The Good Spy Wife is a story of aging FBI agent, Gunter Martini, as told by his wife, Bootsie. The saga begins with her suspicions that the next-door neighbor, Alexander, is a Russian agent. The reader is drawn into the drama as the story explodes along with the cigarette boat when Gunter dares to venture out for a boat ride to Bomb Island on the 50,000 acres Lake Murray on the night of a impending hurricane. His drowning is dubious, as no body floats to the surface. The wife trusts in God and believes that he is alive. When he reappears later in the Soviet Union he invites his wife to join him as he works toward an assignment involving the elimination of the American president, as the Soviet country believes the President of the United States and his democratic ideals stand in the way of progress for the Soviet Union. He must die, as the current leadership in America is an affront for growth of the new Russia. Set during the Cold War in the late 1980s, Bootsie and Gunter struggle with separation during difficult times in their own marriage. Bootsie grows spiritually through the unexplained meeting of strangers who appear to her as angels, and through drawing on her own strengths when alone. Ultimately, after many twists and turns of the story, the couple realizes that God is the only help for the frailty of their lives, and each makes plans to rebuild his or her life around their new beliefs. However, will this turn out to be the happy conclusion? One can only discover this knowledge through reading the book.
The beloved sequel to the bestselling classic, Mastering the Art of French Cooking, Volume II presents more fantastic step-by-step French recipes for home cooks. Working from the principle that “mastering any art is a continuing process,” Julia Child and Simone Beck gathered together a brilliant selection of new dishes to bring you to a yet higher level of culinary mastery. They have searched out more of the classic dishes and regional specialties of France, and adapted them so that Americans, working with American ingredients, in American kitchens, can achieve the incomparable flavors and aromas that bring up a rush of memories—of lunch at a country inn in Provence, of an evening at a great Paris restaurant, of the essential cooking of France. From French bread to salted goose, from peasant ragoûts to royal Napoleons, recipes are written with the same detail, exactness, and clarity that are the soul of Mastering the Art of French Cooking.
A collection of essays by poet Julia Spicher Kasdorf focusing on aspects of Mennonite life. Essays examine issues of gender, cultural, and religious identity as they relate to the emergence and exercise of literary authority"--Provided by publisher.
Fifteen-year old Mia lives with her dad in a small rural community. When she discovers that she's pregnant she doesn't know where to turn - her elder sisters have left home, her mum left when Mia was six, her boyfriend, Will, is too scared to be anyhelp and her dad tries to push her into an abortion. Backed into a corner, she runs away and joins two women on a canal boat. Nobody can find her now but she discovers that the women have their own tragic stories. A fire on the boat makes her realise that she must take responsibility for the baby and herself and that home is the most likely place to get help. Her mother re-enters her life and Will's mother involves herself. Mia learns about love and realises how much her father has done for her.
“Home has always been elsewhere, packed in a bag; and that is pretty much the story of my life.” Like a gale at her back, history propelled Julia Israel Schueler early in life on a westward course. She was born in Moscow in 1923 and at the age of three months was exiled with her parents and other Mensheviks to Berlin. Twice more “The Group” was displaced—to Paris in 1933 as Adolf Hitler intensified the persecution of political opponents, and to the United States, via Spain and Lisbon, when he invaded France in 1940. Elsewhere is Schueler’s life memoir, an adventure, coming-of-age, and coming-to-America story all in one. Against the gripping backdrop of major twentieth-century events, she tells in lyrical prose her remarkable personal tale of immigration and acculturation, and the ongoing search for an elusive home “elsewhere.” Schueler revisits memories of school days in Germany; streets blood-stained from an early version of Kristallnacht—and the admonishment “You saw nothing”; nostalgia for socialist songs of youth; reading banned books by Balzac and Zola; a wardrobe of cast-off, made-over clothes; the shock of seeing Paris in blackout; scenes of civil war–ravaged Spain; tears of guilt in Times Square on New Year’s Eve 1940; and much more. She introduces a parade of intriguing individuals, including her imaginative, romantic schoolmate Vivi, the niece of Leon Trotsky; Mr. Wittenberg, a close family acquaintance who spoke Esperanto; Dina, the daring young friend who ran away to become a model for the sculptor Aristide Maillol; and refugees from Stalinist gulags and German concentration camps. With touching and comic nuance, she conveys the ties that bind language to survival, identity, experience, and social acceptance and condemnation. She recalls the weeping and fist-shaking amid mysterious Russian in her family’s kitchen, her heartbroken whispers in forbidden German to her teddy bear, and her resolve during the voyage to America to act as French ambassador to the New World. She gives a delectable recounting of her first day of school in Paris, the nasal vowels and swallowed consonants of the strange language flowing over her in a bath of bewilderment. As associations prompt her, Schueler breaks off the thread of her narrative to ponder later events—for example, visiting her married daughter in Morocco; trips to Russia and China; and breast cancer’s lessons in both the curtailment and deepening of vitality. Thus, in aptly wandering style, she comes full circle in her telling, often closing the gaps in early recollections with insights gained years afterward. Elsewhere will draw readers into a delightful intimacy with the author as they follow her suspenseful passage from impressionable childhood through vibrant youth to graceful maturity, to finding home at last in New Orleans.
