Bush (arts and social sciences, Nene University College, Northampton) analyzes aristocratic and upper-middle-class women's involvement in imperialist associations, and investigates their relationship with male imperialist leaders and the male-dominated patriotic leagues during the early 20th century. She also looks at their work with female emigration, education, colonial hospitality, and imperial race- thinking. She concludes that personal motivation, organizational methods, and patriotic faith were embedded in a social and political context that empowered elite women in selective, gender-related ways.
In this innovative work, Julia King moves nimbly among a variety of sources and disciplinary approaches—archaeological, historical, architectural, literary, and art-historical—to show how places take on, convey, and maintain meanings. Focusing on the beautiful Chesapeake Bay region of Maryland, King looks at the ways in which various groups, from patriots and politicians of the antebellum era to present-day archaeologists and preservationists, have transformed key landscapes into historical, indeed sacred, spaces. The sites King examines include the region’s vanishing tobacco farms; St. Mary’s City, established as Maryland’s first capital by English settlers in the seventeenth century; and Point Lookout, the location of a prison for captured Confederate soldiers during the Civil War. As the author explores the historical narratives associated with such places, she uncovers some surprisingly durable myths as well as competing ones. St. Mary’s City, for example, early on became the center of Maryland’s “founding narrative” of religious tolerance, a view commemorated in nineteenth-century celebrations and reflected even today in local museum exhibits and preserved buildings. And at Point Lookout, one private group has established a Confederate Memorial Park dedicated to those who died at the prison, thus nurturing the Lost Cause ideology that arose in the South in the late 1800s, while nearby the custodians of a 1,000-acre state park avoid controversy by largely ignoring the area’s Civil War history, preferring instead to concentrate on recreation and tourism, an unusually popular element of which has become the recounting of ghost stories. As King shows, the narratives that now constitute the public memory in southern Maryland tend to overlook the region’s more vexing legacies, particularly those involving slavery and race. Noting how even her own discipline of historical archaeology has been complicit in perpetuating old narratives, King calls for research—particularly archaeological research—that produces new stories and “counter-narratives” that challenge old perceptions and interpretations and thus convey a more nuanced grasp of a complicated past. Julia A. King is an associate professor of anthropology at St. Mary’s College of Maryland, where she coordinates the Museum Studies Program and directs the SlackWater Center, a consortium devoted to exploring, documenting, and interpreting the changing landscapes of Chesapeake communities. She is also coeditor, with Dennis B. Blanton, of Indian and European Contact in Context: The Mid-Atlantic Region.
British women who resisted their own enfranchisement were ridiculed by the suffragists and have since been neglected by historians. Yet these women claimed to form a majority of the female public on the eve of the First World War. Julia Bush rediscovers the history of female anti-suffragism in Britain.
With sheltered harbors, open prairies, and secluded woodlands, San Juan Island has been a magnet for human habitation for thousands of years. Salmon runs and rich soil promised not only an abundant food source but also a good living for those willing to work hard. But it was not until the islands became the focus of an international boundary dispute between Great Britain and the United States in the late 1850s that San Juan Island drew the attention of Europeans and Americans. These newcomers watched how Coast Salish and Northwest Coast peoples harvested natural resources and adapted their techniques. Settlers and Indians sometimes intermarried, and many of their descendants remain to this day. San Juan Islanders of all generations have worked hard to preserve their home, thus maintaining a sense of place that is as evident today as it was when the first canoes came ashore.
What is it like to be a teenager today? How do parents and teenagers experience their roles and responsiblities? And how does the problem of health - a major cultural goal of the twentieth century - figure in the perspective and priorties of young people and their parents This book seeks to answer these questions in a unique study of over 800 16-year-olds. Taking family life as the focus, the book explores a critical moment in teenagers and parents lives with respect to the transition to adulthood, a point a which young people and parents take important decisions about the future, especially concerning education, training and the labour market.
