There is a complex relationship between religiosity and secularism in the American experience. America is notable both for its strict institutional separation of church and state, and for the strong role that religion has played in its major social movements and ongoing political life. This book seeks to illuminate for readers the dynamics underlying this seeming paradox, and to examine how the various religious groups in America have approached and continue to approach the tensions between sacred and secular. This much-anticipated revision brings Corbett and Corbett’s classic text fully up to date. The second edition continues with a thorough discussion of historical origins of religion in political life, constitutional matters, public opinion, and the most relevant groups, all while taking theology seriously. Revisions include fully updating all the public opinion data, fuller incorporation of voting behavior among different religious and demographic groups, enhanced discussion of minority religions such as Mormonism and Islam, and new examples throughout.
Despite his reputation as a staunch individualist and repeated attacks on institutions that constrain the individual's imagination, Julia Wright argues that William Blake rarely represents isolation positively and explores his concern with the kind of national community being established.
In A Woman of Passion, Julia Briggs chronicles the life of author Edith Nesbit who is credited with being the first modern writer for children and the creator of the children's adventure story. Nesbit recorded her life with varying degrees of honesty in verse and prose, and while she seldom wrote entirely openly of her own experiences, she seldom wrote convincingly of anything else. In this fascinating read, Julia Briggs attempts to fill in the gaps of Nesbit's autobiographical material, painting an intriguing portrait of the famous author.
Radiohead and the Journey Beyond Genre traces the uses and transgressions of genre in the music of Radiohead and studies the band’s varied reception in online and offline media. Radiohead’s work combines traditional rock sounds with a unique and experimental approach towards genre that sets the band apart from the contemporary mainstream. A play with diverse styles and audience expectations has shaped Radiohead’s musical output and opened up debates about genre amongst critics, fans, and academics alike. Interpretations speak of a music that is referential of the past but also alludes to the future. Applying both music- and discourse-analytical methods, the book discusses how genre manifests in Radiohead’s work and how it is interpreted amongst different audience groups. It explores how genre and generic flexibility affect the listeners’ search for musical meaning and ways of discussion. This results in the development of a theoretical framework for the study of genre in individual popular music oeuvres that explores the equal validity of widely differing forms of reception as a multidimensional network of meaning. While Radiohead’s music is the product of an eclectic mixture of musical influences and styles, the book also shows how the band’s experimental stance has increasingly fostered debates about Radiohead’s generic novelty and independence. It asks what remains of genre in light of its past or imminent transgression. Offering new perspectives on popular music genre, transgression, and the music and reception of Radiohead, the book will appeal to academics, students, and those interested in Radiohead and matters of genre. It contributes to scholarship in musicology, popular music, media, and cultural studies.
No woman will have Ben without a proper bachelor's suit . . . and the tailor refuses to make him one. Back from war with a nameless enemy, Ben finds that his mother is dead and his family home has been reassigned by the state. As if that isn't enough, he must now find a wife, or he'll be made a civil servant and given a permanent spot in one of the city's oppressive factories. Meanwhile, Meeks, a foreigner who lives in the park and imagines he's a member of the police, is hunted by the overzealous Brothers of Mercy. Meeks' survival depends on his peculiar friendship with a police captain--but will that be enough to prevent his execution at the annual Independence Day celebration? A dark satire rendered with the slapstick humor of a Buster Keaton film, Julia Holmes' debut marries the existentialism of Fyodor Dostoevsky's """"Notes from Underground"""" to the strange charm of a Haruki Murakami novel. """"Meeks"""" portrays a world at once hilarious and disquieting, in which frustrated revolutionaries and hopeful youths suffer alongside the lost and the condemned, just for a chance at the permanent bliss of marriage and a slice of sugar-frosted Independence Day cake. Julia Holmes was born in Dhahran, Saudi Arabia, and grew up in the Middle East, Texas, and New York, where she is currently an assistant editor at """"Rolling Stone."""" She is a graduate of Columbia University's MFA program in fiction.
