A fiery thriller." —Kikrus "Breathless." —School Library Journal A queer YA reimagining of Thelma & Louise with the aesthetic of Riverdale, for fans of Mindy McGinnis and Rory Power. Love on the dark side of freedom When Trixie picks up her best friend Lux for their weekend getaway, they’re looking to forget the despair of being trapped in their dead-end rustbelt town. The girls are packing light: a supply of Diet Coke and an ‘89 Canon to help Lux frame the world in a sunnier light; half a pack of cigarettes that Trixie doesn’t really smoke, and a knife she’s hanging on to for a friend that she’s never used before. But a single night of violence derails their trip, and the girls go from ordinary high schoolers to wanted fugitives. Trying to stay ahead of the cops and a hellscape of media attention, Trixie and Lux grapple with an unforgiving landscape, rapidly diminishing supplies, and disastrous decisions at every turn. As they are transformed by the media into the face of a #MeToo movement they didn’t ask to lead, Trixie and Lux realize that they can only rely on each other, and that the love they find together is the one thing that truly makes them free. Julia Lynn Rubin takes readers on “a blistering, unapologetic thrill ride” (Emma Berquis) that will leave them haunted and reeling. Trouble Girls is a “a powerful, beautifully-written gut punch” (Sophie Gonzales).
“Like a queer version of The Wicker Man, Julia Lynn Rubin's Primal Animals is a wonderfully-creepy mystery set under sunshine and fresh air, where nothing is what it seems and no one is what you expect. Keep your eyes open, watch your back, and beware of the flies.” —Emma Berquist, author of Missing, Presumed Dead The Female of the Species meets Midsommar for fans of Yellowjackets At an elite summer program, a teen girl gets sucked into a secret society, with deadly consequences. Protect the girls. Arlee Gold has always lived in the shadow of her successful mom; even after everything Arlee’s been through, her mother still expects nothing but the best. In an effort to get her daughter back on track after a less-than-stellar few school years, she’s enrolled Arlee as a legacy at Camp Rockaway, an elite college prep summer camp deep in the North Carolina wilderness. On her own for the first time and buzzing with anxiety, Arlee is intimidated by the camp’s shiny exterior, suffocated by the relentless, thick summer heat...and tormented by the ceaseless stream of crawling, slimy, flapping bugs that seem to come straight from her nightmares. In the midst of her brewing dread, Arlee is relieved to find a queer sanctuary in her bunkmates, and is especially drawn to Winnie, the enigmatic girl who sleeps in the bunk above her. Except Arlee starts to notice whispers in her wake, and how so many others recoil from her as if she were as creepy as the insects that terrify her. Struggling in her prep classes and feeling increasingly paranoid, Arlee can no longer suppress her panicked “glitches.” Winnie, too, seems to become wary, and Arlee’s worst fear is confirmed: even here, in the place her mother promised was “going to change everything,” she’s been found out as a freak. Just as she’s facing a summer completely alone, another rising junior slips her a mysterious invitation, and Arlee finds herself caught up in a secret society that expects its sisterhood to protect each other from any and all who would harm them—by any means necessary. Here, finally, Arlee feels like a part of something bigger, something that matters. Guided by their cunning leader, Lisha, a rising senior with a smile sharp enough to cut bone, the sisterhood will stand against any threat, unquestioningly. But when Winnie is put in grave danger, Arlee is forced to confront just how far her sisters will go, and whether they truly protect the girls.
An updated The Outsiders meets The Perks of Being a Wallflower, this YA debut from an MFA candidate at The New School is perfect for readers of Ellen Wittlinger and Kristin Elizabeth Clark.
“Are you a fan of The Outsiders and Perks of Being a Wallflower? Now imagine them mashed together. That’s what awaits you in Burro Hills by Julia Lynn Rubin.” —YA Interrobang Jack Burns is a resident—though oftentimes he feels like an inmate—of the tiny, California desert town of Burro Hills. Growing up surrounded by the broken dreams of his parents, Jack wonders if he will ever just get out. Get out of dealing drugs. Get out of poverty. Get away from the suffocating masculinity in high school boys. And get out of his own head. When he’s not running with his crew and trying to stay under the radar, he is in his favorite spot with his best friend, Jess, fantasizing about escape. Until Connor Orellana shows up. The new boy captivates everyone in school, including Jack, who is magnetized by Connor’s lack of self-consciousness and inhibition. As their connection deepens, Connor challenges him to see that liberation comes from accepting and trusting his nature, while Jack helps ground Connor and the dark energy that drives his free spirit. But their relationship will set into motion a series of events that have lasting consequences, jeopardizing Jack’s budding romance with Connor and the life he’s tried so hard to salvage in Burro Hills.
