There’s No Crying in Newsrooms tells the stories of remarkable women who broke through barrier after barrier at media organizations around the country over the past four decades. They started out as editorial assistants, fact checkers and news secretaries and ended up running multi-million-dollar news operations that determine a large part of what Americans read, view and think about the world. These women, who were calling in news stories while in labor and parking babies under their desks, never imagined that 40 years later young women entering the news business would face many of the same battles they did – only with far less willingness to put up and shut up. The female pioneers featured in this book have many lessons to teach about what it takes to succeed in media or any other male-dominated organization, and their message is more important now than ever before. Including stories and data from 2020—a year of unprecedented turmoil from a worldwide pandemic, rampant social upheaval, and divisive political battles—the updated edition of this chronicle of courage serves as both inspiration and impetus to continue the fight for equity and advancement in the media industry.
NEW YORK TIMES BESTSELLER • “A revelation . . . a book in the Caro mold, using Lady Bird, along with tapes and transcripts of her entire White House diary, to tell the history of America during the Johnson years.”—The New York Times The inspiration for the documentary film The Lady Bird Diaries, premiering November 13 on Hulu Perhaps the most underestimated First Lady of the twentieth century, Lady Bird Johnson was also one of the most powerful. In Lady Bird Johnson: Hiding in Plain Sight, Julia Sweig reveals how indispensable the First Lady was to Lyndon Johnson’s administration—which Lady Bird called “our” presidency. In addition to advising him through critical moments, she took on her own policy initiatives, including the most ambitious national environmental effort since Theodore Roosevelt and a virtually unknown initiative to desegregate access to public recreation and national parks in Washington, D.C. Where no presidential biographer has understood Lady Bird’s full impact, Julia Sweig is the first to draw substantially on her White House diaries and to place her center stage. In doing so, Sweig reveals a woman ahead of her time—and an accomplished strategist and politician in her own right. Winner of the Texas Book Award • Longlisted for the PEN/Jacqueline Bogard Weld Award
Ensure students develop the argumentation and critical-thinking skills they need for academic and lifetime success. Discover 10 fun, engaging activities and games for teaching argumentation that align with the CCSS. Incorporate these tools into your instruction to help students develop their ability to present and support claims, distinguish fact and opinion, identify errors in reasoning, and debate constructively.
In this first-ever examination of Charles Darwin's sketches, drawings, and illustrations, Julia Voss presents the history of evolutionary theory told in pictures. Darwin had a life-long interest in pictorial representations of nature, sketching out his evolutionary theory and related ideas for over forty years. Voss details the pictorial history of Darwin's theory of evolution, starting with his notebook sketches of 1837 and ending with the illustrations in The Expression of Emotions in Man and Animals (1872). These images were profoundly significant for Darwin's long-term argument for evolutionary theory; each characterizes a different aspect of his relationship with the visual information and constitutes what can be called an “icon' of evolution. Voss shows how Darwin “thought with his eyes' and how his pictorial representations and the development and popularization of the theory of evolution were vitally interconnected. Voss explores four of Darwin's images in depth, and weaves about them a story on the development and presentation of Darwin's theory, in which she also addresses the history of Victorian illustration, the role of images in science, the technologies of production, and the relationship between specimen, words, and images.
Black in Selma is the expansive autobiography of J. L. Chestnut Jr., a key figure of the civil rights movement in Selma, Alabama. Born in Selma in 1930, Chestnut left home to study law at Howard University in Washington, DC. Returning to Selma, Chestnut was the town's first and only African American attorney in the late 1950s. As the turbulent struggle for civil rights spread across the South, Chestnut became an active and assiduous promoter of social and legal equality in his hometown. A key player on the local and state fronts, Chestnut accrued deep insights into the racial tensions in his community and deftly opened paths toward a more equitable future. Though intimately involved in many events that took place in Selma, Chestnut was nevertheless often identified in history books as simply "a local attorney." Black in Selma reveals his powerful yet little-known story. In the 2014 film Selma, director Ava DuVernay takes audiences to the climactic confrontation between civil rights advocates and the state's security forces of March 1965. Readers looking for a deeper understanding of the events that preceded that epic moment, as well as how racial integration unfolded in Selma in the decades that followed, will find Chestnut's story and memories both a vital primary source and an inspiration.
