The extant generalizations about the grammar of space rely heavily on the analyses of declarative sentences. There is a need to check whether these generalizations also hold in the domain of interrogation. To this end this book analyzes data from some 450 languages (including non-standard varieties). The focus is on paradigms of spatial interrogatives such as English where, whither and whence and their internal organization. These paradigms are checked for recurrent patterns of morphological mismatches (such as syncretism) and different degrees of complexity (e.g. the number of segments). The data-base consists of a large parallel literary corpus (Le petit prince and translations thereof) which is complemented by further sources of information such as descriptive grammars. The data are analyzed from a synchronic perspective. However, diachronic issues are addressed unsystematically, too. It is shown that the distribution of phenomena which characterize paradigms of spatial interrogatives are subject to areal-linguistic factors. This is the first typological study of spatial interrogatives. It provides new insights for students of the grammar of space, morphological paradigms, and language typology.
For the first time place names are made the topic of a cross-linguistic account of morphosyntactic properties which formally distinguish place names from personal names and common nouns. It is shown that the behavior of place names in morphology and syntax frequently disagrees with the rules established for other word classes independent of the language’s genetic affiliation, grammatical structure, and geographic location. Place names boast a grammar of their own. They are candidates for the status of a distinct word class. The special grammar of place names comes frequently to the fore in the domain of spatial relations. This fact is explained with reference to functional notions.
The extant generalizations about the grammar of space rely heavily on the analyses of declarative sentences. There is a need to check whether these generalizations also hold in the domain of interrogation. To this end this book analyzes data from some 450 languages (including non-standard varieties). The focus is on paradigms of spatial interrogatives such as English where, whither and whence and their internal organization. These paradigms are checked for recurrent patterns of morphological mismatches (such as syncretism) and different degrees of complexity (e.g. the number of segments). The data-base consists of a large parallel literary corpus (Le petit prince and translations thereof) which is complemented by further sources of information such as descriptive grammars. The data are analyzed from a synchronic perspective. However, diachronic issues are addressed unsystematically, too. It is shown that the distribution of phenomena which characterize paradigms of spatial interrogatives are subject to areal-linguistic factors. This is the first typological study of spatial interrogatives. It provides new insights for students of the grammar of space, morphological paradigms, and language typology.
For the first time place names are made the topic of a cross-linguistic account of morphosyntactic properties which formally distinguish place names from personal names and common nouns. It is shown that the behavior of place names in morphology and syntax frequently disagrees with the rules established for other word classes independent of the language’s genetic affiliation, grammatical structure, and geographic location. Place names boast a grammar of their own. They are candidates for the status of a distinct word class. The special grammar of place names comes frequently to the fore in the domain of spatial relations. This fact is explained with reference to functional notions.
This is a collection of 22 never-before-translated interviews and one personal essay by Julia Kristeva. Kristeva's in-depth discussions with major figures in contemporary arts and letters cover topics as diverse as the American literary academy, fiction writing, and issues in neuroscience.
Stell dich gerade hin und sage mir, wer du bist. Lass dir nicht sagen, wer du zu sein hast. Du musst nicht. Du darfst sein. Du bist. Ich will dich hören. Sage deinen Namen.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Following Julia Strachey's death, her life-long friend Frances Partridge was presented with an extraordinary assortment of her papers. Combining material from this source and extracts from the correspondence between the two friends, this book presents an account of the life of a remarkable woman.
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Thomas se leva d’un bond et la saisit par les poignets. - Tu es capable de tout, Julia. De jouer la comédie, d’assommer un homme d’une manchette et d’un tas d’autres choses aussi rocambolesques. Mais qui es-tu, bon sang ?
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