A mesmerizing novel of two sisters whose lives are upended by an unexpected visitor—a tale of family, obsession, and a mysterious creature in the woods, by the celebrated, bestselling author of Disappearing Earth An Oprah Daily, CNN, Publishers Weekly, and Lit Hub Most Anticipated Book of the Year “Thrilling and propulsive, glorious and terrifying. Julia Phillips is a brilliant writer.”—Ann Patchett “Beautiful and haunting . . . this is brilliant.”—Publishers Weekly (starred review) They were sisters and they would last past the end of time. Sam and Elena dream of another life. On the island off the coast of Washington where they were born and raised, they and their mother struggle to survive. Sam works on the ferry that delivers wealthy mainlanders to their vacation homes while Elena bartends at the local golf club, but even together they can’t earn enough to get by, stirring their frustration about the limits that shape their existence. Then one night on the boat, Sam spots a bear swimming the dark waters of the channel. Where is it going? What does it want? When the bear turns up by their home, Sam, terrified, is more convinced than ever that it’s time to leave the island. But Elena responds differently to the massive beast. Enchanted by its presence, she throws into doubt the desire to escape and puts their long-held dream in danger. A story about the bonds of sisterhood and the mysteries of the animals that live among us—and within us—Bear is a propulsive, mythical, richly imagined novel from one of the most acclaimed young writers in America.
“The Hollywood memoir that tells all . . . Sex. Drugs. Greed. Why, it sounds just like a movie.”—The New York Times Every memoir claims to bare it all, but Julia Phillips’s actually does. This is an addictive, gloves-off exposé from the producer of the classic films The Sting, Taxi Driver, and Close Encounters of the Third Kind—and the first woman ever to win an Academy Award for Best Picture—who made her name in Hollywood during the halcyon seventies and the yuppie-infested eighties and lived to tell the tale. Wickedly funny and surprisingly moving, You’ll Never Eat Lunch in This Town Again takes you on a trip through the dream-manufacturing capital of the world and into the vortex of drug addiction and rehab on the arm of one who saw it all, did it all, and took her leave. Praise for You'll Never Eat Lunch in This Town Again “One of the most honest books ever written about one of the most dishonest towns ever created.”—The Boston Globe “Gossip too hot for even the National Enquirer . . . Julia Phillips is not so much Hollywood’s Boswell as its Dante.”—Los Angeles Magazine “A blistering look at La La Land.”—USA Today “One of the nastiest, tastiest tell-alls in showbiz history.”—People
ONE OF THE NEW YORK TIMES 10 BEST BOOKS OF THE YEAR NATIONAL BOOK AWARD FINALIST Finalist for The New York Public Library Young Lions Fiction Award One August afternoon, two sisters—Sophia, eight, and Alyona, eleven—go missing from a beach on the far-flung Kamchatka Peninsula in northeastern Russia. Taking us through the year that follows, Disappearing Earth enters the lives of women and girls in this tightly knit community who are connected by the crime: a witness, a neighbor, a detective, a mother. We are transported to vistas of rugged beauty—open expanses of tundra, soaring volcanoes, dense forests, the glassy seas that border Japan and Alaska—and into a region as complex as it is alluring, where social and ethnic tensions have long simmered, and where outsiders are often the first to be accused. In a story as propulsive as it is emotionally engaging, Julia Phillips's powerful novel brings us to a new understanding of the intricate bonds of family and community, in a Russia unlike any we have seen before.
In 1950, facing artistic and legal persecution by Senator Joe McCarthy because of her inclusion on Louis Budenz’s list of four hundred concealed communists, single mother Hannah Weinstein fled to Europe. There, she built a television studio and established her own production company, Sapphire Films, then surreptitiously hired scores of such blacklisted writers as Waldo Salt, Ian McLellan Hunter, Adrian Scott, and Ring Lardner Jr., and “Trojan-horsed” democratic ideals back to the United States through more than three hundred half-hours of programming, making a fortune in the process. With the exception of a French producer, no other woman on the continent was creating television content at this time, and Weinstein was the only one who was head of her own studio. Before she became one of the more powerful independent production forces in 1950s British television, Hannah Weinstein had a distinguished career as a journalist, publicist, and left-wing political activist. She worked for the New York Herald Tribune from 1927, then began a career in politics when she joined Fiorello H. La Guardia’s New York mayoral campaign in 1937. She also organized the press side of the presidential campaigns of Franklin D. Roosevelt and later (in 1948) of Henry Wallace. Using declassified FBI and CIA files, interviews, and the personal papers of blacklisted writers and other sources, Red Sapphire depicts how for the better part of a decade, Weinstein was a leader in the Left’s battle with the Right to shape popular culture during the Cold War . . . a battle that she eventually won.
