Variation is a fundamental musical principle, yet its most naked expression - variation form - resists all but the broadest of descriptions. This book offers listener, performer, analyst and composer an eclectic array of approaches to `Theme and Variations', including: patterns of departure and return; real versus perceived time; strategies of propulsion and closure in an intrinsically cyclic and open-ended form; the interplay of authorial voices deriving from dialogue between the `self' of variations and the `other' of their theme; critique of a theme through a set's generic references; drama and narrative achieved through textural and tonal control; and the intrinsic sound of a variation, so different from that of a freely composed work. These topics are introduced through a general survey of the form, seen through the prisms of the provenance of themes and the ideologies of sets, before being developed through close study of Brahms's variation sets and movements. Brahms was supremely aware of his place in music history and was uncommonly self-conscious in his manipulation of different techniques of composition. His variation sets - some of the most well-crafted and beloved examples - place the interplay of forms and styles at the heart of their identity. Moreover, in their stunning breadth and diversity they offer a microcosm of Brahms's entire output, a succinct revelation of his life-long concerns. Through them we marvel at his technical and poetic mastery, and journey to the heart of his creative character.
In this third edition of the classic Verdi, renowned authority Julian Budden offers a comprehensive overview of Verdi the man and the artist, tracing his ascent from humble beginnings to the status of a cultural patriarch of the new Italy, whose cause he had done much to promote, and demonstrating the gradual enlargement over the years of his artistic vision. This concise study is an accessible, insightful, and engaging summation of Verdi scholarship, acquainting the non-specialist with the personal details Verdi's life, with the operatic world in which he worked, and with his political ideas, his intellectual vision, and his powerful means of communicating them through his music. In his survey of the music itself, Budden emphasizes the unique character of each work as well as the developing sophistication of Verdi's style. He covers all of the operas, the late religious works, the songs, and the string quartet. A glossary explains even the most obscure operatic terms current in Verdi's time.
An examination of the search for the answer to the meaning of life breaks down the six answers people commonly suggest when considering what life is all about and shows that the search for meaning is personal.
This volume illuminates musical connections between Britain and the continent of Europe, and Britain and its Empire. The seldom-recognized vitality of musical theatre and other kinds of spectacle in Britain itself, and also the flourishing concert life of the period, indicates a means of defining tradition and identity within nineteenth-century British musical culture. The objective of the volume has been to add significantly to the growing literature on these topics. It benefits not only from new archival research, but also from fresh musicological approaches and interdisciplinary methods that recognize the integral role of music within a wider culture, including religious, political and social life. The essays are by scholars from the USA, Britain, and Europe, covering a wide range of experience. Topics range from the reception of Bach, Mozart, and Liszt in England, a musical response to Shakespeare, Italian opera in Dublin, exoticism, gender, black musical identities, British musicians in Canada, and uses of music in various theatrical genres and state ceremony, and in articulating the politics of the Union and Empire.
Silver Winner: Nautilus Award Grand Prize: Chanticleer International Book Award Finalist: American Writing Awards: Cookbooks, Parenting and Family Grow closer as a family through mealtime bonding. Explore more than 80 recipes plus essays, tips, and activities for the whole family that show how cooking together and sharing family meals can help build healthy relationships with food and with each other. With unique insights from a New York Times–starred chef dad and an award-winning psychologist mom, Eating Together, Being Together is much more than a cookbook. It teaches parents and children from toddlerhood through the teen years how to engage around cooking and mealtime. Each chapter offers easy-to-make recipes using fresh ingredients accompanied by thoughts and tips on using mindfulness to deal with picky eating, listening skills, academic stress, and more. This structure allows preparing and eating meals together to be meaningful, where kids and their parents, guardians, and caregivers can learn from one another and grow closer. Recipes include a range of food options to accommodate varying tastes with accessible step-by-step instructions for parents and kids. Activities for each chapter tie in key themes for cooking and for life and are presented in a developmentally thoughtful way for young children, preteens, teens, and grown-ups. From eating mindfulness and having honest food conversations to building rituals that support togetherness, this book explores how the family meal, whether cooking or eating, can bring families closer together. Whether it's kids sharing their feelings while they mix batter, or adults telling stories of their childhood while enjoying a favorite recipe, a special kind of bonding happens around food. Eating Together, Being Together gives you the recipes and activities for that bonding experience and helps set the table for connection.
