When Valerie agreed to donate a few weekends to help her bookseller friend sort and catalog a private library, someone from her childhood reentered her life again. A wounded but recovering soldier, formerly stationed in Iraq, had inherited the house containing the library. Valeries weekends away from her book keeping business were usually spent on archaeological digs or surveys with a local university professor and his students. The intertwining of these two groups and the sugar plantations and bayous where they all meet, cause drama, terror and a final conclusion to a mysterious disappearance.
Regularly the subject of cartoonists and satirical novelists, Mary Robinson achieved public notoriety as the mistress of the young Prince of Wales (George IV). Her association with figures such as William Godwin and Mary Wollstonecraft, and comparisons with Charlotte Smith, make her a serious figure for scholarly research.
Burnbees Revenge is an adventure romance set in Scotland in the late 1600s. Sir Robert McBee is called to the court of King James to discuss the problem of reavers. These raiders have been stealing supplies and damaging property. Sir Robert takes advantage of this time at court to present his homely daughter for marriage. Mistress Marthea McBee is well-educated, a healer, and a beekeeper. Her adventure at court is full of mishaps and sorrow. She returns to Burnbee to rebuild her broken dreams. After several loads of their honey mead are stolen, she is plagued with problems in keeping her clan and land protected. Martin Underhill, David, and Daniel McIe request her aid with a wounded man at arms. They are on their way to court to ask assistance of King James in their fight against the reavers. This brief encounter sparks a romance between Marthea and David. Follow Marthea, David, and friends as they try to protect their lands and clans from the raiders and find the love that they both seek. From Edinburgh to France and back, follow their fate. Mysterious strangers aid them on their journey. The raiders stay a step ahead as they pursue them to the final confrontation. Will love prevail? Will Marthea be able to save Burnbee? Enjoy this story as you race to its conclusion with David and his men.
The extant generalizations about the grammar of space rely heavily on the analyses of declarative sentences. There is a need to check whether these generalizations also hold in the domain of interrogation. To this end this book analyzes data from some 450 languages (including non-standard varieties). The focus is on paradigms of spatial interrogatives such as English where, whither and whence and their internal organization. These paradigms are checked for recurrent patterns of morphological mismatches (such as syncretism) and different degrees of complexity (e.g. the number of segments). The data-base consists of a large parallel literary corpus (Le petit prince and translations thereof) which is complemented by further sources of information such as descriptive grammars. The data are analyzed from a synchronic perspective. However, diachronic issues are addressed unsystematically, too. It is shown that the distribution of phenomena which characterize paradigms of spatial interrogatives are subject to areal-linguistic factors. This is the first typological study of spatial interrogatives. It provides new insights for students of the grammar of space, morphological paradigms, and language typology.
Join the Bridgertons, and the rest of the ton, as they pore over (and gossip about) Lady Whistledown’s latest musings. The elusive Regency-era gossip columnist -- popularized in # 1 New York Times bestselling author Julia Quinn’s Bridgerton novels, now a series created by Shondaland for Netflix – reveals society’s most recent secrets in this second glittering anthology, following the New York Times bestseller, The Further Observations of Lady Whistledown. Who Stole Lady Neeley’s Bracelet? Was it the fortune hunter, the gambler, the servant, or the rogue? All of London is abuzz with speculation, but it is clear that one of four couples is connected to the crime. —Lady Whistledown’s Society Papers, May 1816 Julia Quinn enchants: A dashing fortune hunter is captivated by the Season’s most desired debutante . . . and must prove he is out to steal the lady’s heart, not her dowry. Suzanne Enoch tantalizes: An innocent miss who has spent her life scrupulously avoiding scandal is suddenly—and secretly—courted by London’s most notorious rogue. Karen Hawkins seduces: A roving viscount comes home to rekindle the passionate fires of his marriage . . . only to discover that his beautiful, headstrong bride will not be so easily won. Mia Ryan delights: A lovely, free-spirited servant is dazzled by the romantic attentions of a charming earl . . . sparking a scandalous affair that could ruin them both. You’ll hear it first from Lady Whistledown!
Floor Sample is a memoir from the Queen of Creativity, Julia Cameron... Julia Cameron has transformed the creative lives of millions, showing them that creativity is their uniquely human birthright. But long before the tools of The Artist’s Way changed the conversation around creativity, Julia developed and used them in her own life. Floor Sample is the story behind an artistic life—detailing Julia's years in New York, her time as a writer for Rolling Stone, her turbulent marriage to Martin Scorsese, and her painful struggle with alcohol, which ultimately led her to recovery and the methods that would form the backbone of The Artist’s Way. The life Julia shares in her memoir is tempestuous, flitting restlessly across the country, falling in and out of love, wrestling with alcohol and mental health, but through all of it, always, her art was a fixed point and north star. Featuring a brand new prologue from the author, Floor Sample is honest and unapologetic, a glimpse into the heart and mind behind The Artist’s Way.
