An investigative journalist offers a revealing look at how the government, private companies, and criminals use technology to indiscriminately sweep up vast amounts of our personal data, and discusses results from a number of experiments she conducted to try and protect herself.
In The Artist's Way for Parents, Cameron helps parents unleash their children's creativity and sense of wonder." —BookPage Winner of the 2014 Nautilus Award represents “Better Books for a Better World”—the Gold Award (Best Book of the Year) in the category of Parenting/Family. According to Cameron, “Every child is creative—and every parent is creative. Your child requires joy, and exercising creativity, both independently and together, makes for a happy and fulfilling family life.” Focusing on parents and their children, newborn through age twelve, The Artist’s Way for Parents builds on the foundation of The Artist’s Way and shares it with the next generation. The spiritual concepts and practical tools in this book will guide parents as they steer their children gently to greater creativity. The Artist’s Way for Parents provides an ongoing spiritual toolkit that parents can enter—and reenter—at any pace and at any point in their children’s early years.
Saturday, November 14, 5:00 A.M. In the small Adirondack town of Millers Kill, an old lumberman sits in the dark with his gun across his knees. Not far away, an unemployed logger sleeps off his bender from the night before. The owner of the town's last paper mill tosses in his bed. And a young woman, one of three heirs to the 250,000-acre Great Camp, wakes alone in darkness, bound and gagged. Chief of Police Russ Van Alstyne wants nothing more than a quiet day of hunting in the mountains on his fiftieth birthday. His wife needs to have the town's new luxury resort ready for its gala opening night. The Reverend Clare Fergusson expects to spend the day getting St. Alban's Church ready for the bishop's annual visit. Her long-distance suitor from New York expects some answers about their relationship during his weekend in town. In Millers Kill, where everyone knows everyone and all are part of an interconnected web of blood or acquaintance, one person's troubles have a way of ensnaring others. What begins as a simple case of a woman lost in the woods leads to a tangle of revenge, blackmail, assault, kidnapping, and murder. As the hours tick by, Russ and Clare struggle to make sense of their town's plunge into chaos---and their own chaotic emotions. Something terrible waits in the ice-rimed mountains cradling Millers Kill. Something that won't be content with just one death---or two. . . Julia Spencer-Fleming continues her moving story of the way a small town, as well as a great city, can harbor evil, and the struggle of two honest people to deal with the ever-present threat of their feelings for one another.
Here together for the first time in a fabulous eBook bundle are books 4-6 in the Clare Fergusson and Russ Van Alstyne Series: To Darkness and to Death, All Mortal Flesh, and I Shall Not Want New York Times bestselling author Julia Spencer-Fleming brings to life the town on Millers Kill where two people who are destined for love or tragedy put their lives on the line in a town where nothing is as it seems...and evil waits inside quaint farmhouses. To Darkness and to Death In Millers Kill, where everyone knows everyone and all are part of an interconnected web of blood or acquaintance, one person's troubles have a way of ensnaring others. What begins as a simple case of a woman lost in the woods leads to a tangle of revenge, blackmail, assault, kidnapping, and murder. As the hours tick by, Chief of Police Russ Van Alstyne and Reverend Clare Fergusson struggle to make sense of their town's plunge into chaos---and their own chaotic emotions. All Mortal Flesh When Russ's wife is found brutally murdered after she kicked him out of the house the state police believe it's an open-and-shut case of a disaffected husband silencing his wife and putting a stop to the murder investigation he controls. To the townspeople, it's proof that the whispered gossip about the police chief and the priest was true. Russ and Clare must struggle against the reach of the law, the authority of the church, and their own guilty hearts. I Shall Not Want In the searing follow up to All Mortal Flesh, Russ's precarious balance between duty and desire was broken by his wife's tragic death. Now, Russ and Episcopal priest Clare Fergusson are separated by a wall of guilt and grief.