Northern Calaveras County stretches eastward from the valley towns of Wallace and Jenny Lind, through the Campo Seco and Mokelumne Hill gold country, to the county seat in San Andreas and finally extends to the upcountry mining camps and logging settlements of West Point and Railroad Flat. Historically water and trails connected these diverse regions. The Mokelumne River and its tributariesdiverted into flumes and ditchesbrought water to the river bars, mines, ranches, settlements, and towns and provided their lifeblood. Trails first followed Native American paths and then developed into stage roads, railroads, and state highways. These routes connected the valley to the mountains and carried pioneers seeking gold, water, timber, fertile land, and recreation to new lands and new lives.
In the late nineteenth and early twentieth centuries depictions of New England flooded the American art scene. Childe Hassam, Willard Metcalf, Theodore Robinson, and Julian Weir, and other well-known artists produced images of quaint villages, agricultural labor, scenic rural churches, and the distinctive New England landscape. Julia B. Rosenbaum asks why and how a range of artists--including Impressionist and Modernist painters and sculptors--and exhibitors fashioned this particular vision of New England in their work. Against the backdrop of industrialization, immigration, and persistent post-Civil War sectionalism, many Americans yearned for national unity and identity. As Rosenbaum finds, New England emerged as symbolic of cultural and spiritual achievement and democratic values that served as an example for the nation. By addressing the struggles for national unity, the book offers a new interpretation of turn-of-the-century American art. Ultimately, Visions of Belonging demonstrates how the local became so important to the national; how art was crucial to the formation of national identity; and how internal nation building takes place within the realm of culture, as well as politics. And even as later artists, such as Georgia O'Keeffe, challenged New England's cultural hegemony, the appeal of linking regional identity to national ideals continued in distinctive ways.Beautifully illustrated with color plates and almost sixty halftones, Visions of Belonging explores the interplay between art objects and the shaping of loyalties and identities in a formative phase of American culture. It will appeal not only to art historians but also to anyone with an interest in nineteenth-century studies, the Gilded Age and Progressive Era, American studies, New England history and culture, and American cultural and intellectual history.
*Winner of the 2023 Northern California Book Award* The first biography of Elsie Robinson, the most influential newspaper columnist you’ve never heard of At thirty-five, Elsie Robinson feared she’d lost it all. Reeling from a scandalous divorce in 1917, she had no means to support herself and her chronically ill son. She dreamed of becoming a writer and was willing to sacrifice everything for this goal, even swinging a pickax in a gold mine to pay the bills. When the mine shut down, she moved to the Bay Area. Armed with moxie and samples of her work, she barged into the offices of the Oakland Tribune and was hired on the spot. She went on to become a nationally syndicated columnist and household name whose column ran for over thirty years and garnered more than twenty million readers. Told in cinematic detail by bestselling author Julia Scheeres and award-winning journalist Allison Gilbert, Listen, World! is the inspiring story of a timeless maverick, capturing what it means to take a gamble on self-fulfillment and find freedom along the way.
Getting to the Heart of Story Every story has a moment we’re waiting for—a climactic scene that sends an electric pulse of emotion through us—a moment of catharsis. In the Story Grid Universe, we’ve analyzed hundreds of stories looking for the source of that electricity. And now we’ve gotten to the heart of the matter in what we’re calling the Four Core Framework: A core need satisfied or denied through the change of a core value in a core event that elicits a core emotion. In this collection of twelve original works of fiction—one for each of our twelve story genres—we showcase the core events that make an audience gasp, sigh, or cry when they experience the emotional release they seek. This anthology was written and edited by intrepid members of our Story Grid community inspired by the core events of masterworks in each genre. We hope it will encourage writers to explore new ways to improve their craft and captivate readers. Stories by Genre Action: Goliath Approaches by Leslie