Nick Fletcher has the voice of a god and a tongue as sharp as a knife. His words can cut, and this time, his quick temper has earned him an intruder in his life and on his tour.Dalia Brenner looks like a grown-up Annie gone bad, but he wants nothing to do with her pin-up worthy curves and smart mouth. His method of dealing is to keep his head down, get through the tour, and then he'll never have to see her again.Dalia has no intention of having heart-to-hearts with Nick. They share a bus and sleep three feet apart every night, but that doesn't mean she can't ignore the scowly, grumpy lead singer.Except she can't seem to deny the annoying instinct to "fix" the pain and grief behind Nick's sea glass eyes, even though she definitely knows better.And Nick, well, he's getting tired of denying Dalia...period.Dalia has plans though, and none of them involve being a rock star's girlfriend. Too bad Nick couldn't disagree more.
Hana Keller is enjoying a day off from serving up tea and delicious pastries at her family's Hungarian Tea House when her downtime turns deadly.... The only thing Hana loves more than a good cuppa is finding a delicate porcelain treasure to add to her collection. She's usually on the hunt for teacups but when she spots a rare wolf figurine at a local yard sale, she knows it's her lucky day. Hana also knows the wolf is valuable and tells the seller that he's charging too little for it. His reaction is peculiar--he says he received the wolf from someone he doesn't trust and he just wants it out of his life. Hana is inspecting her new prize when she finds a tiny microchip attached to the bottom of the porcelain wolf. When she shows the figure to her police detective boyfriend, Erik, Hana is shocked to learn that the chip is actually a tracking device. They decide to confront the seller about the sneaky sale but when they arrive at his house, they find him dead. Erik and Hana now must hunt a calculating killer who has no intentions of crying wolf when it comes to murder...
As heir to the pack Alpha, Sebastian is determined to find the person who attacked his uncle. But his uncle doesn't want to risk his heir, so he employs foxy Jaxon to protect Sebastian. Turns out they're meant for each other.
Malka Fischer has a bad reputation. Jasper Antonio is the nice guy of rock. They've known each other for years, but neither has looked beyond the surface. To Jasper, Malka is his best friend's on-again, off-again girlfriend. To Malka, Jasper is the squeaky clean bassist in her ex's band. One night fueled by grief and alcohol changes it all. They finally see each other for who they really are and a connection is uncovered between them that can't be denied. Even though it should be, since not denying it could destroy everything.
Ronan Walsh. Delicious Irish accent. Built like a slab of marble. Infuriatingly controlling. My new bodyguard... All I want is to rock hard with my band, The Seasons Change, and finally live my life exactly how I please. No one telling me what to do, no constraints, total freedom. Too bad I've managed to piss someone off. Crazed fan or bitter ex, it doesn't really matter, since the result is the same. My wings are clipped and I'm strapped to a bodyguard with steamrolling tendencies and a disdain for celebrities. Everyday I spend with Ronan is a battle. For control. For independence. And most unexpectedly, with my own willpower. Because Ronan doesn't just want to protect me. He wants me in his bed too, and ceding my control to Ronan is more tempting than I ever imagined. But I'm Iris Adler, a fierce-to-my-bones rocker. If Ronan Walsh really wants all of me, he'd better be prepared for the fall.
***The is a discreet/special edition cover of Soft Like Thunder with special interior formatting*** Helen. What a sweet name for a girl who is anything but. The first time I laid eyes on Theo Whitlock, I chased him and his frat boy friends with a bat. I'm no white knight. I'm broke. He's rich. I destroyed his car. He chooses not to rat me out. I was never supposed to go to college, but especially not one like Savage U, where only the wealthiest need apply. One might call this a lucky break, only I don't feel so lucky with a drug dealer breathing down my neck, and a gangster threatening to burn my house down. You have a face that could launch a thousand ships. Theo and I don't make sense, but being with him feels good, and I need more than my books and classes to distract me from the chaos and violence in my life. I know you're my good girl. Aren't you, Helen? Tell me. We're casual. No complications. We have to be. I'm keeping secrets, and I have a feeling behind Theo Whitlock's twinkly blue eyes is a whole world of darkness. Do you think about me? Too much... Did I hurt you? He will...if the other savages don't get to me first.
