From Julia Blackburn, an author whose ability to conjure lives from other times and places is so vivid that one suspects she sees ghosts, here is a portrait of a woman whose voice continues to haunt anyone who hears it. Billie Holiday’s life is inseparable from an account of her troubles, her addictions, her arrests, and the scandals that would repeatedly put her name in the tabloid headlines of the 1940s and 1950s. Those who knew her learned never to be surprised by what she might do. Her moods and faces were so various that she could seem to be a different woman from one moment to the next. Volatile, unpredictable, Billie Holiday remained, even to her friends, an elusive and perplexing figure. In With Billie, we hear the voices of those people–piano players and dancers, pimps and junkies, lovers and narcs, producers and critics, each recalling intimate stories of the Billie they knew. What emerges is a portrait of a complex, contradictory, enthralling woman, a woman who knew what really mattered to her. Reading With Billie, one is convinced that she has only just left the room but will return shortly.
This is the moving story of three people: acclaimed writer Julia Blackburn; her father, Thomas—a poet and alcoholic with an addiction to barbiturates; and her mother, Rosalie—a flirtatious painter with no boundaries. “Striking.... Colored by passion and memory.... [Blackburn] artfully smudges the line between memoir and reportage.” —Francine Prose, Harper's After Julia's parents divorced, her mother took in male lodgers with the hope they would become her lovers. When one of the lodgers began an affair with Julia, competitive Rosalie was devastated; he later committed suicide, shattering whatever relationship between mother and daughter remained. After thirty years, Rosalie, diagnosed with leukemia, came to live with Julia for the last month of her life. Only then were they allowed, at long last, to exist with an ease they had never known.
In the late 19th century, an English missionary arrives on a remote island in the Indian Ocean, intent on wiping out fornication among the natives. Instead he incurs a curse that strikes first his dark-skinned wife, then his son and grandson. But is the curse supernatural—or a white man's guilty fascination with an alien new world? “A hypnotic, cryptic, haunting exploration of the power of memory.” —The Boston Globe
Julia Blackburn has always collected things that hold stories about the past, especially the very distant past: mammoth bones, little shells that happen to be two million years old, a flint shaped as a weapon long ago. Shortly after her husband’s death, Blackburn became fascinated with Doggerland, the stretch of land that once connected Great Britain to Continental Europe but is now subsumed by the North Sea. She was driven to explore the lives of the people who lived there—studying its fossil record, as well as human artifacts that have been unearthed near the area. In Time Song, Blackburn brings us along on her journey to discover what Doggerland left behind, introducing us to the paleontologists, archaeologists, fishermen and fellow Doggerland enthusiasts she meets along the way. She sees the footprints of early humans fossilized in the soft mud of an estuary alongside the scattered pockmarks made by rain falling eight thousand years ago. She visits a cave where the remnants of a Neanderthal meal have turned to stone. In Denmark she sits beside Tollund Man, who seems to be about to wake from a dream, even though he had lain in a peat bog since the start of the Iron Age. As Doggerland begins to come into focus, what emerges is a profound meditation on time, a sense of infinity as going backward and an intimation of the immensity of everything that has already passed through its time on earth and disappeared.
In 1792, when he was forty-seven, the Spanish painter Francisco de Goya contracted a serious illness that left him stone deaf. In this extraordinary book, Julia Blackburn follows Goya through the remaining thirty-five years of his life. It was a time of political turmoil, of war, violence, and confusion, and Goya transformed what he saw around him into visionary paintings, drawings, and etchings. These were also years of tenderness for Goya, of intimate relationships with the Duchess of Alba and with Leocadia, his mistress, who accompanied him to the end. Blackburn’s singular distinction as a biographer is her uncanny ability to create a kaleidoscope of biography, memoir, history, and meditation—to think herself into another world. In Goya she has found the perfect subject. Visiting the towns Goya frequented, reading the revelatory letters that he wrote for years to a boyhood friend, investigating the subjects he portrayed, Julia Blackburn writes about the elderly painter with the intimacy of an old friend, seeing through his eyes and sharing the silence in his head. With unprecedented immediacy and illumination, Old Man Goya gives us an unparalleled portrait of the artist.