Berlioz's Symphonie Fantastique is a key work in the understanding of romanticism, programme music, and the development of the orchestra, post-Beethoven. It is noted for having a title and a detailed programme, and for its connection with the composer's personal life and loves. This handbook situates the symphony within its time, and considers influences, literary as well as musical, that shaped its conception. Providing a close analysis of the symphony, its formal properties and melodic and textural elements (including harmony and counterpoint), it is a rich but accessible study which will appeal to music lovers, scholars, and students. It contains a translation of the programme, which sheds light on the form and character of each movement, and the unusual use of a melodic idée fixe representing a beloved woman. The unusual five-movement design permits a range of musical topics to be discussed and related to traditional symphonic elements: sonata form, a long Adagio, dance-type movements, and thematic development.
This study examines Palazzeschi's early literary career (1905-15) and his major texts with specific focus on the relationship between his creative works and his three manifestos (Lacerba, 1914-15).
The collection of essays in this volume offer an overview of Schubertian reception, interpretation and analysis. Part I surveys the issue of Schubert‘s alterity concentrating on his history and biography. Following on from the overarching dualities of Schubert explored in the first section, Part II focuses on interpretative strategies and hermeneutic positions. Part III assesses the diversity of theoretical approaches concerning Schubert‘s handling of harmony and tonality whereas the last two parts address the reception of his instrumental music and song. This volume highlights the complexity and diversity of Schubertian scholarship as well as the overarching concerns raised by discrete fields of research in this area.
Classical guitarists---both students and professional performers---require the same high-quality editions that their pianist colleagues have come to expect from Alfred Music. Our Classical Guitar Masterworks Editions continue the Alfred Music tradition of providing carefully edited, beautifully presented music for practice and performance. This edition of Mertz's character pieces includes 28 pieces from Bardenklänge, Op. 13, as well as Trois Nocturnes, Op. 4. Mertz's most important body of work was Bardenklänge, which features many small but delightful pieces. Included here are often-performed works like "Liebeslied," "Tarantelle," "An Malvina," and "Romanze," which clearly affirm Mertz's places as the guitar's principal German Romantic composer. The attractive Three Nocturnes, Op. 4 are popular recital pieces and will be a great addition to your repertoire. This masterwork edition features thoughtful, expert fingerings by respected performer and pedagogue Julian Gray. It is a must-have for any serious classical guitarist. Titles: * Bardenklänge, Op. 13 * An Malvina (To Malvina) * Romanze * Abendlied (Evening Song) * Unruhe (Restlessness) * Elfenreigen (Dance of the Elves) * An die Entfernte (To the Distant One) * Etude * Capriccio * Gondoliera * Liebeslied (Love Song) * Fingals-Höhle (Fingal’s Cave) * Gebeth (Prayer) * Tarantelle * Variations mignonnes * Kindermärchen (Children’s Fairy Tale) * Rondino * Romanze * Scherzo * Sehnsucht (Longing) * Lied ohne Worte (Song without Words) * Mazurka * Polonaises Favorites 1, 2, 3 & 4 * Polonaises Favorites 4, 5 & 6 * Trois Nocturnes, Op. 4
In the last decade, Spanish auteur Pedro Almodóvar has grown from critical darling of the film circuit scene to mainstream success. Frequently comic, often deadly serious, always visually glorious, his recent films range from the Academy Award–winning drama Talk to Her to the 2011 horror film The Skin I Live In. Though they are ambitious and varied in style, each is a distinctive innovation on the themes that have defined his work. Desire Unlimited is the classic film-by-film assessment of Almodóvar’s oeuvre, now updated to include his most recent work. Still the only study of its kind in English, it vigorously confirms its original argument that beneath Almodóvar's genius for comedy and visual pleasure lies a filmmaker whose work deserves to be taken with the utmost seriousness.
