THE GOSPEL ACCORDING TO MONTY PYTHON Who was the real Brian? Who was the real Jesus? Did the Romans build the Jerusalem Aqueduct? Were the Magi really wise? And were the Peoples Front of Judea, splitters? All the crucial issues this book dares to confront. 'Life of Brian' editor Julian Doyle, not only reveals some telling information about the filming process but also compares each and every hysterical scene of the film with the actual Biblical events and comes to some extraordinary conclusions, including the well held belief that 'Life of Brian' is the most accurate Biblical film ever made. A must not only for Python fans but film students wishing to understand the process of comedy editing.
Brilliantly imagined and irresistibly readable, Arthur & George is a major new novel from Julian Barnes, a wonderful combination of playfulness, pathos and wisdom. Searching for clues, no one would ever guess that the lives of Arthur and George might intersect. Growing up in shabby-genteel nineteenth-century Edinburgh, Arthur is saddled with a dad who is a disgrace and a mum he wishes to protect, and is propelled into a life of action. To his astonishment, his career as a self-made man of letters brings him riches and fame and, in the world at large, he becomes the perfect picture of the honourable English gentlemen. George is irredeemably an outsider, and has no hope of becoming such a picture. Though he’s dogged and logical, a vicar’s son from rural Staffordshire, he is set apart, and he and his family are targeted in his boyhood by a poison-pen campaign. George finds safe harbour in the reliability of rules, and grows up to become a solicitor, putting his faith in the insulating value of British justice. Then crisis upsets the uneasy equilibrium of both men’s lives. Arthur is knocked for a loop by guilt and other dishonourable emotions. George is put to the sorest test, accused of a horrible crime. And from that point on their lives weave together in the most profound and surprising way, as each man becomes the other’s salvation. Arthur & George is a masterful novel about low crime and high spirituality, guilt and innocence, identity, nationality and race. Most of all, it’s a profound and witty meditation on the fateful differences between what we believe, what we know and what we can prove. George and his father pray together, kneeling side by side on the scrubbed boards. Then George climbs into bed while his father locks the door and turns out the light. As he falls asleep, George sometimes thinks of the floor, and how his soul must be scrubbed just as the boards are scrubbed. Father is not an easy sleeper, and has a tendency to groan and wheeze. Sometimes, in the early morning, when dawn is beginning to show at the edges of the curtains, Father will catechize him. "George, where do you live?" "The Vicarage, Great Wyrley." "And where is that?" "Staffordshire, Father." "And where is that?" "The centre of England." "And what is England, George?" "England is the beating heart of the Empire, Father." "Good. And what is the blood that flows through the arteries and veins of the Empire to reach even its farthest shore?" "The Church of England." "Good, George." And after a while Father will begin to groan and wheeze again. George watches the outline of the curtain harden. He lies there thinking of arteries and veins making red lines on the map of the world, linking Britain to all the places coloured pink: Australia and India and Canada and islands dotted everywhere. He thinks of blood bubbling though these tubes and emerging in Sydney, Bombay, the St. Lawrence Waterway. Bloodlines, that is a word he has heard somewhere. With the pulse of blood in his ears, he begins to fall asleep again. —excerpt from Arthur & George
Jack Parsons was a brilliant chemist, member of Cal Tech propulsion unit that invented the rocket fuel used for the US space flight to the moon. He was also a fanatical believer in the Magyck of Aleister Crowley the aging occultist who considered himself 'The Beast' incarnate. In 1947 Jack Parsons and L. Ron Hubbard were performing Crowley's mystic rituals in a house in Pasadena, California.Parsons wrote excitedly to his occult leader, Crowley: 'I have had the most devastating experience of my life. I have been in direct touch with One who is most Holy and Beautiful as mentioned in your "Book of the Law". First instructions were received through Lafayette Ron Hubbard the seer. I have followed them to the letter. There was a desire for incarnation. I am to act