British women who resisted their own enfranchisement were ridiculed by the suffragists and have since been neglected by historians. Yet these women, together with the millions whose indifference reinforced the opposition case, claimed to form a majority of the female public on the eve of the First World War. By 1914 the organised 'antis' rivalled the suffragists in numbers, though not in terms of publicity-seeking activism. The National League for Opposing Woman Suffrage was dominated by the self-consciously masculine leadership of Lord Cromer and Lord Curzon, but also heavily dependent upon an impressive cadre of women leaders and a mostly female membership. Women Against the Vote looks at three overlapping groups of women: maternal reformers, women writers and imperialist ladies. These women are then followed into action as campaigners in their own right, as well as supporters of anti-suffrage men. Collaboration between the sexes was not always straightforward, even within a movement dedicated to separate and complementary gender roles. As the anti-suffrage women pursued their own varied social and political agendas, they demonstrated their affinity with the mainstream social conservatism of the British women's movement. The rediscovered history of female anti-suffragism provides new perspectives on the campaigns both for and against the vote. It also makes an important contribution to the wider history of women's social and political activism in late nineteenth century and early twentieth century Britain.
Charming and funny . . . Mesmerizing . . . Wonderful.” —USA Today Yolanda García--Yo, for short--is the literary one in the family. Her first published novel, in which uses as characters practically everyone she knows, was a big success. Now she’s basking in the spotlight while those “characters” find their very recognizable selves dangling in that same blinding light. But turnabout is fair play, and so here, Yolanda García’s family and friends tell the truth about Yo. Her three sisters, her Mami and Papi, her grandparents, tías, tíos, cousins, housemaids, her third husband: they take turns telling their side of the story, ripping into Yo and in the process creating their own endearing self-portraits. At once funny and poignant, intellectual and gossipy, lighthearted and layered, ¡Yo! is above all a portrait of the artist. And with its bright colors, passion, and penchant for controversy, it’s a portrait that could come only from the palette of Julia Alvarez. Don't miss Alvarez’s new novel, The Cemetery of Untold Stories, available now!
Dispatches from the Gilded Age is a collection of essays by Julia Reed, one of America's greatest chroniclers. In the middle of the night on March 11, 1980, the phone rang in Julia Reed’s Georgetown dorm. It was her boss at Newsweek, where she was an intern. He told her to get in her car and drive to her alma mater, the Madeira School. Her former headmistress, Jean Harris, had just shot Dr. Herman Tarnower, The Scarsdale Diet Doctor. Julia didn’t flinch. She dressed, drove to Madeira, got the story, and her first byline and the new American Gilded Age was off and running. The end of the twentieth century and the beginning of the twenty-first was a time in which the high and the low bubbled furiously together and Julia was there with her sharp eye, keen wit, and uproariously clear-eyed way of seeing the world to chronicle this truly spectacular era. Dispatches from the Gilded Age is Julia at her best as she profiles Andre Leon Talley, Sister Helen Prejean, President George and Laura Bush, Madeleine Albright, and others. Readers will travel to Africa and Cuba with Julia, dine at Le Bernardin, savor steaks at Doe’s Eat Place, consider the fashions of the day, get the recipes for her hot cheese olives and end up with the ride of their lives through Julia’s beloved South. With a foreword by Roy Blount, Jr. and edited by Julia's longtime assistant, Everett Bexley.
A resource for science teachers from the elementary through introductory-college level that explains principles of experimental design and data analysis and strategies for classroom and independent research and science competitions.
More than 100,000 copies later, this breakthrough program is more effective than ever— substantially revised and updated to include the author's latest clinical research. For the more than 160 million overweight Americans, dieting is a failure. Based on more than twenty years of proven clinical results, The Diet Cure's revolutionary approach curbs food cravings and restores the brain's mood and appetite chemistry in twenty-four hours. Beginning with her 8-Step Quick Symptom Questionnaire, celebrated nutritional psychotherapist Julia Ross helps readers identify their unique underlying biochemical imbalances and provides targeted strategies to correct those imbalances using nutritional supplements to jump-start the dietary overhaul. Readers then create their own safe, easy-to-follow plan to end low-calorie dieting and food obsessions for good.
