This prize-winning collection of short stories playfully questions what 'real life' is and, more importantly, where it can be found. Philip is a New Zealander, born and raised; the trouble is that no one will believe him. He travels widely, though his brother Dan has no intention of going anywhere - why leave when everything you hate is here? His ex-girlfriend, Kumiko, drifts between universities, enrolling in every course she can find in an effort to hold on to her student visa. Her father is searching for her, but like every other character in this collection, he has a problem and a story of his own . . . The characters in this funny and astute book of short stories span genders, generations and identities. Whether at home or abroad, they are often lost, wandering in and out of each other's lives, never quite coming together. Moving convincingly between differing perspectives, these stories are deftly handled, offering flashes of sharp insight and unexpected humour. This book won the New Zealand Society of Authors Hubert Church Best First Book of Fiction Award (2005).
The history of the modern riot parallels the development of the modern novel and the modern lyric. Yet there has been no sustained attempt to trace or theorize the various ways writers over time and in different contexts have shaped cultural perceptions of the riot as a distinctive form of political and social expression. Through a focus on questions of voice, massing, and mediation, this collection is the first cross-cultural study of the interrelatedness of a prevalent mode of political and economic protest and the variable styles of writing that riots inspired. This volume will provide historical depth and cultural nuance, as well as examine more recent theoretical attempts to understand the resurgence of rioting in a time of unprecedented global uncertainty. One of the key contentions of this collection is that literature has done more than merely record riotous practices. Rather literature has, in variable ways, used them as raw material to stimulate and accelerate its own formal development and critical responsiveness. For some writers this has manifested in a move away from classical norms of propriety and accord, and toward a more openly contingent, chaotic, and unpredictable scenography and cast of dramatis personae, while others have moved towards narrative realism or, more recently, digital media platforms to manifest the crises that riots unleash. Keenly attuned to these formal variations, the essays in this collection analyse literature's fraught dialogue with the histories of violence that are bound up in the riot as an inherently volatile form of collective action.
This volume is concerned with the effort of Alexander Hamilton (designated as "Number 7" in the dispatches of a British secret agent) as Secretary of the Treasury, aided by powerful support in the Senate and House of Representatives, to guide American foreign policy toward a closer connection with Great Britain. The book shows that Hamilton revealed secret cabinet discussions to a British intelligence agent, failed to inform Washington and Secretary of State Jefferson of his discussions with the British agent, and finally under impact of the war crisis informed them falsely. Hamilton committed “almost the gravest offense of which a cabinet officer can be guilty in his role of responsible advisor to the head of a state,” says Professor Boyd. The text of this volume, except for the Foreword, the concluding passages, and a few additional documents, is contained in Volume 17 of The Papers of Thomas Jefferson. Originally published in 1964. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Investigative journalist, Dan Morris, was a man on a mission. He had already disrupted the illegal drugs trade in Bristol and was now determined to uncover a so-called County Lines gang operating in South Devon. Anecdotally, huge amounts of cocaine and other drugs were flooding into Devon by land, sea and air.
Already part of a genre known for generating controversy, some true crime and scandal books have wielded a particular power to unsettle readers, provoke authorities and renew interest in a case. The reactions to such literature have been as contentious as the books themselves, clouding the "truth" with myths and inaccuracies. From high-profile publishing sensations such as Ten Rillington Place, Fatal Vision and Mommie Dearest to the wealth of writing on the JFK assassination, the death of Marilyn Monroe and the Black Dahlia murder, this book delves into that hard copy era when crime and scandal books had a cultural impact beyond the genre's film and TV documentaries, fueling outcries that sometimes matched the notoriety of the cases they discussed and leaving legacies that still resonate today.
The Arts and Crafts Movement produced some of the country's most popular, loved and recognizable buildings. This book guides the general reader through its history from the mid-nineteenth century to the early twentieth. Of equal interest to those with a more informed interest, it will open your eyes to the richness and beauty of one of the most important artistic movements the British Isles ever produced. This beautifully illustrated book includes a comprehensive thematic introduction; an up-to-date history of Arts and Crafts architecture, the key individual and the characteristics of the buildings. In-depth case-studies of all the major buildings are given, as well as those overlooked by the current literature. There is a useful accompanying guide to places to visit and, finally, a list of stunning Arts and Crafts buildings you can stay in.