The fourth in a series that documents architectural conservation in different parts of the world, Architectural Conservation in Australia, New Zealand and the Pacific Islands: National Experiences and Practice addresses cultural heritage protection in a region which comprises one third of the Earth’s surface. In response to local needs, Australia, New Zealand and the Pacific Islands have developed some of the most important and influential techniques, legislation, doctrine and theories in cultural heritage management in the world. The evolution of the heritage protection ethos and contemporary architectural conservation practices in Australia and Oceania are discussed on a national and regional basis using ample illustrations and examples. Accomplishments in architectural conservation are discussed in their national and international contexts, with an emphasis on original developments (solutions) and contributions made to the overall field. Enriched with essays contributed from fifty-nine specialists and thought leaders in the field, this book contains an extraordinary breadth and depth of research and synthesis on the why’s and how’s of cultural heritage conservation. Its holistic approach provides an essential resource and reference for students, academics, researchers, policy makers, practitioners and all who are interested in conserving the built environment.
Tandem Dances: Choreographing Immersive Performance is the first book to propose dance and choreography as frames through which to examine immersive theatre, more broadly known as immersive performance. Indicative of a larger renaissance in storytelling during the digital age, immersive performance is influenced by emerging computer technologies, such as virtual reality and advances in video-gaming, as well as increased interest in new forms of experiential entertainment. The idea of tandemness suggesting motion that is achieved by two bodies working together and acting in conjunction with one another is critical throughout the book. Author Julia M. Ritter persuasively argues that practitioners of immersive productions deploy choreography as a structural mechanism to mobilize the bodies of cast and audience members to perform together. Furthermore, choreography is contextualized as an effective tool for facilitating audience participation towards immersion as an affect. Through a focus on Western dance histories, theories, and practices, Ritter's close choreographic analysis of immersive productions, along with unique insights from choreographers, directors, performers, and spectators, enlivens discourse across dramaturgy, kinesthesia, affect, and co-authorship. By foregrounding the choreographic in order to examine its specific impact on the evolution of immersive theater, Tandem Dances explores choreography as a discursive domain that is fundamentally related to creative practice, agendas of power and control, and concomitant issues of freedom and agency.
By the close of the eighteenth century, the theatrical memoir had become a popular and established genre. This ten-volume facsimile collection presents the lives of some of the most celebrated actresses of their day. These memoirs also provide insights into contemporary constructions of gender, sexuality and fame.
How can people in the spotlight control their self-representations when the whole world seems to be watching? The question is familiar, but not new. Julia Fawcett examines the stages, pages, and streets of eighteenth-century London as England's first modern celebrities performed their own strange and spectacular self-representations. They include the enormous wig that actor Colley Cibber donned in his comic role as Lord Foppington--and that later reappeared on the head of Cibber's cross-dressing daughter, Charlotte Charke. They include the black page of Tristram Shandy, a memorial to the parson Yorick (and author Laurence Sterne), a page so full of ink that it cannot be read. And they include the puffs and prologues that David Garrick used to heighten his publicity while protecting his privacy; the epistolary autobiography, modeled on the sentimental novel, of Garrick's protégée George Anne Bellamy; and the elliptical poems and portraits of the poet, actress, and royal courtesan Mary Robinson, a.k.a. Perdita. Linking all of these representations is a quality that Fawcett terms "over-expression," the unique quality that allows celebrities to meet their spectators' demands for disclosure without giving themselves away. Like a spotlight so brilliant it is blinding, these exaggerated but illegible self-representations suggest a new way of understanding some of the key aspects of celebrity culture, both in the eighteenth century and today. They also challenge divides between theatrical character and novelistic character in eighteenth-century studies, or between performance studies and literary studies today. The book provides an indispensable history for scholars and students in celebrity studies, performance studies, and autobiography—and for anyone curious about the origins of the eighteenth-century self.