The Holistic Homestead: How to Start an Interconnected Homestead, is here to give you more than the often-repeated, simple information you find in any homesteading book. The goal of this book is to show you how to think holistically (meaning with a consideration for your entire homestead). First by giving you lots of practical examples so you can see how to make the connections, then by showing you how to make your own. Grow your own sustainable, permaculture type of homestead that considers every aspect, with a plan and goal for the future! Soli Deo Gloria! (Glory be to God alone!) Table of Contents... Introduction Chapter 1: Holistic, Permaculture & Homesteading Chapter 2: Holistic Guidelines Chapter 3: Six Pivotal Points to Starting a Successful Homestead Chapter 4: Grass Is Key! Chapter 5: The Microbial Conscious Gardener Chapter 6: Compost—A Homesteader’s Best Friend Chapter 7: The Orchard & Fruit Tree Guilds Chapter 8: Holistic Vegetable Gardening Chapter 9: Multi-Purpose Herbs Chapter 10: Weeds—A Problem or Temporary Solution? Chapter 11: Beneficial Insects & Holistic Pest Control Chapter 12: Rainwater & Greywater on the Homestead Chapter 13: Holistic Chickens Chapter 14: Beyond Chickens—Guineas, Ducks & More Chapter 15: Milk Cows & Goats, Part 1: Which Is Best for You? Chapter 16: Milk Cows & Goats, Part 2: Two Important Considerations Chapter 17: Milking Sanitation Chapter 18: Keeping Roosters, Bucks, Rams & Bulls Chapter 19: Natural Remedies & Animal Health on the Homestead Chapter 20: Fly Control & Prevention Chapter 21: Holistic Points Applied Chapter 22: Make the Connections Part 3: Indoor Homesteading Chapter 23: Connections in the Home Chapter 24: The Holistic Household, Part 1: Eight Ways to Reduce Waste Chapter 25: The Holistic Household, Part 2: System Efficiency Chapter 26: The Holistic Household, Part 3: Preserving & a Few Projects Chapter 27: The Holistic Household, Part 4: Family Health Part 4: Put the Pieces Together! Chapter 28: The Holistic Homestead Resources & Notes—How & Where to Learn More Appendix Index About
Steward leadership is a form of leadership that focuses on others, the community and society at large, rather than the self. Many senior leaders and executives across the globe appear to ‘naturally’ move into a stewardship mindset at a ripe age or when their careers have matured, whereas executives of around 30 years old, on average, are typically focused on their personal self-interests. The authors of Steward Leadership: a maturational perspective, who teach MBA courses around the world, wondered how to develop stewards at younger ages and set about creating a framework for stewardship and its requisite behaviour. Their research was conducted among a group of MBA students, testing nine stewardship attributes: personal vision, personal mastery, vulnerability and maturity, risk-taking and experimentation, mentoring, raising awareness, shared vision, valuing diversity, and delivering results. The outcome of the study, which is explored in this book, provides a base-line of attitudes which were tested against various demographic variables. In addition, the authors interviewed industry leaders from around the world to gauge their perspectives on and experience with the concept of stewardship and some of its dimensions, to gain qualitative insights. The results of their research provide the theoretical as well as consulting tools with which organisations can develop stewards, whether through training programmes, mentoring programmes, coaching initiatives and/or personal development practices. The authors believe that stewardship is a more viable and indeed better alternative to current leadership concepts. This book provides a roadmap by which contemporary and upcoming leaders can be guided into developing their leadership abilities – and become the stewards of the future.
An Infamous Gentleman... Dangerously handsome, rakishly charming, William Tavener never planned to settle down--yet with his estate in ruins, the impoverished lord's only hope is to wed an heiress. But to his dismay, the one lady who stirs his ardor and excites his mind is a penniless musician's daughter.... A Scandalous Lady... With her dubious lineage and humble dowry, Allegra Antinori knows Society deems her no great prize. Still, she hopes marriage to an honorable gentleman will secure her future--particularly if the groom is Rob Lynton, the family acquaintance she's always adored. So why does the entirely unsuitable Lord Tavener keep teasing her senses...and bedeviling her heart? A Perfect Match Knowing they should part, can an incurable rogue and a forsaken lady resist the passion of a lifetime?
