This book is an accessible text that explores what it means to be human. It is designed for an introductory course in Philosophy of the Human Being and contains an abundance of current examples, with embedded quotations from philosophers and selections from contemporary writers following the chapters. The author provides an introduction to philosophy, then discusses the topics of human sociability, intelligence, freedom, duality, individuality, and immortality. He concludes by highlighting the contrast between realism and materialism. This systematic approach focuses on issues, with a minimum of metaphysical superstructure and jargon, and provides connections between the readings. Book jacket.
New York, Spring, 1956. A nightclub singer meets by change a teenage boy, and befriends him. Little by little Marian Aspen and Zimzam Taylor reveal themselves to each other. She tells him about growing up in Australia, performing in Paris, the men she has loved. He talks about his family and the disaster which befell them. But even when their affair is at its most electrifying and intense, some secrets cannot be told. The Boy is a remarkable book, a novel of great erotic power, frank, tender, sensuous and with an irresistible logic of revelation and betrayal.
This invaluable guide offers readers an accessible and imaginative approach to the literature of early modern Britain. Exploring the poetry, drama and prose of the period, Marion Wynne-Davies combines theory and practice, providing a helpful introduction to key theoretical concepts and close readings of individual texts by both canonical and less well-known authors. Amongst other things, Wynne-Davies discusses sixteenth- and seventeenth-century poetry in its political and cultural contexts, considers Renaissance drama in terms of performance space, and uses the early modern map to explain the prose works of writers such as Bunyan and Cavendish.
A young Australian academic finds his studies irresistibly diverted by one of America's most successful and ruthless industrialists. Author's first novel.
Givers Gain seeks to imagine a world where giving is a strength, and everybody can create success through Infinite Giving. The philosophy of Givers Gain® has the potential to change the world. Full stop. Do you want to live a more fulfilled existence, one where you're building a life and business where you don't have to choose between winning or helping others? Have you ever felt like people take advantage of your good nature, both in life and business? Or do you feel alone when you need help, despite your previous generous activities? In Infinite Giving, Dr Ivan Misner, Greg Davies & Julian Lewis reveal for the very first time, the 7 principles of Givers Gain® which leads to a life of giving not just for the benefit of others, but most importantly for you as well. All the while allowing you to protect your time, energy, and resources to ensure you can practice Infinite Giving throughout the world. This law of reciprocity has allowed hundreds of thousands of people to take part in this powerful philosophy while also building a business to support them and those they care about. Acclaim for Infinite Giving: "The perfect balance between developing yourself and impacting others" - Lisa Nichols, Author of Abundance Now "If you like stories, you'll love this book. These aren't just stories that inspire because they show vs. tell; they're real-life examples from around the world that motivate you to give generously because it's a shortcut to a meaningful life, successful business, and enduring legacy. Read it and reap." - Sam Horn, CEO of the Tongue Fu! Training Institute "These principles will always work if you work the principles" - Jack Canfield, Author of Success Principles and Chicken Soup for the Soul The Authors: Dr. Ivan Misner is the Founder & Chief Visionary Officer of BNI, the world's largest business networking organization. He has written over 25 books including three New York Times bestsellers. Greg Davies is a corporate trainer, inspirational speaker and multi award winning Director of BNI. He also has a passion for stories and is known as The StoryFella, using narratives to inspire people and businesses all over the world. Julian Lewis is a portfolio entrepreneur, with diverse interests including, IT, film making, and business coaching, he is also a multi award winning Director of BNI. He continues to coach, mentor, and consult to businesses globally.
Being True to Works of Music explores the varieties of authenticity involved in our practice of performing works of Western classical music. Its key argument is that the familiar 'authenticity debate' about the performance of such works has tended to focus on a side issue. While much has been written about the desirability (or otherwise) of historical authenticity -- roughly, performing works as they would have been performed, under ideal conditions, in the era in which they were composed -- the most fundamental norm governing our practice of work performance is, in fact, another kind of kind of truthfulness to the work altogether. This is interpretive authenticity: being faithful to the performed work by virtue of evincing a profound, far-reaching, or sophisticated understanding of it. As such, performers are justified, on occasion, in sacrificing some score compliance for the sake of making their performance more interpretively authentic. Written in a clear, engaging style with discussion of musical examples throughout, this book will be of great interest to both philosophers of music and musicologists.
In this original and iconoclastic book, Julian Dodd argues for what he terms the simple view of the ontological nature of works of pure, instrumental music. This account is the conjunction of two theses: the type/token theory and sonicism. The type/token theory addresses the question of which ontological category musical works fall under, and its answer is that such works are types whose tokens are sound-sequence-events. Sonicism, meanwhile, addresses the question of how works of music are individuated, and it tells us that works of music are identical just in case they sound exactly alike. Both conjuncts of the simple view are highly controversial, and Dodd defends them vigorously and with ingenuity. Even though the simple view is favoured by very few writers in the philosophy of music, Dodd maintains that it is the default position given our ordinary intuitions about musical works, that it can answer the sorts of objections that have led other philosophers to dismiss it, and that it is, on reflection, the most promising ontology of music on offer. Specifically, Dodd argues that the type/token theory offers the best explanation of the repeatability of works of music: the fact that such works admit of multiple occurrence. Furthermore, he goes on to claim that the theory's most striking consequence - namely, that musical works are eternal existents and, hence, that composers discover rather than create their works - is minimally disruptive of our intuitions concerning the nature of composition and our appreciation of works of music. When it comes to sonicism, Dodd argues both that this way of individuating works of music is prima facie correct, and that the putative counter-examples it faces - most notably, those propounded by Jerrold Levinson - can be harmlessly explained away. In the ontology of music, simplicity rules.
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