Across Eastern Germany, where political allegiances are shifting to the right, the wolf is increasingly seen as a trespasser and threat to the local way of life. Styled by populist right-wing actors as an ‘invasive species’, the wolf evokes and resonates with anti-immigration sentiments and widespread fears of demographic catastrophe. To many people in Eastern Germany, the immigrant and the wolf are an indistinguishable problem that nobody in power is doing anything about. In this account of Eastern German agitation of wolves and migrants, Eastern German hunters, farmers, rioters and self-appointed 'saviours of the nation', Pates and Leser move beyond stereotypic representations of ‘the East’ and shine a light on the complexities of post-socialist life and losses. As nationalist parties are on the rise across Europe, The wolves are coming back offers an insight into the rise of the far right in Germany. The nationalist Alternative for Germany represents the third-largest party in the German federal parliament, with representation in the vast majority of German states. They draw much of their support from the ‘post-traumatic places’ in Eastern Germany, regions structured by realities of disownment, disenfranchisement and a lack of democratic infrastructure. Pates and Leser provide an account of the societal roots of a new group of radical right parties, whose existence and success we always assumed to be impossible.
Our ability to understand others is one of the most central parts of human life, but explaining how this ability develops remains a controversial issue, exercising psychologists and philosophers alike. Within this literature the Paradox of False Belief Understanding remains one of the main open challenges. Based on an up to date overview of the empirical and theoretical literature, this book highlights the significance of this paradox for our understanding of the development of social cognition and provides a new explanation of it in the form of the Situational Mental File Account. Central features of the account are, firstly, identitfying three distinct stages in the development of belief understanding and, secondly, elaborating the role of both cognitive and situational factors as well as their interaction in the development of belief understanding. This account is also applied to the related phenomenon of pretend play, demonstrating the potential for a wider application of the account. This account generates both new empirical predications and a framework for further theoretical work, thereby providing a fruitful ground for further interdisciplinary research in this area.
Employing an approach informed by Slavoj Zizek's work on the Communist's sublime body and by British psychoanalytic feminism's concern with feminine subjectivity, Hell first examines the antifascist works by exiled authors and authors tied to the resistance movement. She then strives to understand the role of Christa Wolf, the GDR's most prominent author, in the GDR's effort to reconstruct symbolic power after the Nazi period.
Across Eastern Germany, where political allegiances are shifting to the right, the wolf is increasingly seen as a trespasser and threat to the local way of life. Styled by populist right-wing actors as an ‘invasive species’, the wolf evokes and resonates with anti-immigration sentiments and widespread fears of demographic catastrophe. To many people in Eastern Germany, the immigrant and the wolf are an indistinguishable problem that nobody in power is doing anything about. In this account of Eastern German agitation of wolves and migrants, Eastern German hunters, farmers, rioters and self-appointed 'saviours of the nation', Pates and Leser move beyond stereotypic representations of ‘the East’ and shine a light on the complexities of post-socialist life and losses. As nationalist parties are on the rise across Europe, The wolves are coming back offers an insight into the rise of the far right in Germany. The nationalist Alternative for Germany represents the third-largest party in the German federal parliament, with representation in the vast majority of German states. They draw much of their support from the ‘post-traumatic places’ in Eastern Germany, regions structured by realities of disownment, disenfranchisement and a lack of democratic infrastructure. Pates and Leser provide an account of the societal roots of a new group of radical right parties, whose existence and success we always assumed to be impossible.
Turn Susan Wise Bauer's The History of the Renaissance World into a high-school history course. Susan Wise Bauer’s narrative world history series is widely used in advanced high school history classes, as well as by home educating parents. The Study and Teaching Guide, designed for use by both parents and teachers, provides a full high-school-level curriculum in late medieval-early Renaissance history. It includes: Study questions and answers Critical thinking assignments Map exercises Essay topics and instructor grading rubrics Teaching tips and explanations for answers The Study and Teaching Guide, designed by historian and teacher Julia Kaziewicz in cooperation with Susan Wise Bauer, makes The History of the Renaissance World even more accessible to educators and parents alike.
