World literature is full of great love stories, but there are few that make it through the centuries and are as well-known and loved today as they were decades ago. One of those stories that have the ability to leave an everlasting impression is Jane Austen’s best-known and probably most famous novel Pride and Prejudice (1813). Its appeal to literary posteriority lies in the astonishing emotional impact of a seemingly simple story: A clever girl and a mysterious man, destined for one another, loathe each other from the very beginning because of wrong first impression and bad influence from others. They gradually have to overcome these obstacles in order to recognise the nobility of each other’s characters and find happiness together. From Austen’s contemporary writing and its scarce possibilities for women writers on to the emancipation of the female author up until the possibilities for women novelists in the lately developing genre labelled chick lit – Pride and Prejudice still continues to fascinate readers and writers alike. This book sets out to examine how Austen’s formula was put to use to yield three contemporary works of British fiction; Kate Fenton’s Lions and Liquorice (1995), Helen Fielding’s Bridget Jones’s Diary (1996) and Melissa Nathan’s Pride, Prejudice and Jasmin Field (2000) and what transformations it has experienced in the process.
I’m scum. Yes, I always have been. . . . I know what I did, and what I should have done. A spellbinding and provocative psychological thriller that shows just how far a man will go to win the most enduring and ruthless of games: the game of power. Raised in the upper echelons of elite New York society, Thomas Spencer has never wanted for much. But much is hardly enough for a man whose greatest satisfaction lies in shattering the happiness of others. Thomas, the black sheep of his family, harbors only resentment toward those closest to him for what they have more of: good looks, good cheer, good social graces. But what Thomas may lack in charm, he makes up for in cunning. And it is this that will serve him best when he trades in his glittering world of privilege for a chance to claw his way to the top—on his own terms, and at any cost. As Thomas achieves fame and success as an ad man, he becomes ever more deeply entrenched in an insidious underworld of media, politics, and women, and an astonishing picture emerges of a complex, destructive personality who will stop at nothing to get what he wants. Shameless and electrifying, Story of a Sociopath illuminates the true nature of power through the mind of a master psychological manipulator.
James Standish knows how to play society's game: marry a debutante and inherit a massive fortune. At least, that's the plan until he meets Francesca Thorne. She's not the sort of woman a respectable gentleman like James could marry--not least because she's married already to James's friend Edward. Francesca is determined to flout convention and divorce her philandering husband. When her James sweet-talks his way into her life--tasked with convincing Francesca to abandon her dream of freedom--she's unprepared for the passion that flares between them. Torn apart by conflicting desires, they must choose whether to keep chasing the lives they've always wanted or to take a chance on a new and forbidden love.
2 March 1810 . . . Today, I fell in love. At the age of ten, Miranda Cheever showed no signs of Great Beauty. And even at ten, Miranda learned to accept the expectations society held for her—until the afternoon when Nigel Bevelstoke, the handsome and dashing Viscount Turner, solemnly kissed her hand and promised her that one day she would grow into herself, that one day she would be as beautiful as she already was smart. And even at ten, Miranda knew she would love him forever. But the years that followed were as cruel to Turner as they were kind to Miranda. She is as intriguing as the viscount boldly predicted on that memorable day—while he is a lonely, bitter man, crushed by a devastating loss. But Miranda has never forgotten the truth she set down on paper all those years earlier—and she will not allow the love that is her destiny to slip lightly through her fingers . . .
2 March 1810 . . . Today, I fell in love. At the age of ten, Miranda Cheever showed no signs of Great Beauty. And even at ten, Miranda learned to accept the expectations society held for her—until the afternoon when Nigel Bevelstoke, the handsome and dashing Viscount Turner, solemnly kissed her hand and promised her that one day she would grow into herself, that one day she would be as beautiful as she already was smart. And even at ten, Miranda knew she would love him forever. But the years that followed were as cruel to Turner as they were kind to Miranda. She is as intriguing as the viscount boldly predicted on that memorable day—while he is a lonely, bitter man, crushed by a devastating loss. But Miranda has never forgotten the truth she set down on paper all those years earlier—and she will not allow the love that is her destiny to slip lightly through her fingers . . .
