In December 2010, Julian Assange signed a contract with Canongate Books to write a book – part memoir, part manifesto – for publication the following year. At the time, Julian said: ‘I hope this book will become one of the unifying documents of our generation. In this highly personal work, I explain our global struggle to force a new relationship between the people and their governments.’ In the end, the work was to prove too personal. Despite sitting for more than fifty hours of taped interviews and spending many late nights at Ellingham Hall (where he was living under house arrest) discussing his life and the work of WikiLeaks with the writer he had enlisted to help him, Julian became increasingly troubled by the thought of publishing an autobiography. After reading the first draft of the book at the end of March, Julian declared: ‘All memoir is prostitution.’ In June 2011, with thirty-eight publishing houses around the world committed to releasing the book, Julian told us he wanted to cancel his contract. We disagree with Julian’s assessment of the book. We believe it explains both the man and his work, underlining his commitment to the truth. Julian always claimed the book was well written; we agree, and this also encouraged us to make the book available to readers. And the contract? By the time Julian wanted to cancel the deal he had already used the advance money to settle his legal bills. So the contract still stands. We have decided to honour it – and to publish. This book is the unauthorised first draft. It is passionate, provocative and opinionated – like its author. It fulfils the promise of the original proposal and we are proud to publish it. Canongate Books, September 2011
Suelette Dreyfus and her co-author, WikiLeaks founder Julian Assange, tell the extraordinary true story of the computer underground, and the bizarre lives and crimes of an elite ring of international hackers who took on the establishment. Spanning three continents and a decade of high level infiltration, they created chaos amongst some of the world's biggest and most powerful organisations, including NASA and the US military. Brilliant and obsessed, many of them found themselves addicted to hacking and phreaking. Some descended into drugs and madness, others ended up in jail. As riveting as the finest detective novel and meticulously researched, Underground follows the hackers through their crimes, their betrayals, the hunt, raids and investigations. It is a gripping tale of the digital underground.
In June 2011, Julian Assange received an unusual visitor: the chairman of Google, Eric Schmidt, arrived from America at Ellingham Hall, the country residence in Norfolk, England where Assange was living under house arrest. For several hours the besieged leader of the world's most famous insurgent publishing organization and the billionaire head of the world's largest information empire locked horns. The two men debated the political problems faced by society, and the technological solutions engendered by the global network--from the Arab Spring to Bitcoin. They outlined radically opposing perspectives: for Assange, the liberating power of the Internet is based on its freedom and statelessness.For Schmidt, emancipation is at one with US foreign policy objectives and is driven by connecting non-Western countries to American companies and markets. These differences embodied a tug-of-war over the Internet's future that has only gathered force subsequently. When Google Met WikiLeaks presents the story of Assange and Schmidt's encounter. Both fascinating and alarming, it contains an edited transcript of their conversation and extensive, new material, written by Assange specifically for this book, providing the best available summary of his vision for the future of the Internet.
The controversial book behind the new Robert Connoly film Underground, The Julian Assange Story - described as a 'tale of madness, paranoia and brilliance', The Weekend Australian. Suelette Dreyfus and embattled Wikileaks founder, Julian Assange, tell the compelling true story of the computer underground and the bizarre lives and crimes of an elite group of young hackers who, in the 1980s and 1990s, took on the forces of the establishment. Using home computers, they conquered some of the world s biggest and most powerful organisations, including the US military. By day, sat in suburban school classrooms. By night they were knee-deep in NASA networks. Brilliant and obsessed, many of them found themselves addicted to hacking. Some descended into drug addiction and madness. Others were convicted and served time in gaol before slowly piecing their lives back together. From the inside, Dreyfus and Assange reveal this shadowy world of hidden identities and secret information. 'Underground is an adventure book for the brain .. Cowboys .. roamed unpatrolled electronic frontiers. Some made it into the systems of powerful organisations, where the hackers would l
Un libro necesario sobre la fascinante contracultura que mezcla las reivindicaciones políticas, el candor anarquista y la demostración de la genialidad. Ésta es la asombrosa historia real de cómo Julian Assange, bajo el pseudónimo de Mendax, y sus compañeros en el reino del underground se infiltran en los sitios de la Nasa, el Ejército Americano o Citibank. Descubren la ciberguerra, escuchan al FBI escucharlos, buscan un refugio a su infelicidad. Tienen entre 15 y 18 años y se sienten exploradores, pero la policía los busca como a criminales. Lleno de suspense como la mejor novela de detectives, Underground es el gran libro sobre esta revolucionara forma de activismo político que está cambiando nuestro mundo.