In 1814 Napoleon Bonaparte arrived on St. Helena for a surreal exile that would last until his death six years later. • "Dazzling... a compelling meditation on Napoleon's exile...Blackburn has brought her startlingly imaginative sensitivity to bear on a vanished time."—The New York Times Book Review “A resonant meditation on exile, fame, the stories we tell about ourselves (and) the bigger stories we tell about our great figures.” —Los Angeles Times Book Review
In this fascinatingly imaginative novel, Julia Blackburn has decimated all the rules, creating a magical tale that is part fable, part allegory, part present, part past, and wholly genuine and poetic. The unnamed protagonist has recently lost someone she loved, and her solution is to abandon the present, and the overwhelming pain. The seamless narrative lands her in a medieval seaside village where mermaids wash ashore, devils haunt in packs, a child is born with the head of a fish, and where one day, quite out of nowhere, there emerges a sage and wandering leper. The leper leads a small group of the villagers, including the protagonist, on a journey to Jerusalem, a harrowing pilgrimage that compels all the travelers to confront their deepest selves. Exquisite and lyrical, The Lepers Companions is a heart-rending tale by one of our most fiercely original storytellers.
Based on participant observation in a California English as a Second Language family literacy program, this ethnographic study examines how the complexly gendered life histories of immigrant adults shaped their participation in both the English language classroom and the education of their children, within the contemporary sociohistorical context of increasing Latin American immigration to the United States. Through outlining the connections between (gendered) identity work and language learning, this study builds theoretical and empirical justification for teachers to negotiate classroom practice with each community of learners, responding to students’ individual goals, histories, and lives outside the classroom.
Providing a unique critical perspective to debates on slavery, this book brings the literature on transatlantic slavery into dialogue with research on informal sector labour, child labour, migration, debt, prisoners, and sex work in the contemporary world in order to challenge popular and policy discourse on modern slavery.
Bradby's efforts as an activist and "race leaderby examining the role the minister played in high-profile events, such as the organizing of Detroit's NAACP chapter, the Ossian Sweet trial of the mid-1920s, the Scottsboro Boys trials in the 1930s, and the controversial rise of the United Auto Workers in Detroit in the 1940s.
Presents advice on the mixed-breed mutt, providing information on how mutts differ from their purebred relatives, tips on how to select the right dog, and advice on a wide variety of products and services.
From Julia Blackburn, an author whose ability to conjure lives from other times and places is so vivid that one suspects she sees ghosts, here is a portrait of a woman whose voice continues to haunt anyone who hears it. Billie Holiday’s life is inseparable from an account of her troubles, her addictions, her arrests, and the scandals that would repeatedly put her name in the tabloid headlines of the 1940s and 1950s. Those who knew her learned never to be surprised by what she might do. Her moods and faces were so various that she could seem to be a different woman from one moment to the next. Volatile, unpredictable, Billie Holiday remained, even to her friends, an elusive and perplexing figure. In With Billie, we hear the voices of those people–piano players and dancers, pimps and junkies, lovers and narcs, producers and critics, each recalling intimate stories of the Billie they knew. What emerges is a portrait of a complex, contradictory, enthralling woman, a woman who knew what really mattered to her. Reading With Billie, one is convinced that she has only just left the room but will return shortly.
How does knowledge of a first or second language develop, and how is that knowledge used in real time comprehension and production of one or two languages? Language development and processing are the central topics that this book explores, initially in terms of first language(s) and then in terms of additional languages. Human growth and development necessarily involve the passage of time, implicating this orthogonal factor and leading to the observation that capacities may vary across the lifespan. Two theoretical frameworks have historically attributed explanations for knowledge and use of language, nature versus nurture approaches: the former credits biogenetic intrinsic characteristics, while the latter ascribes environmental extrinsic experiences as the causes of developmental change. The evidence examined throughout this book offers a more nuanced and complex view, eschewing dichotomy and favoring a hybrid approach that takes into account a range of internal and external influences.
Guides modern performers and scholars through the intricacies of German Baroque metric theory, via analyses of treatises and organ music by J.S. Bach and other leading composers, such as Buxtehude, Bruhns, and Weckman.
