The award-winning cartoonist, playwright, and author delivers a witty, illustrated rendition of his life, from his childhood as a wimpy kid in the Bronx to his legendary career in the arts.
THE STORY: Blending together a series of sketches, skits and vignettes, this delightful revue peoples the stage with the engaging and all-too-human characters made famous through the author's renowned cartoons. The theme is the plight of today's ci
Jules Feiffer Full Length, Black Comedy Characters: 6 male, 2 female Interior Set Depressed New Yorker Alfred Chamberlain is engaged to perky, can-do Patsy Newquist. As their wedding day grows near, Alfred finds himself embroiled in an urban nightmare not the least of which is his fiance's family, the possiblity of marriage without Faith, muggings and a sniper's bullet. "Jules Feiffer, a satirical sharpshooter with a deadly aim, stares balefully at the meaningle
A long-run Broadway hit, this warmly humorous--and human--play by our theatre's most renowned comic writer, offers a wise and witty examination of a family hilariously beset by marital and domestic problems. ...one of the most professional pieces of work Bro
A first of four volumes collecting the Pulitzer Prize- and Academy Award-winning cartoonist's Village Voice strips reflects the political and cultural arenas of the mid-twentieth century and tackles a wide range of topics, from the Eisenhower administration and McCarthyism to the Cold War and the impending civil rights era.
“Raymond, I want you!” Just when Raymond is in the middle of a comic book, his mother calls him. Not once but five times. “It's not fair!” Raymond thinks. Then he thinks: “What if I had my own MEANWHILE...?” Comic books always use MEANWHILE... to change the scene. So Raymond tries writing it on the wall behind his bed. To his astonishment, Raymond discovers that he can MEANWHILE...from one perilous adventure to another'from pirates on the high seas, to Martians in outer space, to a posse and a mountain lion out West. Then, at the worst possible moment, Raymond's MEANWHILE... fails him, leaving him in a spot that spells certain doom! Unless . . .
Roger Ackroyd, a young private detective, finds himself involved in the tangled affairs of Annabelle, a beautiful & hysterical lady married to (and separated from) "Rags, an aspiring novelist.
It's not under the bed, or on the chair, or beneath the couch, or behind the curtains. It's GONE! What do you do when your favorite toy disappears, and you can't find it where you left it? What if your family is NO help at all? A determined little detective heads up the search, and discovers more than she ever expected! 00-01 Young Reader's Choice Award Program Masterlist
Pulitzer Prize–winning cartoonist Jules Feiffer brings the fantastical to life with his signature style in this zany, whimsical adventure about a family on a quest to find their mother and save another dimension. Curly and Perlie, brother and sister, find themselves transported to the Lost Dimension. Soon they are joined by big sister Shirley and their very special Mommy. Marvelous adventures await the whole family in that weird dimension. Come along and see for yourself!
‘Prince Roger sets out eagerly on a quest and finds a few adventures, a lot of friends, a damsel or two in distress (not!) and himself, in the end. A ‘carrier of joy’ whose mere presence causes everyone to laugh uncontrollably, Roger finds cruelty and kindness equally amusing, and expects his quest to be a lark. It’s anything but: As Roger passes through the Forever Forest, nearly starves at the Dastardly Divide, sees people at their worst in the Valley of Vengeance, and temporarily despairs in the Mountains of Malice, he sobers up, learns to care for others, becomes an expert peacemaker, does Good Deeds, and falls in love with Lady Sadie, who says what she thinks as she repeatedly saves his bacon.’—K. ‘Feiffer’s worldly-wise, confiding tone and sense of the absurd are highly congenial, and the drawings are a vintage Feiffer delight.’—Publishers Weekly. 100 Books for Reading and Sharing 1995 (NY Public Library)
In a cabin in the woods, two bickering old Jewish recluses, Abe and Cohn, have retired, and haven't moved in two decades. Abe is a former stockbroker, and Cohn is an unemployed musician. In fact Abe and Cohn represent one character, that has been split into two opposing sides of the same spirit: Cohn is the realist, who believing only in empirical reality, Abe is the romantic. Miraculous events begin to happen. When Cohn wishes for a new roommate, his wish is promptly granted by the arrival of a mad magus named Wiseman. This leads to another visitor who is none other than Joan of Arc, accompanied by her "Voices". Though her arrival is at first greeted by a shotgun blast, Abe and Cohn are eventually charmed by the saint, and she gets them to reconsider many of their preconceived ideas to such an extent that Abe and Cohn eventually switch positions: Abe becomes the skeptical realist and Cohn becomes the true believer. She calls Abe and Cohn to join her in a space ship on a pilgrimage to Heaven -- before the coming holocaust. Cohn is willing to go along, but Abe refuses, so Joan remains and sets up housekeeping in the cabin. When Joan accidentally cuts her finger in the kitchen, she faints and dies, which gets her to heaven without the space ship. Abe and Cohn are left behind to argue with Joan's spiritual Voices.