The Internet has led to revolutions across the world but a crackdown is now in full swing. As whole societies move online, mass surveillance programs are being deployed globally. Our civilization has reached a crossroads. In one direction lies a future promoting "privacy for the weak and transparency for the powerful"; in the other is an internet that transfers power over entire populations to an unaccountable complex of spy agencies and their trans-national corporate allies. Cypherpunks are activists who advocate the mass use of strong cryptography as a way protecting our basic freedoms against this onslaught. Julian Assange, the editor-in-chief of an visionary behind Wikileaks, has been a leading voice in the cypherpunk movement since the 1990s. Now, in a timely and important new book, Assange brings together a group of rebel thinkers and activists from the front line of the battle for cyberspace to discuss whether the internet will emancipate or enslave all of us.--
It's a type of reorganization or infection of humanity's thought system, the way humanity talks to itself, the way a society thinks. It's like everyone simultaneously is taking LSD.' Julian Assange 'No one is more hopelessly enslaved than those who think they're free.' Johann Wolfgang von Goethe Ever since Edward Snowden's NSA disclosures, the might of the secret services and the helplessness of everyday citizens are there all around us for everyone to see. But who is taking up the fight against global surveillance and the erosion of democracy? Theater director Angela Richter has conducted in-depth interviews with a number of well-known whistleblowers and internet activists - the 'Supernerds'. Conversations with Julian Assange, Edward Snowden, Daniel Ellsberg, Jesselyn Radack, William Binney, Jeremy Hammond and Thomas Drake, an Essay by Barrett Brown and drawings by Daniel Richter.
A autobiografia não autorizada do editor-chefe da WikiLeaks. «Sabíamos que iríamos ser a plataforma mais segura de todo o mundo para quem quisesse revelar informação. Tínhamos coragem. Tínhamos a filosofia. Jogo começado. Registei a WikiLeaks.org no dia 4 de Outubro de 2006. Calculei que a minha vida normal, se é que alguma vez a tivera, nunca mais seria a mesma.» Em Dezembro de 2010, enquanto se debatia com acusações relacionadas com a sua vida pessoal e com ataques de políticos americanos no seguimento das informações divulgadas por diversas embaixadas americanas, Julian Assange começou a escrever a história da sua vida. O resultado é um livro que descreve não apenas a missão da WikiLeaks mas também o percurso moral e político do seu fundador, desde a infância e adolescência passadas na Austrália até ao presente. Um retrato que explica o homem e a sua missão. Embora a publicação desta biografia tenha ocorrido em circunstâncias controversas, estamos perante um testemunho carregado de paixão e de ódio, um livro fundamental para os nossos tempos e uma importante reflexão sobre a natureza da verdade.