El congreso Discrete Mathematics Days (DMD20/22) tendrá lugar del 4 al 6 de julio de 2022, en la Facultad de Ciencias de la Universidad de Cantabria (Santander, España). Este congreso internacional se centra en avances dentro del campo de la Matemática discreta, incluyendo, de manera no exhaustiva: · Algoritmos y Complejidad · Combinatoria · Teoría de Códigos · Criptografía · Geometría Discreta y Computacional · Optimización Discreta · Teoría de Grafos · Problemas de localización discreta y temas relacionados Las ediciones anteriores de este evento se celebraros en Sevilla (2018) y Barcelona (2016), estos congresos heredan la tradición de las Jornadas de Matemática Discreta y Algorítmica (JMDA), el encuentro bienal en España en Matemática Discreta (desde 1998). Durante la celebración del congreso tendrán lugar cuatro conferencias plenarias, cuarenta y dos presentaciones orales y una sesión de once pósteres. Abstract The Discrete Mathematics Days (DMD20/22) will be held on July 4-6, 2022, at Facultad de Ciencias of the Universidad de Cantabria (Santander, Spain). The main focus of this international conference is on current topics in Discrete Mathematics, including (but not limited to): Algorithms and Complexity Combinatorics Coding Theory Cryptography Discrete and Computational Geometry Discrete Optimization Graph Theory Location and Related Problems The previous editions were held in Sevilla in 2018 and in Barcelona in 2016, inheriting the tradition of the Jornadas de Matemática Discreta y Algorítmica (JMDA), the Spanish biennial meeting (since 1998) on Discrete Mathematics. The program consists on four plenary talks, 42 contributed talks and a poster session with 11 contributions.
***This is a special edition paperback of Built to Fall*** "You're perfect for this job, Claire. He won't want to sleep with you. You're not his...type." Dominic Cantrell has been famous almost as long as I've been alive, but he remains a dark, volatile mystery. I know why I was hired to handle Dominic's PR while he's on tour. It's not because of my experience-I have next to none. It's because I'm safe. Plain, quiet, shy, with more-than-ample curves, I won't distract him. What I didn't count on was Dominic distracting me instead. I shouldn't be so drawn to him. He's too old for me, too closed-off, and definitely too angry, but I've been a good girl for far too long. Why can't I be just a little bit bad, especially when my rock star fantasy is so willing to corrupt me? Our fling has an expiration date at the end of the tour. No strings, no feelings, no heartbreak when it's over. I tell myself I won't fall. But I don't know if I'm built that way.
Fully updated to help teachers deal with the new 2016 Grammar Tests, this second edition presents a collection of simple to use, multi-sensory games and activities that will jumpstart pupils’ understanding of grammar in action It includes coverage of the subjunctive and past progressive, selecting which tense is the most definite, identifying when a word is used as a subordinating conjunction/preposition, explaining how a comma can change meaning, and an increased emphasis on the passive. Jumpstart! Grammar will prepare children for any grammar tests on the horizon in an engaging way so that they love playing with words and spinning sentences to make ideas dance. And, of course, they will be able to name the parts if that is what is required. Fun games will focus first on helping children hear the difference various types of grammar can make followed by activities to help them understand what different effects you can create with grammar. Technical terms will only be introduced once the children have established what the various features can do, with a particular focus on those terms that really help children discuss what makes language coherent and effective. This indispensable, practical book celebrates the joys of language and coherent expression; of finding just the right words or phrases to express what you want to say.
The Diary of My Life and Dreams: I write about things that are notreal, And feelings that Icannot feel. I write about dreams, And life as I wantit to be. I write about how I wish happily ever afterswere real, And hearts that could heal. I write aboutmy longing for love, And what it would be like tolive in a beautiful world and never have to wake up.I write about you and how you were always laughing,I write about a boy who was once here and smiling,And about what is now happening. I write aboutwhat I think it is to be happy. This is the diary of my life and dreams, Here are the words of my diary.
