Anlasslich des 10-jahrigen Jubilaums der JULIA STOSCHEK COLLECTION konzipiert der britische Kunstler Ed Atkins die Ausstellung GENERATION LOSS. DEr Begriff bezeichnet den Prozess der Qualitatsverschlechterung von Daten insbesondere infolge sich verandernder Technologien. DIeser Verlust von Qualitat manifestiert sich jedoch auch im ideologischen Sinne, im gesellschaftlichen Wandel von einer Generation zur nachsten. DEr Katalog greift diese Analogien auf und nimmt sich der Frage an, wie sich die Rezeption fur das Bewegtbild von den 1970er-Jahren bis heute verandert hat. NEben Video- und Filmstills enthalt der Katalog historisches Material der gezeigten Werke sowie Installationsansichten der Ausstellung.
Destroy, She Said' was the title of the first exhibition in the Julia Stoschek Collection, the opening of which prompted a great deal of media coverage last summer in Düsseldorf. One of the show's distinctive features was that the exhibition spaces were made to measure for a total of forty artistic positions by the Berlin architects Kühn Malvezzi, thus demonstrating the potential for the presentation of contemporary media-supported art. This volume documents the exhibition and its remarkable architectural concept. All of the works - by artists such as Doug Aitken, Paul Chan, Robert Smithson, Monica Bonvicini, Natasha Sadr Hagidhian, Dara Birnbaum, Klara Liden, and Olafur Eliasson - are presented in texts and illustrations and situated in the larger context of this exquisite private collection. The book is completed by Daniel Birnbaum's essay on current time-based art and crucial aspects of selected works from the Julia Stoschek Collection as well as by Kaye Geipel's text dealing with the history and architecture of the century-old industrial building--Publisher's website.
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Stell dich gerade hin und sage mir, wer du bist. Lass dir nicht sagen, wer du zu sein hast. Du musst nicht. Du darfst sein. Du bist. Ich will dich hören. Sage deinen Namen.
This is a collection of 22 never-before-translated interviews and one personal essay by Julia Kristeva. Kristeva's in-depth discussions with major figures in contemporary arts and letters cover topics as diverse as the American literary academy, fiction writing, and issues in neuroscience.
An emotional and at times tragic conclusion to the Liberty Sands Trilogy, It's Never Too Late To Say... uncovers terrible family secrets that have long been buried. Holly Wilson has it all: a beautiful baby daughter, a son embarking on a new career, a new job in TV and an adoring boyfriend, Philippe, but her world is about to turn upside down
Following Julia Strachey's death, her life-long friend Frances Partridge was presented with an extraordinary assortment of her papers. Combining material from this source and extracts from the correspondence between the two friends, this book presents an account of the life of a remarkable woman.
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