In December 2010, Julian Assange signed a contract with Canongate Books to write a book – part memoir, part manifesto – for publication the following year. At the time, Julian said: ‘I hope this book will become one of the unifying documents of our generation. In this highly personal work, I explain our global struggle to force a new relationship between the people and their governments.’ In the end, the work was to prove too personal. Despite sitting for more than fifty hours of taped interviews and spending many late nights at Ellingham Hall (where he was living under house arrest) discussing his life and the work of WikiLeaks with the writer he had enlisted to help him, Julian became increasingly troubled by the thought of publishing an autobiography. After reading the first draft of the book at the end of March, Julian declared: ‘All memoir is prostitution.’ In June 2011, with thirty-eight publishing houses around the world committed to releasing the book, Julian told us he wanted to cancel his contract. We disagree with Julian’s assessment of the book. We believe it explains both the man and his work, underlining his commitment to the truth. Julian always claimed the book was well written; we agree, and this also encouraged us to make the book available to readers. And the contract? By the time Julian wanted to cancel the deal he had already used the advance money to settle his legal bills. So the contract still stands. We have decided to honour it – and to publish. This book is the unauthorised first draft. It is passionate, provocative and opinionated – like its author. It fulfils the promise of the original proposal and we are proud to publish it. Canongate Books, September 2011
It's a type of reorganization or infection of humanity's thought system, the way humanity talks to itself, the way a society thinks. It's like everyone simultaneously is taking LSD.' Julian Assange 'No one is more hopelessly enslaved than those who think they're free.' Johann Wolfgang von Goethe Ever since Edward Snowden's NSA disclosures, the might of the secret services and the helplessness of everyday citizens are there all around us for everyone to see. But who is taking up the fight against global surveillance and the erosion of democracy? Theater director Angela Richter has conducted in-depth interviews with a number of well-known whistleblowers and internet activists - the 'Supernerds'. Conversations with Julian Assange, Edward Snowden, Daniel Ellsberg, Jesselyn Radack, William Binney, Jeremy Hammond and Thomas Drake, an Essay by Barrett Brown and drawings by Daniel Richter.
This book explores the place of Media Studies in the age of ‘fake news’, analysing the calls for a curriculum of critical news literacy as part of a cyclical policy debate. With the need for young people in democracies to understand mainstream news agendas and take a critical perspective on social media news, including so-called ‘fake news’, this book argues for Media Studies as a mandatory subject. However, ‘fake news’ is not presented in the book as a stable, neutral term with a clear definition, but is instead defined as an idea that risks obscuring the key critical and political premise of Media Studies. All media representation requires critical deconstruction: therefore, any distinction between ‘real’ and ‘fake’ media is a false binary. The author draws together two narrative strands: one analysing contemporary news and journalism, featuring interviews with journalists and news commentators, and the other re-appraising the discipline of Media Studies itself. This bold and innovative book will appeal to all those interested in the nebulous and often confusing media landscape, as well as students and practitioners of Media Studies.
Suelette Dreyfus and her co-author, WikiLeaks founder Julian Assange, tell the extraordinary true story of the computer underground, and the bizarre lives and crimes of an elite ring of international hackers who took on the establishment. Spanning three continents and a decade of high level infiltration, they created chaos amongst some of the world's biggest and most powerful organisations, including NASA and the US military. Brilliant and obsessed, many of them found themselves addicted to hacking and phreaking. Some descended into drugs and madness, others ended up in jail. As riveting as the finest detective novel and meticulously researched, Underground follows the hackers through their crimes, their betrayals, the hunt, raids and investigations. It is a gripping tale of the digital underground.
Nicholls, Montgomery, and Knowles on The Law of Extradition and Mutual Assistance provides a comprehensive and analytical treatment of the laws covering the extradition and mutual assistance agreements, as well as international mutual assistance. Provides extensive treatment of both extradition and mutual assistance in one text.
The economization of our entire lifespan and the apparent compulsion to constant self-optimization are dead ends into which the dynamics of the market economy have led us. Julian Poerksen asks how we might re-emerge from this state and, drawing on the speculative approaches of Georges Bataille, Walter Benjamin, Michel Foucault, and Friedrich Schiller, recommends an investment in its antithesis: the waste of time and talent without guilt feelings and bad conscience. This is fun to read and leaves you with the exhilarating feeling that you are witnessing a long overdue liberation process." Carl Hegemann
A deeply thoughtful, gripping and scrupulous book told in Sayarer's trademark style from the saddle and the roadside" CAROLINE EDEN By a winner of the Stanford Dolman Award for Travel Writing "The best travelogues should make you question your preconceptions of a place and force you to engage with what the author is saying. Türkiye succeeds on both fronts" Cycle Magazine "We need writers who will go all the way for a story, and tell it with fire. Sayarer is a marvellous example" HORATIO CLARE On the eve of its centenary year and elections that will shape the coming generations, Julian Emre Sayarer sets out to cycle across Türkiye, from the Aegean coast to the Armenian border. Meeting Turkish farmers and workers, Syrian refugees and Russians avoiding conscription, the journey brings to life a living, breathing, cultural tapestry of the place where Asia, Africa and Europe converge. The result is a love letter to a country and its neighbours - one that offers a clear-eyed view of Türkiye and its place in a changing world. Yet the route is also marked by tragedy, as Sayarer cycles along a major fault line just months before one of the most devastating earthquakes in the region's modern history. Always engaged with the big historical and political questions that inform so much of his writing, Sayarer uses his bicycle and the roadside encounters it allows to bring everything back to the human level. At the end of his journey we are left with a deeper understanding of the country, as well as the essential and universal nature of political power, both in Türkiye and closer to home. "A persuasive corrective to western views of a place he loves" Guardian
There have been seismic shifts in what constitutes (the) media in recent years with technological advances ushering in whole new categories of producers, consumers and modes of delivery. This has been reflected in the way media is studied with new theories, concepts and practices coming to the fore. Media Studies: The Basics is the ideal guide to this changing landscape and addresses core questions including: Who, or what, is the media? What are the key terms and concepts used in analysing media? Where have been the impacts of the globalization of media? How, and by whom, is media made in the 21st century? Featuring contemporary case studies from around the world, a glossary and suggestions for further reading, this is the ideal introduction to media studies today.
