This book investigates the figure of the military man in the long eighteenth century in order to explore how ideas about militarism served as vehicles for conceptualizations of masculinity. Bringing together representations of military men and accounts of court martial proceedings, this book examines eighteenth-century arguments about masculinity and those that appealed to the 'naturally' sexed body and construed masculinity as social construction and performance. Julia Banister's discussion draws on a range of printed materials, including canonical literary and philosophical texts by David Hume, Adam Smith, Horace Walpole and Jane Austen, and texts relating to the naval trials of, amongst others, Admiral John Byng. By mapping eighteenth-century ideas about militarism, including professionalism and heroism, alongside broader cultural concerns with politeness, sensibility, the Gothic past and celebrity, Julia Banister reveals how ideas about masculinity and militarism were shaped by and within eighteenth-century culture.
Rachael is a very successful defense attorney whose life was turned completely around. After the murder of her husband and a second failed marriage, Rachael decides, after a little talking with her family and a good friend, to go out and enjoy her life. So she starts to hang out with her sisters who like going over to the casino and playing bingo, which she would pass up. But the casino she liked, she liked it so much she began to go alone. Then one day, she met someone whom she would later call her casino lover—but not before she finds out that he has a fatal attraction on his hands and doesn’t realize it. But she does because it was the same type of woman who had her first husband, the father of her children, murdered because he didn’t return the same feelings that she had. Rachael was not going to sit back and watch it happen to the new love of her life without saying something or doing something to stop this woman. If I saw this book entitled My Casino Lover and read the inside flap or the back of the book and it was interesting enough, then yes, I would buy this book. I’ve been writing for a while but never did anything with this book until lately. I’ve just been putting it on the back burner along with the other one that I’m writing. My goal or vision for this book/movie is to see it become a number one best seller in the book market and a number one box-office-hit movie. Because Rachael finally finds the love of her life a third time around after almost giving up somewhat on men, she then stumbles on love one more time.
Whilst China’s growing economy is widely regarded as being responsible for severe environmental degradation and a high reliance on energy from fossil fuels, China is emerging as a potential leader in new green energy technologies. Outlining the extraordinary growth in China’s wind power capacity since 2005, this book explores the deliberate creation of a whole industry and the strategy of transitioning the power sector to renewable energy by accelerated experimentation and through literally pushing the emerging wind power sector to its limits. Investigating how wind power may not always be considered as sustainable in a wider Chinese developmental context, the book traces the struggle China has had in getting this high technology sector to qualify as truly Chinese scientific development, whilst often being opaquely at the mercy of foreign expertise, technology, and certification. The book furthermore exposes the surprising nuances, dynamics, and potency of unexpected players in Chinese wind power marketisation. Complex interplays are revealed between wind turbine control systems, algorithms in critical software technology, relationships between suppliers, wind farm developers, financiers, the electrical grid itself, the coal lobby, the broader Chinese state, and much more. The book has important implications far beyond wind power and contemporary China studies, highlighting the much wider story of China’s fragmented and experimental style of innovating, upgrading, and greening.
Filled with practical tools and guidelines, this book addresses an essential competence for public managers - incorporating governance and law in public administration. It links democratic constitutional values to administrative decision making and practices by stressing how public law authorizes, informs, and democratically constrains public servants in fulfilling public policies. The author addresses important aspects of governance in chapters that discuss democratic values of the rule of law, constitutional law, legislation and policy, administrative law, judicial practice, contract law, and tort law. The book also considers the practical aspects of public management (such as tax collection, benefits administration, personnel administration, and more), with application guidelines and techniques based on thorough legal grounding.
By the close of the Eighteenth Century, the theatrical memoir had become a popular and established genre. This ten-volume facsimile collection offers accounts of the late eighteenth-century stage, which provide insights into contemporary constructions of gender, sexuality and fame.