In 1946 a group of students and idealists got together to realise their visions for a modern city. Over the following half century, the Architectural Centre they founded helped to shape the possibilities of modern life in urban New Zealand and profoundly influenced the remaking of the capital city of Wellington. More than just an association of architects, the Centre furthered education, published a magazine – Design Review – hosted modernist exhibitions in its gallery, staged an audacious campaign for political influence called ‘the Project’ and fought for better planning, better design, better built environments in Wellington. Its members also built a demonstration house, but ‘planning was the battle-cry’. Charting these activists and their projects over the years, Julia Gatley and Paul Walker in Vertical Living also offer a history of urban Wellington from the 1940s to the 1990s and beyond. The book reminds us that, in modernist ideology, architecture and urban planning went hand-in-hand with visual and craft arts, graphic and industrial design. In recovering the multi-disciplinary history, politics and planning of the Architectural Centre, Gatley and Walker begin writing the city back into the history of architecture in New Zealand.
The Fetherling surname originates in the 1700’s in Germany as Fitterling. Viet Fitterling arrived in Philadelphia, Pennsylvania November 2, 1752 along with his family. Over the decades and years since, the surname took on variations such as Fetherling and Featherling. The branch of the Fetherling line which inspired this book began with the marriage of John Matthew Campion to Elizabeth Julia from Ireland. They had eight children one of which was Julia Campion. Julia married Home H. Fetherling in 1900 in Cass County, Indiana.
An exciting dystopian thriller, and sequel to XVI Nina Oberon's life has changed enormously in the last few months. When her mother was killed, Nina discovered the truth about her father, the leader of the Resistance. And now she sports the same Governing Council–ordered tattoo of XVI on her wrist that all sixteen-year-old girls have. The one that announces to the world that she is easy prey to predators. But Nina won't be anyone's stereotype. And when she joins an organization of girls working within the Resistance, she knows that they can put an end to one of the most terrifying secret programs the GC has ever conceived. Because the truth always comes out . . . and the consequences can be deadly.
Germany is a beautiful country with a long and significant history. It also has its own distinct culture that has influenced Europe and the rest of the world. Learn more about the “land of poets and thinkers” by building a letter press or a model car propelled by jet force. Create lanterns for a procession, prepare typical regional dishes, and bake sweets for festivities. Find out how Germans celebrate the holidays and recreate some of their age–old traditions with step–by–step crafts and cooking projects.
This book is devoted to the study of the bilingual “parallel poems” of Ludwig Strauss (Aachen 1892 ˗ Jerusalem 1953) created between 1934 and 1952 in Palestine/Israel and which exist in two variants, a Hebrew and a German version, one of which is the original and the other a self-translation. The aim of this study is to compare the versions and their interpretation based on Strauss’s theoretical essays on poetry and translation, his political writings and works of literary criticism. Special attention is paid to Strauss’s concept (linked with the idea of messianic redemption) of poetry as a “fore-image” of a future true community of men and as “the earthly expression of the Absolute” directed at interpreting divine revelation and its “translation” into human language. In examining Strauss’s experiments with self-translation, by which he aimed at establishing a dialogue between languages, and between people and nations, this study considers the two processes of translation: from divine speech into human language and from one human language into another.
For seven decades the General Electric Company maintained its manufacturing and administrative headquarters in Schenectady, New York. Electric City: General Electric in Schenectady explores the history of General Electric in Schenectady from the company’s creation in 1892 to the present. As one of America’s largest and most successful corporations, GE built a culture centered around the social good of technology and the virtues of the people who produced it. At its core, GE culture posited that engineers, scientists, and craftsmen engaged in a team effort to produce technologically advanced material goods that served society and led to corporate profits. Scientists were discoverers, engineers were designers and problem solvers, and craftsmen were artists. Historian Julia Kirk Blackwelder has drawn on company records as well as other archival and secondary sources and personal interviews to produce an engaging and multi-layered history of General Electric’s workplace culture and its planned (and actual) effects on community life. Her research demonstrates how business and community histories intersect, and this nuanced look at race, gender, and class sets a standard for corporate history.