/DIV DIVJulie wants a dog more than anything in the world, but her parents won't let her have one until she’s old enough to walk it by herself. Julie does manage to collect some other pets while she waits, though: a sick cat, a hamster, a big, ugly fish, six smaller fish to keep the big fish company, a turtle, a strong-minded kitten, an unresponsive hermit crab, and a borrowed classroom rabbit that seems to be dying. All in one bedroom. Is enough ever enough for this critter connoisseur?
A long-run Broadway hit, this warmly humorous--and human--play by our theatre's most renowned comic writer, offers a wise and witty examination of a family hilariously beset by marital and domestic problems. ...one of the most professional pieces of work Bro
Bark, George," says George's mother, and George goes: "Meow," which definitely isn't right, because George is a dog. And so is his mother, who repeats, "Bark, George." And George goes, "Quack, quack." What's going on with George? Find out in this hilarious new picture book from Jules Feiffer.
Two cantankerous middle-aged recluses seem doomed to spend the rest of their days in petty quarrels. Suddenly their existence is interrupted by the arrival of Joan of Arc. She tries to help them understand each other, but whether or not she has succeeded is debatable.
Everyone's favorite dog is back in the much-anticipated follow-up to Bark, George from celebrated author-illustrator Jules Feiffer. When George's mother asks her pup to add one plus one, two plus two, and three plus three, George would rather eat, go for a walk, and take a nap. But soon George finds himself in a colorful dream about...numbers! Can George count his way out? Featuring laugh-out-loud humor and expressive and bold illustrations from acclaimed author-illustrator and Pulitzer Prize-winning cartoonist Jules Feiffer, this imaginative follow-up to Bark, George is the perfect read-aloud for children ready to learn their numbers.
Cartoons offer a satiric look at the Reagan administration, foreign policy, U.S.-Soviet relations, presidential elections, South America, arms control, and the Iran-Contra Affair
Never has the incomparable Jules Feiffer been more eerily prophetic than in this stunning finale to his best-selling Kill My Mother trilogy. Hollywood is haunted. 1953. Ghosts abound. In particular, the ghost of Detective Sam Hannigan—murdered in Bay City twenty-two years earlier by Addie Perl, the hired assassin who then bought a Hollywood nightclub with her blood money. Among the nightclub’s favored clientele is Sam’s widow, Elsie. Blinded by a Japanese bullet while on a USO tour in the South Pacific, Elsie has been reinvented into “Miss Know-It-All,” a Hollywood gossip columnist. But blind Elsie is haunted by the ghost of her husband, Sam, who asks her accusingly: “If Miss Know-It-All knows so much, why can’t she find Cousin Joseph, the man who had me killed?” Hollywood is haunted. Spooks abound. Agents Shoen and Kline, investigators for the House Un-American Activities Committee, manipulate the blacklisted, buxom, over-the-hill starlet-turned-hooker Lola Burns into working for them and naming the names she had once refused to betray. Hollywood is haunted. Communist screenwriters Oz McCay and Faye Bloom are noisily plotting, boozing, and laughing their way toward their impending disaster. Hollywood is haunted. As an inside joke, writer-director Annie Hannigan—Sam and Elsie’s daughter—comes up with the idea of a “Ghost Script” that may or may not exist but is rumored to expose the inside story of the Hollywood blacklist and the names of its undercover masterminds, most notably the reclusive philanthropist Lyman Murchison, a superpatriot with a dirty secret. Hollywood is haunted. Stumbling his way through this maze is private eye Archie Goldman, a tough-talking, nebbishy good guy who’s never been in a fight he didn’t lose. Archie’s single aim is to live up to the memory of the ghost who haunts him: Detective Sam Hannigan. Trail along with Archie into the middle of this muddle, as he tracks the arc of history and finds that it has rounded itself off into a circular firing squad. In this antic and brilliant assault on our past and present, Jules Feiffer shows us, once and for all, that if there’s one thing Americans hate, it’s learning from past mistakes. Every twenty years or so, a new generation must address new biases and injustices that are virtually identical to past biases and injustices. But who remembers? Exposing the tragically cyclical path of American history, Jules Feiffer pens the final installment to a noir masterpiece.
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