Focusing on the music of Debussy and its legacy in the century since his death, this book offers a groundbreaking new perspective on twentieth-century music that foregrounds a sensory logic of sound over quasi-linguistic ideas of structure or meaning
In this beautifully written account, Julian Young provides the most comprehensive biography available today of the life and philosophy of the nineteenth-century German philosopher Friedrich Nietzsche. Young deals with the many puzzles created by the conjunction of Nietzsche's personal history and his work: why the son of a Lutheran pastor developed into the self-styled 'Antichrist'; why this archetypical Prussian came to loath Bismarck's Prussia; and why this enemy of feminism preferred the company of feminist women. Setting Nietzsche's thought in the context of his times - the rise of Prussian militarism, anti-Semitism, Darwinian science, the 'Youth' and emancipationist movements, as well as the 'death of God' - Young emphasises the decisive influence of Plato and of Richard Wagner on Nietzsche's attempted reform of Western culture.
What does music have to say about modernity? How can this apparently unworldly art tell us anything about modern life? In Out of Time, author Julian Johnson begins from the idea that it can, arguing that music renders an account of modernity from the inside, a history not of events but of sensibility, an archaeology of experience. If music is better understood from this broad perspective, our idea of modernity itself is also enriched by the specific insights of music. The result is a rehearing of modernity and a rethinking of music - an account that challenges ideas of linear progress and reconsiders the common concerns of music, old and new. If all music since 1600 is modern music, the similarities between Monteverdi and Schoenberg, Bach and Stravinsky, or Beethoven and Boulez, become far more significant than their obvious differences. Johnson elaborates this idea in relation to three related areas of experience - temporality, history and memory; space, place and technology; language, the body, and sound. Criss-crossing four centuries of Western culture, he moves between close readings of diverse musical examples (from the madrigal to electronic music) and drawing on the history of science and technology, literature, art, philosophy, and geography. Against the grain of chronology and the usual divisions of music history, Johnson proposes profound connections between musical works from quite different times and places. The multiple lines of the resulting map, similar to those of the London Underground, produce a bewildering network of plural connections, joining Stockhausen to Galileo, music printing to sound recording, the industrial revolution to motivic development, steam trains to waltzes. A significant and groundbreaking work, Out of Time is essential reading for anyone interested in the history of music and modernity.
Performance studies in the Western art music tradition have often been dominated by the relationship of theoretical score-analysis to performance, although some recent trends have aimed at dislodging the primacy of the score in favour of assessing performance on its own terms. In this book Julian Hellaby further develops these trends by placing performance firmly at the heart of his investigations and presents a structured approach to analysing the interpretation of a musical work from the perspective of a musically informed listener. To enable analysis of individual interpretations, the author develops a conceptual framework in which a series of performance-related categories is arranged hierarchically into an 'interpretative tower'. Using this framework to analyse the acoustic evidence of a recording, interpretative elements are identified and used to assess the relationship between a performance and a work. The viability of the interpretative tower is tested in three major case studies. Contrasting recorded performances of solo keyboard works by Bach, Messiaen and Brahms are the focus of these studies, and analysis of the performances, using the tower model, uncovers an interpretative rationale. The book is wide-ranging in scope and holistic in approach, offering a means of enhancing a listener's appreciation of an interpretation. It is richly illustrated with examples taken from commercial recordings and from the author's own recordings of the three focal works. A CD of the latter is included.
The three Mozart/Da Ponte operas offer a inexhaustible wellspring for critical reflection, possessing a complexity and equivocation common to all great humane works. They have the potential to reflect and refract whatever locus of contemporaneity may be the starting point for enquiry. Thus, even postmodern and postmillennial concerns, far from seeming irrelevant to these operas, are instead given new perspectives by them, while the music and the dramatic situations have the multivalency to accept each refreshed palette of interpretation without loss of their essential character. These operas seem perennially new. In exploring the evergreen qualities of Don Giovanni and Le Nozze di Figaro, the authors of this book do not shun approaches that have foundations in established theory, but refract them through such problems as the tension between operatic tradition and psychological realism, the coexistence of multiple yet equal plots, and the antagonism between the tenets of tradition and the need for self-actualization. In exploring such themes, the authors not only illuminate new aspects of Mozart's operatic compositions but also probe the nature of musical analysis itself.