Julian among the Books: Julian of Norwich’s Theological Library brings together innovative research on aspects of the Showing of Love, especially the Pan-European background of its manuscripts, and their contexts, arguing for the concept of ‘Holy Conversations’ in a mise en abyme, where her readers, breaking the frame, participate in her contemplative visions. It discusses the three versions of her text, her knowledge of Hebrew, and her Benedictine context and its lectio divina, including textual and physical links with the Norwich monk, Cardinal Adam Easton, OSB, his collegial friendship with St Catherine of Siena and St Catherine of Sweden, and his support for St Birgitta of Sweden’s canonisation. The book also explores the library of texts of the ‘Friends of God’ movement, including the Mirror of Simple Souls of Marguerite Porete, presents the texts of Julian’s conversation with Margery Kemp, and discusses the exiled Brigittine and Benedictine nuns who continued to treasure and copy Julian’s text on the Continent following England’s Reformation. Scholarly methods used in this study include palaeography, codicology, iconography, reader reception, discourse on the Body, use of Hebrew, Greek and Latin, and the concepts of ‘Holy Conversation’ and ‘Textual Communities’. It gives much of the text of the Westminster Manuscript in translation, along with many quotations from the Westminster, Paris and Sloane manuscripts in their original layout and spelling. Illustrated with colour plates of the Julian manuscripts in the centrefold and other images, and black and white figures throughout the body of the text, it brings the reader as close as possible to Julian’s writing, her context, and her preservation by other women contemplatives throughout time.
This is the first book of its kind to bring together leading contributors in the field. With Professor Dame Julia Polak, a prominent academic, as the editor, the book provides a comprehensive overview of lung repair guiding readers from the basic science to clinical applications. The contributions are written by authors who are leading authorities on the topic, from the US, Japan, Australia and the UK.
This volume explores concepts of freedom and bondage in the blues and argues that this genre of music explicitly calls for a reckoning while expressing faith in a secular justice to come. Placing blues music within its historical context of the post-Reconstruction South, Jim Crow America, and the civil rights era, Julia Simon finds a deep symbolism in the lyrical representations of romantic and sexual betrayal. The blues calls out and indicts the tangled web of deceit and entrapment constraining the physical, socioeconomic, and political movement of African Americans. Surveying blues music from the 1920s to the early twenty-first century, Simon’s analyses focus on economic relations, such as sharecropping, house contract sales, debt peonage, criminal surety, and convict lease. She demonstrates how the music reflects this exploitative economic history and how it is shaped by commodification under racialized capitalism. As Simon assesses the lyrics, technique, and styles of a wide range of blues musicians, including Bessie Smith, Blind Lemon Jefferson, Big Bill Broonzy, Muddy Waters, B. B. King, Albert Collins, and Kirk Fletcher, she argues forcefully that the call for racial justice is at the heart of the blues. A highly sophisticated interpretation of the blues tradition steeped in musicology, social history, and critical-cultural hermeneutics, Debt and Redemption not only clarifies blues as an aesthetic tradition but, more importantly, proves that it advances a theory of social and economic development and change.
What do Neil Diamond, Touched by an Angel, Pamela Anderson, The Boy in the Plastic Bubble, White castle hamburgers, Benny Hill, Thomas Kinkade, and the song “You Light Up My Life” have in common? They’re all guilty pleasures—and they’re all celebrated in this massive A-to-Z encyclopedia. Authors Sam Stall, Lou Harry, and Julia Spalding have unearthed fascinating trivia about literature (Valley of the Dolls, The Sports Illustrated Swimsuit Issue), television (The Real World, Land of the Lost), fashion (Members Only jackets, the WonderBra), and more. Every page features a sophisticated two-column design and handy guide words for quick at-a-glance reference. Best of all, we’ve illustrated 100 of the guiltiest pleasures with the same portrait style used by the Wall Street Journal. Complete with 1,001 entries, it’s the ultimate guide to everything you hate to love!