as an instructor, guardian, guide for nine months; then it will be loosed on the world...' Crowley wrote despairingly to a disciple about Parsons: 'It appears that he has given away both his girl and his money to this writer of science fiction and is now invoking my ritual to produce a Moonchild. I am fairly frantic...' Nine months later while being visited by two students from Cambridge, Aleister Crowley died of cardiac degeneration. Missing from his personal possessions was his magical diaries and his pocket-watch. His funeral took place in the Chapel of the Brighton Crematorium. The final rites were performed by the novelist Louis Marlowe reading extracts from Crowley's "Book of the Law". "The Brighton Echo" denounced the whole ceremony as a Black Mass. In 1952 Jack Parsons was blown up in his laboratory in Pasadena. L. Ron Hubbard died on his yacht as leader of the Church of Scientology.But did the issue end with these three deaths? Would Crowley, as he claimed, ever return from death to rule the world? Why did US astronauts name a crater on the moon after Jack Parsons? Is L. Ron Hubbard really dead? What had been generated by the ceremony in California that seemed to signal Crowley's demise? And what happened to them missing pocket-watch? Unanswered questions till, late in the twentieth century, Dr. Joshua Mathers brought a 'state of the art 'Interactive Suit' from Cal Tech California to Cambridge in England to begin an experiment that, unknown to mankind, changed the course of our planet.
Here is an extraordinary statement from an encyclopedia about Judas the Galilean. 'Judas was a Jewish leader who led an armed resistance to the census imposed for Roman tax purposes by Quirinius in Judaea Province around 6 AD. The revolt was crushed brutally by the Romans. These events are discussed by Josephus in his book 'Jewish Wars.'' What is so extraordinary? Well there is hardly a word of this supposed expert opinion that is true except perhaps: 'These events are discussed by Josephus in his, 'Jewish Wars.'And even this is only partly true. Look at another quote from the Jewish Encyclopedia. [Judas was] 'leader of a popular revolt against the Romans at the time when the first census was taken in Judea, in which revolt he perished and his followers were dispersed.' (Jewish Encyclopedia) Yes, these events are discussed by Josephus but there is not one word that says Judas 'Led an armed resistance to the census' Or 'The revolt was crushed brutally by the Romans.' Or 'In which revolt he perished and his followers were dispersed.'Check any encyclopedia and you will get the same fabrications, but the question is why? What is there in the story of Judas the Galilean that is causing this odd state of affairs? Is it just bad and sloppy research or is there a deliberate attempt to conceal something. If it is sloppy research it has to be very sloppy because there are only some ten pages in Josephus that mention the Galilean, so if you cannot read ten pages and transcribe them correctly you have to be either pretty dumb, or blind, or very deceitful. The ten pages are reproduced for you (unedited) that mention the Galilean in Josephus, for you to see that nothing like these entries in the encyclopedias exist. But something else does unravel in the process of reading these excerpts, which will become obvious to the reader, and without exaggeration it unravels the most extraordinary deception ever perpetrated on the World.
The composer Richard Wagner and the philosopher Friedrich Nietzsche were good friends but on the day of Wagner's greatest triumph, the opening of his Opera House at Bayreuth, Nietzsche walked away from the friendship and later threatened to kill Wagner. Soon after these bizarre events Wagner died and Nietzsche went raving mad, spending the last ten years of his life in a permanent state of catatonia. The extraordinary details of the quarrel between these two giants of 19th Century culture is dramatically revealed when the haunting Ghost of Richard Wagner materialises to the raving Nietzsche within the walls of the Turin Lunatic Asylum.
Always Look on the Bright Side of Life'So sang the Pythons at the end of their film 'Monty Python's Life of Brian'. But when the group crucified themselves in the desert of Tunisia to sing their famous song, they exposed glaring errors in the Gospels that this book analyses and then comes to some extraordinary conclusions that nobody could expect - especially the Spanish Inquisition.No Spam, Spam, Spam Spam; just hard facts.