Addresses the difficulties faced by women who embark on careers in the professions and considers the future of equal opportunties policies at a time of recession and high unemployment. It also explores the need to de-gender the concept of career in order to encompass women's expectations
This book examines the story of the ‘discovery of America’ through the prism of the history of the Franciscans, a socio-religious movement with a unique doctrine of voluntary poverty. The Franciscans rapidly developed global dimensions, but their often paradoxical relationships with poverty and power offer an alternate account of global history. Through this lens, Julia McClure offers a deeper history of colonialism, not only by extending its chronology, but also by exploring the powerful role of ambivalence in the emergence of colonial regimes. Other topics discussed include the legal history of property, the complexity and politics of global knowledge networks, the early (and neglected) history of the Near Atlantic, and the transatlantic inquisition, mysticism, apocalypticism, and religious imaginations of place.
Teaching Primary Physical Education provides a concise overview of the knowledge, skills and understanding required for the confident teaching of physical education in primary schools. Author Julia Lawrence offers a balanced and comprehensive overview of the subject, covering issues such as safe practice in PE, inclusion, subject leadership and cross-curricular approaches to physical education supported by an accessible theory-informed approach. Teaching Primary Physical Education is supported by a companion website www.sagepub.co.uk/lawrence, which includes further practical examples of applications, links to relevant literature and teaching resources, offering further student-friendly material for use across different physical disciplines.
The Decades of Modern American Drama series provides a comprehensive survey and study of the theatre produced in each decade from the 1930s to 2009 in eight volumes. Each volume equips readers with a detailed understanding of the context from which work emerged: an introduction considers life in the decade with a focus on domestic life and conditions, social changes, culture, media, technology, industry and political events; while a chapter on the theatre of the decade offers a wide-ranging and thorough survey of theatres, companies, dramatists, new movements and developments in response to the economic and political conditions of the day. The work of the four most prominent playwrights from the decade receives in-depth analysis and re-evaluation by a team of experts, together with commentary on their subsequent work and legacy. A final section brings together original documents such as interviews with the playwrights and with directors, drafts of play scenes, and other previously unpublished material. The major playwrights and their plays to receive in-depth coverage in this volume include: * Theresa Rebeck: Omnium Gatherum (2003), Mauritius (2007), and The Understudy (2008); * Sarah Ruhl: Eurydice (2003), Clean House (2004), and In the Next Room (or the Vibrator Play) (2009); * Lynn Nottage: Intimate Apparel (2003), Fabulation or Re-Education of Undine (2004), and Ruined (2008); * Charles Mee: Big Love (2000), Wintertime (2005), and Hotel Cassiopeia (2006).
A free ebook version of this title is available through Luminos, University of California Press’s Open Access publishing program. Visit www.luminosoa.org to learn more. Sounding the Indian Ocean is the first volume to integrate the fields of ethnomusicology and Indian Ocean studies. Drawing on historical and ethnographic approaches, the book explores what music reveals about mobility, diaspora, colonialism, religious networks, media, and performance. Collectively, the chapters examine different ways the Indian Ocean might be “heard” outside of a reliance on colonial archives and elite textual traditions, integrating methods from music and sound studies into the history and anthropology of the region. Challenging the area studies paradigm—which has long cast Africa, the Middle East, and Asia as separate musical cultures—the book shows how music both forms and crosses boundaries in the Indian Ocean world.
Asylum and Extraction in the Republic of Nauru provides an extraordinary glimpse into the remote and difficult-to-access island of Nauru, exploring the realities of Nauru's offshore asylum arrangement and its impact on islanders, workforces, and migrant populations. Drawing on extensive fieldwork in Nauru, Australia, and Geneva, as well as a deep dive into the British Phosphate Commission archives, Julia Caroline Morris charts the island's colonial connection to phosphate through to a new industrial sector in asylum. She explores how this extractive industry is peopled by an ever-shifting cast of refugee lawyers, social workers, clinicians, policy makers, and academics globally and how the very structures of Nauru's colonial phosphate industry and the legacy of the "phosphateer" era made it easy for a new human extractive sector to take root on the island. By detailing the making of and social life of Nauru's asylum system, Morris shows the institutional fabric, discourses, and rhetoric that inform the governance of migration around the world. As similar practices of offshoring and outsourcing asylum have become popular worldwide, they are enabled by the mobile labor and expertise of transnational refugee industry workers who carry out the necessary daily operations. Asylum and Extraction in the Republic of Nauru goes behind the scenes to shed light on the everyday running of the offshore asylum industry in Nauru and uncover what really happens underneath the headlines. Morris illuminates how refugee rights activism and #RefugeesWelcome-style movements are caught up in the hardening of border enforcement operations worldwide, calling for freedom of movement that goes beyond adjudicating hierarchies of suffering.