When John Nelson abandoned his government job to join a scrappy band of activists, he didn’t realize trying to save the world would be so hard. His ideals remain strong, but his optimism is wearing thin. His fellow activists―computer hacker Jen Owens and Vietnam vet Irving Fetzer―still think he’s a square. And their radio show can’t compete with the corporate media. Parts per Million, Julia Stoops’s socially conscious, fast-paced debut novel, is set in Portland, Oregon, in 2002. As the trio dives into anti-war protests and investigates fraud at an elite university, Nelson falls in love with an unlikely houseguest, Deirdre, a photographer from Ireland―and a recovering addict. Fetzer recognizes her condition but keeps it secret, setting off a page-turning chain of events that threatens to destroy the activists’ friendship even as they’re trying to hold the world together, one radio show at a time.
Everything changes for Cesca when her mother moves out to be with her new partner, leaving her with her brother and farmer father. Then her father meets someone else, too, and Cesca has to come to terms with a whole new way of life.* An extremely sensitive, moving handling of issues of first love and parental break-up* Brilliantly-drawn relationship between Cesca and her parents* Julia Clarke is an author to watch - her previous teenage novels, Summertime Blues and Between You and Me, have attracted very favourable review coverage.
Regularly the subject of cartoonists and satirical novelists, Mary Robinson achieved public notoriety as the mistress of the young Prince of Wales (George IV). Her association with figures such as William Godwin and Mary Wollstonecraft, and comparisons with Charlotte Smith, make her a serious figure for scholarly research.
Unlike monks and nuns, clergy have hitherto been sidelined in accounts of the Middle Ages, but they played an important role in medieval society. This first broad-ranging study in English of the secular clergy examines how ordination provided a framework for clerical life cycles and outlines the influence exerted on secular clergy by monastic ideals before tracing typical career paths for clerics. Concentrating on northern France, England and Germany in the period c.800–c.1200, Julia Barrow explores how entry into the clergy usually occurred in childhood, with parents making decisions for their sons, although other relatives, chiefly clerical uncles, were also influential. By comparing two main types of family structure, Barrow supplies an explanation of why Gregorian reformers faced little serious opposition in demanding an end to clerical marriage in the eleventh and twelfth centuries. Changes in educational provision c.1100 also help to explain growing social and geographical mobility among clerics.
Learn the fundamentals of anesthesiology in the context of real patients. 4 STAR DOODY'S REVIEW! "The book targets medical students, but even junior anesthesia trainees would find it very compelling....Although it has the appearance of a handbook, this book is an overview of clinical anesthesiology. It takes a simulation approach to drive home essential concepts of anesthesia management in different disease conditions. Of all the handy books out there, this is perhaps the only one that teaches anesthesia in the context of real patients rather than merely stating facts. It would be an invaluable aid to medical students doing anesthesia clerkships or junior anesthesia trainees who need a quick review for an emergency case in the middle of the night."--Doody's Review Service Case Files: Anesthesiology contains 53 high-yield cases with open-ended questions. Each case includes an extended discussion, definitions, clinical Pearls, 3-5 USMLE-style comprehension questions, and references to the most current literature for further reading. Features: 53 high-yield clinical situations tailored for management of the anesthetic patient Clear and easy-to-follow case-based format helps readers develop clinical thinking skills Clinical pearls give evidence-based recommendations for patient management USMLE-style comprehension questions accompany each case Content enhanced by numerous tables, illustrations, and clinical images Content that makes learning easy: Preoperative evaluation: Preoperative evaluation: cardiac and pulmonary disease, Preoperative evaluation in an obese patient, Anesthesia in Patients with Heart Disease: Coronary artery disease, Pulmonary hypertension, R heart failure, Left Heart failure, Mitral stenosis, mitral insufficiency, Aortic stenosis, Subacute Aortic Hypertrophy, Congestive heart failure, AICD, Abdominal aortic aneurysm/stint, open Cardiac tamponade, Protamine reaction Anesthesia for the Patient with Pulmonary Disease: Anesthesia in a patient with reactive airway disease, Anesthesia in a patient with COPD, Thoracotomy, Aspiration, Anesthesia