Across Eastern Germany, where political allegiances are shifting to the right, the wolf is increasingly seen as a trespasser and threat to the local way of life. Styled by populist right-wing actors as an ‘invasive species’, the wolf evokes and resonates with anti-immigration sentiments and widespread fears of demographic catastrophe. To many people in Eastern Germany, the immigrant and the wolf are an indistinguishable problem that nobody in power is doing anything about. In this account of Eastern German agitation of wolves and migrants, Eastern German hunters, farmers, rioters and self-appointed 'saviours of the nation', Pates and Leser move beyond stereotypic representations of ‘the East’ and shine a light on the complexities of post-socialist life and losses. As nationalist parties are on the rise across Europe, The wolves are coming back offers an insight into the rise of the far right in Germany. The nationalist Alternative for Germany represents the third-largest party in the German federal parliament, with representation in the vast majority of German states. They draw much of their support from the ‘post-traumatic places’ in Eastern Germany, regions structured by realities of disownment, disenfranchisement and a lack of democratic infrastructure. Pates and Leser provide an account of the societal roots of a new group of radical right parties, whose existence and success we always assumed to be impossible.
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Across Eastern Germany, where political allegiances are shifting to the right, the wolf is increasingly seen as a trespasser and threat to the local way of life. Styled by populist right-wing actors as an ‘invasive species’, the wolf evokes and resonates with anti-immigration sentiments and widespread fears of demographic catastrophe. To many people in Eastern Germany, the immigrant and the wolf are an indistinguishable problem that nobody in power is doing anything about. In this account of Eastern German agitation of wolves and migrants, Eastern German hunters, farmers, rioters and self-appointed 'saviours of the nation', Pates and Leser move beyond stereotypic representations of ‘the East’ and shine a light on the complexities of post-socialist life and losses. As nationalist parties are on the rise across Europe, The wolves are coming back offers an insight into the rise of the far right in Germany. The nationalist Alternative for Germany represents the third-largest party in the German federal parliament, with representation in the vast majority of German states. They draw much of their support from the ‘post-traumatic places’ in Eastern Germany, regions structured by realities of disownment, disenfranchisement and a lack of democratic infrastructure. Pates and Leser provide an account of the societal roots of a new group of radical right parties, whose existence and success we always assumed to be impossible.
This book traces the transmission and reception of one of the most influential novels in Western literature. The Golden Ass, the only ancient Roman novel to survive in its entirety, tells of a young man changed into an ass by magic and his bawdy adventures and narrow escapes before the goddess Isis changes him back again. Its centerpiece is the famous story of Cupid and Psyche. Julia Gaisser follows Apuleius' racy tale from antiquity through the sixteenth century, tracing its journey from roll to codex in fourth-century Rome, into the medieval library of Monte Cassino, into the hands of Italian humanists, into print, and, finally, over the Alps and into translation in Spanish, French, German, and English. She demonstrates that the novel's reception was linked with Apuleius' reputation as a philosopher and the persona he projected in his works. She relates Apuleius and the Golden Ass to a diverse cast of important literary and historical figures--including Augustine, Fulgentius, Petrarch, Boccaccio, Bessarion, Boiardo, and Beroaldo. Paying equal attention to the novel's transmission (how it survived) and its reception (how it was interpreted), she places the work in its many different historical contexts, examining its representation in art, literary imitation, allegory, scholarly commentary, and translation. The volume contains several appendixes, including an annotated list of the manuscripts of the Golden Ass. This book is based on the author's Martin Classical Lectures at Oberlin College in 2000.
The Working Papers of Hugo Grotius is the first full-length study of the handwritten documents initially used by the author of Mare Liberum (1609) and De Jure Belli ac Pacis (1625) in his day-to-day activities as a scholar, lawyer, and politician, but subsequently incorporated into his own or other archives. Martine van Ittersum reconstructs a process of transmission, dispersal, and loss that started during Grotius’ lifetime and ended with the papers’ auction in 1864. This is also a study of archival afterlives. Our understanding of Grotius’ life and work is shaped by the conscious decisions of previous generations to retain or discard documents, frequently for the sake of individual lives and careers, family honour and/or larger political and religious ends.
An emotional and at times tragic conclusion to the Liberty Sands Trilogy, It's Never Too Late To Say... uncovers terrible family secrets that have long been buried. Holly Wilson has it all: a beautiful baby daughter, a son embarking on a new career, a new job in TV and an adoring boyfriend, Philippe, but her world is about to turn upside down
Following Julia Strachey's death, her life-long friend Frances Partridge was presented with an extraordinary assortment of her papers. Combining material from this source and extracts from the correspondence between the two friends, this book presents an account of the life of a remarkable woman.
Die Liebe trifft Vanessa wie der Blitz, als sie in Paris dem umwerfend attraktiven Millionär Markos begegnet. Aber wird sie für ihn jemals mehr sein als nur die perfekte Geliebte?
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