Watts, edited by Rachelle Ramirez War: The Confession by Tim Grahl, edited by Valerie Francis Horror: Outpost 5 by J. Thorn, edited by Ira Heinichen Crime: Let Justice Prevail by Mark McGinn, edited by Leslie Watts Thriller: X Pass by Rebekah Olson, edited by Randall Surles Western: High Plains Migration by Shelley Sperry, edited by Larry Pass Love: I Brush My Teeth Left-Handed and Other Reasons You Should Date Me by Rebecca Monterusso, Edited by Danielle Kiowski Performance: Jaws by Courtney Harrell, edited by Melanie Naumann Society: Above All Else by Shawn Coyne, edited by Tim Grahl Status: The Good Daughter by Rachelle Ramirez, edited by Anne Hawley Morality: An Artist’s Test by Kimberly Kessler, edited by Abigail K Perry Worldview: Elixir by Julia Blair, edited by Catherine Lunardon
In 1950, facing artistic and legal persecution by Senator Joe McCarthy because of her inclusion on Louis Budenz’s list of four hundred concealed communists, single mother Hannah Weinstein fled to Europe. There, she built a television studio and established her own production company, Sapphire Films, then surreptitiously hired scores of such blacklisted writers as Waldo Salt, Ian McLellan Hunter, Adrian Scott, and Ring Lardner Jr., and “Trojan-horsed” democratic ideals back to the United States through more than three hundred half-hours of programming, making a fortune in the process. With the exception of a French producer, no other woman on the continent was creating television content at this time, and Weinstein was the only one who was head of her own studio. Before she became one of the more powerful independent production forces in 1950s British television, Hannah Weinstein had a distinguished career as a journalist, publicist, and left-wing political activist. She worked for the New York Herald Tribune from 1927, then began a career in politics when she joined Fiorello H. La Guardia’s New York mayoral campaign in 1937. She also organized the press side of the presidential campaigns of Franklin D. Roosevelt and later (in 1948) of Henry Wallace. Using declassified FBI and CIA files, interviews, and the personal papers of blacklisted writers and other sources, Red Sapphire depicts how for the better part of a decade, Weinstein was a leader in the Left’s battle with the Right to shape popular culture during the Cold War . . . a battle that she eventually won.
Winner of the 2019 Broken Frontier Award for Best Book on Comics Today fans still remember and love the British girls’ comic Misty for its bold visuals and narrative complexities. Yet its unique history has drawn little critical attention. Bridging this scholarly gap, Julia Round presents a comprehensive cultural history and detailed discussion of the comic, preserving both the inception and development of this important publication as well as its stories. Misty ran for 101 issues as a stand-alone publication between 1978 and 1980 and then four more years as part of Tammy. It was a hugely successful anthology comic containing one-shot and serialized stories of supernatural horror and fantasy aimed at girls and young women and featuring work by writers and artists who dominated British comics such as Pat Mills, Malcolm Shaw, and John Armstrong, as well as celebrated European artists. To this day, Misty remains notable for its daring and sophisticated stories, strong female characters, innovative page layouts, and big visuals. In the first book on this topic, Round closely analyzes Misty’s content, including its creation and production, its cultural and historical context, key influences, and the comic itself. Largely based on Round’s own archival research, the study also draws on interviews with many of the key creators involved in this comic, including Pat Mills, Wilf Prigmore, and its art editorial team Jack Cunningham and Ted Andrews, who have never previously spoken about their work. Richly illustrated with previously unpublished photos, scripts, and letters, this book uses Misty as a lens to explore the use of Gothic themes and symbols in girls’ comics and other media. It surveys existing work on childhood and Gothic and offers a working definition of Gothic for Girls, a subgenre which challenges and instructs readers in a number of ways.
His new governess... Is getting under his skin! Infuriating, impertinent...just some of the words Colonel Hugh Glendenning could use to describe Miss Olivia Overton! She’s insisting he spend time with his orphaned wards—which has forced him to admit he’s been keeping the world at arm’s length since losing his wife and baby son. That’s not all that’s disturbing him. It’s the new temptation Olivia’s sparking in Hugh to enjoy life again—with her!