This study of an ordinary town in Northern England is “a thoughtful, sympathetic portrait of white working-class life…essential reading” (Guardian). What do the English think? Every country has a dominant set of beliefs and attitudes concerning everything from how to live a good life, how we should organize society, and the roles of the sexes. Yet despite many attempts to define England’s national character, what might be called the nation's philosophy has remained largely unexamined until now. Philosopher Julian Baggini pinpointed postcode S66 on the outskirts of Rotherham as England in microcosm—an area that reflected most accurately the full range of the nation's inhabitants, its most typical mix of urban and rural, old and young, married and single. He then spent six months living there, immersing himself in this typical English Everytown, in order to get to know the mind of a people. It sees the world as full of patterns and order, a view manifest in its enjoyment of gambling. It has a functional, puritanical streak, evident in its notoriously bad cuisine. In the English mind, men should be men and women should be women (but it's not sure what children should be). Sympathetic but critical, serious yet witty, Baggini's account of the English as represented by this particular spot on its map is both a portrait of its people and a personal story about being an alien in your own land. “Baggini turns out to be a sensitive observer who takes people and places on their own terms. He is also good at examining his own prejudices and fears.”—Independent “An insightful and often amusing investigation of what it means to be English.”—London Review of Books
Berlioz's 'dramatic symphony' Roméo et Juliette is regarded by many as his finest work; it is certainly among the most original. It is played less often than his earlier symphonies, because it requires solo voices and chorus; yet at its heart is some of the most inspired orchestral music of the nineteenth century. This book summarises the complex genesis of the work before examining the music closely and always with a view to understanding its dramatic implications. The early and later critical reception is quoted and discussed and Julian Rushton concludes by suggesting a way of hearing the work which recognises the value of its mixed genre. The complete libretto is provided in both English and French.
PLEASED to meet YOU! I am the Hungarian Yankee from Chicago who wrote this book. I learned the English language from the British Broadcasting Corporation while listening to short waive radio on the Russian Front in World War II. I loved it. I mean the language not the war. This book started with Grandmother at my birth and will end 90 some years later when Saint Peter, our gatekeeper calls me. This book documents that for almost ninety years I was not just alive, but also loving the people who made it worth living. This book is neither a fiction, -it is real life, -nor is it a documentary not being chronological. It is rather an interactive Chit-chat between the author and the reader. The main characters are often funny and occasionally dramatic, always proving that the fruit of learning and working during the day, loving and hugging during the night will be HONEY.
What do Tesla, Apple, Warby Parker, and Nike all have in common? They all challenged the conventions of their category and, in true Challenger Brand style, caused the world to navigate by their beliefs, actions, and standards. In this easily accessible series of stories, Illuminate explores what makes these brands tick and how today's modern marketer can benefit from their example. Packed full of insights, case stories, and real-world examples from my thirty-five-plus years on the front line of Challenger marketing, Illuminate is an essential read for anyone involved in the business of building brands. Particularly Challenger Brands. These are the brands who see imperfections as opportunities, who take umbrage at the lowly expectations that abound in so many categories, who challenge the Monsters in our midst. They are the mavericks who hate the status quo, who create new norms, and who force the world to navigate by their vision of the future. And these are the brands you will learn about in this book. Some are new, some are old, but all are Challengers at heart. And they all have fascinating stories to tell. Because why you do business today is, perhaps, even more important that what you do or how you do it. Yet, every day, we see too many firms chasing the competition, believing that price, product features, or passion alone will make them winners. Companies without a clearly articulated purpose. The result? Low returns. Failed or sub-performing companies. Another dream shattered. Another great idea turned to dust. The losers are the employees, management teams, owners, and boards at all these companies. As well as the investors--the VCs, private equity firms, angel funders, and founders, and the world itself. But it doesn't have to be that way. Most companies focus on what they do and sometimes, how they do it and then expect people to buy their product or service. Challengers, however, broadcast why they do what they do and change the world in the process. Challengers create new sets of rules and expect the world to follow their lead. And they do it with passion and focus, not big budgets. It's why they're some of the fastest growing companies on earth. In Illuminate II, you will learn tips and tricks, gain insights and ideas, and be able to put into practice lessons, from some of the world's most interesting Challenger Brands. Some of the stories you will read have historical routes; some are centered on my recent experience; some will hopefully inspire you to think and act different at, or with, your company, or even in your life; some will provide you clear, tangible lessons and exercises to use. And, hopefully, all of them will help you perfect the art and science of Challenger behavior.
