“I am no witch, nor adulteress, thief, nor murderer. They say I have lost my reason, but I know only that my heart is shattered, and in crying it aloud, now I must pay the cost….” After three grievous losses, Puritan woman Silence Marsh dares to question God aloud in the church, and that blasphemy lands her in trouble—she is silenced for a year by the powers that be. Broken in heart and spirit, Silence learns to mime and sign, but it isn’t until a new Boston doctor, the dashing Daniel Greenleaf, comes to her backward Cape Cod village that she begins to hope again. Rather than treating Silence with bleeding or leeches, Dr. Greenleaf prescribes fresh air, St. John’s Wort, long walks—and reading. Silence has half a hope of getting through her year of punishment when the cry of witchcraft poisons the village. Colonial Massachusetts is still reeling from the Salem Witch Trials just 20 years before. Now, after demanding her silence, she is called to witness at a witchcraft trial—or be accused herself. A whiff of sulfur and witchcraft shadows this literary Puritan tale of loss and redemption, based on the author's own ancestor, her seventh great-grandmother.
Im glad Im alive. Doris Louise Bailey, a teen in the Prohibition era, writes this sentiment over and over in her diaries as she struggles with a life-threatening bout of scarlet fever. But its also an apt summation of how she lived in the years following her brush with death. Reaching for the Moon: More Diaries of a Roaring Twenties Teen (1927-1929) contains Doriss true-life adventures as she flirts with boys, sneaks sips of whiskey and bets on racehorses breaking rules and hearts along the way. In Portland, Oregon, shes the belle of the ball, enjoying the attention of several handsome gents. In Arizona, she rides a wild strawberry roan, winning races and kissing cowboys. From hospital wards and petting parties to rodeos and boarding school, this older, more complex Doris faces the dawning of the Depression and her own emergence as a young adult with even more humor, passion and love of life than she showed in her earlier diaries. Readers of all ages will relate to her pursuit of true love, freedom, and adventure in her own time and on her own terms.
Based on her research into her grandfather’s past as an adopted child, Julia Park Tracey has created a mesmerizing work of historical fiction illuminating the darkest side of the Orphan Train. In 1859, women have few rights, even to their own children. When her husband dies and her children become wards of a predator, Martha – bereaved and scared – flees their beloved country home taking the children with her to the squalor of New York City. But as a naïve woman alone, preyed on by male employers, she soon finds herself nearly destitute. The Home for the Friendless offers free food, clothing, and schooling to New York’s street kids and Martha secures a place temporarily for her children there. When she returns for them, she discovers that the Society has indentured her two eldest out to work via the Orphan Train, and has placed her two youngest for adoption. The Society refusing to help and with the Civil War erupting around her, Martha sets out to reclaim each of them.
This book embeds the principles of how we should approach the design of future housing for an ageing population, reminding us that this is not about ‘other people’, but about each of us. This book focuses on anticipating the needs and aspirations of the next generation of older people, and touches on what this implies for our communities, our towns and our cities, as well as for our living spaces. It will look at how well-designed buildings can facilitate the provision of care, support independence and wellbeing while providing companionship and stimulation. It will also examine how to ensure that buildings remain flexible over a long life. Dealing mainly with new-build, but with a section on adaptation and refurbishment, this book sets out the underlying design principles that should be applied and the early decisions that must be taken.
See Highland Park's transformation from forest and farmland to a fashionable and residential Chicago community. Highland Park represents one of the finest examples of late-19th-century suburban development. Its abundant natural beauty was quickly recognized and preserved by the visionary design of two well-known landscape architects, Horace W. S. Cleveland and William M. R. French. Capitalizing on the setting and boasting "good schools, good churches and good society," the Highland Park Building Company transformed the scenic village into one of the most desirable communities on Chicago's North Shore, attracting socially prominent residents who built gracious lakefront estates and quiet country homes along its bluffs and shady lanes. Historic photographs illustrate this change and capture the social, civic and business accomplishments of Highland Park's early citizens. The city's early progress and prosperity are celebrated in this book.
Enhanced by 140 images, a documentary chronicle of Chicago's parks profiles thirty-one of the city's finest spaces--both contemporary and historical-along with detailed vignettes and captions to trace their development.
In diesem Buch geht es um eine außergewöhnliche Freundschaft von zwei unterschiedlichen Mädchen. Ella, kam den langen Weg aus Korea nach Deutschland, wo sie dann auf Julia traf, welche schon ihr ganzes Leben in Deutschland lebte. Der Titel, Why is the Sun crying ist nur eine ihrer Geschichten, welche sie zusammen erlebt haben.
At a busy street market, kids are happily eating ice cream. But disaster strikes when a little dog overturns a spice cart, showering pepper on everyone's ice cream. Will the kids end up crying or cheering? Energetic art and a lift-the-flap feature make exploring language fun.