Everyone uses species. All human cultures, whether using science or not, name species. Species are the basic units for science, from ecosystems to model organisms. Yet, there are communication gaps between the scientists who name species, called taxonomists or systematists, and those who use species names—everyone else. This book opens the "black box" of species names, to explain the tricks of the name-makers to the name-users. Species are real, and have macroevolutionary meaning, and it follows that systematists use a broadly macroevolution-oriented approach in describing diversity. But scientific names are used by all areas of science, including many fields such as ecology that focus on timescales more dominated by microevolutionary processes. This book explores why different groups of scientists understand and use the names given to species in very different ways, and the consequences for measuring and understanding biodiversity. Key selling features: Explains the modern, multi-disciplinary approach to studying species evolution and species discovery, and the role of species names in diverse fields throughout the life sciences Documents the importance and urgent need for high-quality taxonomic work to address today’s most pressing problems Summarises controversies in combining different—sometimes quite different—datasets used to estimate global biodiversity Focusses throughout on a central theme—the disconnect between the makers and the users of names—and seeks to create the rhetorical foundation needed to bridge this disconnect Anticipates the future of taxonomy and its role in studies of global biodiversity
A complex character, angry and aggressive, James Murphy was not an easy husband or father. But all his children said "He made a God out of education." He had found education to be his gateway out of poverty, his way to leave a countryside still reeling from the Great Famine. Hadn't he grown up on the Irish Beara Peninsula, barefoot, speaking Irish in an earthen floor stone cottage? Wasn't he now a Minister in the Church of Ireland, and Trinity Colllege Dublin Professor of Irish, having competed against Douglas Hyde, later first President of Ireland, for the job? He drilled the learning, beating it into his children, all of whom bore the scars. Research into this Murphy family has continued throughout the 1900s, providing James Murphy’s great-granddaughter, Julia Turner, an opportunity to compile the archive of trunk-loads of papers into a cohesive, exciting read, utilizing modern computers and combining fading papers and photographs with internet research tools. This family grew up and lived in a late Victorian and an Edwardian yesteryear. People had lots of fun together, were full of joie-de-vivre. None had much money, but they thrived in a peaceful, gentler lifestyle, in ways not often found today.
From the bestselling author of Balthazar Jones and the Tower of London Zoo comes the story of one man's quest to find a pearl, save his marriage – and track down a missing rabbit named Frank 'The Last Pearl Fisher of Scotland is a gently comic, gently tragic novel, full of lyricism, humanity and the pearl that is love. Read it at once' A. L. Kennedy Brodie McBride is having a tough time. The last expert in the ancient art of pearl fishing, he’s on a quest to track down the pearl that will complete a necklace for his wife, Elspeth, convinced that the love token will save their marriage. But Scotland’s rivers are running out of mussels, Elspeth is running out of patience, and their daughter, Maggie, is running wild with her moustachioed pet rabbit. And when Maggie takes matters into her own hands, determined to keep the family together, the McBrides are soon at the centre of international commotion that will change everyone’s lives forever.
Do you dream of wicked rakes, gorgeous Highlanders and muscled Viking warriors? Harlequin® Historical brings you three new full-length titles in one collection! STOLEN BY THE VIKING Sons of Sigurd by Michelle Willingham (Viking) Viking Alarr saves Breanne with the aim of getting vengeance on her foster father. When passion ignites between them, will he choose revenge or his heart? THE TEMPTING OF THE GOVERNESS The Cinderella Spinsters by Julia Justiss (1830s) Colonel Hugh Glendenning has shunned the world. But infuriatingly, governess Olivia’s insistence that he spend time with his wards tempts him to spend more time with her, too… SAVED BY HER ENEMY WARRIOR by Greta Gilbert (Ancient Egypt) Trapped in a tomb, Ava and enemy soldier Intef must work together to escape. Yet it is passion, not hatred, that starts to burn between them… Look for Harlequin® Historical’s March 2020 Box Set 1 of 2, filled with even more timeless love stories!
Remarkable for its meticulous archival research and moving life stories, The Pearl Frontier offers a new way of imagining Australian historical connections with Indonesia. This compelling view from below of maritime mobility demonstrates how, in the colonial quest for the valuable pearl-shell, Australians came to rely on the skill and labor of Indonesian islanders, drawing them into their northern pearling trade empire. From the 1860s onward the pearl-shell industry developed alongside British colonial conquests across Australia's northern coast and prompted the Dutch to consolidate their hold over the Netherlands East Indies. Inspired by tales of pirates and priceless pearls, the pearl frontier witnessed the maritime equivalent of a gold rush; with traders, entrepreneurs, and willing workers coming from across the globe. But like so many other frontier zones it soon became notorious for its reliance on slave-like conditions for Indigenous and Indonesian workers. These allegations prompted the imposition of a strict regime of indentured labor migration that was to last for almost a century before giving way to international criticism in the era of decolonization. The Pearl Frontier invites the reader to step outside the narrow confines of national boundaries, to see seafaring peoples as a continuous population, moving and in communication in spite of the obstacles of politics, warfare, and language. Instead of the mythologies of racial purity, propagated by settler colonies and European empires, this book dissects the social and economic life of the port cities around the Australian-Indonesian maritime zone and lays open the complex, cosmopolitan relationships which shaped their histories and their present situations. Julia Martínez and Adrian Vickers bring together their expertise on Australian and Indonesian history to challenge the isolationist view of Australia's past. This book explores how Asian migration and the struggle against the restrictive White Australia policy left a rich legacy of mixed Asian-Indigenous heritage that lives on along Australia's northern coastline. This book is an important contribution to studies of the coastal, or Pasisir, culture of Southeast Asia, that situates the local cultures in a regional context and demonstrates how Indonesian maritime peoples became part of global migration flows as indentured laborers. It offers a hitherto untold story of Indonesian diaspora in Australia and reveals a degree of Indian-Pacific interconnectedness that forces us to rethink the construction of regional boundaries and national borders.