Return to the small town and Chesapeake shores of St. Caroline in this heartwarming story about finding one’s way back to love when life throws you a curveball ... Deputy fire chief Oliver Wolfe had everything he ever wanted. A beautiful wife, two adorable (if rambunctious) sons, a job he loved, a comfortable home, and family and friends in his hometown of St. Caroline, Maryland ... … until the day he has to stand by helplessly and watch his wife’s unconscious body get cut from the mangled wreckage of her car. Serena Wolfe was a blissfully happy newlywed with a tall, dark, and handsome firefighter for a husband and a honeymoon baby on the way … … until the day she wakes up from a coma to discover that she’s actually thirty years old and has two adorable (if rambunctious) boys, a house, and friends … none of which she can remember. That’s alarming enough. But Serena might have had a secret former life … which she also can’t remember … Come to the shores of the Chesapeake Bay in Julia Gabriel’s new series about love, family, and second chances ... The 300-year-old town of St. Caroline, Maryland, is part fishing village and part summer playground for the wealthy and powerful. Meet the Trevor women—Michelle, Becca, Charlotte, Natalie, Cassidy and Lauren—and their popular quilt shop, Quilt Therapy. Across town, the men of the Wolfe family have been the backbone of the St. Caroline fire department for generations—and Tim, Jack, Matt and Oliver are continuing the tradition. Read the entire series: Book 1: Hearts on Fire Book 2 Two of Hearts Book 3: This Reminds Me of Us Book 4: The Holiday Movie (coming 2023) *** Read what others are saying about This Reminds Me of Us: "In this series, Gabriel has created a realistic world in the seaside town of St. Caroline. The Wolfes and the Trevors are some of my favourite book people. The storytelling was vivid - so much so that I actually felt like I was sitting in a corner, watching the drama unfold in the characters' home.I haven't enjoyed a "slice of life" novel so thoroughly as this one in a very long time. I highly, highly, highly recommend this very excellent novel. You can bet I will be purchasing her other novels in this series. Enjoy!"-- Reedsy Discovery "If you like small town romance, hot firefighters, and second chances, this is your book." "Warm, sweet, beautifully written." "This book gave me ALL the feels. It is an extremely emotional story that deals with heartbreak and loss in an extremely honest and heartfelt way." "I expected a typical "romance" with a predictable outline resulting in a HEA. I wouldn't say that this book lived up to those expectations, as it didn't feel like a mass market romance. It was so much more. It was raw and gritty and so honest. There is an HEA but it is wrestled out of life circumstances that would defeat many." "This is one of those books where you need more than 5 stars! The story line is so captivating and so realistic. The characters are so real and so easy to fall in love with. The author has done a fantastic job writing the story line so the reader feels like they are right there with the characters. As you read along you find yourself getting lost in the pages and just want to escape your every day routines for a little while." "I was looking forward to this book and it didn't disappoint." "Wow this was the first novel I have read by this author but it won't be the last. This novel grabbed me from the very first page and would not let me go until the very last.
The church they both love drew them together... Will it also tear them apart? Dolores Hansen’s life is crumbling around her. Her little son has been diagnosed with Cystic Fibrosis, and her marriage has fallen apart as a result. Forced to return to the small town of Meadowbrook to live with her parents, Dolores feels like a failure and a burden on everyone, and must find a way to stand on her own feet. New minister Chris Tanner is dynamic from the pulpit but painfully shy one-on-one. He is touched by the plight of this young woman and her sick child and vows to do anything he can to help her. As he gets to know her he finds his own courage growing from her strength. The two soon become close friends, perhaps more than friends. But no good could ever come from a relationship between a divorced woman and a minister; especially in a town as gossip-ridden as Meadowbrook. Could it? New Mercies is an inspirational romance that will strengthen your faith and touch your heart. Scroll up and grab a copy today.