In Building Natures, Julia Daniel establishes the influence of landscape architecture, city planning, and parks management on American poetry to show how modernists engaged with the green worlds and social playgrounds created by these new professions in the early twentieth century. The modern poets who capture these parks in verse explore the aesthetic principles and often failed democratic ideals embedded in the designers’ verdant architectures. The poetry of Carl Sandburg, Wallace Stevens, William Carlos Williams, and Marianne Moore foregrounds the artistry behind our most iconic green spaces. At the same time, it demonstrates how parks framed, rather than ameliorated, civic anxieties about an increasingly diverse population living and working in dense, unhealthy urban centers. Through a combination of ecocriticism, urban studies, and historical geography, Building Natures unveils the neglected urban context for seemingly natural landscapes in several modernist poems, such as Moore’s "An Octopus" and Stevens’s Notes Toward a Supreme Fiction, while contributing to the dismantling of the organic-mechanic divide in modernist studies and ecocriticism.
A visual history traces the evolution of the Garfield Park Conservatory, which was originally designed as a poetic interpretation of the Midwest landscape in prehistoric times, and looks at its influence on the development of the park and boulevard system on Chicago's West Side.
The ultimate insider's guide to Los Angeles Features interesting and unusual places not found in traditional travel guides "In Los Angeles, everyone is a star." — Denzel Washington For more than a century, seekers of sun and celebrity from around the world have flocked to this sprawling metropolis on the Pacific, which Dorothy Parker once described as "72 suburbs in search of a city." But beyond the red-carpet reputation and Tinseltown trappings is a west coast wonderland teeming with unexpected cultural experiences, iconic architecture, gorgeous open spaces, quirky museums, hidden vistas, unconventional art, and obscure stories about the starlets, moguls, personalities, and players who have made Los Angeles their playground. This unusual guidebook explores 111 of the city's most interesting and unknown places and experiences: wander a serpentine path in a spiritual quest of your own making; channel your inner cowboy at a tried and true honky tonk bar; pay homage to the Dude at the bungalow where the big Lebowski lived; turn your car tires into musical instruments on the country's only "musical" road; sleep with the ghosts of Marilyn Monroe and Charlie Chaplin; view a constellation of stars more vivid than anything Hollywood Boulevard has to offer. From the San Gabriel Mountains to the Pacific Ocean, Angelenos and vistors will fall in love with the real Los Angeles. Adventures beckon. Surprises await. Just imagine how much more scintillating your dinner-party storytelling will be... »In Los Angeles, everyone is a star.« – Denzel Washington Seit mehr als einem Jahrhundert strömen Menschen auf der Suche nach Sonne und Prominenz in die riesige Metropole am Pazifik. Doch findet sich hinter dem ganzen Glamour ein unerwartetes Wunderland, in dem es von beeindruckender Architektur, hinreißenden Parks, schrulligen Museen, versteckten Aussichtspunkten, unkonventioneller Kunst und unbekannten Geschichten über Starlets, Filmmogule und Playboys nur so wimmelt.
Playing her favorite game in the park, a young girl named Julia has a spiritual encounter with a baby hummingbird. He shares a touching principle of wisdom and knowingness with Julia as she listens and learns one of lifeaEUR(tm)s brilliant truths. The story sparkles with a teachable moment that brings a lifetime of happiness and joy to all who wish to have a Happy Heart. Based on a life-long search for answers and understanding, the author shares an insight from her own spiritual journey. Written for children, but relevant to all ages, the author takes a simple concept from A Course in Miracles, and lovingly presents it to anyone who is listening. Light and Love. Enjoy.
Julia Barrett (pseudonym for Julia Braun Kessler) is the author of two other continuations to great novels of Jane Austen, as well as a completion of her last effort. They include: Presumption: An Entertainment, a sequel to Pride and Prejudice, The Third Sister, a continuation of Sense and Sensibility, and Jane Austen’s Charlotte: A Fragment of Her Last Novel, Completed. As a novelist, she has addressed herself to picking up Austen’s wonderful creations –– people so lively and vivid –– to see if she could prolong our encounter with them and increase our pleasure –– while keeping to the author’s themes, speaking her language, and holding true to her marvelous wit. Under her own name, Julia Braun Kessler’s first book was Getting Even With Getting Old, a study of aging in different cultures. Her career in writing, editing, and journalism includes contributions to prominent national magazines and newspapers. She served as features editor for Seventeen magazine, research editor for Encyclopedia Americana, and publications director at the University of Michigan’s Institute for Social Research. She also taught Humanities courses at UCLA. Mary Crawford in converse with her sister Mrs. Grant, upon their views of the married state.
Modernism in the Green traces a trans-Atlantic modernist fascination with the creation, use, and representation of the modern green. From the verdant public commons in the heart of cities to the lookout points on mountains in national parks, planned green spaces serve as felicitous stages for the performance of modernism. In its focus on designed and public green zones,Modernism in the Green offers a new perspective on modernism’s overlapping investments in the arts, politics, urbanism, race, class, gender, and the nature-culture divide. This collection of essays is the first to explore the prominent and diverse ways greens materialize in modern literature and culture, along with the manner in which modernists represented them. This volume presents the idea of "the green" as a point of exploration, as our contributors analyze social-organic spaces ranging from public parks to roadways and refuse piles. Like the term "green," one that evokes both more-than-human natural zones and crafted public meeting places, these chapters uncover the social and spatial intersection of nature and culture in the very architecture of parks, gardens, buildings, highways, and dumps. This book argues that such greens facilitate modernists’ exploration of how nature can manifest in an era of increasing urbanization and mechanization and what identities and communities the green now enables or prevents.
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