An emotional and at times tragic conclusion to the Liberty Sands Trilogy, It's Never Too Late To Say... uncovers terrible family secrets that have long been buried. Holly Wilson has it all: a beautiful baby daughter, a son embarking on a new career, a new job in TV and an adoring boyfriend, Philippe, but her world is about to turn upside down
WEICHE KNIE UND HEIßE KÜSSE von PHILLIP, KIM Eine Kreuzfahrt vor den Kanaren - und das auch noch kostenlos? Da kann Lilo wohl kaum Nein sagen. Dumm nur, dass sie ausgerechnet an Bord Christian wiedersieht, in den sie vor Jahren heftig verliebt war. Ob sie es diesmal schafft, ihn von ihren Vorzügen zu überzeugen? LIEBE OHNE SICHERUNGSSEIL von FABER, MERLE Stefanie stockt der Atem! Vor dem Bürofenster im 20. Stock schwebt an einem Seil der absolute Traummann - und flirtet heftig mit ihr. Erst nach einer verrückten, wunderbaren Nacht mit Florian erfährt sie: Im Kampf um einen Millionenauftrag ist er ihr schärfster Konkurrent. Auf einmal hängt ihr Herz freischwebend in der Luft ... MINI KÜSST JAGUAR von MELLER, JULIA So ein Idiot! Nur weil Valerie eine klitzekleine Delle in seinen Jaguar gefahren hat, spielt dieser Hendrik sich fürchterlich auf. Aber als sie ihm erklärt, was sie von arroganten Autofahrern wie ihm hält, fällt ihr sein wunderbares Lächeln auf. Und ihr wird klar: Jetzt muss sie beim Flirten richtig Gas geben!
DIE SINNLICHE RACHE DES STOLZEN ITALIENERS von MELANIE MILBURNE Seit Eliza seine Liebe verriet, sinnt der italienische Millionär Leo Valente auf Rache. Er will die schöne Engländerin in seiner traumhaften Villa an der Amalfiküste ein letztes Mal verführen und sie dann eiskalt fallen lassen. Aber ein Geständnis bringt all seine Pläne ins Wanken ... GESTÄNDNIS IM PALAZZO DER TRÄUME von JACQUELINE BAIRD Als Sophie den faszinierenden Unternehmer Max Quintano zufällig in Venedig wiedersieht, rast ihr Herz. In seinem Palazzo am Canal Grande zeigt sie dem geliebten Mann, wie sehr sie sich nach ihm verzehrt hat. Doch Max vertraut ihr noch immer nicht ... DU SOLLST MEINE PRINZESSIN SEIN von JULIA JAMES Lizzy ist entsetzt: Die adlige Familie Ceraldi will ihr den kleinen Ben wegnehmen, für den sie seit Jahren liebevoll sorgt. Widerstrebend lässt sie sich von Prinz Enrico überreden, mit nach San Lucenzo zu kommen. Doch im Palast erfahren sie, dass sie einer Intrige aufgesessen sind ...
Die Liebe trifft Vanessa wie der Blitz, als sie in Paris dem umwerfend attraktiven Millionär Markos begegnet. Aber wird sie für ihn jemals mehr sein als nur die perfekte Geliebte?
‘There is no one-volume book in print that carries so much valuable information on London and its history’ Illustrated London News The London Encyclopaedia is the most comprehensive book on London ever published. In its first new edition in over ten years, completely revised and updated, it comprises some 6,000 entries, organised alphabetically, cross-referenced and supported by two large indexes – one for the 10,000 people mentioned in the text and one general – and is illustrated with over 500 drawings, prints and photographs. Everything of relevance to the history, culture, commerce and government of the capital is documented in this phenomenal book. From the very first settlements through to the skyline of today, The London Encyclopaedia comprehends all that is London. ‘Written in very accessible prose with a range of memorable quotations and affectionate jokes...a monumental achievement written with real love’ Financial Times
Thomas se leva d’un bond et la saisit par les poignets. - Tu es capable de tout, Julia. De jouer la comédie, d’assommer un homme d’une manchette et d’un tas d’autres choses aussi rocambolesques. Mais qui es-tu, bon sang ?
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
During his lifetime, the work of architect George Hadfield (1763-1826) was highly regarded, both in England and the United States. Since his death, however, Hadfield's contributions to architecture have slowly faded from view, and few of his buildings survive. In order to reassess Hadfield's career and work, this book draws upon a wide selection of written and visual sources to reconstruct his life and legacy. After a general introduction, the book begins with an outline of Hadfield's early years and moves on to look in detail at the extant major buildings in Washington, D.C. that he worked on: the Capitol, Arlington House and Old City Hall. Hadfield's contributions to the Capitol and other Federal buildings are fully researched and assessed for the first time and Arlington House is set in context and shown to have been much more influential than has been appreciated hitherto. New material is presented on City Hall, which is another major and unjustly neglected contribution to the architecture of Washington. The complicated interlocking circles of his family and friends, his fellow architects, and his patrons and clients, including the transatlantic connections, are also explored, revealing much about the course of his career and American architecture in general. Subsequent chapters and the Catalogue explore the other projects that Hadfield was involved with, ranging from office buildings, jails, theatres, factories and banks to a mausoleum and monuments. The book ends with a reassessment of Hadfield's qualities and influence, arguing that these were greater than is often acknowledged. By offering explanations as to why his work was particularly admired by contemporaries, it is concluded that Hadfield's architectural style has been influential from his own times to the present and has been disseminated throughout the United States.
How can people in the spotlight control their self-representations when the whole world seems to be watching? The question is familiar, but not new. Julia Fawcett examines the stages, pages, and streets of eighteenth-century London as England's first modern celebrities performed their own strange and spectacular self-representations. They include the enormous wig that actor Colley Cibber donned in his comic role as Lord Foppington--and that later reappeared on the head of Cibber's cross-dressing daughter, Charlotte Charke. They include the black page of Tristram Shandy, a memorial to the parson Yorick (and author Laurence Sterne), a page so full of ink that it cannot be read. And they include the puffs and prologues that David Garrick used to heighten his publicity while protecting his privacy; the epistolary autobiography, modeled on the sentimental novel, of Garrick's protégée George Anne Bellamy; and the elliptical poems and portraits of the poet, actress, and royal courtesan Mary Robinson, a.k.a. Perdita. Linking all of these representations is a quality that Fawcett terms "over-expression," the unique quality that allows celebrities to meet their spectators' demands for disclosure without giving themselves away. Like a spotlight so brilliant it is blinding, these exaggerated but illegible self-representations suggest a new way of understanding some of the key aspects of celebrity culture, both in the eighteenth century and today. They also challenge divides between theatrical character and novelistic character in eighteenth-century studies, or between performance studies and literary studies today. The book provides an indispensable history for scholars and students in celebrity studies, performance studies, and autobiography—and for anyone curious about the origins of the eighteenth-century self.
Since it was first published in 1982 British Archives has established itself as the premier reference work to holdings of archives and manuscript collections throughout the UK. The 3rd edition has been extensively revised and enlarged with more than 150 new entries, further widening the range of the book. Entries are structured to show the archives of the organisation as distinct from deposited collections and significant non-manuscript material, and additional details of fax number and conservation provision are included for the first time. All the existing entries have been significantly updated, together with the select bibliography and list of useful addresses of various organisations involved in the care and custody of archives. The introduction provides an invaluable guide to researchers using archives, including a summary of the relevant legislation and a detailed description of the usual holdings of county and other local authority record offices.
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