In a life of extraordinary drama, Jane Boleyn was catapulted from relative obscurity to the inner circle of King Henry VIII. As powerful men and women around her became victims of Henry’s ruthless and absolute power–including her own husband and her sister-in-law, Queen Anne Boleyn–Jane’s allegiance to the volatile monarch was sustained and rewarded. But the cost of her loyalty would eventually be her undoing and the ruination of her name. For centuries, little beyond rumor and scandal has been associated with “the infamous Lady Rochford,” but now historian Julia Fox sets the record straight. Drawing upon her own deep knowledge and years of original research, she brings us into the inner sanctum of court life, teeming with intrigue and redolent with the threat of disgrace. In the eyes and ears of Jane Boleyn, we witness the myriad players of the stormy Tudor period, and Jane herself emerges as a courageous spirit, a modern woman forced by circumstances to make her own way in a privileged but vicious world.
How should thinkers cope with uncertainty? What makes their degrees of belief rational, and how should they reason about uncertain matters? In epistemology, recent research has attempted to answer these questions by developing formal models of ideally rational credences. However, we know from psychological research that perfect rationality is unattainable for human thinkers—and so this raises the question of how rational ideals can apply to human thinkers. A popular reply is that the more a thinker's imperfectly rational credences approximate compliance with norms of ideal rationality, the better. But what exactly does this mean? Why is it better to be less irrational, if we can't ever be completely rational? And what does being closer to ideally rational amount to? If ideal models of rationality are supposed to help us understand the rationality of human, imperfect thinkers, we need answers to these questions. Unsettled Thoughts breaks new ground in the study of rationality in providing these answers: we can explain why it's better to be less irrational, because less irrational degrees of belief are generally more accurate and better at guiding our actions. Moreover, the way in which approximating ideal rationality is beneficial can be made formally precise by using a variety of distance measures that track the benefits of being more rational.
The story of the Earl of Warwick's wife Anne Beauchamp and their daughters, Isabel and Anne Neville. They were supposed to be pious, fruitful and submissive. The wealthiest women in the kingdom, Anne Beauchamp and her daughters were at the heart of bitter inheritance disputes. Well educated and extravagant, they lived in style and splendour but were forced to navigate their lives around the unpredictable clashes of the Cousins’ War. Were they pawns or did they exert an influence of their own? The twists and turns of Fate as well as the dynastic ambitions of Richard Neville, Earl of Warwick saw Isabel married without royal permission to the Yorkist heir presumptive, George Duke of Clarence. Anne Neville was married to Edward of Lancaster, the only son of King Henry VI when her father turned his coat. One or the other was destined to become queen. Even so, the Countess of Warwick, heiress to one of the richest titles in England, could not avoid being declared legally dead so that her sons-in-law could take control of her titles and estates. Tragic Isabel, beloved by her husband, would experience the dangers of childbirth and on her death, her midwife was accused of witchcraft and murder. Her children both faced a traitor’s death because of their Plantagenet blood. Anne Neville became the wife of Richard, Duke of Gloucester having survived a forced march, widowhood and the ambitions of Isabel’s husband. When Gloucester took the throne as Richard III, she would become Shakespeare’s tragic queen. The women behind the myth suffered misfortune and loss but fulfilled their domestic duties in the brutal world they inhabited and fought by the means available to them for what they believed to be rightfully their own. The lives of Countess Anne and her daughters have much to say about marriage, childbirth and survival of aristocratic women in the fifteenth century.
Stories in The Unforgotten, ranging from a novella to flash narratives of merely a paragraph, are populated by a variety of characters. Among them are Luisa, a beloved childhood servant in Peru, who disappears inexplicably. A child writes that her mom has a lover, a grownup word for boyfriend. Gertrude’s lifelong collection of sophisticated words eventually fades into dementia. Charles, a grandfather in a white nightgown and bobbing nightcap chases a bull away from his wife’s beloved rose garden. A mother tells her child a story of a joyous snail with a will to live. Adrianna, now a grandmother, reminiscences about a college year in Paris with her best friend who later committed suicide. Henry, who works in a research lab, befriends a rat he names Eloise.