This carefully edited collection has been designed and formatted to the highest digital standards and adjusted for readability on all devices. Content: Letters: Browne's Folly (a letter for the Essex Institute) Love Letters (To Miss Sophia Peabody) - Volume I&II Letter to the Editor of the Literary Review Memoirs: American Notebooks (Volume I & II) English Notebooks (Volume I & II) French and Italian Notebooks (Volume I & II) Biographies and Reminiscences of Hawthorne: The Life and Genius of Hawthorne by Frank Preston Stearns Hawthorne and His Circle by Julian Hawthorne Memories of Hawthorne by Rose Hawthorne Lathrop Hawthorne and His Moses by Herman Melville 'Fifty Years of Hawthorne': Four Americans by Henry A. Beers George Eliot, Hawthorne, Goethe, Heine: My Literary Passions by William Dean Howell Life of Great Authors by Hattie Tyng Griswold Yesterday With Authors by James T. Field Hawthorne and Brook Farm by George William Curtis Biographical sketch by George Parsons Lathrop Nathaniel Hawthorne (1804-1864) was an American novelist and short story writer.
Johnson considers how Mahler's body of music foregrounds the idea of artifice, construction and musical convention while also presenting itself as act of authentic expression and disclosure. This study of brings together a close reading of the renowned composer's music with wide-ranging cultural and historical interpretation.
In his long and distinguished career as a writer and scholar Julian Simon came to be known as one of the leading--and most controversial--authorities on population economics. An immensely productive writer, his work is unified by a basic core belief: that human intellect and ingenuity are ever-renewable resources in the use and preservation of natural resources. Inevitably, Simon's position provoked the hostility of doctrinaire environmentalists, both in academia and in the movement at large. However, Simon's arguments were invariably built from facts and powerful evidence that stood him well in many high-profile public debates. The first part of Simon's autobiography takes the reader through his childhood, his years as a midshipman and then as an officer in the Navy, plus a stint in the Marines, and his experiences as a copywriter in an advertising firm. Simon's plan after receiving his Ph.D. from the University of Chicago was to be an entrepreneur, which would afford him enough money to care for his parents and allow him free time for writing fiction. He ran a small mail-order business for two years, during which time he wrote his first book, How to Start and Operate a Mailorder Business, which has since gone through seven editions. Deciding to seek a professional career, in 1963, he accepted a position at the University of Illinois. Although he spent thirty-five years of his life as a faculty member at three universities, his autobiography contains almost no discussion of departmental affairs or university politics, topics about which Simon had little or no interest. Rather, after the personal chronology and experiences, the book includes substantive chapters on research methods, population economics, and immigration. It also explains how Julian Simon became the economist he was. He analyzes crucial periods in his life when he developed his ideas on fundamental issues. Written in an engaging and amusing manner, Julian Simon's autobiography is a combination of personal memoir and professional contribution to important ideas in economics, research methods, and demography. His observations and personal reflections will interest the general reader on a humanitarian level as well as environmentalists, sociologists, and economists on a professional level.
A detailed guide to understanding what is needed to effectively treat patients with herbal medicine Drawing on decades of experience, Julian Barker provides a comprehensive approach to the practice of herbalism, encompassing many of the problems a herbalist may encounter and offering advice on how they can help. Placing natural science at the forefront of its discussion, the initial section of Physic takes a wide-lens approach to exploring human biology, discussing the inner physiology of the human body, through concepts such as energy, movement, cycles and temperament. It also presents Barker’s concept of poise, which is the human ability to maintain an adaptive ratio. The book moves on, in part two, to consider the actual practice of herbalism, discussing important aspects of the interaction between herbalist and patient. Physic culminates in a discussion surrounding the influence of plants upon people, including an extensive Materia Medica. Physic provides a wealth of information regarding the needs of both the patient, and the practitioner who looks after them, solidifying it as a foundational textbook for students and practitioners of herbal medicine for years to come.