NEW YORK TIMES BESTSELLER • NAMED ONE OF THE BEST BOOKS OF THE YEAR BY SAN FRANCISCO CHRONICLE AND THE HUFFINGTON POST • Features an exclusive conversation between Julia Pierpont and Lena Dunham For fans of Jennifer Egan, Jonathan Franzen, Lorrie Moore, and Curtis Sittenfeld, Among the Ten Thousand Things is a dazzling first novel, a portrait of an American family on the cusp of irrevocable change, and a startlingly original story of love and time lost. Jack Shanley is a well-known New York artist, charming and vain, who doesn’t mean to plunge his family into crisis. His wife, Deb, gladly left behind a difficult career as a dancer to raise the two children she adores. In the ensuing years, she has mostly avoided coming face-to-face with the weaknesses of the man she married. But then an anonymously sent package arrives in the mail: a cardboard box containing sheaves of printed emails chronicling Jack’s secret life. The package is addressed to Deb, but it’s delivered into the wrong hands: her children’s. With this vertiginous opening begins a debut that is by turns funny, wise, and indescribably moving. As the Shanleys spin apart into separate orbits, leaving New York in an attempt to regain their bearings, fifteen-year-old Simon feels the allure of adult freedoms for the first time, while eleven-year-old Kay wanders precariously into a grown-up world she can’t possibly understand. Writing with extraordinary precision, humor, and beauty, Julia Pierpont has crafted a timeless, hugely enjoyable novel about the bonds of family life—their brittleness, and their resilience. Praise for Among the Ten Thousand Things “A luscious, smart summer novel . . . by a blazingly talented young author.”—The New York Times Book Review “This book is one of the funniest, and most emotionally honest, I’ve read in a long time.”—Jonathan Safran Foer “Obsessively compelling . . . emotionally sophisticated . . . Among the Ten Thousand Things rises above [other novels] for its imagined structure, sentence-by-sentence punch, and pure humanity.”—Vanity Fair “Gripping . . . Pierpont brings this family of four to life in sharply observed detail. . . . An acute observer of social comedy, Ms. Pierpont has a keen eye for the absurd.”—The Wall Street Journal “Pierpont’s language is heart-stopping. . . . Between Pierpont’s literary finesse and her captivating characters, [Among the Ten Thousand Things] reads like a page-turner.”—Entertainment Weekly (grade: A) “A twisty, gripping story—that packs an emotional wallop.”—O: The Oprah Magazine “There are going to be as many ingenious twists and turns in this literary novel as there are in a top-notch work of suspense like Gone Girl.”—Maureen Corrigan, NPR’s Fresh Air “Tender, delicately perceptive . . . Pierpont’s voice is wry and confident, and she is a fine anthropologist of New York life.”—The Washington Post “Pierpont displays a precocious gift for language and observation. . . . She captures the minutiae of loneliness that pushes us away from each other and sometimes brings us back.”—San Francisco Chronicle
In 1824, when the novel was issued in Kingston, Upper Canada, it became not only the first work of fiction written by a native-born Canadian and published in what is now Canada, but also a significant early attempt by a Canadian of English and French heri
Catullus is one of the liveliest and most appealing Roman poets. His emotion, charm, and apparent spontaneity resonate with readers as strongly today as in antiquity. This sophisticated literary and historical introduction brings Catullus to life for the modern reader and presents his poetry in all its variety of emotions, subjects, and styles. Places Catullus in a social, historical, and literary context Examines Catallus's style and subjects, and provides a literary introduction to his major themes of love, social life, and politics Discusses the reception of the poems by translators and interpreters
Catastrophic Diplomacy offers a sweeping history of US foreign disaster assistance, highlighting its centrality to twentieth-century US foreign relations. Spanning over seventy years, from the dawn of the twentieth century to the mid-1970s, it examines how the US government, US military, and their partners in the American voluntary sector responded to major catastrophes around the world. Focusing on US responses to sudden disasters caused by earthquakes, tropical storms, and floods—crises commonly known as "natural disasters"—historian Julia F. Irwin highlights the complex and messy politics of emergency humanitarian relief. Deftly weaving together diplomatic, environmental, military, and humanitarian histories, Irwin tracks the rise of US disaster aid as a tool of foreign policy, showing how and why the US foreign policy establishment first began contributing aid to survivors of international catastrophes. While the book focuses mainly on bilateral assistance efforts, it also assesses the broader international context in which the US government and its auxiliaries operated, situating their humanitarian responses against the aid efforts of other nations, empires, and international organizations. At its most fundamental level, Catastrophic Diplomacy demonstrates the importance of international disaster assistance—and humanitarian aid more broadly—to US foreign affairs.
