This delightful play written by Julia Ellsworth Ford and is loosely based around Oscar Wilde's "The Selfish Giant". The dwarf character of Snickerty Nick however is entirely original and the play centres around him. The little boy is only a loving and beloved child and Winter and Spring are personified by fairies and gnomes. A wonderful play full of magic and delight. This plays pages are illustrated with the wonderful illustrations of Arthur Rackham who's magic touch, making real all the fairies and gnomes, endears all child life to grown ups and well as to children. Pook Press celebrates the great ‘Golden Age of Illustration‘ in children’s literature – a period of unparalleled excellence in book illustration from the 1880s to the 1930s. Our collection showcases classic fairy tales, children’s stories, and the work of some of the most celebrated artists, illustrators and authors. Arthur Rackham (1867-1939) was one of the premier illustrators of the early 20th Century. He illustrated many books, the first of which was published in 1893. Throughout his career he had developed a very individual style that is was to influence a whole generation of children, artists and other illustrators. His haunting humour and dreamlike romance adds to the enchantment and fantasy of children's literature.
A seminal work exploring the daily life and status of southern women in colonial America, describes the domestic occupation, social life, education, and role in government of women of varied classes.
To others, he was the American President, one of the most powerful men in the world, presiding over one of the most horrific wars in history. But to Julia Taft, he was Tad Lincoln's father. Invited to the White House to watch over her two brothers, who were playmates of the Lincolns' sons, Julia had an intimate perspective on the First Family's home life, which she describes with charm and candor in this book. A rare look behind the public facade of the great man, Julia's affectionate account of the Lincolns at home is rich with examples of the humor and love that held the family together and that helped the President endure the pressures of governing a nation divided. ø Abraham and Mary Todd Lincoln often expressed their regret at not having a daughter of their own. Julia Taft thus enjoyed a special place in their lives, and her memoir reveals the warmth she elicited from the couple. She speaks of her initial fear of Lincoln?the towering, rough-and-tumble backwoodsman?who won her over with teasing, and of her relationship with Mary, who was never really accepted into Washington social life and took particular comfort in Julia's presence. ø A unique glimpse into the social life of the Lincoln White House, Julia Taft Bayne's memoir shows us the human drama played out daily behind the great pageant of history.
Understanding the history of Alexandria, Virginia is key to the early history of the United States. This throrough overview examines its long and storied history, from former colonial tobacco port to vibrant modern community. Alexandria has a long and storied past. Founded as a colonial tobacco port by English and Scottish merchants in 1749, the city prospered. It became the social and economic center of Northern Virginia and the upper Potomac region. When the nation's capital was established in 1791, Alexandria became a part of the District of Columbia. In 1833, a canal intended to increase tradeand revenue nearly bankrupted the city. By the time Alexandria retroceded to Virginia in 1847, it had lost its standing among maritime cities on the Eastern Seaboard. Notable residents have included politicians and military heroes, such as George Washington, Robert E. Lee, and Gerald R. Ford, as well as cultural icons Willard Scott and Jim Morrison. Today's Alexandria includes descendants of free and enslaved African Americans and the progeny of 18th- and 19th-century European immigrants who have joined with "new" Americans to create vibrant 21st-century communities.
Why, beginning in the late 1960s, did expressive objects made by poor people come to be regarded as "twentieth-century folk art," increasingly sought after by the middle class and the wealthy? Julia Ardery explores that question through the life story of
In a memoir that’s equal parts love story, investigation, and racial reckoning, Munemo unravels and interrogates her whiteness, a shocking secret, and her family’s history. When interracial romance novels written by her long-dead father landed on Julia McKenzie Munemo’s kitchen table, she—a white woman—had been married to a black man for six years and their first son was a toddler. Out of shame about her father’s secret career as a writer of “slavery porn,” she hid the books from herself, and from her growing mixed-race family, for more than a decade. But then, with police shootings of African American men more and more in the public eye, she realized that understanding her own legacy was the only way to begin to understand her country.
This delightful play written by Julia Ellsworth Ford and is loosely based around Oscar Wilde's "The Selfish Giant". The dwarf character of Snickerty Nick however is entirely original and the play centres around him. The little boy is only a loving and beloved child and Winter and Spring are personified by fairies and gnomes. A wonderful play full of magic and delight. This plays pages are illustrated with the wonderful illustrations of Arthur Rackham who's magic touch, making real all the fairies and gnomes, endears all child life to grown ups and well as to children. Pook Press celebrates the great ‘Golden Age of Illustration‘ in children’s literature – a period of unparalleled excellence in book illustration from the 1880s to the 1930s. Our collection showcases classic fairy tales, children’s stories, and the work of some of the most celebrated artists, illustrators and authors. Arthur Rackham (1867-1939) was one of the premier illustrators of the early 20th Century. He illustrated many books, the first of which was published in 1893. Throughout his career he had developed a very individual style that is was to influence a whole generation of children, artists and other illustrators. His haunting humour and dreamlike romance adds to the enchantment and fantasy of children's literature.
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