Turn Susan Wise Bauer's The History of the Renaissance World into a high-school history course. Susan Wise Bauer’s narrative world history series is widely used in advanced high school history classes, as well as by home educating parents. The Study and Teaching Guide, designed for use by both parents and teachers, provides a full high-school-level curriculum in late medieval-early Renaissance history. It includes: Study questions and answers Critical thinking assignments Map exercises Essay topics and instructor grading rubrics Teaching tips and explanations for answers The Study and Teaching Guide, designed by historian and teacher Julia Kaziewicz in cooperation with Susan Wise Bauer, makes The History of the Renaissance World even more accessible to educators and parents alike.
The predominant view of moral virtue can be traced back to Aristotle. He believed that moral virtue must involve intellectual excellence. To have moral virtue one must have practical wisdom - the ability to deliberate well and to see what is morally relevant in a given context. Julia Driver challenges this classical theory of virtue, arguing that it fails to take into account virtues which do seem to involve ignorance or epistemic defect. Some 'virtues of ignorance' are counterexamples to accounts of virtue which hold that moral virtue must involve practical wisdom. Modesty, for example, is generally considered to be a virtue even though the modest person may be making an inaccurate assessment of his or her accomplishments. Driver argues that we should abandon the highly intellectualist view of virtue and instead adopt a consequentialist perspective which holds that virtue is simply a character trait which systematically produces good consequences.
For fans of historical novels by Kristin Harmel and Martha Hall Kelly comes a “gripping tale by a writer at the top of her game” (Fiona Davis, author of The Chelsea Girls) following three friends who struggle to remain loyal as one of them is threatened with internment by the British government at the start of World War II. In August of 1939, as Britain watches the headlines in fear of another devastating war with Germany, three childhood companions must choose between friendship and country. Erstwhile socialite Nora is determined to find her place in the Home Office’s Air Raid Precautions Department, matchmaker Hazel tries to mask two closely guarded secrets with irrepressible optimism, and German expat Marie worries that she and her family might face imprisonment in an internment camp if war is declared. When Germany invades Poland and tensions on the home front rise, Marie is labeled an enemy alien, and the three friends find themselves fighting together to keep her free at any cost. Featuring Julia Kelly’s signature “intricate, tender, and convincing” (Publishers Weekly) prose, The Whispers of War is a moving and unforgettable tale of the power of friendship and womanhood in the midst of conflict.
Illustrated in color throughout, The California Missions: History, Art, and Preservation combines engaging text with historical paintings, archival photographs, and recent photography to create a vivid chronicle of these iconic institutions. The narrative recounts their founding and early history, surveys mission art and architecture, and examines their role in shaping the history and culture of California. A final chapter discusses recent advances in preserving the mission heritage for future generations. The second part of the book provides concise historical profiles for each of the twenty-one missions." --Book Jacket.
The ability to analyze and interpret visual information is essential in fashion. However, students tend to struggle with the concept of visual research, as well as with the application of that research. Visual Research Methods in Fashion provides students with techniques, tools and inspiration to master their visual research skills and make the research that they undertake more effective. Illustrated with real-life examples from practitioners in the industry, academics and students, it focuses on the global nature of the industry and the need to develop ideas relevant to the market.
Thoroughly revised and updated highlights of this new full-color edition include: a chapter on examination and coursework advice with sample exam questions, student answers and a senior examiner's comments; a greater range of alternative theories and studies; more detailed coverage of the key assumptions and research methods of each approach; more classic and up-to-date studies in detail; more Talking Points to allow for a choice of contemporary issues; and a new Study Skills chapter.
The Last Word investigates the debased art of eulogy. Through insightful, surprisingly playful readings of famous eulogies (from a scene in Love Actually to Jacques Derrida’s heart-rending essays on the deaths of his peers), Cooper argues against the socially sanctioned desire to avoid thinking about death that results in clichéd memorials, honoring neither the living nor the dead.
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