Hana Keller serves up European-style cakes and teas in her family-owned tea house, but when a customer keels over from a poisoned cuppa, Hana and her tea-leaf reading grandmother will have to help catch a killer in the first Hungarian Tea House Mystery from Julia Buckley. Hana Keller and her family run Maggie's Tea House, an establishment heavily influenced by the family's Hungarian heritage and specializing in a European-style traditional tea service. But one of the shop's largest draws is Hana's eccentric grandmother, Juliana, renowned for her ability to read the future in the leaves at the bottom of customers' cups. Lately, however, her readings have become alarmingly ominous and seemingly related to old Hungarian legends... When a guest is poisoned at a tea event, Juliana’s dire predictions appear to have come true. Things are brought to a boil when Hana’s beloved Anna Weatherley butterfly teacup becomes the center of the murder investigation as it carried the poisoned tea. The cup is claimed as evidence by a handsome police detective, and the pretty Tea House is suddenly endangered. Hana and her family must catch the killer to save their business and bring the beautiful Budapest Butterfly back home where it belongs.
9 lectures, Oxford, England, August 16-29, 1922 (CW 305) These lectures follow from those presented in Soul Economy. Given during a conference on spiritual values in education and life and attended by many prominent people of the time, Steiner's Oxford lectures present the principles of Waldorf education at the highest cultural level. The Manchester Guardian reported: "Dr. Steiner's lectures...brought to us in a very vivid way an ideal of humanity in education. He spoke to us about teachers who, freely and unitedly, unrestricted by external prescription, develop their educational methods exclusively out of a thorough knowledge of human nature. He spoke to us about a kind of knowledge needed by the teacher, a knowledge of the being of man and the world, which is at the same time scientific and also penetrates into the most intimate inner life, which is intuitive and artistic." These lectures form one of the best introductions to Waldorf education. German source: Die geistig-seelischen Grundkräfte der Erziehungskunst. Spirituelle Werte in Erziehung und sozialem Leben (GA 305).
Stylistic virtuosity, penetrating emotional power, and a post-apocalyptic vision . . . a brilliant literary achievement. . . . Julia Ain-Krupa gives us something luminous." — Philip K. Jason, Jewish Book Council The Upright Heart chronicles the return from Brooklyn of a Jewish man, Wolf, to his native Poland soon after World War II. He is haunted by the memory of his Catholic lover, Olga, whom he abandoned to marry a woman of his own faith and start a new life in America, and who perished sheltering the parents and younger sister he left behind. Harassed on the streets of postwar Poland, Wolf is watched over by the spirits of those who died during and after the war but have yet to let go. His story is woven together with those of others, living and dead, Catholic and Jew, including the deceased students of a school for girls, a battalion of fallen German soldiers, and an orphan boy who wanders the streets of Krakow, believing in a magic pill he has conjured up as a way to survive. Set amid the ruins of the Holocaust and the Nazis' total war, this haunting novel is at once a page-turning drama and a meditation on what it means to be human, part of a community, alive. The Upright Heart's dreamlike qualities and fluent lyricism draw the reader toward a consecrated realm, while its narrative force guides the story into the present, where survivors and their children, beset by the devastations of the past, struggle alongside the dead to perceive and appreciate the beauty of that which remains and that which might yet be. From the Trade Paperback edition.
Enslaved people lived in a world in which everything had a price. Even freedom. Freedom’s Currency follows enslaved people’s efforts to buy themselves out of slavery across the United States from the American Revolution to the Civil War. In the first comprehensive study of self-purchase in the nation, Julia Wallace Bernier reveals how enslaved people raised money, fostered connections, and made use of slavery’s systems of value and exchange to wrest control of their lives from those who owned them. She chronicles the stories of famous fugitives like Frederick Douglass, who, with the help of friends and supporters, purchased his freedom to protect himself against the continued legal claims of his enslavers and the possibility of recapture. She also shows how enslaved fathers like Lunsford Lane and mothers like Elizabeth Keckley tried to secure lives for their families outside of slavery. Freedom’s Currency argues that freedom played a central role in the social and economic lives of the enslaved and in the ways that these aspects of their lives overlapped. This intimate portrait of community illuminates the complexity of enslaved people’s ideas about their place at the intersection of slavery and American capitalism and their attempts to value freedom above all. Given the stakes—liberation or remaining enslaved—it is an account of both triumph and devastating failure.
With her father dying, her older sister clears up why Cat has always felt like an outsider in the Hopkins family. A rocky marriage, notes by the bedside written in her own hand foretelling a parallel future, betrayal and murder in another life that may have been. Cat Hopkins, feisty young mother of two, has never been so close to the edge.