Focusing on staging processes in contemporary dance and art performance creates new opportunities to study creative participation and co-authorship. To gain these new insights, Iris Julian analyses experimental projects initiated by two groups and a single choreographer: Collect-if by Collect-if, Deufert + Plischke and Xavier Le Roy. By exploring nuances of staging work, the concept of singular plural became the analytical guideline and resulted into three research perspectives: theatre studies, sociology and ontological reading (Jean-Luc Nancy, Michaela Ott, Gerald Raunig). This approach makes it possible to look beyond the importance that is often credited to single authorship in the arts. With a foreword by Prof. Dr. Gerald Siegmund.
It has long been a truism that prior to George W. Bush, politics stopped at the water's edge -- that is, that partisanship had no place in national security. In Arsenal of Democracy, historian Julian E. Zelizer shows this to be demonstrably false: partisan fighting has always shaped American foreign policy and the issue of national security has always been part of our domestic conflicts. Based on original archival findings, Arsenal of Democracy offers new insights into nearly every major national security issue since the beginning of the cold war: from FDR's masterful management of World War II to the partisanship that scarred John F. Kennedy during the Cuban Missile Crisis, from Ronald Reagan’s fight against Communism to George W. Bushrues controversial War on Terror. A definitive account of the complex interaction between domestic politics and foreign affairs over the last six decades, Arsenal of Democracy is essential reading for anyone interested in the politics of national security.
Now in its second edition, Construction Law is the standard work of reference for busy construction law practitioners, and it will support lawyers in their contentious and non-contentious practices worldwide. Published in three volumes, it is the most comprehensive text on this subject, and provides a unique and invaluable comparative, multi-jurisdictional approach. This book has been described by Lord Justice Jackson as a "tour de force", and by His Honour Humphrey LLoyd QC as "seminal" and "definitive". This new edition builds on that strong foundation and has been fully updated to include extensive references to very latest case law, as well as changes to statutes and regulations. The laws of Hong Kong and Singapore are also now covered in detail, in addition to those of England and Australia. Practitioners, as well as interested academics and post-graduate students, will all find this book to be an invaluable guide to the many facets of construction law.
The issue of military executions during the war has always been controversial and embargoes have made it difficult for researchers to get at the truth. Now these two writers give us a vast amount of information. They show that trials were grossly unfair and incompetent. Many of the condemned men had been soldiers of exemplary behaviour, courage and leadership but had cracked under the dreadful strain of trench warfare. This acclaimed book is the authority on this shameful saga.
Food Emulsions: Principles, Practice, and Techniques, Second Edition introduces the fundamentals of emulsion science and demonstrates how this knowledge can be applied to better understand and control the appearance, stability, and texture of many common and important emulsion-based foods. Revised and expanded to reflect recent developments, this s
The priceless ingredient; His master's voice; 9944/100% pure; over 100 others. How they were written, their impact, and much more. Remarkable record. 130 illustratrions.
See firsthand how war photography is used to sway public opinion. In the autumn of 2014, the Royal Air Force released blurry video of a missile blowing up a pick-up truck which may have had a weapon attached to its flatbed. This was a lethal form of gesture politics: to send a £9-million bomber from Cyprus to Iraq and back, burning £35,000 an hour in fuel, to launch a smart missile costing £100,000 to destroy a truck or, rather, to create a video that shows it being destroyed. Some lives are ended—it is impossible to tell whose—so that the government can pretend that it taking effective action by creating a high-budget snuff movie. This is killing for show. Since the Vietnam War the way we see conflict—through film, photographs, and pixels—has had a powerful impact on the political fortunes of the campaign, and the way that war has been conducted. In this fully illustrated and passionately argued account of war imagery, Julian Stallabrass tells the story of post-war conflict, how it was recorded and remembered through its iconic photography. The relationship between war and photograph is constantly in transition, forming new perspectives, provoking new challenges: what is allowed to be seen? Does an image have the power to change political opinion? How are images used to wage war? Stallabrass shows how photographs have become a vital weapon in the modern war: as propaganda—from close-quarters fighting to the drone’s electronic vision—as well as a witness to the barbarity of events such as the My Lai massacre, the violent suppression of insurgent Fallujah or the atrocities in Abu Ghraib. Through these accounts Stallabrass maps a comprehensive theoretical re-evaluation of the relationship between war, politics and visual culture. Killing for Show offers: 190 photographs encompassing photojournalism, artists’ images, photographs by soldiers and amateurs and drones A comprehensive comparison of the role of photography in the Vietnam and Iraq Wars An explanation of the waning power of iconic images in collective memory An analysis of the failure of military PR and the public display of killing A focus on what can and cannot be seen, photographed and published An exploration of the power and limits of amateur photography Arguments about how violent images act on democracy This full-color book is an essential volume in the history of warfare and photography