The comprehensive biography of the iconic twentieth-century American photographer Berenice Abbott, a trailblazing documentary modernist, author, and inventor. Berenice Abbott is to American photography as Georgia O’Keeffe is to painting or Willa Cather to letters. She was a photographer of astounding innovation and artistry, a pioneer in both her personal and professional life. Abbott’s sixty-year career established her not only as a master of American photography, but also as a teacher, writer, archivist, and inventor. Famously reticent in public, Abbott’s fascinating life has long remained a mystery—until now. In Berenice Abbott: A Life in Photography, author, archivist, and curator Julia Van Haaften brings this iconic public figure to life alongside outlandish, familiar characters from artist Man Ray to cybernetics founder Norbert Wiener. A teenage rebel from Ohio, Abbott escaped first to Greenwich Village and then to Paris—photographing, in Sylvia Beach’s words, "everyone who was anyone." As the Roaring Twenties ended, Abbott returned to New York, where she soon fell in love with art critic Elizabeth McCausland, with whom she would spend thirty years. In the 1930s, Abbott began her best-known work, Changing New York, in which she fearlessly documented the city’s metamorphosis. When warned by an older male supervisor that "nice girls" avoid the Bowery—then Manhattan’s skid row—Abbott shot back, "I’m not a nice girl. I’m a photographer…I go anywhere." This bold, feminist attitude would characterize all Abbott’s accomplishments, including imaging techniques she invented in her influential, space race–era science photography and her tenure as The New School’s first photography teacher. With more than ninety stunning photos, this sweeping, cinematic biography secures Berenice Abbott’s place in the histories of photography and modern art, while framing her incredible accomplishments as a female artist and entrepreneur.
Stories of Newark’s postwar decline are easy to find. But in The Fixers, Julia Rabig supplements these tales of misery with the story of the many imaginative challenges to the city’s decline mounted by Newark’s residents and suburban neighbors. In these pages, we meet the black nationalists whose dynamic organizing elected African American candidates in unprecedented numbers. There are tenants who mounted a historic rent strike to transform public housing and renegade white Catholic priests who joined black laywomen to pioneer the construction of low-income housing and influence housing policy. These are just a few of the “fixers” we meet—people who devised ways to work with limited resources and pull together the threads of a patchwork welfare state. Rabig argues that fixers play dual roles. They support resistance, but also mediation; they fight for reform, but also more radical and far-reaching alternatives; they rally others to a collective cause, but sometimes they broker factions. Fixers reflect longer traditions of organizing while responding to the demands of their times. In so doing, they end up fixing (like a fixative) a new and enduring pattern of activist strategies, reforms, and institutional expectations—a pattern we continue to see today.
The Curious World of the Demoulin Brothers and Their Fraternal Lodge Prank Machi nes - from Human Centipedes and Revolving Goats to ElectricCarpets and SmokingC
The Curious World of the Demoulin Brothers and Their Fraternal Lodge Prank Machi nes - from Human Centipedes and Revolving Goats to ElectricCarpets and SmokingC
This stuff is more than just fancy pranks. It's Americana. Never has nonsense been taken so seriously...This book is a fascinating, appetite- whetting glimpse for the, if you'll pardon the expression, uninitiated." -David Copperfield, from the foreword At the beginning of the twentieth century, 40 percent of American men belonged to a lodge, and they were hazing their newbies with cigar- smoking camels, spankers, and even fake guillotines. Nearly all their prank devices came from the same place: catalogs published by the DeMoulin Brothers Company from 1896 to 1930. Julia Suits discovered one of these all-but-forgotten catalogs at a flea market. Its pages were full of bizarre hazing props: old-fashioned telephones that squirted water, bucking goats attached to tricycles, Victorian- looking furniture that sent electric shocks. These prank machines are the relics of mischief and daredevilry, produced for the country's original fraternity- hazing culture, and created by America's original high-tech geeks of the electric age. The Extraordinary Catalog of Peculiar Inventions offers a peek into twentieth-century American culture that most people have never seen. At its core are hundreds of the most inventive DeMoulin prank machines, complete with their original, quirky descriptions and eccentric line art. Alongside the catalog pages are newspaper clippings, lodge trivia, quotes, and stories that show the true side of America's original hazing culture.
