Guernsey draws on D. W. Winnicott's object relations model, which focuses on self-development in a relational context, to illuminate various senses of self and Other that Herbert's poems express discursively and formally. The book will appeal not only to Herbert scholars and other Renaissance critics but also to audiences interested in psychoanalysis and how it relates to literature, religion, culture, and poetics."--BOOK JACKET.
A compelling story of love, courage and forgiveness. Highly recommended." —Historical Novel Society "A sure bet for readers of personal war stories and those who want to know, 'What about the women and children?'" —Booklist Inspired by true events, For Those Who Are Lost begins on the eve of the Nazi invasion of the island of Guernsey, when terrified parents have a choice to make: send their children alone to England, or keep the family together and risk whatever may come to their villages. Ava and Joseph Simon reluctantly put their 9-year-old son, Henry, and four-year-old daughter, Catherine, in the care of their son's teacher, who will escort them on a boat to mainland England. Just as the ferry is about to leave, the teacher's sister, Lily appears. The two trade places: Helen doesn't want to leave Guernsey, and Lily is desperate for a fresh start. Lily is the one who accompanies the children to England, and Lily is the one who lets Henry get on a train by himself, deciding in a split second to take Catherine with her and walk the other way. That split-second decision lingers long after the war ends, impacting the rest of their lives. Perfect for readers of The Guernsey Literary and Potato Peel Society, For Those Who Are Lost is at once heartbreaking, thought-provoking, and uplifting.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Language attitudes and ideologies are of key importance in assessing the chances of success of revitalisation efforts for endangered languages. However, few book-length studies relate attitudes to language policies, or address the changing attitudes of non-speakers and the motivations of members of language movements. Through a combination of ethnographic research and quantitative surveys, this book presents an in-depth study of revitalisation efforts for indigenous languages in three small islands round the British Isles. The author identifies and confronts key issues commonly faced by practitioners and researchers working in small language communities with little institutional support. This book explores the complex relationship of ideologies, identity and language-related beliefs and practices, and examines the implications of these factors for language revitalisation measures. Essential reading for researchers interested in language endangerment and revitalisation, sociolinguistics, linguistic anthropology and language policy and planning, as well as language planners and campaigners.
Includes the plays Theresa, A Dead Woman on Holiday and The Dybbuk Presented as a trilogy at the New End Theatre in 1995 before touring much of Europe, The Dybbuk pays homage to Anski’s great Russian classic. Set in a ghetto in Eastern Europe in 1942, it traces the final moments of five irreligious Jews. A Dead Woman on Holiday is a love story set during the Nuremberg trials. Theresa is based on secret research into the Channel Island occupation by the Nazis and the collaboration of the residents with the Holocaust. The play is still banned there.
A compelling story of love, courage and forgiveness. Highly recommended." —Historical Novel Society "A sure bet for readers of personal war stories and those who want to know, 'What about the women and children?'" —Booklist Inspired by true events, For Those Who Are Lost begins on the eve of the Nazi invasion of the island of Guernsey, when terrified parents have a choice to make: send their children alone to England, or keep the family together and risk whatever may come to their villages. Ava and Joseph Simon reluctantly put their 9-year-old son, Henry, and four-year-old daughter, Catherine, in the care of their son's teacher, who will escort them on a boat to mainland England. Just as the ferry is about to leave, the teacher's sister, Lily appears. The two trade places: Helen doesn't want to leave Guernsey, and Lily is desperate for a fresh start. Lily is the one who accompanies the children to England, and Lily is the one who lets Henry get on a train by himself, deciding in a split second to take Catherine with her and walk the other way. That split-second decision lingers long after the war ends, impacting the rest of their lives. Perfect for readers of The Guernsey Literary and Potato Peel Society, For Those Who Are Lost is at once heartbreaking, thought-provoking, and uplifting.
Thank you for visiting our website. Would you like to provide feedback on how we could improve your experience?
This site does not use any third party cookies with one exception — it uses cookies from Google to deliver its services and to analyze traffic.Learn More.