California's wine country conjures images of pastoral vineyards and cellars lined with oak barrels. As a mainstay of the state's economy, California wines occupy the popular imagination like never before and drive tourism in famous viticultural regions across the state. Scholars know remarkably little, however, about the history of the wine industry and the diverse groups who built it. In fact, contemporary stereotypes belie how the state's commercial wine industry was born amid social turmoil and racialized violence in eighteenth- and nineteenth-century California. In The Grapes of Conquest Julia Ornelas-Higdon addresses these gaps in the historical narrative and popular imagination. Beginning with the industry's inception at the California missions, Ornelas-Higdon examines the evolution of wine growing across three distinct political regimes--Spanish, Mexican, and American--through the industry's demise after Prohibition. This interethnic study of race and labor in California examines how California Natives, Mexican Californios, Chinese immigrants, and Euro-Americans came together to build the industry. Ornelas-Higdon identifies the birth of the wine industry as a significant missing piece of California history--one that reshapes scholars' understandings of how conquest played out, how race and citizenship were constructed, and how agribusiness emerged across the region. The Grapes of Conquest unearths the working-class, multiracial roots of the California wine industry, challenging its contemporary identity as the purview of elite populations.
Chance, and its representation in literature, has a long and problematic history. It is a vital aspect of the way we experience the world, and yet its function is frequently marginalised and downplayed. Offering a new reading of the development of the novel during the mid-twentieth century, Jordan argues that this simple novelistic paradox became more pressing during a period in which chance became a cultural, scientific and literary preoccupation - through scientific developments such as quantum mechanics and the uncertainty principle, the influence of existential philosophy, the growth of gambling, and the uncertainty provoked by the Second World War. In tracing the novel's representation of chance during this crucial period, we see both the development of the novel, and draw wider conclusions about the relationship between narrative and the contingent, the arbitrary and the uncertain. While the novel had historically rejected, marginalised or undermined chance, during this period it becomes a creative and welcome co-contributor to the novel's development, as writers such as Samuel Beckett, B.S. Johnson, Henry Green and Iris Murdoch show.
Lady Honoria Carlow, leading Diamond of the Ton, is in disgrace. Her spirited nature has led her too far this time and she is, in reputation at least, ruined. Indifferent to polite London society, Captain Gabriel Hawksworth is a gentleman in bandit's clothing. On the storm-tossed coast of Cornwall, this smuggler is reckless, sexy and sinfully tempting…. Gabriel is luring Honoria right back to what she's escaping—trouble! Only this time her impropriety won't be quite so innocent…
The city, with its manifold distractions and violence, its invitation to intoxication and dream, had long served to represent the experience of modernity in works of art at the time John Schlesinger made his acclaimed urban documentary ‘Terminus’ in 1961. To be a reader of the city was to be a reader of modern life, and Schlesinger was a discriminating, at times relentless, reader of the city throughout his career, especially in his three greatest films, ‘Midnight Cowboy’, ‘Sunday Bloody Sunday’ and ‘The Day of the Locust’, set in New York, London and Los Angeles, respectively. His character-driven stories, evocation of the significance of the everyday, and insistence on ambiguities of situation and motive – all qualities he was known for – point to literary influences that reach back to the nineteenth century and earlier. ‘The Films of John Schlesinger’ is not only the first book to fully acknowledge those influences, but also the first book to explicate the power of his art to capture the modern, urban experiences of becoming an adult in an atmosphere that relentlessly promotes fantasies of success and wealth; of coming to terms with one’s national identity in the context of international politics; and of attempting to transform the past, both personal and cultural, into a viable present.
Based on her research into her grandfather’s past as an adopted child, Julia Park Tracey has created a mesmerizing work of historical fiction illuminating the darkest side of the Orphan Train. In 1859, women have few rights, even to their own children. When her husband dies and her children become wards of a predator, Martha – bereaved and scared – flees their beloved country home taking the children with her to the squalor of New York City. But as a naïve woman alone, preyed on by male employers, she soon finds herself nearly destitute. The Home for the Friendless offers free food, clothing, and schooling to New York’s street kids and Martha secures a place temporarily for her children there. When she returns for them, she discovers that the Society has indentured her two eldest out to work via the Orphan Train, and has placed her two youngest for adoption. The Society refusing to help and with the Civil War erupting around her, Martha sets out to reclaim each of them.