In 1865, The Christian Recorder, the national newspaper of the African Methodist Episcopal Church, serialized The Curse of Caste; or The Slave Bride, a novel written by Mrs. Julia C. Collins, an African American woman living in the small town of Williamsport, Pennsylvania. The first novel ever published by a black American woman, it is set in antebellum Louisiana and Connecticut, and focuses on the lives of a beautiful mixed-race mother and daughter whose opportunities for fulfillment through love and marriage are threatened by slavery and caste prejudice. The text shares much with popular nineteenth-century women's fiction, while its dominant themes of interracial romance, hidden African ancestry, and ambiguous racial identity have parallels in the writings of both black and white authors from the period. Begun in the waning months of the Civil War, the novel was near its conclusion when Julia Collins died of tuberculosis in November of 1865. In this first-ever book publication of The Curse of Caste; or The Slave Bride, the editors have composed a hopeful and a tragic ending, reflecting two alternatives Collins almost certainly would have considered for the closing of her unprecedented novel. In their introduction, the editors offer the most complete and current research on the life and community of an author who left few traces in the historical record, and provide extensive discussion of her novel's literary and historical significance. Collins's published essays, which provide intriguing glimpses into the mind of this gifted but overlooked writer, are included in what will prove to be the definitive edition of a major new discovery in African American literature. Its publication contributes immensely to our understanding of black American literature, religion, women's history, community life, and race relations during the era of United States emancipation.
*Winner of the 2023 Northern California Book Award* The first biography of Elsie Robinson, the most influential newspaper columnist you’ve never heard of At thirty-five, Elsie Robinson feared she’d lost it all. Reeling from a scandalous divorce in 1917, she had no means to support herself and her chronically ill son. She dreamed of becoming a writer and was willing to sacrifice everything for this goal, even swinging a pickax in a gold mine to pay the bills. When the mine shut down, she moved to the Bay Area. Armed with moxie and samples of her work, she barged into the offices of the Oakland Tribune and was hired on the spot. She went on to become a nationally syndicated columnist and household name whose column ran for over thirty years and garnered more than twenty million readers. Told in cinematic detail by bestselling author Julia Scheeres and award-winning journalist Allison Gilbert, Listen, World! is the inspiring story of a timeless maverick, capturing what it means to take a gamble on self-fulfillment and find freedom along the way.
She Would Be Safe Among Strangers, Laura Martin assured herself. But would the cloak of anonymity she wore to escape a hellish marriage also protect her from the discerning gaze of the Earl of Beaulieu? Or would the famed Puzzlebreaker discover her deepest secrets as easily as he had the key to her heart? Desire filled the earl when looking upon the enigmatic Laura Martin. Reclusive as she was, he saw the tender heart she'd hidden beneath the chilly facade and recognized her as his destined bride. But could he teach her to trust him enough to let him into her life—forever?
The French colony of Saint-Domingue (now Haiti) was home to one of the richest public theatre traditions of the colonial-era Caribbean. This book examines the relationship between public theatre and the enslaved people of Saint-Domingue—something that is generally given short shrift owing to a perceived lack of documentation. Here, a range of materials and methodologies are used to explore pressing questions including the ‘mitigated spectatorship’ of the enslaved, portrayals of enslaved people in French and Creole repertoire, the contributions of enslaved people to theatre-making, and shifting attitudes during the revolutionary era. The book demonstrates that slavery was no mere backdrop to this portion of theatre history but an integral part of its story. It also helps recover the hidden experiences of some of the enslaved individuals who became entangled in that story.
Since it was first published in 1982 British Archives has established itself as the premier reference work to holdings of archives and manuscript collections throughout the UK. The 3rd edition has been extensively revised and enlarged with more than 150 new entries, further widening the range of the book. Entries are structured to show the archives of the organisation as distinct from deposited collections and significant non-manuscript material, and additional details of fax number and conservation provision are included for the first time. All the existing entries have been significantly updated, together with the select bibliography and list of useful addresses of various organisations involved in the care and custody of archives. The introduction provides an invaluable guide to researchers using archives, including a summary of the relevant legislation and a detailed description of the usual holdings of county and other local authority record offices.
This extensively updated third edition of the classic casebook Marine and Coastal Law provides readers with an authoritative, comprehensive, and up-to-date guide to landmark laws, regulations, and legal decisions governing the United States' vast marine and coastal resources. This thoroughly revised and updated third edition of the prestigious Marine and Coastal Law casebook provides an essential overview of landmark legal decisions and statutory provisions in U.S. marine and coastal law, with a particular emphasis on regulatory changes and legal conflicts involving climate change, coastal resilience/protection, and sea level rise. In addition to a thorough updating of the contents of the second edition (including editorial commentary on every case), this new revised edition features extensive new content, including two entirely new chapters and new "learning objectives" for each chapter. Produced by five experts in U.S. marine law, this third edition stands as an accessible and invaluable resource for both lay readers and legal professionals who are seeking greater understanding of the ever-evolving and frequently contentious laws and regulations governing U.S. and international fisheries, maritime shipping and transport, offshore oil and mineral resources, climate change mitigation strategies, coastal protection, marine pollution, and port and harbor operations.