A fiery thriller." —Kikrus "Breathless." —School Library Journal A queer YA reimagining of Thelma & Louise with the aesthetic of Riverdale, for fans of Mindy McGinnis and Rory Power. Love on the dark side of freedom When Trixie picks up her best friend Lux for their weekend getaway, they’re looking to forget the despair of being trapped in their dead-end rustbelt town. The girls are packing light: a supply of Diet Coke and an ‘89 Canon to help Lux frame the world in a sunnier light; half a pack of cigarettes that Trixie doesn’t really smoke, and a knife she’s hanging on to for a friend that she’s never used before. But a single night of violence derails their trip, and the girls go from ordinary high schoolers to wanted fugitives. Trying to stay ahead of the cops and a hellscape of media attention, Trixie and Lux grapple with an unforgiving landscape, rapidly diminishing supplies, and disastrous decisions at every turn. As they are transformed by the media into the face of a #MeToo movement they didn’t ask to lead, Trixie and Lux realize that they can only rely on each other, and that the love they find together is the one thing that truly makes them free. Julia Lynn Rubin takes readers on “a blistering, unapologetic thrill ride” (Emma Berquis) that will leave them haunted and reeling. Trouble Girls is a “a powerful, beautifully-written gut punch” (Sophie Gonzales).
“Like a queer version of The Wicker Man, Julia Lynn Rubin's Primal Animals is a wonderfully-creepy mystery set under sunshine and fresh air, where nothing is what it seems and no one is what you expect. Keep your eyes open, watch your back, and beware of the flies.” —Emma Berquist, author of Missing, Presumed Dead The Female of the Species meets Midsommar for fans of Yellowjackets At an elite summer program, a teen girl gets sucked into a secret society, with deadly consequences. Protect the girls. Arlee Gold has always lived in the shadow of her successful mom; even after everything Arlee’s been through, her mother still expects nothing but the best. In an effort to get her daughter back on track after a less-than-stellar few school years, she’s enrolled Arlee as a legacy at Camp Rockaway, an elite college prep summer camp deep in the North Carolina wilderness. On her own for the first time and buzzing with anxiety, Arlee is intimidated by the camp’s shiny exterior, suffocated by the relentless, thick summer heat...and tormented by the ceaseless stream of crawling, slimy, flapping bugs that seem to come straight from her nightmares. In the midst of her brewing dread, Arlee is relieved to find a queer sanctuary in her bunkmates, and is especially drawn to Winnie, the enigmatic girl who sleeps in the bunk above her. Except Arlee starts to notice whispers in her wake, and how so many others recoil from her as if she were as creepy as the insects that terrify her. Struggling in her prep classes and feeling increasingly paranoid, Arlee can no longer suppress her panicked “glitches.” Winnie, too, seems to become wary, and Arlee’s worst fear is confirmed: even here, in the place her mother promised was “going to change everything,” she’s been found out as a freak. Just as she’s facing a summer completely alone, another rising junior slips her a mysterious invitation, and Arlee finds herself caught up in a secret society that expects its sisterhood to protect each other from any and all who would harm them—by any means necessary. Here, finally, Arlee feels like a part of something bigger, something that matters. Guided by their cunning leader, Lisha, a rising senior with a smile sharp enough to cut bone, the sisterhood will stand against any threat, unquestioningly. But when Winnie is put in grave danger, Arlee is forced to confront just how far her sisters will go, and whether they truly protect the girls.
In 1945 the U.S. was the founding impulse behind the cornerstones of the International Community: the World Bank, International Monetary Fund and most of all the United Nations. Untainted by colonialism or fascism, heroic in warfare and idealistic at home, the U.S. presented itself as a paragon to inspire a less noble and divided world. Sixty years later, that perception had been almost completely reversed. America had, in fact, quietly sowed the seeds of its own decline in the eyes of the world in its own back yard. Anti-Americanism, now a global phenomenon, was road tested in South America when most of the rest of the world was too distracted to notice or care. There, under the guise of anti-communism, we sponsored dictatorships, turned a blind eye to killing squads and tolerated the subversion of democracy. Almost nobody knew, so it didn't matter, right? Wrong. On two counts. First, South America remembered. And second, encouraged by our success, we convinced ourselves that pre-emptive Americanism was a policy that could be shipped worldwide. This proved to be a big misjudgment. The world noticed and, helped by better scrutiny and faster technology, anti-Americanism flourished among America's closest allies beyond the Americas in a way and to a depth not seen before. As this reaches a crucial tipping point, Julia Sweig offers a brilliant and blistering history of what went wrong, and a feisty and compelling prescription for how to sort it out.
Written by the leading gender communication scholar, this text introduces students to theories, research, and pragmatic information that demonstrate the multiple, often interactive ways in which gender images of masculinity and femininity are shaped within contemporary culture.
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