This book traces the transmission and reception of one of the most influential novels in Western literature. The Golden Ass, the only ancient Roman novel to survive in its entirety, tells of a young man changed into an ass by magic and his bawdy adventures and narrow escapes before the goddess Isis changes him back again. Its centerpiece is the famous story of Cupid and Psyche. Julia Gaisser follows Apuleius' racy tale from antiquity through the sixteenth century, tracing its journey from roll to codex in fourth-century Rome, into the medieval library of Monte Cassino, into the hands of Italian humanists, into print, and, finally, over the Alps and into translation in Spanish, French, German, and English. She demonstrates that the novel's reception was linked with Apuleius' reputation as a philosopher and the persona he projected in his works. She relates Apuleius and the Golden Ass to a diverse cast of important literary and historical figures--including Augustine, Fulgentius, Petrarch, Boccaccio, Bessarion, Boiardo, and Beroaldo. Paying equal attention to the novel's transmission (how it survived) and its reception (how it was interpreted), she places the work in its many different historical contexts, examining its representation in art, literary imitation, allegory, scholarly commentary, and translation. The volume contains several appendixes, including an annotated list of the manuscripts of the Golden Ass. This book is based on the author's Martin Classical Lectures at Oberlin College in 2000.
In the 1950s, history teacher Julia Kathryn Garrett of Fort Worth began collecting stories from old-timers and pioneers whose memory or knowledge reached back to the early days of the city. For fifteen summer vacations she worked from morning to night on her book, creating an anecdotal chronicle of the early years of the city that began as a fort on the Trinity River in 1849. She closed her history with events a quarter of a century later, when Fort Worth was poised on the edge of growth, ready to become a modern city with the 1876 arrival of the railroad. First published in 1972 and reprinted by TCU Press in 1996.
“Jesus commissioned disciples to teach the nations, and women of the church must take his call seriously.” Men and women alike are given the spiritual gift of teaching, yet few resources are designed specifically for women who exposit the Scriptures. In Empowered and Equipped, Julia Higgins steers women through the steps needed to faithfully interpret, apply, and teach a passage of Scripture. By examining both the principles and practices of teaching of Bible exposition, Higgins seeks to prepare women in the local church to make and mold disciples.
Public Administration and Law has been edited for use as a supplement for an undergraduate or MPA level course on administrative law. The selections, all from the pages of Public Administration Review, have been chosen to enlighten and enliven the contents of any standard administrative law textbook. Each of the book's main sections begins with introductory text and discussion questions by the volume editors, Julia Beckett and Heidi Koenig, followed by relevant readings from PAR. The book's contents follow the standard pattern established by the field's major textbooks to facilitate the instructor's ability to assign readings that illuminate lectures and text material. The book concludes with two invaluable resources - a bibliography of 65 years of PAR articles concerning public law, plus a bibliography of law-related articles appearing in other journals published by ASPA.
Glorious Causes explores the politics of theatricality and the theatricality of politics in late Georgian Britain, at a time when the British nation can be described as a stage for reform. Political rhetoric during this period was characterized by a rich vocabulary, drawing on theatrical language and forms, from melodrama and tragedy, to comedy and burlesque. Most importantly, activity in the theaters themselves, often dismissed until recently as vulgar or sentimental, was highly charged with political dynamic and controversy, central to the drama of reform.
A free ebook version of this title is available through Luminos, University of California Press’s Open Access publishing program. Visit www.luminosoa.org to learn more. Sounding the Indian Ocean is the first volume to integrate the fields of ethnomusicology and Indian Ocean studies. Drawing on historical and ethnographic approaches, the book explores what music reveals about mobility, diaspora, colonialism, religious networks, media, and performance. Collectively, the chapters examine different ways the Indian Ocean might be “heard” outside of a reliance on colonial archives and elite textual traditions, integrating methods from music and sound studies into the history and anthropology of the region. Challenging the area studies paradigm—which has long cast Africa, the Middle East, and Asia as separate musical cultures—the book shows how music both forms and crosses boundaries in the Indian Ocean world.
This book is devoted to the study of the bilingual “parallel poems” of Ludwig Strauss (Aachen 1892 ˗ Jerusalem 1953) created between 1934 and 1952 in Palestine/Israel and which exist in two variants, a Hebrew and a German version, one of which is the original and the other a self-translation. The aim of this study is to compare the versions and their interpretation based on Strauss’s theoretical essays on poetry and translation, his political writings and works of literary criticism. Special attention is paid to Strauss’s concept (linked with the idea of messianic redemption) of poetry as a “fore-image” of a future true community of men and as “the earthly expression of the Absolute” directed at interpreting divine revelation and its “translation” into human language. In examining Strauss’s experiments with self-translation, by which he aimed at establishing a dialogue between languages, and between people and nations, this study considers the two processes of translation: from divine speech into human language and from one human language into another.
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