The English folk revival cannot be understood when divorced from the history of post-war England, yet the existing scholarship fails to fully engage with its role in the social and political fabric of the nation. Postwar Politics, Society and the Folk Revival in England is the first study to interweave the story of a gentrifying folk revival with the socio-political tensions inherent in England's postwar transition from austerity to affluence. Julia Mitchell skillfully situates the English folk revival in the context of the rise of the new left, the decline of heavy industry, the rise of local, regional and national identities, the 'Americanisation' of English culture and the development of mass culture. In doing so, she demonstrates that the success of the English folk revival derived from its sense of authenticity and its engagement with topical social and political issues, such as the conflicted legacy of the Welfare State, the fight for nuclear disarmament and the fallout of nationalization. In addition, she shrewdly compares the US and British revival to identify the links but also what was distinctive about the movement in Britain. Drawing on primary sources from folk archives, the BBC, the music press and interviews with participants, this is a theoretically engaged and sophisticated analysis of how postwar culture shaped the folk revival in England.
Felton shares the profound life and business lessons that horses have taught her. Through her candid story telling she provides insights into how horses can help people become more self-aware and connected to themselves and others. The result is improved leadership skills.
The first book-length work to examine the entirety of Kingston's unique literary career Maxine Hong Kingston is known for using a distinctive blend of autobiography, fantasy, and folklore to explore the history, experience, and identity of Chinese Americans. This is exemplified in her first book, The Woman Warrior, winner of the National Book Critics Circle Award for nonfiction, a bestseller, and a staple on college and university syllabi. Although The Woman Warrior is by far her most celebrated book, Kingston has penned a wide range of essays, fiction, and poetry, including China Men, Tripmaster Monkey, Hawai'i One Summer, To Be a Poet, The Fifth Book of Peace, I Love a Broad Margin to My Life, and the edited volume Veterans of War, Veterans of Peace. Understanding Maxine Hong Kingston is the first book-length work to examine the entirety of Kingston's literary career, from The Woman Warrior to her most recent volume of poetry. Julia H. Lee weaves together scholarly assessments, interviews, biographical information, and her own critical analysis to provide a complete and complex picture of Kingston's works and its impact on memoir, feminist fiction, Asian American literature, and postmodern literature. Lee examines the influence that previous generations of Asian American authors, feminism, and antiwar activism have had on Kingston's work. Offering important contextual information about Kingston's life, Lee shows how it has so often served as a starting point for Kingston's writing. Also studied are her complex attitudes toward genre, and her ever-evolving identity as a novelist, essayist, memoirist, and poet. A comprehensive bibliography of critical secondary sources will be an invaluable resource for readers and critics of Kingston's works.
American Mobilities investigates representations of mobility - social, economic, geographic - in American film and literature during the Depression, WWII, and the early Cold War. With an emphasis on the dual meaning of "domestic," referring to both the family home and the nation, this study traces the important trope of mobility that runs through the "American" century. Juxtaposing canonical fiction with popular, and low-budget independent films with Classical Hollywood, Leyda brings the analytic tools of American cultural and literary studies to bear on an eclectic array of primary texts as she builds a case for the significance of mobility in the study of the United States.
Tandem Dances: Choreographing Immersive Performance is the first book to propose dance and choreography as frames through which to examine immersive theatre, more broadly known as immersive performance. Indicative of a larger renaissance in storytelling during the digital age, immersive performance is influenced by emerging computer technologies, such as virtual reality and advances in video-gaming, as well as increased interest in new forms of experiential entertainment. The idea of tandemness suggesting motion that is achieved by two bodies working together and acting in conjunction with one another is critical throughout the book. Author Julia M. Ritter persuasively argues that practitioners of immersive productions deploy choreography as a structural mechanism to mobilize the bodies of cast and audience members to perform together. Furthermore, choreography is contextualized as an effective tool for facilitating audience participation towards immersion as an affect. Through a focus on Western dance histories, theories, and practices, Ritter's close choreographic analysis of immersive productions, along with unique insights from choreographers, directors, performers, and spectators, enlivens discourse across dramaturgy, kinesthesia, affect, and co-authorship. By foregrounding the choreographic in order to examine its specific impact on the evolution of immersive theater, Tandem Dances explores choreography as a discursive domain that is fundamentally related to creative practice, agendas of power and control, and concomitant issues of freedom and agency.