This carefully crafted ebook: "Life and Genius of Nathaniel Hawthorne: Letters, Diaries, Reminiscences and Extensive Biographies" is formatted for your eReader with a functional and detailed table of contents. Nathaniel Hawthorne (1804-1864) was an American novelist and short story writer. His writing centers on New England, many works featuring moral allegories with a Puritan inspiration. His fiction works are considered to be part of Dark romanticism. His themes often centre on the inherent evil and sin of humanity, and his works often have moral messages and deep psychological complexity. Excerpt: "My dearest Sophie, I had a parting glimpse of you, Monday forenoon, at your window—and that image abides by me, looking pale, and not so quiet as is your wont. I have reproached myself many times since, because I did not show my face, and then we should both have smiled; and so our reminiscences would have been sunny instead of shadowy. But I believe I was so intent on seeing you, that I forgot all about the desirableness of being myself seen" Content: Letters: Browne's Folly (a letter for the Essex Institute) Love Letters (To Miss Sophia Peabody) - Volume I&II Letter to the Editor of the Literary Review Memoirs: American Notebooks (Volume I & II) English Notebooks (Volume I & II) French and Italian Notebooks (Volume I & II) Biographies and Reminiscences of Hawthorne: The Life and Genius of Hawthorne by Frank Preston Stearns Hawthorne and His Circle by Julian Hawthorne Memories of Hawthorne by Rose Hawthorne Lathrop Hawthorne and His Moses by Herman Melville 'Fifty Years of Hawthorne': Four Americans by Henry A. Beers George Eliot, Hawthorne, Goethe, Heine: My Literary Passions by William Dean Howell Life of Great Authors by Hattie Tyng Griswold Yesterday With Authors by James T. Field Hawthorne and Brook Farm by George William Curtis Biographical sketch by George Parsons Lathrop
This book considers the idea of nature in the music of Anton Webern. It stands out from other studies because it explores the wider social and cultural dimensions of the music, as opposed to the often narrow, technical analysis of the music. In doing so it offers an important case study for the way in which social ideas can be discussed in relation to apparently 'abstract' modern music. Moreover, it does so in relation to musical details not simply on the level of biography or cultural history.
The First and Second Italian Wars describes the course of military operations and political machinations in Italy from 1494 to 1504. The narrative begins with the French conquest of much of Italy. But the French hold collapsed. The second French invasion gained Northern Italy. This time, the French allied with the Pope’s son, Cesare Borgia. Cesare managed to double deal too many people; his efforts ended in disaster. The French agreement with the Spanish allowed them to retake Naples only to be defeated at the Garigliano by the famous general, Gonzalo de Cordoba. These wars were not just another series of medieval fights. These battles were different from what had gone before: the French utilized a new method of artillery transport; the Spanish commander formulated a new system of military unit organization, and Cesare Borgia sought different systems of raising troops and forming states. And all the powers managed to spend vast amounts of money the likes of which no one had imagined before. This was the emergence of the so-called Military Revolution.
Few works in the nineteenth-century repertoire have aroused such extremes of hostility and admiration, or have generated so many scholarly problems, as Anton Bruckner's symphonies. In this 2004 book, Julian Horton seeks fresh ways of understanding the symphonies and the problems they have accrued by treating them as the focus for a variety of inter-disciplinary debates and methodological controversies. He isolates problematic areas in the works' analysis and reception, and approaches them from a range of analytical, historical, philosophical, literary, critical and psychoanalytical viewpoints. The symphonies are thus explored in the context of a number of crucial and sometimes provocative themes, including the political circumstances of the works' production, Bruckner and post-war musical analysis, issues of musical influence, the problem of editions, Bruckner and psychobiography, and the composer's controversial relationship to the Nazis.
A rich and varied collection of songs in the contemporary classical idiom from distinguished opera composer Julian Grant. Published by Andromache Music, a division of Andromache Books, London.
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