This is a book for those of you that need help managing those projects that most people have. Projects don't have to be large endeavors with many people contributing. A project is that special dinner party that you want to arrange with your friends, your son's camping trip that you have been "volunteered" to coordinate or your daughter's prom. It could be that kitchen renovation. In short, a project is simply an event that has a beginning and an end; it has tasks that need to be completed and may have some risks that require some pre-planning. This book will give you the tools and techniques used by large corporations to manage their projects. The key difference is that you will find that these same tools and techniques are scaled so that they can apply to your projects at home. It is an effort to make your hectic life a little easier to manage.
Elizabeth and Darcy are caught up in the trials and tribulations of Darcy's headstrong sister, Georgiana, who must choose between the affections of two very different suitors, a well-placed navy captain and a brash young architect.
An emotional and at times tragic conclusion to the Liberty Sands Trilogy, It's Never Too Late To Say... uncovers terrible family secrets that have long been buried. Holly Wilson has it all: a beautiful baby daughter, a son embarking on a new career, a new job in TV and an adoring boyfriend, Philippe, but her world is about to turn upside down
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
In 1792, the village of Hadley Green executed a man for stealing the Countess of Ashwood’s historic jewels. Fifteen years later, questions still linger. Was it a crime of greed—or of passion? When Declan O’Connor, Earl of Donnelly, arrives at Hadley Green to meet with Lily Boudine, the new countess of Ashwood, he knows instantly that the lovely woman who welcomes him is not who she pretends to be. In an attempt to avoid an unwanted marriage, Keira Hannigan has assumed her cousin’s identity and is staying at the estate while Lily is abroad. When Declan threatens to expose her, Keira convinces him to guard her secret, then enlists him in her investigation of the missing jewels, for she now believes an innocent man was hanged. Unable to deny the beautiful, exasperating Keira—or their simmering passion—Declan reluctantly agrees. But neither is prepared for the dangerous stranger who threatens to reveal Keira’s lies . . . and Declan knows he must protect Keira at all costs, for she is the woman who now owns his heart.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
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