Written by two leading experts in the field, this welcome third edition of Children in Difficulty: A guide to understanding and helping discusses some of the most common, yet incapacitating, difficulties that are frequently encountered by young children and adolescents. This includes such topics as: ADHD disruptiveness and challenging behaviour in schools and classrooms dyslexia and reading disability eating disorders oppositional defiance, conduct and attachment disorders childhood depression school refusal developmental coordination disorder (dyspraxia) less common mental health problems, such as bipolar disorder and obsessive compulsive disorder. traumatic and stressful situations drug and solvent abuse. The third edition of this book includes brand new insights from the fields of genetics and neuroscience and ensures claims for the effectiveness of specific interventions are supported by rigorous, scientific evidence. By drawing upon high level scientific and clinical knowledge and distilling it in a way that is accessible to professionals from a range of child care disciplines, this book will be of significant value to those working in education, health or social care, and anyone who needs to be able to recognise and help children in difficulty.
Thermo-Mechanical Processing of Metallic Materials describes the science and technology behind modern thermo-mechanical processing (TMP), including detailed descriptions of successful examples of its application in the industry. This graduate-level introductory resource aims to fill the gap between two scientific approaches and illustrate their successful linkage by the use of suitable modern case studies. The book is divided into three key sections focusing on the basics of metallic materials processing. The first section covers the microstructural science base of the subject, including the microstructure determined mechanical properties of metals. The second section deals with the current mechanical technology of plastic forming of metals. The concluding section demonstrates the interaction of the first two disciplines in a series of case studies of successful current TMP processing and looks ahead to possible new developments in the field. This text is designed for use by graduate students coming into the field, for a graduate course textbook, and for Materials and Mechanical Engineers working in this area in the industry. * Covers both physical metallurgy and metals processing* Links basic science to real everyday applications* Written by four internationally-known experts in the field
First published in 1975, Opening the Door is a survey of policies and problems in services for the mentally handicapped. It describes the improvements which have taken place since 1969, when the inquiry into conditions of patients at Ely hospital in South Wales stimulated public concern into the quality of life of many mentally handicapped people in hospital. The authors discuss the continuing gap between the idea – as laid down in the 1971 Government White Paper, Better Services for the Mentally Handicapped, which set out a blueprint for development in the 1980s that was to make the antithesis of ‘hospital’ or ‘community’ obsolete – and the reality. The study is based on detailed work in one Region by a team of staff and postgraduate students in the Department of Social Administration and Social Work at the University of York. The survey covers hospital provisions, with special attention to nursing attitudes and to problems of the ‘back wards,’ the relationship between hospitals and their surrounding communities, and the development of local authority social work and residential care services. This book will be of interest to students of social administration, social policy and health.
Being True to Works of Music explores the varieties of authenticity involved in our practice of performing works of Western classical music. Its key argument is that the familiar 'authenticity debate' about the performance of such works has tended to focus on a side issue. While much has been written about the desirability (or otherwise) of historical authenticity — roughly, performing works as they would have been performed, under ideal conditions, in the era in which they were composed — the most fundamental norm governing our practice of work performance is, in fact, another kind of kind of truthfulness to the work altogether. This is interpretive authenticity: being faithful to the performed work by virtue of evincing a profound, far-reaching, or sophisticated understanding of it. As such, performers are justified, on occasion, in sacrificing some score compliance for the sake of making their performance more interpretively authentic. Written in a clear, engaging style with discussion of musical examples throughout, this book will be of great interest to both philosophers of music and musicologists.
Innovation and Technology Transfer for the Growing Firm: Text and Cases is a practical guide and commentary in the field of technology transfer with emphasis on the economic and managerial aspects of the subject. The book is concerned with both positive and normative aspects of licensing. The book is organized into three parts. Part I presents general definitions and discussion of factors impinging on the environment of licensing. Parts II and III deal with alternative licensing strategies, some empirical evidence, and a public policy approach that might be adopted by governments interested in using licensing to promote business development. The text will be useful to students and practitioners in this field of interest.
