More than 100 Cantonese recipes are featured here. Recipes are arranged by food type: poultry, fish, noodles, desserts, etc. No special ingredients or equipment are required since substitutes are given where appropriate.
Recognized as one of the greatest philosophers in classical China, Chu Hsi (1130-1200) is known in the West primarily through translations of one of his many works, the Chin-ssu Lu. In this book, Julia Ching offers the first book-length examination of Chu Hsi's religious thought, based on extensive reading of both primary and secondary sources. Ching begins by providing an introduction to Chu's twelfth-century intellectual context. She then examines Chu's natural philosophy, looking in particular at the ideas of the Great Ultimate and at spirits and deities and the rituals that honor them. Next, Ching considers Chu's interpretation of human nature and the emotions, highlighting the mystical thrust of the theoretical and practical teachings of spiritual cultivation and meditation. She discusses Chu's philosophical disputes with his contemporariesin particular Lu Chiu-yuanand examines his relationship to Buddhism and Taoism. In the final chapters, Ching looks at critiques of Chu during his lifetime and after and evaluates the relevance of his thinking in terms of contemporary needs and problems. This clearly written and highly accessible study also offers translations of some of Chu's most important philosophical poems, filling a major gap in the fields of both Chinese philosophy and religion.
Nicely produced catalog for an exhibition at the Denver Art Museum. Features 43 ceramic and bronze jars, bowls, cups, and flasks, and traces the progression of Chinese design and decoration from its beginnings at the hands of Neolithic potters up to the creation of funerary wares by Han and Tang cra
Focusing on the transformation of the Tzu-Chi, this book contributes to our understanding of the nature of charisma and the role of faith based organisations.
“The Art of Modern China is a long-awaited, much-needed survey. The authors’ combined experience in this field is exceptional. In addition to presenting key arguments for students and arts professionals, Andrews and Shen enliven modern Chinese art for all readers. The Art of Modern China gives just treatment to an expanded field of overlooked artworks that confront the challenges of modernization.”—De-nin Deanna Lee, author of The Night Banquet: A Chinese Scroll through Time.
Mirror of Morality takes an interdisciplinary look at an important form of pictorial art produced during two millennia of Chinese imperial rule. Ideas about individual morality and state ideology were based on the ancient teachings of Confucius with modifications by later interpreters and government institutions. Throughout the imperial period, members of the elite made, sponsored, and inscribed or used illustrations of themes taken from history, literature, and recent events to promote desired conduct among various social groups. This dimension of Chinese art history has never before been broadly covered or investigated in historical context. The first half of the study examines the nature of narrative illustration in China and traces the evolution of its functions, conventions, and rhetorical strategies from the second century BCE through the eleventh century. Under the stimulus of Buddhism, sophisticated techniques developed for representing stories in visual form. While tracing changes in the social functions and cultural positions of narrative illustration, the second half of the book argues that narrative illustration continued to play a vital role in elite visual culture.
Provides lists of selling prices of items found on eBay in such categories as antiques, boats, books, cameras, coins, collectibles, dolls, DVDs, real estate, stamps, tickets, and video games.
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