In Heterology and the Postmodern, Julian Pefanis presents a new view of the history of poststructuralism (heterology) and the origins of postmodernism by analyzing three important French theorists, Georges Bataille, Jean Baudrillard, and Jean-François Lyotard. Beginning with the introduction of Hegel in French postmodernist thought--largely but not exclusively through the thought of Georges Bataille--Pefanis argues that the core problematics of postmodern aesthetics--history, exchange, representation, and writing--are related to Bataille's reconceptualization of the Hegelian framework. Pefanis explores how Bataille was influenced by Hegel, Marcel Mauss, Freud, and Nietzsche, and traces the effects of this influence on the analyses and critiques of later postmodernists, most notably Lyotard and Baudrillard. Finally, employing these postmodernists along with Freud and Jacques Lacan, Pefanis discusses discourse on postmodernism and its relation to Freud's concept of the death drive. This intellectual history makes valuable contributions to the debates over what the "postmodern" may mean for intellectual and political activity.
Winner: CHOICE Outstanding Academic Book Award, CHOICE Magazine (2008) Winner: Morris D. Forkosch Prize for the best book in intellectual history, Journal of the History of Ideas (2008) The French revolts of May 1968, the largest general strike in twentieth-century Europe, were among the most famous and colourful episodes of the twentieth century. Julian Bourg argues that during the subsequent decade the revolts led to a remarkable paradigm shift in French thought - the concern for revolution in the 1960s was transformed into a fascination with ethics. Challenging the prevalent view that the 1960s did not have any lasting effect, From Revolution to Ethics shows how intellectuals and activists turned to ethics as the touchstone for understanding interpersonal, institutional, and political dilemmas. In absorbing and scrupulously researched detail Bourg explores the developing ethical fascination as it emerged among student Maoists courting terrorism, anti-psychiatric celebrations of madness, feminists mobilizing against rape, and pundits and philosophers championing humanitarianism. From Revolution to Ethics provides a compelling picture of how May 1968 helped make ethics a compass for navigating contemporary global concerns. In a new preface for the second edition published to mark the fiftieth anniversary of the events, Bourg assessses the worldwide influence of the ethical turn, from human rights to the return of religion and the new populism.
A must-have guide students of literary and critical studies wishing to improve their writing skills. Presents definitions of the most significant terms and concepts currently used in psychoanalytic, poststructuralist, Marxist, feminist, and postcolonial l
Key Concepts in Literary Theory presents the student of literary and critical studies with a broad range of accessible, precise and authoritative definitions of the most significant terms and concepts currently used in psychoanalytic, poststructuralist, Marxist, feminist, and postcolonial literary studies.The volume also provides clear and useful discussions of the main areas of literary, critical and cultural theory, supported by bibliographies and an expanded chronology of major thinkers. Accompanying the chronology are short biographies of major works by each critic or theorist.The new edition of this reliable reference work is both revised and expanded, including:* More than 70 additional terms and concepts defined, from Absurdism and Aga Saga to Writerly texts and Zeugma.* Newly defined terms include keywords from the social sciences, cultural studies and psychoanalysis and the addition of a broader selection of classical rhetorical terms.* An expanded chronology, with additional entries and a broader historical and cultural range, from Immanuel Kant and G.W.F. Hegel, to Camille Paglia and bell hooks.* Expanded bibliographies including key texts by major critics.
This book is a significant re-thinking of Duchamp’s importance in the twenty-first century, taking seriously the readymade as a critical exploration of object-oriented relations under the conditions of consumer capitalism. The readymade is understood as an act of accelerating art as a discourse, of pushing to the point of excess the philosophical precepts of modern aesthetics on which the notion of art in modernity is based. Julian Haladyn argues for an accelerated Duchamp that speaks to a contemporary condition of art within our era of globalized capitalist production.
In Occasional Deconstructions, Julian Wolfreys challenges the notion that deconstruction is a critical methodology, offering instead a number of reintroductions or reorientations to the texts of Jacques Derrida and the idea or possibility of deconstructions. Proceeding from specific readings of various texts (both film and literary), as well as mobilizing a number of issues from Derrida's recent work surrounding questions of ethics, politics, and identity, Wolfreys considers the role of deconstruction in broader academic and institutional contexts, and questions whether, in fact, deconstruction can be called upon to function as theory at all. In this book, Wolfreys suggests that the patient, necessary work of reading, in which response and responsibility to the other has a chance to manifest itself, is necessary to the always political and ethical tracing of the material and the historical. He also contends that reading should be an encounter that gives place to an acknowledgment of the other, and that this singular act by which one is introduced to the other can never be programmed.
In Heterology and the Postmodern, Julian Pefanis presents a new view of the history of poststructuralism (heterology) and the origins of postmodernism by analyzing three important French theorists, Georges Bataille, Jean Baudrillard, and Jean-François Lyotard. Beginning with the introduction of Hegel in French postmodernist thought--largely but not exclusively through the thought of Georges Bataille--Pefanis argues that the core problematics of postmodern aesthetics--history, exchange, representation, and writing--are related to Bataille's reconceptualization of the Hegelian framework. Pefanis explores how Bataille was influenced by Hegel, Marcel Mauss, Freud, and Nietzsche, and traces the effects of this influence on the analyses and critiques of later postmodernists, most notably Lyotard and Baudrillard. Finally, employing these postmodernists along with Freud and Jacques Lacan, Pefanis discusses discourse on postmodernism and its relation to Freud's concept of the death drive. This intellectual history makes valuable contributions to the debates over what the "postmodern" may mean for intellectual and political activity.
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