This introduction to Plato focuses on the philosophy and argument of his writings, drawing the reader into Plato's way of doing philosophy, and the general themes of his thinking. It includes a brief account of Plato's life.
Women have always made great contributions to science, and some of the greatest inventors in history were women, but for far too long many of these individuals weren't recognized for their accomplishments. For example, even today, many people don't know it was a woman, English mathematician Ada Lovelace, who wrote the first computer program. Readers of this accessible volume will learn about Lovelace and many other inspiring women who changed the course of history through their inventions and contributions to science.
The companion to the BBC series Wainwright Walks, with Julia Bradbury following in the footsteps of famous fell-walker and guide writer AW Wainwright. The series includes beautiful aerial sequences of Lakeland icons Blencathra and England's tallest mountain Scafell Pike. It was first broadcast in 2008 and regularly repeated on BBC4 and BBC2, most recently in December 2011. The book collects together all ten of the walks from Series I and II, with clear directions and Julia's commentary on her experience of the walks. Stills from the original series are augmented by the famous line drawings from Wainwright's original books, and evocative landscape photography by Derry Brabbs.
Glorious Causes explores the politics of theatricality and the theatricality of politics in late Georgian Britain, at a time when the British nation can be described as a stage for reform. Political rhetoric during this period was characterized by a rich vocabulary, drawing on theatrical language and forms, from melodrama and tragedy, to comedy and burlesque. Most importantly, activity in the theaters themselves, often dismissed until recently as vulgar or sentimental, was highly charged with political dynamic and controversy, central to the drama of reform.
Skin Crafts discusses multiple artists from global contexts who employ craft materials in works that address historical and contemporary violence. These artists are deliberately embracing the fragility of textiles and ceramics to evoke the vulnerability of human skin and - in so doing - are demanding visceral responses from viewers. Drawing on a range of theories including affect theory, material feminism, skin studies, phenomenology and global art history, the book illuminates the various ways in which artists are harnessing the affective power of craft materials to address and cope with violence. Artists from Mexico, Africa, China, the Netherlands and Indigenous artists based in the unceded territory known as Canada are examined in relation to one another to illuminate the connections and differences across their bodies of work. Skin Crafts interrogates ongoing material violence towards women and marginalized others, and demonstrates the power of contemporary art to force viewers and scholars into facing their ethical responsibilities as human beings.
For readers of Martha Hall Kelly and Beatriz Williams, "a story of female freedom and constraints that doesn't shy away from the trauma—and joy—that faced U.S. women"(Kirkus) during a pivotal period in American history. Literature impacts us all uniquely — but also unites us. Massachusetts, 1954. Alice Campbell escapes halfway across the country and finds herself in front of a derelict building tucked among the cobblestone streets of Cambridge, and she turns that sad little shop into the charming bookstore of her dreams. Tess, Caroline, Evie, and Merritt become fast friends in the sanctuary of Alice's monthly reading club at The Cambridge Bookshop, where they escape the pressures of being newly independent college women in a world that seems to want to keep them in the kitchen. But they each embody very different personalities, and when a member of the group finds herself shattered, everything they know about each other—and themselves—will be called into question. A heart-wrenching, inspiring, extraordinary love letter to books set against the backdrop of one of the most pivotal periods in American history, The Radcliffe Ladies' Reading Club explores how women forge their own paths, regardless of what society expects of them, and illuminates the importance of literature and the vital conversations it sparks.
Cognitive Therapy for Psychosis provides clinicians with a comprehensive cognitive model that can be applied to all patients with schizophrenia and related disorders in order to aid the development of a formulation that will incorporate all relevant factors. It illustrates the process of assessment, formulation and intervention and highlights potential difficulties arising from work with patients and how they can be overcome. Experienced clinicians write assuming no prior knowledge of the area, covering all of the topics of necessary importance including: * an introduction to cognitive theory and therapy * difficulties in engagement and the therapeutic relationship * how best to utilise homework with people who experience psychosis * relapse prevention and management. Illustrated by excerpts from therapy sessions, this book digests scientific evidence and theory but moreover provides clinicians with essential practical advice about how to best aid people with psychoses.
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