Front Cover -- Title Page -- Half Title -- Copyright -- Contents -- Foreword by Michael Kimmelman, architecture critic, The New York Times -- Acknowledgments -- Chapter 1. Designing for Coastal Resiliency -- Chapter 2. Visualizing the Coast -- Chapter 3. Reimagining the Floodplain -- Chapter 4. Mapping Coastal Futures -- Chapter 5. Centennial Projections -- Afterword by Jeffrey P. Hebert, vice-president for adaptation and resilience, The Water Institute of the Gulf -- Endnotes -- Glossary -- Index
While continuing to switch places in middle school, identical twins Payton and Emma compete with triplets Dexter, Oliver, and Asher at the Multipalooza festival.
Abandoned by her mother and raised by her loving but religiously zealous grandmother, 16-year-old Heavenly Faith Simms (H.F. for short) has never felt like she belonged anywhere. When she finds her mother's address in a drawer, she and her best friend, Bo, an emotionally repressed gay boy, hit the road in Bo's scrap heap of a car and head south. Their journey through the heart of the American South awakens both teens to the realization that there is a life waiting for them that is very different from what they have known and that the concept of family is more far-reaching than they had ever imagined. Finding H.F. is the winner of the 2001 Lambda Literary Award for Young Adult Fiction. First Published by Alyson Books 2001.
Teaching children how to manage their thoughts and words without interrupting. Louis always interrupts! All of his thoughts are very important to him, and when he has something to say, his words rumble and grumble in his tummy, they wiggle and jiggle on his tongue and then they push on his teeth, right before he ERUPTS (or interrupts). His mouth is a volcano! But when others begin to interrupt Louis, he learns how to respectfully wait for his turn to talk. My Mouth Is A Volcano takes an empathetic approach to the habit of interrupting and teaches children a witty technique to help them manage their rambunctious thoughts and words. Told from Louis' perspective, this story provides parents, teachers, and counselors with an entertaining way to teach children the value of respecting others by listening and waiting for their turn to speak.
In classic Dixie storytelling fashion, with a rare blend of literary elegance and plainspoken humor, the inimitably charming, staunchly Southern Julia Reed wends her way below the Mason-Dixon line and observes many phenomena– from politics, religion, and women to weather, guns, and what she calls “drinking and other Southern pursuits.” To hear Reed tell it, the South is another country. She builds an entertaining and persuasive case, using as examples everything from its unfathomable codes of conduct to its disciplined fashion sense. And then there is Southern food, which is an entire world apart: Gumbo, grits, greens, and, of course, fried chicken make memorable appearances in Reed’s essays, which will amuse, delight, and even explain a thing or two to baffled Yankees everywhere.
Best known as a novelist and social satirist whose work anticipated Jane Austen's, Frances Burney (1752-1840) has also been recognized as an important writer in the history of feminist literature. Julia Epstein now offers a new interpretation of Burney and her work: that Burney's anger at the economic and social conditions of women emerges in her writing in moments of barely contained violence, and that her representations of violence and hostility provide a key to Burney's literary power. The Iron Pen situates Burney's writings within the sociopolitical context of the late eighteenth century and proposes a new approach to the development of the novel of manners. In addition, Epstein presents a comprehensive study of the reception of Burney's work from its original publication to the present. This study illuminates the history of popular book reviewing and of academic literary scholarship as political enterprises. Beginning with an examination of Burney's journals and letters, including an account of the mastectomy she underwent without anesthesia while in exile in Paris in 1811, Epstein then offers readings of Burney's four novels, paying close attention to the depiction of repressed anger and violence that characterizes all her work. The final section traces critics' responses to Burney's published writings from 1778, when her first novel, Evelina, appeared anonymously, to the present in readings informed by psychoanalysis, post-structuralism and feminist literary theory. Drawing upon the work of critics of eighteenth-century culture such as Mary Poovey, Ellen Pollak, Ruth Perry, and Margaret Doody, Epstein is successful in two ways: in combining an analysis of a set of texts with an analysis of a particular set of cultural assumptions and in her intentional underscoring of the complex nature of critical practice.
This will help us customize your experience to showcase the most relevant content to your age group
Please select from below
Login
Not registered?
Sign up
Already registered?
Success – Your message will goes here
We'd love to hear from you!
Thank you for visiting our website. Would you like to provide feedback on how we could improve your experience?
This site does not use any third party cookies with one exception — it uses cookies from Google to deliver its services and to analyze traffic.Learn More.