The concerted character assassination of Mary Magdalene has puzzled many through the ages. Some believe it was to conceal a marriage between Jesus and the Magdalene but this is actually not the reason for these vicious attacks on her, but actually it is far more complex and is not related to anything happening while Jesus was alive. It is because of what happened to the Magdalene after Jesus died. And it was so damning for the Roman church that taking Luke's description of the Magdalene: 'Mary Magdalene, out of whom had come seven demons.' (Luke 8) And from this one sentence the Church decided that Mary Magdalene was, not only a sinner and a prostitute, but in AD 591 Pope Gregory declared the 'seven demons' were in fact the seven deadly sins of pride, envy, gluttony, greed, lust, sloth and wrath and heaped all these seven sins on to her, on top of prostitution. So this infallible Pope had pronounced Mary Magdalene to be a fat, greedy, lazy, jealous, angry prostitute! You can see that the church showed no restraint when it came to assassinating the character of Mary Magdalene. And all this was really to conceal a truth that was so well known in the South of France that a crusade was launched against the area. It began with an attack on July 22, 1209 on the town of Beziers where the doors of the church of St. Mary Magdalene were broken down and the refugees from the surrounding area were dragged out and slaughtered. This ended in 7,000 deaths including women and children. Arnaud wrote to Pope Innocent III that 20,000 of these Christians were put to sword, regardless of rank, age or sex. These innocent people clearly held Mary Magdalene in high esteem and it cost them their lives. So we can be sure that the church was making a concerted effort not only to destroy the reputation of the Magdalene but to destroy all knowledge of the real story of the most important woman in the Gospels. It is interesting to note that the church in Beziers that was attacked was called Saint Mary Magdalene's but the Magdalene was not made a Saint by the Church of Rome for another seven hundred and fifty years. Furthermore the attack was launched on 22nd July, which was always Mary Magdalene' feast day!
Join Wilbur Fox and his sister, Clementine, growing up in the glorious countryside. One day as the foxes are out playing, they come across five ducklings who can’t find their way home.
With this irresistibly fresh debut about a set of twins in their first year of college in Ireland, Julian Gough ("Roddy Doyle in an extremely good mood." —The Washington Post Book World) has established himself as Ireland's most delightful new voice in fiction. Juno and Juliet Taylor are both beautiful blondes, but Juliet is convinced that Juno is the more beautiful, as well as the more intelligent, charming, worldly, and wise. Yet neither feels any sense of rivalry, which is good, given that their freshman year turns out to be more than either could handle alone. Juno has an erratic artist for a boyfriend and is stalked by a pervert who sends anonymous letters. And Juliet is in love with her grad-student tutor, who is stymied by her youth and preoccupied with his dying father. Hilarious and tender, ribald and smart, Juno & Juliet is a refreshing romp with two sisters whose love and devotion are infectious.
Brilliantly imagined and irresistibly readable, Arthur & George is a major new novel from Julian Barnes, a wonderful combination of playfulness, pathos and wisdom. Searching for clues, no one would ever guess that the lives of Arthur and George might intersect. Growing up in shabby-genteel nineteenth-century Edinburgh, Arthur is saddled with a dad who is a disgrace and a mum he wishes to protect, and is propelled into a life of action. To his astonishment, his career as a self-made man of letters brings him riches and fame and, in the world at large, he becomes the perfect picture of the honourable English gentlemen. George is irredeemably an outsider, and has no hope of becoming such a picture. Though he’s dogged and logical, a vicar’s son from rural Staffordshire, he is set apart, and he and his family are targeted in his boyhood by a poison-pen campaign. George finds safe harbour in the reliability of rules, and grows up to become a solicitor, putting his faith in the