Cameron's transition from enthusiastic novice to accomplished artist is revealed in this sensitive study of the woman behind the camera. Colin Ford's unique appraisal of her life and work firmly establishes Julia Margaret Cameron as one of the greatest photographers of all time."--BOOK JACKET.
This series provides complete coverage of A Level Edexcel, OCR and AQA psychology specifications. Activities such as media watch and interactive angles encourage student involvement. It should also be suitable as an introductory text for undergraduates. This textbook provides students with an in-depth understanding of how the spaces we live in affect both individuals and society. It incorporates contemporary research and is packed with studies to enhance student evaluation.
The Renaissance of Etching is a groundbreaking study of the origins of the etched print. Initially used as a method for decorating armor, etching was reimagined as a printmaking technique at the end of the fifteenth century in Germany and spread rapidly across Europe. Unlike engraving and woodcut, which required great skill and years of training, the comparative ease of etching allowed a wide variety of artists to exploit the expanding market for prints. The early pioneers of the medium include some of the greatest artists of the Renaissance, such as Albrecht Dürer, Parmigianino, and Pieter Bruegel the Elder, who paved the way for future printmakers like Rembrandt, Goya, and many others in their wake. Remarkably, contemporary artists still use etching in much the same way as their predecessors did five hundred years ago. Richly illustrated and including a wealth of new information, The Renaissance of Etching explores how artists in Germany, the Netherlands, Italy, and France developed the new medium of etching, and how it became one of the most versatile and enduring forms of printmaking. p.p1 {margin: 0.0px 0.0px 0.0px 0.0px; font: 14.0px Verdana}
‘There is no one-volume book in print that carries so much valuable information on London and its history’ Illustrated London News The London Encyclopaedia is the most comprehensive book on London ever published. In its first new edition in over ten years, completely revised and updated, it comprises some 6,000 entries, organised alphabetically, cross-referenced and supported by two large indexes – one for the 10,000 people mentioned in the text and one general – and is illustrated with over 500 drawings, prints and photographs. Everything of relevance to the history, culture, commerce and government of the capital is documented in this phenomenal book. From the very first settlements through to the skyline of today, The London Encyclopaedia comprehends all that is London. ‘Written in very accessible prose with a range of memorable quotations and affectionate jokes...a monumental achievement written with real love’ Financial Times
Since it was first published in 1982 British Archives has established itself as the premier reference work to holdings of archives and manuscript collections throughout the UK. The 3rd edition has been extensively revised and enlarged with more than 150 new entries, further widening the range of the book. Entries are structured to show the archives of the organisation as distinct from deposited collections and significant non-manuscript material, and additional details of fax number and conservation provision are included for the first time. All the existing entries have been significantly updated, together with the select bibliography and list of useful addresses of various organisations involved in the care and custody of archives. The introduction provides an invaluable guide to researchers using archives, including a summary of the relevant legislation and a detailed description of the usual holdings of county and other local authority record offices.
This book explores the connections between comics and Gothic from four different angles: historical, formal, cultural and textual. It identifies structures, styles and themes drawn from literary gothic traditions and discusses their presence in British and American comics today, with particular attention to the DC Vertigo imprint. Part One offers an historical approach to British and American comics and Gothic, summarizing the development of both their creative content and critical models, and discussing censorship, allusion and self-awareness. Part Two brings together some of the gothic narrative strategies of comics and reinterprets critical approaches to the comics medium, arguing for an holistic model based around the symbols of the crypt, the spectre and the archive. Part Three then combines cultural and textual analysis, discussing the communities that have built up around comics and gothic artifacts and concluding with case studies of two of the most famous gothic archetypes in comics: the vampire and the zombie.
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