Popularized by the hit television show, the phrase “breaking bad” is defined in urban slang as someone who challenges convention, defies authority, or rejects moral and social norms. Running from 2008 to 2013 on AMC, Breaking Bad featured one of the most unforgettable characters in television history: Walter White, a high school chemistry teacher, husband, and father, who is diagnosed with terminal cancer. For five seasons, fans watched as Walter White tried to secure financial security for his family by using his chemistry skills to manufacture drugs. Throughout the series’ run, Walter White was the epitome of the phrase “breaking bad”, as he broke the law and continually rejected the social mores that he had dutifully followed until his cancer diagnosis. Taking its cue from Walter White, this volume explores the various ways in which artists, patrons, and art historians throughout history have broken bad by defying authority, challenging convention, or rejecting the norm. For example, artists also sometimes break away from tradition by using unconventional iconography, as is the case in Chapter Two, which investigates how Etruscan tomb reliefs show mourning rather than celebration. The book also includes a chapter in which an art historian breaks bad by challenging the conventional interpretation and date of an object, thus eschewing tradition and defying authority. In this case, Chapter Three disputes the largely accepted Hellenistic date and interpretation of the Tazza Farnese, and instead asserts that the cameo must be Roman. Spanning the art of ancient Etruria to the twentieth century, the eight chapters here explore the theme of breaking bad from a variety of time periods and artistic media, from Etruscan mirrors and Roman cameos to Baroque portraits and Italian Pop Art. Scholars approach the topic of breaking bad from a number of perspectives, including examining the artist, patronage, reception, propaganda, iconography, methodology, and use.
This volume covers the major artistic and architectural masterpieces produced in Rome from antiquity up to the present day. It particularly considers art in ancient Rome, the Early Christian period, the Middle Ages, and the Renaissance and Baroque periods, as well as more recent artistic productions. As such, it highlights the ongoing evolution of art in Rome. Its fifteen chapters are organized topographically with each corresponding to a specific area of Rome and exploring sites and monuments within that location. Whenever possible, the chapters are also arranged chronologically. Therefore, many of the ancient monuments are examined in the beginning chapters, and then subsequent section move chronologically through the Early Christian period, the Middle Ages, and the Renaissance, the Baroque, and modern periods. With its engaging and informative writing, the volume will enhance students’ knowledge of Rome, allowing them to get as much out of their study abroad experience as possible. In addition, Art in Rome will appeal to scholars and erudite travelers, who want to extensively explore the many artistic monuments of Rome.
This volume covers the major artistic and architectural masterpieces produced in Rome from antiquity up to the present day. It particularly considers art in ancient Rome, the Early Christian period, the Middle Ages, and the Renaissance and Baroque periods, as well as more recent artistic productions. As such, it highlights the ongoing evolution of art in Rome. Its fifteen chapters are organized topographically with each corresponding to a specific area of Rome and exploring sites and monuments within that location. Whenever possible, the chapters are also arranged chronologically. Therefore, many of the ancient monuments are examined in the beginning chapters, and then subsequent section move chronologically through the Early Christian period, the Middle Ages, and the Renaissance, the Baroque, and modern periods. With its engaging and informative writing, the volume will enhance students’ knowledge of Rome, allowing them to get as much out of their study abroad experience as possible. In addition, Art in Rome will appeal to scholars and erudite travelers, who want to extensively explore the many artistic monuments of Rome.
This study examines the five extant large Imperial cameos of the Early Roman Empire as a coherent whole, revealing that these gemstones were a referential group with complex interrelationships. Power and Propaganda in the Large Imperial Cameos of the Early Roman Empire offers a feminist theory that explains why large Imperial cameos were in dialogue and why the medium appears with Octavian and disappears by the Flavian dynasty: female Imperial family members commissioned them to advance their husbands and sons. This volume is an introduction to large Imperial cameos and reveals their importance for the understanding of Roman art and iconography and the implications of its theorized Imperial female patronage. The book will be of interest to scholars working in art history, classics, and archaeology.
The use of stem cells to help with lung regeneration and repair is a novel therapy which could help phase out the need for conventional surgical or pharmacological approaches currently employed to treat diseases of the lung or other organs. The present book explores all avenues of this new form of medical care, moving swiftly, but in depth, from the basic science of lung development, to the analyses of different stem cell types available for regeneration and on to the application of this knowledge base in initial clinical trials. In this volume a stellar group of researchers converge, from different angles, to help towards clarifying the basic mechanisms of lung repair. These range from basic concepts of regeneration and lung development, the analyses of a variety of cell types that may be involved in lung repair, to ways of creating complex lung structures, including artificial and bioartificial lungs. The book offers an insight into repair mechanisms of the diseased lung, the role of specific lung niches and provides information on initial clinical trials as well as the use of stem cells as vehicles for gene therapy. Ingenious technological aspects of assessing stem cell engraftment of stem cell bioprocessing are also included in this volume."--Publisher's website.
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