In 1930, dancer and choreographer Martha Graham proclaimed the arrival of "dance as an art of and from America." Dancers such as Doris Humphrey, Ted Shawn, Katherine Dunham, and Helen Tamiris joined Graham in creating a new form of dance, and, like other modernists, they experimented with and argued over their aesthetic innovations, to which they assigned great meaning. Their innovations, however, went beyond aesthetics. While modern dancers devised new ways of moving bodies in accordance with many modernist principles, their artistry was indelibly shaped by their place in society. Modern dance was distinct from other artistic genres in terms of the people it attracted: white women (many of whom were Jewish), gay men, and African American men and women. Women held leading roles in the development of modern dance on stage and off; gay men recast the effeminacy often associated with dance into a hardened, heroic, American athleticism; and African Americans contributed elements of social, African, and Caribbean dance, even as their undervalued role defined the limits of modern dancers' communal visions. Through their art, modern dancers challenged conventional roles and images of gender, sexuality, race, class, and regionalism with a view of American democracy that was confrontational and participatory, authorial and populist. Modern Bodies exposes the social dynamics that shaped American modernism and moved modern dance to the edges of society, a place both provocative and perilous.
A free ebook version of this title is available through Luminos, University of California Press’s Open Access publishing program. Visit www.luminosoa.org to learn more. Sounding the Indian Ocean is the first volume to integrate the fields of ethnomusicology and Indian Ocean studies. Drawing on historical and ethnographic approaches, the book explores what music reveals about mobility, diaspora, colonialism, religious networks, media, and performance. Collectively, the chapters examine different ways the Indian Ocean might be “heard” outside of a reliance on colonial archives and elite textual traditions, integrating methods from music and sound studies into the history and anthropology of the region. Challenging the area studies paradigm—which has long cast Africa, the Middle East, and Asia as separate musical cultures—the book shows how music both forms and crosses boundaries in the Indian Ocean world.
Women’s rights activists around the world have commonly understood gendered violence as the product of so-called traditional family structures, from which women must be liberated. Counseling Women contends that this perspective overlooks the social and cultural contexts in which women understand and navigate their relationships with kin. This book follows frontline workers in India, called family counselors, as they support women who have experienced violence at home in the context of complex shifting legal and familial systems. Drawing on ethnographic research at counseling centers in Jaipur, Rajasthan, Julia Kowalski shows how an individualistic notion of women’s rights places already vulnerable women into even more precarious positions by ignoring the reality of the social relations that shape lives within and beyond the family. Thus, rather than focusing on attaining independence from kin, family counselors in India instead strive to help women cultivate relationships of interdependence in order to reimagine family life in the wake of violence. Counselors mobilize the beliefs, concepts, and frameworks of kinship to offer women interactive strategies to gain agency within the family, including multigenerational kin networks encompassing parents, in-laws, and other extended family. Through this work, kinship becomes a resource through which people imagine and act on new familial futures. In viewing this reliance on kinship as part of, rather than a deviation from, global women’s rights projects, Counseling Women reassesses Western liberal feminism’s notions of what it means to have agency and what constitutes violence, and retheorizes the role of interdependence in gendered violence and inequality as not only a site of vulnerability but a potential source of strength.
The Decades of Modern American Drama series provides a comprehensive survey and study of the theatre produced in each decade from the 1930s to 2009 in eight volumes. Each volume equips readers with a detailed understanding of the context from which work emerged: an introduction considers life in the decade with a focus on domestic life and conditions, social changes, culture, media, technology, industry and political events; while a chapter on the theatre of the decade offers a wide-ranging and thorough survey of theatres, companies, dramatists, new movements and developments in response to the economic and political conditions of the day. The work of the four most prominent playwrights from the decade receives in-depth analysis and re-evaluation by a team of experts, together with commentary on their subsequent work and legacy. A final section brings together original documents such as interviews with the playwrights and with directors, drafts of play scenes, and other previously unpublished material. The major playwrights and their plays to receive in-depth coverage in this volume include: * Theresa Rebeck: Omnium Gatherum (2003), Mauritius (2007), and The Understudy (2008); * Sarah Ruhl: Eurydice (2003), Clean House (2004), and In the Next Room (or the Vibrator Play) (2009); * Lynn Nottage: Intimate Apparel (2003), Fabulation or Re-Education of Undine (2004), and Ruined (2008); * Charles Mee: Big Love (2000), Wintertime (2005), and Hotel Cassiopeia (2006).
