A striking portrait of one of the most fascinating women in Roman history Noble and notorious, the flamboyant Clodia Metelli was the object of passion in poetry and prose in ancient Rome and appears in more written sources than any other woman of her day. Cicero, in a famous oration, branded her a whore yet in private correspondence mentions seeking her help. Her stormy affair with the poet Catullus—the Western world’s first recorded romance with a real and richly characterized woman—had a profound influence on erotic literature. Bringing together works by Cicero, Catullus, and others in which Clodia plays a part, Julia Dyson Hejduk has produced a striking portrait of one of the most fascinating women in Roman history. Her accurate and accessible English translations include not only all the classical texts that mention Clodia, but also a substantial selection of Roman erotic poetry by Propertius, Tibullus, and Ovid. While many sourcebooks offer only small illustrative excerpts, Clodia provides most sources in their entirety, such as the Pro Caelio of Cicero, nineteen complete letters, all of Catullus’s poems on “Lesbia” (his pseudonym for Clodia), and many subsequent love elegies. Hejduk’s translations please the ear while remaining faithful to the original meaning. Her introduction reviews topics in classical culture and themes in Roman love poetry, placing the texts in their literary, social, and historical context and making them accessible to high school students and undergraduates. Notes, glossary, and bibliography make the book a well-rounded teaching tool.
Inspiring reverence and blasphemy, combining paternal benignity with sexual violence, transcendent universality with tribal chauvinism, Jupiter represents both the best and the worst of ancient religion. Though often assimilated to Zeus, Jupiter differs from his Greek counterpart as much as Rome differs from Greece: "the god of Rome" conveys both Jupiter's sovereignty over Rome and his symbolic encapsulation of what Rome represents. Understanding this dizzyingly complex figure is crucial not only to the study of Roman religion, but to the whole of literary, intellectual, and religious history. This book examines Jupiter in Roman poetry's most formative and fruitful period, the reign of the emperor Augustus. As Roman society was transformed from a republic or oligarchy to a de facto monarchy, Jupiter came to play a unique role as the celestial counterpart of the first earthly princeps. While studies of Augustan poetry may glance at Jupiter as an Augustus figure, or Augustus as a Jupiter figure, they rarely explore the poets' richly nuanced treatment of the god as a character in his own right. This book fills that gap, demonstrating how Jupiter attracts thoughts about politics, power, sex, fatherhood, religion, poetry, and most everything else of importance to poets and other humans. It explores the god's manifestations in the five major Augustan poets (Virgil, Horace, Tibullus, Propertius, and Ovid), providing a fascinating window on a transformative period of history, as well as a comprehensive view of the poets' individual personalities and shifting concerns"--
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A striking portrait of one of the most fascinating women in Roman history Noble and notorious, the flamboyant Clodia Metelli was the object of passion in poetry and prose in ancient Rome and appears in more written sources than any other woman of her day. Cicero, in a famous oration, branded her a whore yet in private correspondence mentions seeking her help. Her stormy affair with the poet Catullus—the Western world’s first recorded romance with a real and richly characterized woman—had a profound influence on erotic literature. Bringing together works by Cicero, Catullus, and others in which Clodia plays a part, Julia Dyson Hejduk has produced a striking portrait of one of the most fascinating women in Roman history. Her accurate and accessible English translations include not only all the classical texts that mention Clodia, but also a substantial selection of Roman erotic poetry by Propertius, Tibullus, and Ovid. While many sourcebooks offer only small illustrative excerpts, Clodia provides most sources in their entirety, such as the Pro Caelio of Cicero, nineteen complete letters, all of Catullus’s poems on “Lesbia” (his pseudonym for Clodia), and many subsequent love elegies. Hejduk’s translations please the ear while remaining faithful to the original meaning. Her introduction reviews topics in classical culture and themes in Roman love poetry, placing the texts in their literary, social, and historical context and making them accessible to high school students and undergraduates. Notes, glossary, and bibliography make the book a well-rounded teaching tool.
Inspiring reverence and blasphemy, combining paternal benignity with sexual violence, transcendent universality with tribal chauvinism, Jupiter represents both the best and the worst of ancient religion. Though often assimilated to Zeus, Jupiter differs from his Greek counterpart as much as Rome differs from Greece: "the god of Rome" conveys both Jupiter's sovereignty over Rome and his symbolic encapsulation of what Rome represents. Understanding this dizzyingly complex figure is crucial not only to the study of Roman religion, but to the whole of literary, intellectual, and religious history. This book examines Jupiter in Roman poetry's most formative and fruitful period, the reign of the emperor Augustus. As Roman society was transformed from a republic or oligarchy to a de facto monarchy, Jupiter came to play a unique role as the celestial counterpart of the first earthly princeps. While studies of Augustan poetry may glance at Jupiter as an Augustus figure, or Augustus as a Jupiter figure, they rarely explore the poets' richly nuanced treatment of the god as a character in his own right. This book fills that gap, demonstrating how Jupiter attracts thoughts about politics, power, sex, fatherhood, religion, poetry, and most everything else of importance to poets and other humans. It explores the god's manifestations in the five major Augustan poets (Virgil, Horace, Tibullus, Propertius, and Ovid), providing a fascinating window on a transformative period of history, as well as a comprehensive view of the poets' individual personalities and shifting concerns"--
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