for the Patient with Neurological or Neurosurgical Conditions: Subdural hematoma/head injury, Crainotomy for mass excision, Crainotomy for aneurysm, The quadriplegic, Cervical fracture, Myasthenia gravis, Anesthesia for obstetrics: For caeserian section, Appendectomy or cholecystectomy in a pregnant patient, Total spinal, Local anesthetic toxicity, Anesthesia in the Pediatric Patient: Child with a Foreign Body, Cleft Palate, Anesthesia for a tonsillectomy--sleep apnea, and hemorrhage, Pyloric stenosis, Anesthesia in Patients with Hematologic Disorders: Hemaglobinapathy, Transfusion reaction, Coagulopathies, Anesthesia for Patients with Endocrinologic or Metabolic Disorders: Diabetes--hyperglycemia/hypoglycemia, Malignant hypertension/pheochromocytoma, Malignant hyperthermia, Cholinesterase deficiency, Anesthesia Special Situations: Complication of laporoscopy--ptx, air embolism, Complication of laporoscopy--occult hemorrhage, Burns, Trauma, MRI, Hypoxia of unknown etiology (equipment failure), Monitoring (including PA line, TEE), Awareness under anesthesia, End of life/ethics
In The European Union and the Use of Force Julia Schmidt examines the development and activities of the EU as an emerging international military actor. The author offers a comprehensive analysis of the legal framework for the EU’s military crisis management operations.
This book envisions the future of resilient finance and the societal value of responsible investment. Capturing the Zeitgeist of our post-pandemic new Renaissance, the book describes the contemporary use of economics to improve environmental conditions, widen access to health care, and foster social justice. The Future of Resilient Finance helps students, research scholars, and interdisciplinary global governance practitioners understand resiliency management through strategic finance and responsible economics as a politics and international relations tool. The new age of resilient finance captures monetary means as a source of politics, diplomacy, and international aid. The current outpouring of rescue and recovery funds is portrayed as new generation of resilient finance aimed at peace and prosperity for humankind. The integration of environmental, social, and governance criteria in portfolio choices is covered to grant sustainable value of finance for society.
The authors of Haunted Fells Point tour Maryland’s capital and “detail ghostly sightings at some of the city’s best known landmarks” (Capital Gazette). Beneath the statehouse dome and from the banks of the Severn River, the ghosts of Annapolis rise to roam the red-bricked streets of the old city. The capital of Maryland since 1694, the city hosts the restless dead who never left the narrow alleys, taverns and homes where they met their ends. Come dine with Mary Reynolds at the tavern she’s been keeping since the 1760s, stand vigil at the sarcophagus of Admiral John Paul Jones and search for the figure of Thomas Dance, who plummeted from the heights of the statehouse dome in 1793. From headless men and ghostly soldiers to unlucky bootleggers and ominous gravediggers, Annapolis Ghost Tour founder Mike Carter and tour guide Julia Dray narrate the eerie tales of these and other supernatural residents of Annapolis. Includes photos! “Based on years of research by the duo into the history behind some of Annapolis’ most notorious ghost stories.” —Broadneck Patch
‘There is no one-volume book in print that carries so much valuable information on London and its history’ Illustrated London News The London Encyclopaedia is the most comprehensive book on London ever published. In its first new edition in over ten years, completely revised and updated, it comprises some 6,000 entries, organised alphabetically, cross-referenced and supported by two large indexes – one for the 10,000 people mentioned in the text and one general – and is illustrated with over 500 drawings, prints and photographs. Everything of relevance to the history, culture, commerce and government of the capital is documented in this phenomenal book. From the very first settlements through to the skyline of today, The London Encyclopaedia comprehends all that is London. ‘Written in very accessible prose with a range of memorable quotations and affectionate jokes...a monumental achievement written with real love’ Financial Times
This will help us customize your experience to showcase the most relevant content to your age group
Please select from below
Login
Not registered?
Sign up
Already registered?
Success – Your message will goes here
We'd love to hear from you!
Thank you for visiting our website. Would you like to provide feedback on how we could improve your experience?
This site does not use any third party cookies with one exception — it uses cookies from Google to deliver its services and to analyze traffic.Learn More.