insulating value of British justice. Then crisis upsets the uneasy equilibrium of both men’s lives. Arthur is knocked for a loop by guilt and other dishonourable emotions. George is put to the sorest test, accused of a horrible crime. And from that point on their lives weave together in the most profound and surprising way, as each man becomes the other’s salvation. Arthur & George is a masterful novel about low crime and high spirituality, guilt and innocence, identity, nationality and race. Most of all, it’s a profound and witty meditation on the fateful differences between what we believe, what we know and what we can prove. George and his father pray together, kneeling side by side on the scrubbed boards. Then George climbs into bed while his father locks the door and turns out the light. As he falls asleep, George sometimes thinks of the floor, and how his soul must be scrubbed just as the boards are scrubbed. Father is not an easy sleeper, and has a tendency to groan and wheeze. Sometimes, in the early morning, when dawn is beginning to show at the edges of the curtains, Father will catechize him. "George, where do you live?" "The Vicarage, Great Wyrley." "And where is that?" "Staffordshire, Father." "And where is that?" "The centre of England." "And what is England, George?" "England is the beating heart of the Empire, Father." "Good. And what is the blood that flows through the arteries and veins of the Empire to reach even its farthest shore?" "The Church of England." "Good, George." And after a while Father will begin to groan and wheeze again. George watches the outline of the curtain harden. He lies there thinking of arteries and veins making red lines on the map of the world, linking Britain to all the places coloured pink: Australia and India and Canada and islands dotted everywhere. He thinks of blood bubbling though these tubes and emerging in Sydney, Bombay, the St. Lawrence Waterway. Bloodlines, that is a word he has heard somewhere. With the pulse of blood in his ears, he begins to fall asleep again. —excerpt from Arthur & George
The First World War largely directed the course of the twentieth century. Fought on three continents, the war saw 14 million killed and 34 million wounded. Its impact shaped the world we live in today, and the language of the trenches continues to live in the modern consciousness. One of the enduring myths of the First World War is that the experience of the trenches was not talked about. Yet dozens of words entered or became familiar in the English language as a direct result of the soldiers' experiences. This book looks at how the experience of the First World War changed the English language, adding words that were both in slang and standard military use, and modifying the usage and connotations of existing words and phrases. Illustrated with material from the authors' collections and photographs of the objects of the war, the book will look at how the words emerged into everyday language.
»Dieser Roman zeigt Julian Barnes auf dem Höhepunkt seines Könnens.« P.D. James Zwei Männer, geprägt vom ausgehenden 19. Jahrhundert in Großbritannien, begegnen sich in einer entscheidenden und dramatischen Phase ihres Lebens: Arthur Conan Doyle, der Erfinder von Sherlock Holmes, und George Edalji, ein kleiner Provinzanwalt. Julian Barnes schildert sie auf faszinierende Weise vor dem Hintergrund ihrer Zeit. Arthur und George könnten unterschiedlicher nicht sein. Der eine, aus niederem schottischen Adel stammend, wird Augenarzt, dann ein erfolgreicher Schriftsteller und einer der berühmtesten Männer seiner Zeit. Der andere, braves Kind eines anglikanischen Dorfpfarrers indischer Herkunft, wird ein kleiner Rechtsanwalt in Birmingham. Beide sind sie zutiefst den Konventionen und Ehrvorstellungen ihrer Epoche verhaftet, Arthur leidet zudem unter einer schwierigen Liebesbeziehung. Ihre Wege kreuzen sich, als Arthur ein einziges Mal in seinem Leben in die Rolle des Sherlock Holmes schlüpft, um George zu helfen, der Opfer eines skandalösen, rassistisch motivierten Justizirrtums geworden ist. Das Verfahren wird wieder aufgerollt. Arthur gelingt es, Georges Ehre zu retten. Arthur & George stand wochenlang auf den Bestsellerlisten in England und den USA sowie auf der Shortlist für den Man Booker Prize 2005.