Have you ever wondered what the Bible teaches about the return of Christ? Perhaps you know about the Gathering Together and meeting the Lord in the air upon his return. But do you know what the Scriptures teach about the Christian’s inheritance, future reward, or the prize and crown? Is gaining knowledge of the Hope just an intellectual exercise, or does it impact your day-to-day living? Christ Jesus Our Hope: Living in Light of Christ’s Return answers these and other questions. At more than 400 pages, covering some 700 verses, this book considers the Christian’s hope in great depth. Eight appendices convey important ancillary information about the Day of the Lord, the Judgment Seat of Christ, the New Body, and more. The book concludes with a comprehensive FAQ section, where we answer 40 of the most commonly asked questions from attendees of our seminars. Our goal in writing this book is to help Christians remain faithful to God’s calling and set their priorities on things above, not on things of this earth, for Christ is our life.
THE USA TODAY BESTSELLER New York Times bestseller Julia Spencer-Fleming returns to her beloved Clare Fergusson/Russ Van Alstyne mystery series with new crimes that span decades in Hid from Our Eyes. "New parents Clare Fergusson and police chief Russ Van Alstyne tackle three copycat murders and one testy baby in this riveting addition to an acclaimed series" —People magazine 1952. Millers Kill Police Chief Harry McNeil is called to a crime scene where a woman in a party dress has been murdered with no obvious cause of death. 1972. Millers Kill Police Chief Jack Liddle is called to a murder scene of a woman that's very similar to one he worked as a trooper in the 50s. The only difference is this time, they have a suspect. Young Vietnam War veteran Russ van Alstyne found the body while riding his motorcycle and is quickly pegged as the prime focus of the investigation. Present-day. Millers Kill Police Chief Russ van Alstyne gets a 911 call that a young woman has been found dead in a party dress, the same MO as the crime he was accused of in the 70s. The pressure is on for Russ to solve the murder before he's removed from the case. Russ will enlist the help of his police squad and Reverend Clare Fergusson, who is already juggling the tasks of being a new mother to her and Russ's baby and running St. Alban's Church, to finally solve these crimes. Readers have waited years for this newest book and Julia Spencer-Fleming delivers with the exquisite skill and craftsmanship that have made her such a success.
A delightful collection of interviews with the beloved Julia Child--"The French Chef," author, and television personality who revolutionized home cooking in 20th century America This delightful collection of interviews with "The French Chef" Julia Child traces her life from her first stab at a writing career fresh out of college; to D.C., Sri Lanka, and Kunming where she worked for the Office of Strategic Services (now the CIA); to Paris where she and her husband Paul, then a member of the State Department, lived after World War II, and where Child attended the famous cooking school Le Cordon Bleu. From there, Child catapulted to fame--first with the publication of Mastering the Art of French Cooking in 1961 and the launch of her home cooking show, "The French Chef" in 1963. In this volume of carefully selected interviews, Child's charm, guile, and no-nonsense advice are on full, irresistibly delicious display. Includes an Introduction from Helen Rosner, food critic for the New Yorker.
Hiding a terrible secret, Miracle Heather has no desire to be rescued-especially by a virile young aristocrat. Yet as their accidental companionship leads them both into the unknown, mounting desire threatens to overcome every resolve.
Debut author Julia Mary Gibson explores turn-of-the-century Native American culture, ecology, and conservation, in her historical fiction novel, Copper Magic. The year is 1906, and on the shores of Lake Michigan twelve-year-old Violet Blake unearths an ancient talisman—a copper hand. Violet's touch warms the copper hand and it begins to reveal glimpses of another time. Violet is certain that the copper hand is magic—and if anyone is in need of its powers, it's Violet. Her mother and adored baby brother are gone, perhaps never to return. Her heartbroken father can't seem to sustain the failing farm on the outskirts of Pigeon Harbor, on the shores of Lake Michigan. Surely the magic of the copper hand can make things right for Violet and restore her fractured family. Violet makes a wish. But her ignorant carelessness unleashes formidable powers—and her attempts to control them jeopardizes not only herself, but the entire town of Pigeon Harbor. In Copper Magic, land and waters are alive with memories, intentions, and impulses. Magic alters Violet and brings her gifts—but not always the kind she thinks she needs. First-time author Julia Mary Gibson brings Violet and her community to life in this impressive and assured debut. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
High summer in Acker's Gap, West Virginia—but no one's enjoying the rugged natural landscape. Not while a killer stalks the small town and its hard-luck inhabitants. County prosecutor Bell Elkins and Sheriff Nick Fogelsong are stymied by a murderer who seems to come and go like smoke on the mountain. At the same time, Bell must deal with the return from prison of her sister, Shirley—who, like Bell, carries the indelible scars of a savage past. In Summer of the Dead, the third Julia Keller mystery chronicling the journey of Bell Elkins and her return to her Appalachian hometown, we also meet Lindy Crabtree—a coal miner's daughter with dark secrets of her own, secrets that threaten to explode into even more violence. Acker's Gap is a place of loveliness and brutality, of isolation and fierce attachments—a place where the dead rub shoulders with the living, and demand their due.
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