Skin Crafts discusses multiple artists from global contexts who employ craft materials in works that address historical and contemporary violence. These artists are deliberately embracing the fragility of textiles and ceramics to evoke the vulnerability of human skin and - in so doing - are demanding visceral responses from viewers. Drawing on a range of theories including affect theory, material feminism, skin studies, phenomenology and global art history, the book illuminates the various ways in which artists are harnessing the affective power of craft materials to address and cope with violence. Artists from Mexico, Africa, China, the Netherlands and Indigenous artists based in the unceded territory known as Canada are examined in relation to one another to illuminate the connections and differences across their bodies of work. Skin Crafts interrogates ongoing material violence towards women and marginalized others, and demonstrates the power of contemporary art to force viewers and scholars into facing their ethical responsibilities as human beings.
G K Chesterton (1874–1936) was an important figure in the Edwardian literary world. He engaged closely with the vibrant new influences in literature and reviewed a stream of new editions, biographies, and memoirs for the Daily News. This critical edition includes all of his contributions to the Daily News from 1901 to 1913.
The books in the Florida and the Caribbean Open Books Series demonstrate the University Press of Florida’s long history of publishing Latin American and Caribbean studies titles that connect in and through Florida, highlighting the connections between the Sunshine State and its neighboring islands. Books in this series show how early explorers found and settled Florida and the Caribbean. They tell the tales of early pioneers, both foreign and domestic. They examine topics critical to the area such as travel, migration, economic opportunity, and tourism. They look at the growth of Florida and the Caribbean and the attendant pressures on the environment, culture, urban development, and the movement of peoples, both forced and voluntary. The Florida and the Caribbean Open Books Series gathers the rich data available in these architectural, archaeological, cultural, and historical works, as well as the travelogues and naturalists’ sketches of the area in prior to the twentieth century, making it accessible for scholars and the general public alike. The Florida and the Caribbean Open Books Series is made possible through a grant from the National Endowment for the Humanities and the Andrew W. Mellon Foundation, under the Humanities Open Books program.
This book presents a new approach to understanding contemporary personal life, taking account of how people build their lives through a bricolage of ‘tradition’ and ‘modern’. The authors examine how tradition is used and adapted, invented and re-invented; how meaning can leak from past to present; the ways in which people’s agencies differ as they make decisions; and the process of bricolage in making new arrangements. These themes are illustrated through a variety of case studies, ranging from personal life in the 1950s, young women and marriage, the rise of cohabitation, female name change, living apart together, and creating weddings. Centrally the authors emphasise the re-traditionalisation involved in de-traditionalisation and the connectedness involved in individualised processes of relationship change. Reinventing Couples will be of interest to students and scholars across a range of disciplines including sociology, social work and social policy.
To the renowned psychoanalyst, philosopher, and linguist Julia Kristeva, Melanie Klein (1882–1960) was the most original innovator, male or female, in the psychoanalytic arena. Klein pioneered psychoanalytic practice with children and made major contributions to our understanding of both psychosis and autism. Along the way, she successfully introduced a new approach to the theory of the unconscious without abandoning the principles set forth by Freud. In her first biography of a fellow psychoanalyst, the prolific Kristeva considers Klein's life and intellectual development, weaving a narrative that covers the history of psychoanalysis and illuminates Kristeva's own life and work. Kristeva tells the remarkable story of Klein's life: an unhappy wife and mother who underwent analysis, and—without a medical or other advanced degree—became an analyst herself at the age of 40. In examining her work, Kristeva proposes that Klein's "break" with Freud was really an attempt to complete his theory of the unconscious. Kristeva addresses Klein's numerous critics, and, in doing so, bridges the wide gulf between the clinical and theoretical worlds of psychoanalysis. Klein is celebrated here as the first person to see the mother as the source of not only creativity, but of thought itself, and the first to consider the place of matricide in psychic development. As such, Klein is a seminal figure in the evolution of the provocative ideas about motherhood and the psyche for which Kristeva is most famous. Klein is thus, in a sense, a mother to Kristeva, making this book an account of the development of Kristeva's own thought as well as Klein's.
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