In this third and final volume of Julia Turks Navigators Dream series, the Navigator makes one final voyage into the realm of tarot to ultimately find enlightenmentbut it will be much more difficult than a simple turn of the cards for our psychiatrist-turned-philosopher and mystic. In Seatime, the hero ascends into the Major Arcana of the tarot deck via a sailboat led by the Higher Self of the Navigator, known as Guide. Joined together with a motley crew, the sailboat takes the Navigator and Guide deep within the islands, or Sephiroth, of the Mystic SEA. These are not tropical islands intended for peace and comfort; each island is different than the last, and each carries a mystery that must be unraveled. Although the Navigator has learned much amidst the tarot cards, has the hero learned enough to make it home? Externally, the Navigator has difficulties, but internally there are problems as well; as the riddles unravel, so do the deeply held psychological issues of the Navigator. By the end, the mysteries of the Major Arcana might be solved, but will the Navigator be able to heal the wounds built prior to the tarot adventure?
This bestselling resource has been fully updated, putting formative assessment at the heart of the Talk for Writing process and showing how to help children love writing across the curriculum. By helping children speak the language of non-fiction in a fun engaging way before they attempt to write, the Talk for Writing approach builds children's confidence and linguistic ability enabling them to craft their own writing. In the new edition, this practical resource offers: • Fully worked, tried and tested examples of how to apply Talk for Writing to each non-fiction text type • A wide range of fun activities helping children internalise how to express and link text effectively • A process that co-constructs learning so that children learn how to structure text and create toolkits of key ingredients • Guidance for teachers in England on how to apply the approach across the primary curriculum • An OLC including new footage of Pie Corbett demonstrating Talk for Writing and new footage of classes engaged in the approach • Advice on how to use the DVD and handouts to train all staff in the approach • Evidence of impact from cold to hot tasks Designed for busy teachers, Talk for Writing across the Curriculum, second edition, will help transform children's writing and attainment across the curriculum. "This book celebrates the importance of talk in becoming and growing as a writer: talk to share ideas; talk to analyse text; talk to co-construct writing; and to talk to evaluate writing. Throughout the book constantly underlines the importance of talk for learning and the many creative and rich ways talk can be used to help young writers internalise the rhythms and patterns of text. Full of practical ideas and activities, the teaching combines being creative and being critical in a wholly integrated way. An invaluable resource for primary school teachers!" Debra Myhill, Professor of Education at the University of Exeter, UK "The teaching of reading has always taken priority in policy and practice in literacy. Pie Corbett and Julia Strong have produced a very welcome counterweight to that dominance in their Talk for Writing Across the Curriculum. It is so refreshing to see suggestions for teaching to bring elements of language together, especially when done in such an entertaining and engaging way as this. This new edition makes a 'classic' even better." David Wray, Emeritus Professor, University of Warwick, UK "This latest update of Pie and Julia's best-selling book reflects changes in the curriculum, strengthening the T4W approach, using cold and hot tasks, showing new worked examples of how to apply T4W to each non-fiction type and placing formative assessment at the heart of the process. It is exciting to see how all the best ideas and findings in education are converging, evidenced in this latest 'up to the minute' excellent publication." Shirley Clarke, Formative Assessment Expert
This volume covers the major artistic and architectural masterpieces produced in Rome from antiquity up to the present day. It particularly considers art in ancient Rome, the Early Christian period, the Middle Ages, and the Renaissance and Baroque periods, as well as more recent artistic productions. As such, it highlights the ongoing evolution of art in Rome. Its fifteen chapters are organized topographically with each corresponding to a specific area of Rome and exploring sites and monuments within that location. Whenever possible, the chapters are also arranged chronologically. Therefore, many of the ancient monuments are examined in the beginning chapters, and then subsequent section move chronologically through the Early Christian period, the Middle Ages, and the Renaissance, the Baroque, and modern periods. With its engaging and informative writing, the volume will enhance students’ knowledge of Rome, allowing them to get as much out of their study abroad experience as possible. In addition, Art in Rome will appeal to scholars and erudite travelers, who want to extensively explore the many artistic monuments of Rome.
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