Mother died at five fifty-eight." So begins this story of seven extraordinary children who, faced with the unknown terrors of an orphanage, decide not to report their mother's death. They bury her in the garden, telling people only that she's too sick to have visitors. Then a menacing stranger appears, claiming to be their father. He agrees to keep their secret-and from that moment the story moves relentlessly to its mesmerizing climax.
First published in 1967, this is a tale of Jordan Maddox who has so disciplined his own emotions that he has, in reality, little contact with life: indifferent, he no longer responds to the signs of love-even of desperation- from those who are close to him. Suddenly he finds himself accused of murder. At first he reacts calmly. It seems to him an absurd, almost an amusing, mistake. To his Wife, his friends, his very lack of passion is proof of his innocence. But to the police, Maddox is the guilty man. At their hands he is relentlessly stripped of his invulnerability. Imprisoned, alone, ignoring the insistent demands of his own defense, he sets out to find his way back to life. In the memories of his childhood and in the act of death and violence of which he stands accused, Maddox submits himself to a far more crucial, far more agonizing trial than the one in which he appears every day as the defendant. For his real trial is that of a man attempting, for the first time, perhaps too late, to accept the responsibilities of living.
First published in 1967, this is a tale of Jordan Maddox who has so disciplined his own emotions that he has, in reality, little contact with life: indifferent, he no longer responds to the signs of love-even of desperation- from those who are close to him. Suddenly he finds himself accused of murder. At first he reacts calmly. It seems to him an absurd, almost an amusing, mistake. To his Wife, his friends, his very lack of passion is proof of his innocence. But to the police, Maddox is the guilty man. At their hands he is relentlessly stripped of his invulnerability. Imprisoned, alone, ignoring the insistent demands of his own defense, he sets out to find his way back to life. In the memories of his childhood and in the act of death and violence of which he stands accused, Maddox submits himself to a far more crucial, far more agonizing trial than the one in which he appears every day as the defendant. For his real trial is that of a man attempting, for the first time, perhaps too late, to accept the responsibilities of living.
Mother died at five fifty-eight." So begins this story of seven extraordinary children who, faced with the unknown terrors of an orphanage, decide not to report their mother's death. They bury her in the garden, telling people only that she's too sick to have visitors. Then a menacing stranger appears, claiming to be their father. He agrees to keep their secret-and from that moment the story moves relentlessly to its mesmerizing climax.
Atheism is often considered to be a negative or pessimistic belief which is characterized by a rejection of values and purpose and a fierce opposition to religion. This Very Short Introduction sets out to dispel the myths that surround atheism, arguing that most western atheism is so-named only because it exists in a tradition in which theism is the norm. Julian Baggini instead asserts that atheists are typically naturalists, who believe that meaning and morality are possible in a finite, natural world. This second edition includes a new chapter covering the impact and legacy of 'New Atheism', a powerful new movement in atheism in the early twenty first century, driven by books from authors such as Richard Dawkins and Sam Harris, and which is having a profound impact across the Western world. Baggini also considers whether East Asia has been historically atheist, and atheism in recent European history, before exploring the position of atheists around the world today. Throughout, the book presents an intellectual case for atheism that rests as much upon positive arguments for its truth as on negative arguments against religion. Very Short Introductions: Brilliant, Sharp, Inspiring ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable.
For years there has been consensus about the merits of Britain’s ‘cult films’ — Peeping Tom, Witchfinder General, The Italian Job — but what of The Mark, Unearthly Stranger, The Strange Affair and The Squeeze? Revisionist critics wax lyrical over Get Carter and The Wicker Man, but what of Sitting Target, Quest for Love and The Black Panther? OFFBEAT redresses this imbalance by exploring Britain’s obscurities, curiosities and forgotten gems — from the buoyant leap in film production in the late fifties to the dying days of popular domestic cinema in the early eighties. Featuring essays, interviews and in-depth reviews, OFFBEAT provides an exhaustive, enlightening and entertaining guide through a host of neglected cinematic trends and episodes, including: • The last great British B-movies • ‘Anti-swinging sixties’ films • Sexploitation — from Yellow Teddy Bears to Emmanuelle in Soho • The British rock ‘n roll movie • CIA-funded British cartoons • Asylums in British cinema • The Children’s Film Foundation • The demise of the short as supporting feature • Val Guest, Sidney Hayers and the forgotten journeyman of British film • Swashbucklers, crime thrillers and other non-horror Hammers Now updated with more than 150 pages of new reviews and essays, featuring: • The Beatles in Colour! • The History of the AA Certificate • Ken Russell’s 1980s Films • Iris Murdoch’s A Severed Head • Curating Offbeat films in the Digital Age And much more!
Fully updated and revised Differential Diagnosis in Dermatology Third Edition now includes sections on treatment as well as serving as a useful guide to dermatological diagnosis in the surgery or clinic. It takes the reader through the process of diagnosing skin disease from the basic biology of skin history taking describing skin lesions and carrying out special investigations. This book provides excellent clinical photography practical text and clear diagrams throughout. Chapters are divided into different body areas and possible diagnosis can be made by reading through the text or looking through the photographs.
En midaldrende mand står ved et afgørende punkt i sin tilværelse. Han har sagt sit arbejde op og forladt sin kone. Hos sine forældre opdager han, at de også er nået til et vigtigt punkt i deres tilværelse
Imaginary Toys (1961) marked the literary debut of the then 26-year-old Julian Mitchell, who would eventually set aside his prizewinning career as a novelist and achieve wider renown as a dramatist, most famously with Another Country (1981). Imaginary Toys is a novel of Oxford after World War Two, where class consciousness has become newly acute, and a quartet of narrators wrestle with their studies and their more personal difficulties - among the four a coalminer's son and the daughter of a solid bourgeois family, who fall in love to the discomfort of their respective friends. In the first of a sequence of reflective, autobiographical new introductions composed especially for Faber Finds' reissues of his early novels, Julian Mitchell recalls the atmosphere of mid-1950s Oxford, and the path he took to a literary vocation.
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