A guide to the adhocracy form of business management and how it can foster a company’s success. The leading companies of the past twenty years have all harnessed the power of information to gain competitive advantage. But as access to big data becomes ubiquitous, it can no longer guarantee a leg up. Fast/Forward makes the case that we are entering a new era in which firms that understand the limits of 1s and 0s will take the lead. Whereas the industrial age saw the rise of bureaucracy, and the information age has been described as a meritocracy, we are witnessing the rise of adhocracy. In uncertain, rapidly-changing times, adhocracic organizations scan the horizon for winning opportunities. Then, instead of questing after more analysis, they respond with agility by making smart, intuitive decisions. Combining decisive action with emotional conviction, future-facing firms seize the day. Fast/Forward paints the big picture of a new approach to strategy and provides the necessary playbook to make your company fit for the future. Praise for Fast/Forward “Fast/Forward makes a compelling case for spontaneity, speed, and a willingness to lead with intuition. More importantly, it speaks to the leadership qualities required to implement its suggestions—providing practical ways to cultivate to those qualities.” —Jeffrey Pfeffer, Stanford University, author of Power: Why Some People Have It—and Others Don’t “[Birkinshaw and Ridderstråle] are on the right track: In an ever-faster, globalized world, companies not only need a compelling strategy, but also an adaptive and caring performance culture. To unleash their full ingenuity, we have to empower our colleagues to act like owners.” —Joe Kaeser, President and CEO, Siemens AG “Big data is oversold as the most important facet of competitive advantage. Rather, breakthrough leaps of faith are necessary to achieve extraordinary results. Fast-Forward is full of practical advice about how to capitalize on this simple idea in order to forge your corporate future.” —Anita McGahan, Rotman School of Management, author of How Industries Evolve
The media today, and especially the national press, are frequently in conflict with people in the public eye, particularly politicians and celebrities, over the disclosure of private information and behaviour. Historically, journalists have argued that 'naming and shaming' serious wrong-doing and behaviour on the part of public officials is justified as being in the public interest. However, when the media spotlight is shone on perfetly legal personal behaviour, family issues and sexual orientation, and when, in particular this involves ordinary people, the question arises of whether such matters are really in the 'public interest' in any meaningful sense of the term. In this book, leading academics, commentators and journalists from a variety of different cultures consider the extent to which the media are entitled to reveal details of people's private lives, the laws and regulations which govern such relations, and whether these are still relevant in the age of social media.
