Securitising Russia shows the impact of twenty-first-century security concerns on the way Russia is ruled. It demonstrates how President Putin has wrestled with terrorism, immigration, media freedom, religious pluralism, and economic globalism, and argues that fears of a return to old-style authoritarianism oversimplify the complex context of contemporary Russia. The book focuses on the internal security issues common to many states in the early twenty-first-century, and places them in the particular context of Russia. Detailed analysis of the place of security in Russia’s political discourse and policy-making reveals nuances often missing from overarching assessments of Russia today. To characterise the Putin regime as the ‘KGB-resurgent’ is to miss vital continuities, contexts, and on-going political conflicts which make up the contemporary Russian scene. Securitising Russia draws together current debates about whether Russia is a ‘normal’ country developing its own democratic and market structures, or a nascent authoritarian regime returning to the past.
This book provides a practical working guide to the most important peri-operative issues and medical problems found on the day-to-day ward management of trauma patients. Although aimed at medical students, orthopedic and surgical residents and foundation year pre-registration house officers, the style and content of the book will also appeal to senior medical students and senior house officers, and junior doctors in the acute specialties.
Opera, that most extravagant of the performing arts, is infused with the contexts of power-brokering and cultural display in which it was conceived and experienced. For individual operas such contexts have shifted over time and new meanings emerged, often quite remote from those intended by the original collaborators; but tracing this ideological dimension in a work's creation and reception enables us to understand its cultural and political role more clearly - sometimes conflicting with its status as art and sometimes enhancing it. This collection is a Festschrift in honour of Julian Rushton, one of the most distinguished opera scholars of his generation and highly regarded for his innovative studies of Gluck, Mozart and Berlioz, among many others. Colleagues, associates and former students pay tribute to his work with essays highlighting the interplay between opera, art and ideology across three centuries. Three broad themes are opened up from a variety of approaches: nationalism, cosmopolitanism and national opera; opera, class and the politics of enlightenment; and opera and otherness. British opera is represented by studies of Grabu, Purcell, Dibdin, Holst, Stanford and Britten, but the collection sustains a truly European perspective rounded out with essays on French opera funding, Bizet, Mozart, Mendelssohn, Verdi, Puccini, Janacek, Nielsen, Rimsky-Korsakov and Schreker. Several works receive some of their first extended discussion in English. RACHEL COWGILL is Professor of Musicology at Liverpool Hope University. DAVID COOPER is Professor of Music and Technology at the University of Leeds. CLIVE BROWN is Professor of Applied Musicology at the University of Leeds. Contributors: MARY K. HUNTER, CLIVE BROWN, PETER FRANKLIN, RALPH LOCKE, DOMINGOS DE MASCARENHAS, DAVID CHARLTON, KATHARINE ELLIS, BRYAN WHITE, PETER HOLMAN, RACHEL COWGILL, ROBERTA MONTEMORRA MARVIN, DAVID COOPER, RICHARD GREENE, J.P.E. HARPER-SCOTT, DANIEL GRIMLEY, STEPHEN MUIR, JOHN TYRRELL.
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In 1950 for a series of short stories for London's Evening Standard newspaper, Julian Symons invented Private Detective Francis Quarles. After engaging in mysterious activities during the Second World War, Quarles opened an office in Trafalgar Square from where he investigates puzzles ranging from robbery to murder. Contains 42 previously uncollected stories.
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