“An elegant emulation and continuation of Pride and Prejudice . . . shows how sequel-writing can, like parody, be a sharp exercise in literary appreciation.” —Times Literary Supplement This witty sequel to Jane Austen’s Pride and Prejudice follows the fate of Georgiana Darcy, Mr. Darcy’s younger sister, who must choose between two suitors, a well-placed navy captain and a brash young architect. Masterfully adapted to Austen’s original nineteenth-century style, Presumption brings back to life the book’s most memorable characters, the Bennets, Darcys, Collins, and de Bourghs. Julia Barrett is a pseudonym for Julia Braun Kessler and Gabrielle Donnelly. “Elizabeth’s intense embarrassment for her family, Darcy’s latent heroism and the miscellaneous barbarisms of the Bennet and Darcy clans . . . are energetically and often quite delightfully handled, evoking the spirit of Pride and Prejudice.” —The New York Times Book Review “Presumption’s style . . . evokes Jane Austen’s dry wit . . . [It] moves briskly along, highlighted by the unwitting comic genius of Georgiana’s imperious aunt, Lady Catherine de Bourgh.” —Los Angeles Times Book Review “A boon to anyone who has every yearned for one more in the Jane Austen canon.” —Cynthia Ozick, New York Times–bestselling author “A witty, amusing sequel to Pride and Prejudice . . . For Austen lovers not affronted by the whole concept, a pleasant diversion. Otherwise, a stylish entertainment that may lead some to the unsurpassable Jane.” —Kirkus Reviews “Barrett expertly captures Austen’s ironic voice and subject matter in a book that is sure to delight and intrigue most Austen devotees. Highly recommended.” —Library Journal
Elizabeth and Darcy are caught up in the trials and tribulations of Darcy's headstrong sister, Georgiana, who must choose between the affections of two very different suitors, a well-placed navy captain and a brash young architect.
All of society believes former actress Helen Grey to be mad, but after a decade imprisoned in a crumbling Yorkshire asylum, she’s managed to cling to sanity. When a new doctor arrives, she finally sees an opportunity for freedom and she’ll do anything to not let it slip between her fingers. Dr. William Carter knows Miss Grey is using him, but he can’t blame her. She’s no madder than he is yet she’s spent years in this place. He’ll help her escape, but they can’t cross the line and give into temptation—no matter how much he would like. Helen and Will need to work together if she’s ever going to be free. It won’t be easy, not when her mysterious benefactor is determined to keep her locked up and hidden from society forever. When Helen is entangled in her own trap and begins to fall for Will too, she must fight not only for her liberty but for her right to love. Each book in the Harcastle Inheritance series is STANDALONE: * The Madness of Miss Grey * The Ruin of Evangeline Jones
Naming Your Baby is the essential A-Z guide for deciding your child's name. Much more than just a list of baby names, this book is a fascinating guide for expectant parents, as well as a wider reference resource for historians, writers and researchers. It contains over 1,500 possible choices, from Aaron to Zuleika, through the old-fashioned (Hazel and Gilbert), the modern (Jade and Devon), the unusual (Anselm and Tanith) and the most popular (Chloe and Jack). It reveals who has influenced the popularity of names, including film stars (Mia), biblical figures (Isaac) and fictional characters (Harry), and suggests why Chelsea, April, Rose or Ebony might be appropriate - or inappropriate! - for your child. Names with shared roots are gathered together in the same entry: you might decide against Helen in favour of Ellen, Elaine or Illona, or even need to switch at the last minute from Sean to Shauna...
Alex Stanton just inherited a dukedom but his true passion is uncovering charlatans and frauds wherever he finds them. Spiritualist and medium Evangeline “Evie” Jones is the biggest fake of all and he’s determined to expose her lies for all of London to see. Her prim manner and ladylike airs don’t fool him. He sees the hunger beneath and recognizes a worthy opponent. He can’t deny the dark undercurrents of lust between them. Evie worked her way up from the gutter and she’s not about to abandon the life she’s built for fear of this aristocratic dilettante. She knows his type. She sees the attraction simmering beneath his animosity, and she knows how to use it to keep him off balance. They strike a bargain. He has one week to prove she’s a fake. If he fails, he has to abandon all further attempts. If he succeeds, she’ll not only retire but make a public statement explaining all her tricks. Neither expects to find anything in common, not to mention anything to love, in the other. Both are blindsided by the affinity and blossoming tenderness between them. But even if it were possible for a lowly charlatan to live happily ever after with a duke, more is going on than either suspects. Someone else has brought them together for a sinister purpose of his own. Each book in the Harcastle Inheritance series is STANDALONE: * The Madness of Miss Grey * The Ruin of Evangeline Jones
Cupid finds a way to soothe ruffled feathers on Valentine's Day in this collection of three Regency stories. Includes "The Valentine Poem" by Victoria Hinshaw, "The Ugly Duckling" by Julia Parks, and "Valentine Dreams" by Donna Simpson. Original.
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