Radiohead and the Journey Beyond Genre traces the uses and transgressions of genre in the music of Radiohead and studies the band’s varied reception in online and offline media. Radiohead’s work combines traditional rock sounds with a unique and experimental approach towards genre that sets the band apart from the contemporary mainstream. A play with diverse styles and audience expectations has shaped Radiohead’s musical output and opened up debates about genre amongst critics, fans, and academics alike. Interpretations speak of a music that is referential of the past but also alludes to the future. Applying both music- and discourse-analytical methods, the book discusses how genre manifests in Radiohead’s work and how it is interpreted amongst different audience groups. It explores how genre and generic flexibility affect the listeners’ search for musical meaning and ways of discussion. This results in the development of a theoretical framework for the study of genre in individual popular music oeuvres that explores the equal validity of widely differing forms of reception as a multidimensional network of meaning. While Radiohead’s music is the product of an eclectic mixture of musical influences and styles, the book also shows how the band’s experimental stance has increasingly fostered debates about Radiohead’s generic novelty and independence. It asks what remains of genre in light of its past or imminent transgression. Offering new perspectives on popular music genre, transgression, and the music and reception of Radiohead, the book will appeal to academics, students, and those interested in Radiohead and matters of genre. It contributes to scholarship in musicology, popular music, media, and cultural studies.
These "Genealogical Notes from Bermuda," were published serially in "Tyler's Quarterly" between 1942 and 1947 and have lain largely unnoticed by the genealogical researcher. The collected "Notes" consist of abstracts of the earliest known records of Bermuda settlers, and their value cannot be exaggerated, for many of the early settlers of Bermuda--or their descendants--removed to the mainland and were among the pioneer settlers of the Carolinas, Georgia, and Virginia. The records given here are arranged by family and appear thereunder in chronological sequence. They consist of a progression of abstracts of wills, administrations, deeds, court orders, indentures, arrival records, and so on, pertaining to every member of the family from the original immigrant up to as near the year 1700 as the records allow. Of paramount interest, however, are the compiler's own notes, which in many cases establish family relationships and carry the family backward to England and forward to the mainland. Altogether about 5,000 of the earliest settlers in the New World are identified--for the first time.
A reprint of a 1904 novel by Pennsylvania State College (now University) professor of English Fred Lewis Pattee, set in the 1890s in central Pennsylvania. Includes a preface by poet and essayist Julia Spicher Kasdorf and endnotes by Joshua R. Brown" --Provided by publisher.
More than 100,000 copies later, this breakthrough program is more effective than ever— substantially revised and updated to include the author's latest clinical research. For the more than 160 million overweight Americans, dieting is a failure. Based on more than twenty years of proven clinical results, The Diet Cure's revolutionary approach curbs food cravings and restores the brain's mood and appetite chemistry in twenty-four hours. Beginning with her 8-Step Quick Symptom Questionnaire, celebrated nutritional psychotherapist Julia Ross helps readers identify their unique underlying biochemical imbalances and provides targeted strategies to correct those imbalances using nutritional supplements to jump-start the dietary overhaul. Readers then create their own safe, easy-to-follow plan to end low-calorie dieting and food obsessions for good.
A free ebook version of this title is available through Luminos, University of California Press’s Open Access publishing program. Visit www.luminosoa.org to learn more. Sounding the Indian Ocean is the first volume to integrate the fields of ethnomusicology and Indian Ocean studies. Drawing on historical and ethnographic approaches, the book explores what music reveals about mobility, diaspora, colonialism, religious networks, media, and performance. Collectively, the chapters examine different ways the Indian Ocean might be “heard” outside of a reliance on colonial archives and elite textual traditions, integrating methods from music and sound studies into the history and anthropology of the region. Challenging the area studies paradigm—which has long cast Africa, the Middle East, and Asia as separate musical cultures—the book shows how music both forms and crosses boundaries in the Indian Ocean world.
The book demonstrates how the 'common law mind' was able to meet the various challenges posed by Enlightenment rationalism and civic and commercial discourse, revealing that the common law played a much wider role beyond the legal world in shaping Enlightenment concepts.
This sweeping saga recreates the extraordinary opulence and violence of Tsarist Russia as the shadow of revolution fell over the land, and destroyed a way of life for these Imperial women The early 1850s until the late 1920s marked a turbulent and significant era for Russia. During that time the country underwent a massive transformation, taking it from days of grandeur under the tsars to the chaos of revolution and the beginnings of the Soviet Union. At the center of all this tumult were four women of the Romanov dynasty. Marie Alexandrovna and Olga Constantinovna were born into the family, Russian Grand Duchesses at birth. Marie Feodorovna and Marie Pavlovna married into the dynasty, the former born a Princess of Denmark, the latter a Duchess of the German duchy of Mecklendburg-Schwerin. In From Splendor to Revolution, we watch these pampered aristocratic women fight for their lives as the cataclysm of war engulfs them. In a matter of a few short years, they fell from the pinnacle of wealth and power to the depths of danger, poverty, and exile. It is an unforgettable epic story.
Employing an approach informed by Slavoj Zizek's work on the Communist's sublime body and by British psychoanalytic feminism's concern with feminine subjectivity, Hell first examines the antifascist works by exiled authors and authors tied to the resistance movement. She then strives to understand the role of Christa Wolf, the GDR's most prominent author, in the GDR's effort to reconstruct symbolic power after the Nazi period.
Moves beyond a focus on gothic machinery and adaptations of literary gothic to consider television gothic in light of recent scholarship on the mode itself.
“A fierce, scholarly tour-de-force. . . . Hunting the Falcon brilliantly shows how time, circumstance and politics combined to accelerate Anne’s triumph and tragedy." —Tina Brown, New York Times Book Review A groundbreaking, freshly-researched examination of one of the most dramatic and consequential marriages in history: Henry VIII’s long courtship, short union, and brutal execution of Anne Boleyn. Hunting the Falcon is the story of how Henry VIII’s obsessive desire for Anne Boleyn changed him and his country forever. John Guy and Julia Fox, two of the most acclaimed and distinguished historians of this period, have joined forces to present Anne and Henry in startlingly new ways. By closely examining the most recent archival discoveries, and peeling back layers of historical myth and misinterpretation and distortion, Guy and Fox are able to set Anne and Henry’s tragic relationship against the major international events of the time, and integrate and reinterpret sources hidden in plain sight or simply misunderstood. Among other things, they dispel lingering and latently misogynistic assumptions about Anne which anachronistically presumed that a sixteenth-century woman, even a queen, could exert little to no influence on the politics and beliefs of a patriarchal society. They reveal how, in fact, Anne was a shrewd, if ruthless, politician in her own right, a woman who steered Henry and his policies, often against the advice he received from his male advisers—and whom Henry seriously contemplated making joint sovereign. Hunting the Falcon sets the facts–and some completely new finds–into a far wider frame, providing an appreciation of this misunderstood and underestimated woman. It explores how Anne organized her “side” of the royal court on novel and (in male eyes) subversive lines compared to her queenly predecessors, adopting instead French protocol by which the sexes mingled freely in her private chambers. Men could share in the women’s often sexually charged courtly “pastimes” and had liberal access to Anne, and she to them—encounters from which she gained much of her political intelligence and extended her authority, and which also sowed the seeds of her own downfall. An exhilarating feat of historical research and analysis, Hunting the Falcon is also a thrilling and tragic story of a marriage that has proved of enduring fascination over the centuries. But in the hands of John Guy and Julia Fox, even the most knowledgeable reader will encounter this story as if for the first time.
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