See firsthand how war photography is used to sway public opinion. In the autumn of 2014, the Royal Air Force released blurry video of a missile blowing up a pick-up truck which may have had a weapon attached to its flatbed. This was a lethal form of gesture politics: to send a £9-million bomber from Cyprus to Iraq and back, burning £35,000 an hour in fuel, to launch a smart missile costing £100,000 to destroy a truck or, rather, to create a video that shows it being destroyed. Some lives are ended—it is impossible to tell whose—so that the government can pretend that it taking effective action by creating a high-budget snuff movie. This is killing for show. Since the Vietnam War the way we see conflict—through film, photographs, and pixels—has had a powerful impact on the political fortunes of the campaign, and the way that war has been conducted. In this fully illustrated and passionately argued account of war imagery, Julian Stallabrass tells the story of post-war conflict, how it was recorded and remembered through its iconic photography. The relationship between war and photograph is constantly in transition, forming new perspectives, provoking new challenges: what is allowed to be seen? Does an image have the power to change political opinion? How are images used to wage war? Stallabrass shows how photographs have become a vital weapon in the modern war: as propaganda—from close-quarters fighting to the drone’s electronic vision—as well as a witness to the barbarity of events such as the My Lai massacre, the violent suppression of insurgent Fallujah or the atrocities in Abu Ghraib. Through these accounts Stallabrass maps a comprehensive theoretical re-evaluation of the relationship between war, politics and visual culture. Killing for Show offers: 190 photographs encompassing photojournalism, artists’ images, photographs by soldiers and amateurs and drones A comprehensive comparison of the role of photography in the Vietnam and Iraq Wars An explanation of the waning power of iconic images in collective memory An analysis of the failure of military PR and the public display of killing A focus on what can and cannot be seen, photographed and published An exploration of the power and limits of amateur photography Arguments about how violent images act on democracy This full-color book is an essential volume in the history of warfare and photography
There was a time when pursuing a career in information technology meant job security for life. But companies live to make a profit, and outsourcing has changed things. With the right approach, however, the outsourcing trend can be overcome. Julian Caesar, a veteran information technology professional, examines the history of outsourcing and the steps American workers can take to lessen and even eliminate the threat. He argues that: outsourcing has turned into a form of global welfare; politicians have become the loyal patriots of greedy corporations; American workers are the victims of outsourcing-not its benefactors; and technology jobs are the wave of the future, and they must stay here. As a casualty of the outsourcing epidemic, Caesar has witnessed its dreadful toll on workers, which allows him to back up his claims with evidence. More importantly, however, he proposes solutions so that American workers can recapture their lives and livelihood.
This open access book deals with cultural and philosophical aspects of artificial intelligence (AI) and pleads for a “digital humanism”. This term is beginning to be en vogue everywhere. Due to a growing discontentment with the way digitalization is being used in the world, particularly formulated by former heroes of Internet, social media and search engine companies, philosophical as well as industrial thought leaders begin to plead for a humane use of digital tools. Yet the term “digital humanism” is a particular terminology that lacks a sound conceptual and philosophical basis and needs clarification still – and this gap is exactly filled by this book. It propagates a vision of society in which digitization is used to strengthen human self-determination, autonomy and dignity and whose time has come to be propagated throughout the world. The advantage of this book is that it is philosophically sound and yet written in a way that will make it accessible for everybody interested in the subject. Every chapters begins with a film scene illustrating a precise philosophical problem with AI and how we look at it – making the book not only readable, but even entertaining. And after having read the book the reader will have a clear vision of what it means to live in a world where digitization and AI are central technologies for a better and more humane civilization.
The book explores the central question facing humanity today: how can we best survive the ten great existential challenges that are now coming together to confront us? Besides describing these challenges from the latest scientific perspectives, it also outlines and integrates the solutions, both at global and individual level and concludes optimistically. This book brings together in one easy-to-read work the principal issues facing humanity. It is written for the two next generations who will have to deal with the compounding risks they inherit, and which flow from overpopulation, resource pressures and human nature. The author examines ten intersecting areas of activity (mass extinction, resource depletion, WMD, climate change, universal toxicity, food crises, population and urban expansion, pandemic disease, dangerous new technologies and self-delusion) which pose manifest risks to civilization and, potentially, to our species’ long-term future. This isn’t a book just about problems. It is also about solutions. Every chapter concludes with clear conclusions and consensus advice on what needs to be done at global level —but it also empowers individuals with what they can do for themselves to make a difference. Unlike other books, it offers integrated solutions across the areas of greatest risk. It explains why Homo sapiens is no longer an appropriate name for our species, and what should be done about it.
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