In this original and iconoclastic book, Julian Dodd argues for what he terms the simple view of the ontological nature of works of pure, instrumental music. This account is the conjunction of two theses: the type/token theory and sonicism. The type/token theory addresses the question of which ontological category musical works fall under, and its answer is that such works are types whose tokens are sound-sequence-events. Sonicism, meanwhile, addresses the question of how works of music are individuated, and it tells us that works of music are identical just in case they sound exactly alike. Both conjuncts of the simple view are highly controversial, and Dodd defends them vigorously and with ingenuity. Even though the simple view is favoured by very few writers in the philosophy of music, Dodd maintains that it is the default position given our ordinary intuitions about musical works, that it can answer the sorts of objections that have led other philosophers to dismiss it, and that it is, on reflection, the most promising ontology of music on offer. Specifically, Dodd argues that the type/token theory offers the best explanation of the repeatability of works of music: the fact that such works admit of multiple occurrence. Furthermore, he goes on to claim that the theory's most striking consequence - namely, that musical works are eternal existents and, hence, that composers discover rather than create their works - is minimally disruptive of our intuitions concerning the nature of composition and our appreciation of works of music. When it comes to sonicism, Dodd argues both that this way of individuating works of music is prima facie correct, and that the putative counter-examples it faces - most notably, those propounded by Jerrold Levinson - can be harmlessly explained away. In the ontology of music, simplicity rules.
A boundary-breaking book that moves subtly between genres, from memoir and Bildungsroman to social activism and cultural critique. It has the force of personal experience, the meditative pleasures of a novel, and the commitment of a social activist written by a polymath, brilliant thinker, and thoughtful writer. It offers a complex and masterfully written narrative in which events that exceed conventional historical analysis—Buchenwald; the Cold War; McCarthyism; the civil rights, feminist, and anti-war movements; the Cuban experiment in socialist humanism—are interpreted as a dialectics of history and agency. The book has a particular poignancy for the present moment in which the task of social change and struggle for a society of equality have become urgent. It is the work of a committed life struggling for a socialist humanism that, as Markels argues, “enables us not just to dream of full lives but also to find ways to live them, by all and for the good of all.” —Teresa Ebert, author of The Task of Cultural Critique From Buchenwald to Havana is lucid and humane . . . complex, fluid, rich in possibilities . . . learned and wise, and I sure learned a great deal from reading it. And I loved it. It reflects on socialist moments succinctly and it dramatizes a socialism which is attractive and always open to rethinking, It also shows how a person can be honest about pain and mistakes without spending his life only in regret and atonement.—Malcolm Griffith, Emeritus Professor of English, University of Washington Julian Markels has taken the Chinese curse, "May you live in interesting times," and turned it into a blessing for his readers in this rich and compelling account of his life inside the academy and out. As Markels recounts his personal journey, he gives us insights into significant moments in the history of Ohio State University; Marxist literary criticism and theory; Cuba after Castro; and much more. His is a life well-lived--and well-told. —Jim Phelan, author of Experiencing Fiction: Judgments, Progressions, and the Rhetorical Theory of Narrative
At the outset of World War II, North Carolina was one of the poorest states in the Union. More than half of the land was rural. Over one-third of the farms had no electricity; only one in eight had a telephone. Illiteracy and a lack of education resulted in the highest rate of draft rejections of any state. The citizens desperately wanted higher living standards, and the war would soon awaken the Rip Van Winkle state to its fullest potential. Home Front traces the evolution of the people, customs, traditions, and attitudes, arguing that World War II was the most significant event in the history of modern North Carolina. Using oral history interviews, newspaper accounts, and other primary sources, historian Julian Pleasants explores the triumphs, hardships, and emotions of North Carolinians during this critical period. The Training and Selective Service Act of 1940 created over fifty new military bases in the state to train two million troops. Citizens witnessed German submarines sinking merchant vessels off the coast, struggled to understand and cope with rationing regulations, and used 10,000 German POWs as farm and factory laborers. The massive influx of newcomers reinvigorated markets--the timber, mineral, textile, tobacco, and shipbuilding industries boomed, and farmers and other manufacturing firms achieved economic success. Although racial and gender discrimination remained, World War II provided social and economic opportunities for black North Carolinians and for women to fill jobs once limited to men, helping to pave the way for the civil and women's rights movements that followed. The conclusion of World War II found North Carolina drastically different. Families had lost sons and daughters, fathers and mothers, and brothers and sisters. Despite all the sacrifices and dislocations, the once provincial state looked forward to a modern, diversified, and highly industrialized future.