Passionate and promiscuous intellectual warriors - the "samurai" for whom "writing is the only lasting act of pleasure and war combined." Readers will instantly recognize finely sketched and often searing portraits of some of this century's most influential minds: Lacan, Derrida, Barthes, Althusser, and many others. With an authorial voice that modulates between the erotic and the meditative, the ironic and the rancorous, The Samurai moves from Paris to Mao's China.
The essays gathered here provide a panoramic view of current thinking on biblical texts that play important roles in contemporary struggles for social justice – either as inspiration or impediment. Here, from the hands of an ecumenical array of leading biblical scholars, are fresh and compelling resources for thinking biblically about what justice is and what it demands. Individual essays treat key debates, themes, and texts, locating each within its historical and cultural settings while also linking them to the most pressing justice concerns of the twenty-first century. The volume aims to challenge academic and ecclesiastical complacency and highlight key avenues for future scholarship and action.
Shares the author's Middle East culinary adventures, the lifestyle tips she gleaned from such hostesses as Pat Buckley and Pearl Bailey, and her experiences with throwing and attending upscale themed dinner parties.
A journalist receives a proposal to investigate the eventful life of his great-grandmother, about whom all that is known is that she fled Spain, abandoning her husband and child, shortly before the Civil War broke out. The memoir of an entire century, this novel adds a new, original chapter to Julia Navarro's best-selling career. Tell Me Who I Am surprises and enchants with a captivating and heartrending story. This is a novel about memory and identity with an exceptionallywell-drawn and unforgettable literary character: a woman who throughout her extraordinary life was able to achieve the highly difficult feat of knowing herself. A victim of her mistakes, aware of her guilt, frightened by her traumas, she is above all an anti-heroine, a flesh-and-blood woman who always acts according to her principles, facing up to every challenge and making errors for which she will never fully pay. A woman who decided that she couldn't be neutral in this life. Navarro's most personal novel surprises for its melodrama and the raw emotions transmitted by many of its stories. It is filled with pure adventure, introspection and political chronicle. From the tumultuous years of the Second Spanish Republic to the fall of the Berlin Wall, including World War II and the Cold War, these pages are packed with intrigue, emotion, politics, espionage, love, betrayal and settings like Madrid, Barcelona, Paris, Buenos Aires, Mexico, Moscow, London, Berlin and Warsaw with brief stopovers in The Basque Country, Cairo, Athens, Lisbon and New York.
In 1930, dancer and choreographer Martha Graham proclaimed the arrival of "dance as an art of and from America." Dancers such as Doris Humphrey, Ted Shawn, Katherine Dunham, and Helen Tamiris joined Graham in creating a new form of dance, and, like other modernists, they experimented with and argued over their aesthetic innovations, to which they assigned great meaning. Their innovations, however, went beyond aesthetics. While modern dancers devised new ways of moving bodies in accordance with many modernist principles, their artistry was indelibly shaped by their place in society. Modern dance was distinct from other artistic genres in terms of the people it attracted: white women (many of whom were Jewish), gay men, and African American men and women. Women held leading roles in the development of modern dance on stage and off; gay men recast the effeminacy often associated with dance into a hardened, heroic, American athleticism; and African Americans contributed elements of social, African, and Caribbean dance, even as their undervalued role defined the limits of modern dancers' communal visions. Through their art, modern dancers challenged conventional roles and images of gender, sexuality, race, class, and regionalism with a view of American democracy that was confrontational and participatory, authorial and populist. Modern Bodies exposes the social dynamics that shaped American modernism and moved modern dance to the edges of society, a place both provocative and perilous.
The Sound of Music is a classic film cherished in the hearts of millions. It won five Oscars, including Best Picture, upon its release in 1965. This tribute to a Hollywood classic is sure to thrill everyone who's ever sung along to "My Favorite Things" at one of the many screenings that still take place today. Through interviews with the cast and crew, in-depth access to memorabilia and personal scrapbooks and archival research at Fox Studios, author Julia Antopol Hirsch reveals the lively human story behind the making of the von Trapp family film. Fans will learn what motivated Christopher Plummer to take the part of the Captain, the challenges Julie Andrews faced filming the iconic opening scene and what life was like on an Austrian set for the seven children actors. This engaging celebration is the ultimate insider's guide to America's favorite movie.
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