In 1918, Aleister Crowley announced that he was leaving New York to go on a 'Magical Retirement'. With his last cent he bought fifty gallons of paint, a large rope and a ticket on a boat going up the Hudson to Oesopus Island. What are you going to eat? asked his friends as he embarked. My children replied Crowley in his most pontifical manner. Oesopus Island has dangerous cliffs on both sides and passengers of passing river-boats were amazed to find, written on the cliffs in red letters ten foot tall: DO WHAT THOU WILT SHALL BE THE LAW Above on the cliffs in meditation sat the tiny figure of Aleister Crowley. His head was shaved except for one forelock which was kept in honour of the phallus. During these meditations he acquired a magical memory to recall his previous lives. The earliest in time was Ko Hsuen, a Chinese sage who had been a disciple of Lao Tse, the great figure of Taoism. Immediately before his present life he had been the French magician Eliphas Levi. On the day of his return to New York, thinner and with a sun tan, he was treated by a friend to lunch at the Plaza Grill. He had whitebait, steak tartare and cream cake, followed by a cigar and Napoleon Brandy. He ate the meal in the secure knowledge that after his death he would return again! Now a CONTROVERSIAL motion picture
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Classic Mystery and Detective Stories from such masterful storytellers as Rudyard Kipling, Arthur Conan Doyle, Robert Louis Stevenson, Wilkie Collins and numerous others.Stories include My Own True Ghost Story, A Case of Identity, The Pavilion on the Links, The Dream Woman: A Mystery in Four Narratives, and many more.These are classics for the ages! A great read for any mystery buff!
Una obra magnífica, plena d'humor, profunditat i saviesa, finalista del Man Booker Prize. Probablement la millor creació de Julian Barnes. Un episodi real, oblidat, convertit en una magnífica novel·la: una obra que permet veure en acció el creador de Sherlock Holmes, Arthur Conan Doyle, en un interessant cas d'intriga i prejudicis. Arthur Conan Doyle i George Edalji neixen a mitjan segle XIX a la Gran Bretanya. Els seus mons són distants: Arthur és metge i més tard escriptor de fama mundial gràcies a Sherlock Holmes; George, d'origen indi, fa d'advocat a Birmingham i treballa sense cap notorietat pública. Però a principis del segle XX uns misteriosos esdeveniments faran que els dos personatges coincideixin: es veuran involucrats en una trama policial amb cartes anònimes, atacs nocturns i enigmàtics assassinats que van trasbalsar l'opinió pública britànica. Fruit d'una intensa recerca, basada en un cas real, i de la brillant imaginació de Julian Barnes, Arthur i George retrata magníficament la societat victoriana i recrea les vides de dos personatges que esdevenen extraordinaris: George Edalji, acusat falsament i empresonat per motius racistes, i Arthur Conan Doyle, que va investigar el seu cas i va defensar públicament la seva innocència. Traducció d'Albert Torrescasana i Joan Puntí. 'Des del primer parràgraf, sabem que estem a les mans d'un gran novel·lista, que ens transporta a una irresistible narració, i que combina de manera genial biografia, història i l'emoció d'una trama d'intriga real. Barnes, en plena forma.' [PD James, The Times] Julian Barnes Nascut a Leicester (Regne Unit) el 1946, Julian Barnes és un dels escriptors britànics més prestigiosos, de la generació de Kazuo Ishiguro, Martin Amis i Graham Swift. Irònic, imprevisible i intel·ligent, Barnes és autor de les novel·les Metroland (1981), El lloro de Flaubert (1984) (Prix Médicis, 1986), Història del món en deu capítols i mig (1989), Anglaterra, Anglaterra (1998), Amor, etc. (2000), els reculls de contes Cross Channel (1996) i The Lemon Table (2004), entre altres. Ha rebut nombrosos premis literaris i importants distincions -E.M. Forster de l'American Academy of Arts and Letters (1986), William Shakespeare de la Fundació FvS (1993), el Premi Àustria de literatura estrangera (2004) i Commandeur de l'Ordre des Arts et des Lettres (2004). Arthur i George fou seleccionada per al Man Booker Prize el 2005. Julian Barnes viu actualment a Londres. Web de Julian Barnes Arthur i George, de Julian Barnes (Narratives) Res a témer, de Julian Barnes Pulsacions, de Julian Barnes
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