In this entertaining book the author identifies each of the old coaching inns which provide ample evidence of Amersham's importance as a stopping place on the great coach road from London to the Midlands. He traces the history of all the town's tanneries and proves that Weller's brewery is much older than previously believed and that its many maltings were selling vast quantities of malt to London brewers in the 17th century. He does not neglect the townspeople themselves, not least the Drakes of Shardeloes who dominated the political, religious and social life of Amersham for 350 years. Here he is able to draw on the unique knowledge of Barney Tyrwhitt Drake, a direct descendant. Julian Hunt's well-researched narrative is both comprehensive and easy to read. Splendidly illustrated, it is a significant contribution to the published history of Buckinghamshire and will be warmly welcomed in and around old Amersham itself.
Field Man is the captivating memoir of renowned southwestern archaeologist Julian Dodge Hayden, a man who held no professional degree or faculty position but who camped and argued with a who's who of the discipline, including Emil Haury, Malcolm Rogers, Paul Ezell, and Norman Tindale. This is the personal story of a blue-collar scholar who bucked the conventional thinking on the antiquity of man in the New World, who brought a formidable pragmatism and "hand sense" to the identification of stone tools, and who is remembered as the leading authority on the prehistory of the Sierra Pinacate in northwestern Mexico. But Field Man is also an evocative recollection of a bygone time and place, a time when archaeological trips to the Southwest were "expeditions," when a man might run a Civilian Conservation Corps crew by day and study the artifacts of ancient peoples by night, when one could honeymoon by a still-full Gila River, and when a Model T pickup needed extra transmissions to tackle the back roads of Arizona. To say that Julian Hayden led an eventful life would be an understatement. He accompanied his father, a Harvard-trained archaeologist, on influential excavations, became a crew chief in his own right, taught himself silversmithing, married a "city girl," helped build the Yuma Air Field, worked as a civilian safety officer, and was a friend and mentor to countless students. He also crossed paths with leading figures in other fields. Barry Goldwater and even Frank Lloyd Wright turn up in this wide-ranging narrative of a "desert rat" who was at once a throwback and--as he only half-jokingly suggests--ahead of his time. Field Man is the product of years of interviews with Hayden conducted by his colleagues and friends Bill Broyles and Diane Boyer. It is introduced by noted southwestern anthropologist J. Jefferson Reid, and contains an epilogue by Steve Hayden, one of Julian's sons.
This work concentrates upon families with a strong connection to Virginia and Kentucky, most of which are traced forward from the eighteenth, if not the seventeenth, century. The compiler makes ample use of published sources some extent original records, and the recollections of the oldest living members of a number of the families covered. Finally. The essays reflect a balanced mixture of genealogy and biography, which makes for interesting reading and a substantial number of linkages between as many as six generations of family members.
This research analyses the Socotri maritime traditions and addressing the question as to how social, environmental and technological influences have shaped the maritime traditions of the fishermen of Socotra (205 nautical miles south of Yemen).
This sixth volume of the Buildings of Wales series covers two counties, Carmarthenshire and Ceredigion (formerly Cardiganshire) in the south-west of Wales. Like the same authors' Pembrokeshire, the volume covers an architecture still little known, hut encompassing a sweep from prehistoric chambered tombs to the high technology of the world's largest single-span glasshouse. The Buildings of Wales, founded by Sir Nikolaus Pevsner (1902-83), will, when complete, document and describe the architecture of the Principality in seven regional volumes, complementing the sister series on England, Ireland and Scotland. In each one a gazetteer details all buildings of significance from megalithic tombs and Iron Age hill-forts, via grand seventeenth-century houses to Victorian domestic extravaganzas, great industrial centres and monumental public buildings. The countryside is explored to reveal churches, chapels, farmhouses, and traces of early industry. The gazetteer is complemented by an introduction which explains the broader context and builds a complete picture of the country's architectural identity. Each work is illustrated by numerous maps, plans and photographs, completed by glossaries and indexes, and gives a comprehensive and illuminating survey of the buildings of Wales.
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