Islamophobia’ and ask how we can tackle it. Charting recent media controversies, from the Archbishop of Canterbury’s comments on Sharia law to the veil ‘debate’, the book argues that media hostility to Islam alienates Muslims and undermines efforts to combat extremism. With interviews from Muslim journalists and examples of press-fuelled myths about Islam in Britain, this is a captivating insight into how Muslims are depicted in the West.
There have been seismic shifts in what constitutes (the) media in recent years with technological advances ushering in whole new categories of producers, consumers and modes of delivery. This has been reflected in the way media is studied with new theories, concepts and practices coming to the fore. Media Studies: The Basics is the ideal guide to this changing landscape and addresses core questions including: Who, or what, is the media? What are the key terms and concepts used in analysing media? Where have been the impacts of the globalization of media? How, and by whom, is media made in the 21st century? Featuring contemporary case studies from around the world, a glossary and suggestions for further reading, this is the ideal introduction to media studies today.
Fully updated and revised, the second edition of Media Studies: The Basics is the ideal guide to the changing landscape of media and Media Studies. There have been seismic shifts in what constitutes (the) media in recent years with technological advances ushering in whole new categories of producers, consumers and modes of delivery. This has been reflected in the way media is studied with new theories, concepts and practices coming to the fore. This new edition addresses core questions including: Who, or what, are the media? What are the key terms and concepts used in analysing media? Where have new media technologies had the biggest impact? How, and by whom, is media made in the 21st century? Featuring new case studies, an updated glossary and suggestions for further reading, this is the ideal introduction to Media Studies today for both A Level and undergraduate students.
For years there has been consensus about the merits of Britain’s ‘cult films’ — Peeping Tom, Witchfinder General, The Italian Job — but what of The Mark, Unearthly Stranger, The Strange Affair and The Squeeze? Revisionist critics wax lyrical over Get Carter and The Wicker Man, but what of Sitting Target, Quest for Love and The Black Panther? OFFBEAT redresses this imbalance by exploring Britain’s obscurities, curiosities and forgotten gems — from the buoyant leap in film production in the late fifties to the dying days of popular domestic cinema in the early eighties. Featuring essays, interviews and in-depth reviews, OFFBEAT provides an exhaustive, enlightening and entertaining guide through a host of neglected cinematic trends and episodes, including: • The last great British B-movies • ‘Anti-swinging sixties’ films • Sexploitation — from Yellow Teddy Bears to Emmanuelle in Soho • The British rock ‘n roll movie • CIA-funded British cartoons • Asylums in British cinema • The Children’s Film Foundation • The demise of the short as supporting feature • Val Guest, Sidney Hayers and the forgotten journeyman of British film • Swashbucklers, crime thrillers and other non-horror Hammers Now updated with more than 150 pages of new reviews and essays, featuring: • The Beatles in Colour! • The History of the AA Certificate • Ken Russell’s 1980s Films • Iris Murdoch’s A Severed Head • Curating Offbeat films in the Digital Age And much more!
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