Portraits of 'good battling evil' in the geography of Hell come in many forms in the Hispanic World. Apocalyptic nightmares, fearful images of life, chaos and death are inclusive and interdepEndent, yet simultaneously project an exceptional quality. Where images remain unfulfilled in narrow allegiances to a proscribed End, this investigation explores how narrative logic may challenge unified notions of finalities. Redeploying transglobal character and narrative potential, it distinguishes itself by training the lens on New Beginnings. Its analysis embeds resilient formulas for combating the End through resistance in Latin America and Spain revealed in gilded illustration, decolonizing drama, messianic chronicles and poetry, baroque letters, racially-motivated novels, sexuality-threatening films, and intimidating immigrant photos complete with destruction wreaked by climate change. Through chaos the resilient Apocalypse simultaneously performs as an internal defense (a vehicle for mourning) and a counter-discourse to power (a mechanism for resistance). Its strategy listens to and keeps the enemy 'in sight and in mind,' a formula for grappling with and engaging difference that analyzes the traces left on each other's cultural fabric in an open-Ended, communal struggle. This study argues for decolonizing the politics of the End and reformulating an incomplete, mythical, uncanny quality into a poetics of resistance garnering communal solutions and obligations. Here the Apocalypse is unremittingly sought after to redefine social justice, salvation and reality over time and past collateral damage, ironically providing future hope against itself, the crushing fear of the End. It crystalizes what had yet to be comprehensively explored: how rival traditions internalize competing apocalyptic worldviews to arrive at sustainable plans of action, time-tested, reputable cultural models to control dissension from within and without, and social goals supported by traces the other imprints on their cultural ethos. Bracketing the finality of the End and arguing the process from conflict archaeology toward New Beginnings, salvation, solace or hope, resolves an incomplete myth by negotiating the afterward. Revealing how plural, competing viewpoints of the End go a long way to legitimize each other, this theory of unfulfilled promise forever changes the way we engage the other and value the self
Portraits of good battling evil in the geography of hell come in many forms in the Hispanic World. Apocalyptic nightmares, frightful images of chaos and death are inclusive and interrelated, yet simultaneously project an exceptional quality ("never seen or experienced before," "the mother of all battles," "I am the only one who can fix it"). This investigation explores how narrative logic may challenge unified notions of finalities when images remain unfulfilled in a proscribed End. By redeploying transglobal character and narrative potential, the Apocalypse suggests bewildering complexities as it trains its lens on New Beginnings. Here analysis explores resilient formulas for combating the End through resistance in Latin America, Spain and Latin@ communities in the US. Whether revealed through gilded illustrations, messianic chronicles, poetry, Baroque letters, racially-motivated novels, sexuality and spirituality in film or intimidating immigrant photos, apocalyptic examples explode notions of final moments. The Resilient Apocalypse ironically performs as both an internal defense (a vehicle for mourning) and a counter-discourse to power (a mechanism for resistance). This study argues for a strategy that listens to and keeps the enemy "in sight and in mind," a method for grappling with and engaging difference by decolonizing the politics of the End. It reformulates an incomplete, mythical, and uncanny narrative into a poetics of resistance with communal solutions and obligations. When the Apocalypse is unremittingly sought after to impose social justice, salvation and reason, it paradoxically introduces future hope against itself. In the works of Beato de Liebana, Sor Juana Ines de la Cruz, Cirilo Villaverde, Cristina Garcia, Martin Kohan, Jennifer Maytorena Taylor, Santiago Roncagliolo, Alfonso Cuaron, etc., rival traditions internalize competing apocalyptic worldviews and arrive at sustainable plans of action for negotiating the afterward. By bracketing the finality of the End and proposing a tension between conflict archaeology and the transcendence of opposition through renovation, salvation or hope, this study reveals how plural, competing viewpoints of the End go a long way to legitimizing each other. Ultimately, The Resilient Apocalypse traces a compelling narrative theory of unfulfilled promise that forever changes the way we engage the other and value the self during intervals of fear.
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