The making of the classic musical: “A fascinating read focusing equally on the show and the world into which it was born.”—Choice From its 1957 Broadway debut to multiple revivals, from the Oscar-winning film to countless amateur productions, West Side Story is nothing less than an American touchstone—an updating of Shakespeare vividly realized in a rapidly changing postwar New York. A lifelong fan of the show, Julia Foulkes became interested in its history when she made an unexpected discovery: scenes for the iconic film version were shot on the demolition site destined to become part of the Lincoln Center redevelopment area—a crowning jewel of postwar urban renewal. Foulkes interweaves the story of the creation of the musical and film with the remaking of the Upper West Side and the larger tale of New York’s postwar aspirations. Making unprecedented use of director and choreographer Jerome Robbins’s revelatory papers, she shows the crucial role played by the political commitments of Robbins and his collaborators Leonard Bernstein and Arthur Laurents. Their determination to evoke life in New York as it was actually lived helped give West Side Story its unshakable sense of place even as it put forward a vision of a new, vigorous, determinedly multicultural American city. Beautifully written and full of surprises for even the most dedicated West Side Story fan, A Place for Us is a revelatory new exploration of an American classic.
Perfect for both the novice learning to perform fetal echocardiography, as well as the expert needing more details of various anomalies, this comprehensive text/atlas covers everything you need to know. It incorporates a practical, multidisciplinary approach to diagnosis and management with contributors from various medical specialties. You'll find complete information on physiology, detailed guidelines on how to perform a fetal echocardiogram, and highly illustrated coverage of various congenital heart abnormalities. Full-color images and coverage of the latest technologies keep you up to date with the latest in this fast-changing field. - "How-to details include scanning protocols, the correct equipment to use, and technical and anatomical limitations. - Normal anatomy, variants, and common pitfalls in scanning and diagnosis are presented. - Coverage of congenital heart abnormalities includes how the conditions look on scans, which scanning views and modalities to use, differential diagnosis, prognosis, and treatment. - Thoroughly covers every topic on the ARDMS certification exam in fetal echocardiography, making your study more efficient and effective. - Three new chapters cover first trimester fetal echocardiography, 3D fetal echocardiography, and fetal intervention, all incorporating the newest technologies and treatments. - Companion CD features video clips of scanning techniques plus 260 study questions, sortable by chapter, which you can use to help prepare for the ARDMS certification exam in fetal echocardiography. - Presents the latest in color and Doppler imaging, demonstrating scanning as it actually appears in the clinical setting. - Evolve Online Resources includes an image collection of over 400 illustrations from the text.
‘There is no one-volume book in print that carries so much valuable information on London and its history’ Illustrated London News The London Encyclopaedia is the most comprehensive book on London ever published. In its first new edition in over ten years, completely revised and updated, it comprises some 6,000 entries, organised alphabetically, cross-referenced and supported by two large indexes – one for the 10,000 people mentioned in the text and one general – and is illustrated with over 500 drawings, prints and photographs. Everything of relevance to the history, culture, commerce and government of the capital is documented in this phenomenal book. From the very first settlements through to the skyline of today, The London Encyclopaedia comprehends all that is London. ‘Written in very accessible prose with a range of memorable quotations and affectionate jokes...a monumental achievement written with real love’ Financial Times
Perfect for both the novice learning to perform fetal echocardiography, as well as the expert needing more details of various anomalies, this comprehensive text/atlas covers everything you need to know. It incorporates a practical, multidisciplinary approach to diagnosis and management with contributors from various medical specialties. You'll find complete information on physiology, detailed guidelines on how to perform a fetal echocardiogram, and highly illustrated coverage of various congenital heart abnormalities. Full-color images, coverage of the latest technologies, and a new companion CD keep you up to date with the latest in this fast-changing field. "How-to" details include scanning protocols, the correct equipment to use, and technical and anatomical limitations. Normal anatomy, variants, and common pitfalls in scanning and diagnosis are presented. Coverage of congenital heart abnormalities includes how the conditions look on scans, which scanning views and modalities to use, differential diagnosis, prognosis, and treatment. Thoroughly covers every topic on the ARDMS certification exam in fetal echocardiography, making your study more efficient and effective. Three new chapters cover first trimester fetal echocardiography, 3D fetal echocardiography, and fetal intervention, all incorporating the newest technologies and treatments.Companion CD features video clips of scanning techniques plus 260 study questions, sortable by chapter, which you can use to help prepare for the ARDMS certification exam in fetal echocardiography. Presents the latest in color and Doppler imaging, demonstrating scanning as it actually appears in the clinical setting. Evolve Online Resources includes an image collection of over 400 illustrations from the text.
I am glass, But I am not your crystal glass, Transmitting light beyond its depth, I hold the beauty of my reflections I Am Glass is a collection of poems that explores what it means to be human and captures the bittersweet essence of life's moments. The poems speak to a greater truth: we are all similar in the way we love, heal, question, and prevail. The book is broken into six distinct parts with each section providing an intimate look into a facet of human emotion and experience. Julia Weidman offers a balance to her work as she explores opposing themes throughout her collection: romance and heartbreak, introspection and self-empowerment, mortality and invincibility. With each poem, Julia Weidman reminds us that there is incredible strength in vulnerability. In these pages, the author hopes that we may discover and embrace that we, too, are glass.
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