A Texas Prince Meets His Match... Cimarron County knows the youngest son of the fabled Prince family as a womanizing hell-raiser, but Luca has changed and he intends to prove it. There's just one problem—a woman with sparkling eyes and more fight than a barnyard cat. After a childhood of living in foster homes, Ella Kendall has exactly three things to her name: A dog, a pig, and the rundown house she just inherited. Luca may not remember her from high school, but she definitely remembers him. He is as seductive as he was then, but Ella isn't about to fall for his flirting. She recognizes a playboy cowboy when she sees one. Luca knows Ella has learned the hard way to trust no one but herself. Yet the closer he gets to Ella, the more he wants to be the only one she leans on. Because Ella is the only woman for him, and he wants to be the man who finally gives her the home she truly deserves.
American Mobilities investigates representations of mobility - social, economic, geographic - in American film and literature during the Depression, WWII, and the early Cold War. With an emphasis on the dual meaning of "domestic," referring to both the family home and the nation, this study traces the important trope of mobility that runs through the "American" century. Juxtaposing canonical fiction with popular, and low-budget independent films with Classical Hollywood, Leyda brings the analytic tools of American cultural and literary studies to bear on an eclectic array of primary texts as she builds a case for the significance of mobility in the study of the United States.
In A Woman of Passion, Julia Briggs chronicles the life of author Edith Nesbit who is credited with being the first modern writer for children and the creator of the children's adventure story. Nesbit recorded her life with varying degrees of honesty in verse and prose, and while she seldom wrote entirely openly of her own experiences, she seldom wrote convincingly of anything else. In this fascinating read, Julia Briggs attempts to fill in the gaps of Nesbit's autobiographical material, painting an intriguing portrait of the famous author.
The increasing division and specialization of labor between the market and the nonmarket sector is a central stylized fact of long-run economic development. Over time, a large share of activities which had formerly been carried out by the private household itself has become replaced by market alternatives, raising at the same time the demand for consumer goods. The neoclassical economic framework of household production theory relates the increasing demand for household technology to rising wages and opportunity costs of time: the higher the wage rate, the more costly it is to spend time in unpaid housework activities. Consumer products are thus purchased to make household production processes more efficient and to substitute capital goods for the household’s time (time substitution hypothesis). Although this hypothesis sounds plausible at first sight, it cannot capture the essential phenomena underlying the complex process of the mechanization of the home over the past 200 years. Its major weakness lies in the treatment of consumer preferences, whose explanatory potential is explicitly factored out. Using the washing of clothes as a microcosm of household economics, this book examines long-term changes in cleanliness consumption patterns from the perspective of an evolutionary economic, psychologically informed consumer theory. Woersdorfer shows how the historical evolution of cleanliness consumption over the past 200 years is the result of the interplay of supply and demand side factors, namely, technical change in washing technology on one side and motivational driving forces and consumer learning capabilities on the other. Hence, not changing relative prices but innate consumer needs and consumer learning processes, leading to a growing understanding of how to satisfy those needs, are the essential driving forces behind the rising technological endowment of the home and the corresponding demand for household appliances. The Evolution of Household Technology and Consumer Behavior, 1800–2000 will be of interest to researchers in the field of evolutionary economics, history of technology, economic history, innovation economics and sociology.
Elizabeth and Darcy are caught up in the trials and tribulations of Darcy's headstrong sister, Georgiana, who must choose between the affections of two very different suitors, a well-placed navy captain and a brash young architect.
“An elegant emulation and continuation of Pride and Prejudice . . . shows how sequel-writing can, like parody, be a sharp exercise in literary appreciation.” —Times Literary Supplement This witty sequel to Jane Austen’s Pride and Prejudice follows the fate of Georgiana Darcy, Mr. Darcy’s younger sister, who must choose between two suitors, a well-placed navy captain and a brash young architect. Masterfully adapted to Austen’s original nineteenth-century style, Presumption brings back to life the book’s most memorable characters, the Bennets, Darcys, Collins, and de Bourghs. Julia Barrett is a pseudonym for Julia Braun Kessler and Gabrielle Donnelly. “Elizabeth’s intense embarrassment for her family, Darcy’s latent heroism and the miscellaneous barbarisms of the Bennet and Darcy clans . . . are energetically and often quite delightfully handled, evoking the spirit of Pride and Prejudice.” —The New York Times Book Review “Presumption’s style . . . evokes Jane Austen’s dry wit . . . [It] moves briskly along, highlighted by the unwitting comic genius of Georgiana’s imperious aunt, Lady Catherine de Bourgh.” —Los Angeles Times Book Review “A boon to anyone who has every yearned for one more in the Jane Austen canon.” —Cynthia Ozick, New York Times–bestselling author “A witty, amusing sequel to Pride and Prejudice . . . For Austen lovers not affronted by the whole concept, a pleasant diversion. Otherwise, a stylish entertainment that may lead some to the unsurpassable Jane.” —Kirkus Reviews “Barrett expertly captures Austen’s ironic voice and subject matter in a book that is sure to delight and intrigue most Austen devotees. Highly recommended.” —Library Journal
The early twenty-first century has been defined by a rise in Islamist radicalisation and a concurrent rise in far right extremism. This book explores the interaction between the 'new' far right and Islamist extremists and considers the consequences for the global terror threat. Julia Ebner argues that far right and Islamist extremist narratives - 'The West is at war with Islam' and 'Muslims are at war with the West' - complement each other perfectly, making the two extremes rhetorical allies and building a spiralling torrent of hatred - 'The Rage'. By looking at extremist movements both online and offline, she shows how far right and Islamist extremists have succeeded in penetrating each other's echo chambers as a result of their mutually useful messages. Based on first-hand interviews, this book introduces readers to the world of reciprocal radicalisation and the hotbeds of extremism that have developed - with potentially disastrous consequences - in the UK, Europe and the US.
NEW YORK TIMES BESTSELLER • “A revelation . . . a book in the Caro mold, using Lady Bird, along with tapes and transcripts of her entire White House diary, to tell the history of America during the Johnson years.”—The New York Times The inspiration for the documentary film The Lady Bird Diaries, premiering November 13 on Hulu Perhaps the most underestimated First Lady of the twentieth century, Lady Bird Johnson was also one of the most powerful. In Lady Bird Johnson: Hiding in Plain Sight, Julia Sweig reveals how indispensable the First Lady was to Lyndon Johnson’s administration—which Lady Bird called “our” presidency. In addition to advising him through critical moments, she took on her own policy initiatives, including the most ambitious national environmental effort since Theodore Roosevelt and a virtually unknown initiative to desegregate access to public recreation and national parks in Washington, D.C. Where no presidential biographer has understood Lady Bird’s full impact, Julia Sweig is the first to draw substantially on her White House diaries and to place her center stage. In doing so, Sweig reveals a woman ahead of her time—and an accomplished strategist and politician in her own right. Winner of the Texas Book Award • Longlisted for the PEN/Jacqueline Bogard Weld Award
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